Still life with personal touch

Blue, green and orange still life by Inese Poga

This post has many pictures, make sure to check them out. I decided to devote a special article to my still life paintings since it has been an important genre for me for many decades.. In languages which I speak fluently (native Latvian, German, English and Russian), still life is called as follows:

Still life: English

Stilleben: German

Hатюрморт: Russian

Klusā daba: Latvian

Nature morte: French

Naturaleza muerta: Spanish

Natura morta: Italian

Wikipedia gives a brief historic overview of still life as a genre, and I don’t think I need to repeat it.

Etymology and direct meaning

Translating literally, still life means dead nature in French, Italian and Spanish and Italian and Spanish have presumably borrowed it from French. The direct meaning of English still life is “life which is not moving and making no sound”; not moving and silent life – in German. Russian uses a loanword from French; hence French was spoken in all higher educated circles in Russia for quite a while until the Socialist revolution in 1918. Still life in Latvian means “silent nature” referring to rather making no sound than not moving. I find this very amazing. I do stick in my still life paintings with “nature that isn’t moving, but is visibly alive”.

My still life

As a native Latvian, I have formed my understanding of still life based on classic Latvian art. I especially adored Latvian art which was created between 18th and 19th century and around the beginning of 20th century. Latvians used to go to France and Italy to study art, therefore, the influence is undeniable. The part I never liked and to which I developed internal opposition was the use of mainly cold raw umber and rather muddy earth and dirty blue color in still life art between the WWII and 60-s of the previous century. However, they worked well in combination with grey color since grey has many thousands of shades. When I was younger, I couldn’t stand such color combinations.

The beginning of my personal style

I initially was somewhat really naturalistic. I could sit for hours in the garden or in my room and draw leaves, plants and flowers between age 10 and 16. I drew also people and faces of my sister and other relatives, but for still life, I didn’t have to ask anybody to sit and stay there for a few hours. Back in 60s and 70s of 20th century while Latvia was still in the Soviet Union, I could mostly use what I got from our garden. Vegetables and fruit lasted longer than flowers, so, I developed a special love to them. I used just pencil and watercolor on a bad quality paper. I didn’t have lots of art supplies, often not even eraser. That taught me drawing so that I wouldn’t need eraser. I didn’t have obviously camera and printer, and nobody knew anything about the internet yet.

The subject of still life

Still life with fruit and flowers, watercolor

I have most often certain requirements when setting up a still life. I use something man-made, such as bowl, cup, jar or mug, box, books or similar items. I implement some flower or leaves, or the entire plant whenever I have it, and that establishes the living part of my still life. I also love adding either fruit or vegetables since they are always available. I sometimes cleaned out the fridge, and my husband used to joke that we didn’t eat for the entire month while I painted my still life. Big is definitely more impactful, and I go with full sheet watercolor paper (22 x 30 inches or 56 x 76 cm) when I have a good quality paper. The same about acrylic painting of still life. The small size is about 16 x 20 inches or 41 x 51 cm with just a very few exceptions that are even smaller. Painting big size art is much easier for me and I always prefer that assuming I have enough time and appropriate art supplies.

A very attractive genre

Blue, green and orange still life by Inese Poga
Green, blue and orange still life, just finalized with extra touches

Over years, I have painted numerous still life paintings. Many have been sold as prints. I cannot include all still life paintings, but just a few in one post. These paintings are recently finalized, but started even 10 years ago. The “Spring tulips and cup” painting was done like that. Pictures I was taking years ago, do not look that good any longer, but I cannot get better ones from framed art which is under glass. For these paintings, I had only my sketch or drawing for reference.

My reference for my still life painting
I could finish this painting because I had created a value drawing in the same size what painting is: 20 x 24 inches or 51 x 61 cm, therefore, I had reference
Watercolor painting, still life
Still life with blue, 25.5 x 20 in or 64 x 51 cm

It is usually difficult to get true pictures of paintings and how the viewer sees my paintings, depends on their device. I certainly tried. I have 4 monitors at 2 computers, and every image looks very different on each one of them. These paintings are available as art prints also. Thanks for reading!

More about my still life art, click on image for article:

Watercolor still life

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Sunny still life

Sunny still life by Inese Poga

Sunny still life on watercolor canvas

Sunny still life is a painting which I started on January 1, 2013. I got busy, and this canvas was collecting dust (literally, it was hard to get rid of it) until now. The other day, I was going through different pictures and thought: why not to finish up this still life? “Sunny still life” was intended to be painted in pastel. I had painted two smaller pastels on canvas from the same set-up in my studio, and everybody liked them and later bought. I used watercolor for the base layer. However, this isn’t a watercolor paper. It is watercolor canvas.

Creation process of Sunny still life

What is watercolor canvas?

Watercolor canvas is supposed to be a surface which accepts watercolor paint. In reality, it doesn’t. Paint comes off extremely easily, and it doesn’t stay on. I can lift paint, but to get more of it on, is not going to happen using regular technique. I bought this watercolor canvas exactly 8 years ago. My hope was I could use it for watercolor and then hang without a frame. Frames are always a problem, and they become an issue when one has very many paintings.

Original art by Inese Poga

Getting realistic image on watercolor canvas

Watercolor canvas is very difficult with somewhat realistic image since we get only one attempt in covering an area. I think it would work when pouring on very thick watercolor paint, but there is nothing much of a thin layer. I still decided to complete this painting. The truth is, I feel obligated to finish all paintings I have started. I don’t know if they still sell watercolor canvas, but this was the only one I ever bought. Thick watercolor paper is so much better for realistic paintings, but it needs a frame, unfortunately.

Sunny still life, Inese Poga

Excellent quality paints

After lots of attempts cheating paint onto canvas, I got somewhat saturated colors.  This painting is 24 x 20 inches or  61 x 51 cm. I always paint around edges, just like with any painting on canvas. I could accomplish this because I use pigment-rich watercolor paints. I use St. Petersburg watercolor paints, and I’m absolutely happy with them. Over years, I have tried most brands, and I must admit, nothing on the market compares to St. Petersburg paints.

Watercolor canvas, painting

I think the mood is really sunny, and therefore, the title of this painting is also “Sunny still life”. This is how the painting process and experiments started: Experimenting with surface and medium

Paint goes all around edge

Other than that, I am preparing materials for online art classes and my watercolor painting book. It is a very lengthy and time-consuming process. At least for me. I am a bit slow because there is so much to do in the garden.

Stay healthy, purchase some art. Many people are doing really well during these COVID-19 times.

 

Manual drawing: how to start and excel

Art supplies for drawing

Manual drawing ability

We are born with the ability to draw, but we lose it as we grow up and get older. Many schools disregard manual drawing as unnecessary in the age of coding, digital art and devices that can do everything.

Sometimes, we lose our ability to draw when one compares their drawing with the best possible drawings on the internet and decides that they will never be able to do such a drawing. Therefore, it is easy to give up what did not even get a chance to unfold.

We forget that it is not what some internet sites will tell you: draw like a master in one day. For some unknown reason, it is believed that art does not take numerous hours of practicing and numerous attempts to improve our own results. Nobody becomes a master in one day.

Who can learn drawing?

Most people who have managed to learn manual writing shouldn’t have any problem with drawing also. In order to be able to just look at something and draw it, you must practice. It will not happen right away, and it will not happen on its own.

In fact, to acquire ability to draw, you must exercise your ability to see at first. If you want to see things artistically, you also need to know what to look for and what to pay attention to. We lose our ability to notice things, as well as our ability to maintain focus when we are always distracted by presence and interference of devises.

Don’t be perfectionist

Cravings for perfection can be irresistible; therefore, many people take credits for a drawing which they have simply traced from a photo or printout, reproduced on a larger scale using grid, display on a wall, or photo editing software. I would still suggest: learn manual drawing and don’t depend on devices. Be driven by just the desire to capture your subject.

Drawing is a base for any more or less realistic painting. Painting is drawing with a brush.

What is important when you start drawing?

Draw big: that is the most important part when starting drawing.

Choose big size paper. For beginners, 12 x 16 in (30.5 x 41 cm) is a good size, later go up to 20 x 24 in (51 x 61 cm) or create value drawings as big as your painting is. Even with smaller size paper, draw your subject large. Small things do not allow implementing much of what is important: values, shadows, direction of light and contrast.

In order to show something special that your subject has, you have to stay away from tiny things. Large drawing has also more impact. It is simply much more effective and noticeable.

Best subjects

The absolutely best way to learn about values, shadows, direction of light, contrast, size and shape relationships is starting with still life. Still life can consist of anything: your favorite things, toys, souvenirs, beauty products, food, fruit, vegetables, flowers, dishes, books, clothes, hats, gloves, glasses, interior items and so on. Use your imagination and set up something you like and find interesting.

Fragments of landscape are great. If you are a beginner, choose just a small part of a view.

Buildings and structures are one more extraordinary great thing to draw. They are everywhere, no need to stress out looking for something which is out of your reach. Add fences, fence posts, doors, steps, windows and so on. Perspective is a very important part of such drawings. It is nothing very difficult, but there are things you simply need to know.

Flowers are always easy to find and get, therefore they suit well as subject.

Portrait and figure drawing require a model. Model can be not always available. Reproducing photos does not really make one an artist who can draw human faces and figures, but as a learning exercise it is still fine.

How to start drawing?

We start with exploring our subject visually. We try to look at our subject at least 3 times longer every time than at our paper. Gradually, your hand will do what you want it to do.

At first, we mark up the space with approximate sizes and place approximate shapes.

Try not using eraser until you have established the main shapes and are about to define details.

We always go from abstract to definite and from distant to close, as well as from back to the front if it is a large piece or shows perspective.

Work simultaneously at all parts of drawing until every single part has obtained some definition. Step back and decide what’s to stay, what needs more work and what has to be erased. Clean up unnecessary lines, correct the wrong ones.

How to bring your drawing to a completion stage you want or need

Drawing serves many different purposes.

Drawing as a reminding sketch

Drawing as a reminding sketch is the simplest way to recall view, landscape or interesting detail. For such drawing, only the main lines, shapes and values will do.

Manual drawing by Inese Poga
Two point perspective drawing

Value drawing for transfer

I have many hundreds of large size value drawings and sketches. My models can sometimes go bad, such as fruit, vegetables or flowers. For watercolor, we do not want to damage the watercolor paper, and therefore, we improvise and test everything on another (preferably, half transparent) paper. When the subject is complex, or when the potential painting consists of many parts, or these parts must be aligned in a certain accurate way, for instance, in perspective drawing of buildings, street views or complex structures, value drawing is much better reference than any photography.

Such value drawings and sketches can be left unfinished because some parts do not need much work and you can do it directly in painting. We only define more these parts which might be difficult to remember due to unusual shadow play or shape and line relationship.

Drawing practice pieces

To create a quick manual drawing, does not take much time or effort. Focus on something interesting, rather fragment than the entire view or subject. We sometimes want to see whether some part of drawing or painting will work or not. Therefore, we do sketches and drawings of some parts only. That is simply a good practice also. Such drawing can be finished and worked out, or we can leave it at a sketch level.

Manual drawing by Inese Poga
My drawing of spring lilies for watercolor painting

Standalone drawing as art

Drawing as art which will be potentially framed and hang onto wall or placed in portfolio will require the most time. It will include all aspects of painting, plus line work, nice shadows, strong and zero values, and everything in the middle. It will have good contrast, interesting relationships between parts and more. We will use soft eraser and sometimes stump to spread out graphite dust and create smooth, even coverage of dark areas. We will also use different pencils with different softness grades.

Manual drawing by Inese Poga
My drawing for watercolor painting, here daffodils, see painting in other posts

My drawings

I usually don’t create just drawings because I probably love color too much. I have many value drawings and sketches, and some are really worked out quite well. I keep them in large 1 meter x 60 cm folders. I can always re-use whatever I like or consider suitable. My drawings are usually large and very large,  attached images are up to 51 x 61 cm or 20 x 24 in and larger.

I don’t mind spending time on a manual drawing because that works like a plan for painting. While you draw, you can figure out all accents and contrasts, as well as see how and if your concept even works. I will eventually turn some drawings into paintings.

Large still life drawing
Any of these drawings might become paintings, this one is  22 x 29 inches ( 56 x 74 cm)

Everybody can draw

We can draw before we can speak. We can draw even if we cannot speak or express ourselves in writing. We can still draw and recreate memories when everything else is gone from our mind.

Research confirmed that people, who had lost big part of their cognitive function and memory, could clearly remember what they had been drawing many years ago: places, events, occasions and people. They test this at University of Waterloo,, Canada. Researchers also advise people to draw and paint their adventures and life experiences because they will never forget what they created artistically.

More: about drawing: Start drawing and sketching

Barn drawing and illustration

Value drawing

Don’t wait: start manual drawing today! I simply would love that everybody experiences the huge pleasure we gain from simply drawing and sketching. Register for my art classes: Registration for art classes

Draw and paint your reality

Draw and paint your reality still life painting of sweet peppers

Draw and paint your reality and keep memory in good shape

Why should you start drawing and painting if you are not and do not intend to be an artist? Why should your kid draw instead of scrolling through screens?

The worst part of nowadays trends is trying to achieve a wonderful result without any efforts, experience and work. When it comes to art classes, that takes away from any benefits drawing and painting provides you with.

I have listed benefits of participating in art class many times before. Some:

Benefits of participating in art classes

I have also mentioned the effects of drawing and painting on our memory many times:

Drawing and painting for brain health

It is not that important actually what you draw or paint, but how you use the medium of your choice or art supplies you have. It is also very important for people who are not and do not intend to be artists, to pick up a pencil and start drawing.  Do it for fun, for pleasure, do it without regard to results and just to keep your brain flexible, young and memory strong.

Realistic painting of Bell peppers on white background

How to turn simple things into awesome subject of painting

While trying to become familiar with drawing or painting, you will progress faster and create more impressive drawings and paintings if you use real things, not photos. When artists have experience and know what they are doing and what they are trying to achieve, they can use also photos because they will understand how to handle them.

Draw what you see

We can draw and paint anything. It does not have to be an extraordinary setup of extraordinary things. Anything you have on the table or in fridge is fine. Anything you see through the window is fine. Anything visible in the backyard is fine, too. Try to create abstract outlines at first and then refine every area more. Don’t worry about the result; allow yourself the freedom to be a creator. Who cares what you have drawn? The main thing is engaging our brain, eyes, mind and hand.

Photo versus reality

If your initial learning subject is already flat and two-dimensional, you will have hard times to ever adjust to drawing or painting from reality. It is even worse to trace outlines from a photo because you are missing the most crucial part of drawing and painting process which is to understand why you place things where you place them and why you use the specific artistic tools such as contrasts, shadows, overlapping, specific colors, sizes and shapes on certain areas.

Brain loves drawing and painting

Art is a very logical thing; and decisions we make are the result of communication between many brain areas which are activated while we perform some specific task. Unlike any other cognition and memory related activity, drawing process involves many areas of the brain because drawing is a multi-sensory activity and in order to create we use many brain regions:

to see and understand our painting subject;

to process its shape, outline, size and spatial relationship with anything else;

to send the signal to our hand with brush or pencil;

to recreate visual images with line, color, form, value, contrast and shadow  on a paper or canvas;

to give our subject multi-dimensional look and volume on a flat paper or canvas;

to distinct between abstracted areas and definite details;

to make certain focal points stand out or point out the main area of interest.

Decision-making and personal know-how

That is a lot of decision-making! Therefore, using our brain to its full capacity more and more often, we become successful with capturing our idea or visually perceived subject and turning work on it into personal artistic experience, into our personal know-how.

Composition and values

Composition and values, as well as shapes and shadows are things we should figure out while we are creating a sketch or value drawing for a painting. That is why reality is more helpful than we think. Photo has limitations, and you will have to pretty much stick with it while reality allows for endless interpretation and adjustment.

Creation takes origin in us and our own brain

That is also my biggest argument against the idea of believing that watching how somebody else paints results in better drawing or painting for you. You simply do not know all the things the artist who demonstrates painting or drawing is considering.  Artists, who demonstrate their creative process, have made countless decisions before they started to apply paint. They keep making new decisions every split second, and most often, they have also practiced on this particular piece many times.

Still life with Bell peppers

Draw and paint and become more efficient with any mental task

If you already do not spend some calming, soothing and relaxing time with pencil or brush, please, consider it. You do not need to be an artist to start drawing or painting. However, most people need either mental or physical healing, and we definitely need to maintain our memory in a good shape. These are benefits we can count on along with creating something beautiful.

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P.S. I had already written this post by Friday morning, and my mom had a stroke on Friday afternoon. See lifeschool blog for more info on that: Bad news comes always at wrong time

My mom was better today. She recognized me and was able to recall my name.

Why to engage in value drawing and value sketching

Black and white art, value drawing

How value drawing can help

Why should you spend time on value drawing? If you do such drawings large or full painting size, it will take quite a lot of time, from a few hours to a few days. However, these value drawings will be all reference materials you need. I have added many photos of my very large still life drawings, so that you see what I’m talking about.

Old farm, ink drawing

Drawing for watercolor

I started to do such large size value drawings because my goal was to eventually create a watercolor painting. As you may know, watercolor paper is very fragile and painting does not look good if there are lots of visible pencil marks or even worse. Erasing damages watercolor paper. I do such drawings on tracing paper. That is because I use a specific drawing transfer technique which allows seeing my final drawing very well without applying graphite pencil too much. It saves me work afterwards and prevents my paper from damage.

Drawing buildings

Large is great

I make these drawings large, to be more exact, the actual painting size. I usually paint full-sheet 22 x 29 inch ( 56 x 74 cm) watercolors, and sometimes a bit smaller acrylics. The drawings shown in my photos are 22 x 29 inches ( 56 x 74 cm) and 20 x 24 inches (46 x 61 cm) .

Still life drawing, demo
I usually do these and similar drawings in class, 20 x 24 inches (46 x 61 cm)

Value drawing is a guide and a map

All answers to questions which arise during the painting process are in the value drawing. I love painting from real things as opposed to photos, and if the subject is sensitive, such as flowers, food, fruits, vegetables or moody nature scene, I have to use something which quickly captures the subject. I obviously cannot get done a large painting within a few hours. Therefore, instead of taking photos, I do value drawings and sometimes value sketches.

Still life drawing

Camera doesn’t replace visual perception

Partially, I don’t rely on photos since I got my first camera not that long ago and I was very much used to draw everything what other people were taking pictures of. The other aspect to that is the way any camera distorts the subject or view. My eyes perceive it much better than any camera would, and I create a composition on a fly.

Photographic visual memory

I don’t know whether I was born with it or whether I just developed it, but I only found out quite late in my life that I have literary photographic visual memory. I simply did not pay attention to that when I was young.

Advantages of having great visual memory

School was easy for me. I memorized everything extra easy, and I added an analytic approach to memorizing things. I am still able to remember lots of text just by looking at it. That helped me enormously when studying at university. I personally think that my visual memory comes from drawing. I was drawing everything whatever I saw since age I cannot even recall. Parents told me about that. It was a surprise because there were and are no other artists in my family which is actually quite extensive.

Value drawing, fence drawing

Memory can be improved at any age

I do believe and have seen that visual memory can be improved to a great extent. What happens in real life is that people most often don’t use their memory and brain. The more support from devices we have, the less we use our own memory. That is disastrous and leads to early memory loss.

How drawing helps keeping excellent memory

It is obvious that one can have all kinds of reminders and lists on their phone and computer. However, there are people like me who never ever compile a list or use a reminder. I’ve never forgotten any appointment or meeting in my entire life. I never make any lists, neither shopping, nor to-do lists, not even invoicing or student lists. It is all comfortably filed in my head.

Vegetables, still life drawing
My most recent drawing, 20 x 24 inches (46 x 61 cm)

The reason I love drawing

I don’t draw to only exercise my memory. I draw and paint also not because of likes or social media comments, followers or any other feedback from fans. I draw and paint because that is my way of life. I live in a visual world where everything is a painting and any view is art. That is the way I see the world and life.

Multiple and various uses of value sketch and value drawing

Having a value sketch or value drawing is of big advantage, not only because you have a perfect reference and guide, but also because you can use this value drawing with any painting media afterwards. You can go ahead and complete it as drawing, pastel painting, transfer to watercolor paper and paint with watercolor, transfer to canvas and paint with acrylics or oils. You can reuse it and flip it, as well. Finally, you can use any part or fragment of value drawing, as well as create a composition which consists of value drawing elements.

Still life drawing, very large value drawing
Any of these drawings might become paintings, this one is  22 x 29 inches ( 56 x 74 cm)

It is a preview

It also serves as a sneak peek. It is clearly visible what works well in your composition and what not that much. Therefore, it is possible to correct everything while you transfer the drawing, so, that you do not have to deal with issues during the painting process.

Uniqueness of our drawing style

Drawing is like handwriting, and our personal style is like our handwriting. It carries the specific features of our character, nature and mental abilities. It is possible to describe one’s nature by simply looking at their drawing. It is and it should be unique. Don’t trace photos, it is so much more rewarding to simply look around and see.

Still life drawings
Still life is beautiful and teaches all drawing aspects

You don’t draw because you haven’t tried to do it right

When somebody says: I cannot draw, that actually means they are not interested in seeing the surroundings or the subject. How much one has noticed becomes only visible when we ask that person to draw it. While everybody is under impression that we can see everything, that is not true. You will only start seeing what is around you if you will try to draw it: all shapes and shadows, and relationships between lines.

Whatever we can see, we can draw

It does not necessarily have to be a real thing. You can see and imagine with your internal vision, and that should work as if drawing from reality. You build up the directions for your hand in your brain. If you are not trying to challenge yourself, your hand will create inaccurate  and sloppy lines. In order the hand would draw what we are seeing, we pretty much have to become that particular subject in your imagination: the tree, the apple, the blossom and even the bowl, and even more so if you are drawing a figure or face. That is why most artists are quite recognizable from portraits they paint: all of them carry some features of the artist. Confidence is a big deal, too, and we can become confident only by doing.

These are only lines on paper, but what fantastic illusion of an attractive, appealing and impressive reality they create!

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