Watercolor is a very poetic medium. That’s not only because of its flow and easy transition of colors, it is also because nothing else captures our mood, idea, concept or scene as impressive and as fast as watercolor does. Managing classic watercolor painting takes mastery. We can apply it very abstractly allowing water and pigment to create the initial shapes and values, or we can use watercolor in many layers making it opaque and creating strong dimension and volume.
World watercolor month
World watercolor month is getting close to its end. I usually do not devote or create specific paintings during July, but keep using it as I normally would since it is one of my preferred mediums. I like applying watercolor in many different ways: from very abstract to very detailed and from almost animated to very realistic. Our painting style is usually a summary of our personal objectives and intentions. Generally, I do not aim for a very lifelike look, but rather impression my artwork makes. I participate in shows and exhibitions and I want my art to be visible and standing out among hundreds of other paintings. It quite often does thanks to style, colors and large size.
Good energy
Please enjoy the gallery, and you might like to purchase some art or art print which comes in numerous options for frames, mats and printing surfaces. Print is not original, but in specific spaces it definitely serves the purpose: it gives a space complete look and never stops inspiring and being beautiful. There is never too much beauty in our surroundings. Good art is valuable because of energy it sends out. Energy presence is almost touchable in my art.
African violet, watercolor, 20 x 14 in or 51 x 36 cm
I used to have numerous African violet plants. A few survived, and these are the ones I have been painting.
Garden roses on fence were painted in winter of 2019.
Probably the saddest time ever. since my mom passed away in February. All paintings of this time are so uplifting, light and cheerful. For balance.
Purple pansies, 20 x 14 in or 51 x 36 cm
Pansies belong to my favorite painting models. Purple fits them well because of all variations. Purple pansies are somewhat abstracted and painted using watercolor wash and a few strong edges.
The summer still life paintings have been in creation for a long time. I started them probably in 2016, but they got their finishing touches only now. They both have very vibrant colors, just as summer vegetables do, and everything which has great shape worth capturing, suits my still life well. Enjoy!
Summer still life, 20.5 x 16 in or 52 x 41 cm and Kitchen still life, 18 x 24 in or 46 x 61 cm, both watercolor
Please, visit my Fine Art America site for all kinds of artistic products:
This post has many pictures, make sure to check them out. I decided to devote a special article to my still life paintings since it has been an important genre for me for many decades.. In languages which I speak fluently (native Latvian, German, English and Russian), still life is called as follows:
Still life: English
Stilleben: German
Hатюрморт: Russian
Klusā daba: Latvian
Nature morte: French
Naturaleza muerta: Spanish
Natura morta: Italian
Wikipedia gives a brief historic overview of still life as a genre, and I don’t think I need to repeat it.
Etymology and direct meaning
Translating literally, still life means dead nature in French, Italian and Spanish and Italian and Spanish have presumably borrowed it from French. The direct meaning of English still life is “life which is not moving and making no sound”; not moving and silent life – in German. Russian uses a loanword from French; hence French was spoken in all higher educated circles in Russia for quite a while until the Socialist revolution in 1918. Still life in Latvian means “silent nature” referring to rather making no sound than not moving. I find this very amazing. I do stick in my still life paintings with “nature that isn’t moving, but is visibly alive”.
My still life
As a native Latvian, I have formed my understanding of still life based on classic Latvian art. I especially adored Latvian art which was created between 18th and 19th century and around the beginning of 20th century. Latvians used to go to France and Italy to study art, therefore, the influence is undeniable. The part I never liked and to which I developed internal opposition was the use of mainly cold raw umber and rather muddy earth and dirty blue color in still life art between the WWII and 60-s of the previous century. However, they worked well in combination with grey color since grey has many thousands of shades. When I was younger, I couldn’t stand such color combinations.
The beginning of my personal style
I initially was somewhat really naturalistic. I could sit for hours in the garden or in my room and draw leaves, plants and flowers between age 10 and 16. I drew also people and faces of my sister and other relatives, but for still life, I didn’t have to ask anybody to sit and stay there for a few hours. Back in 60s and 70s of 20th century while Latvia was still in the Soviet Union, I could mostly use what I got from our garden. Vegetables and fruit lasted longer than flowers, so, I developed a special love to them. I used just pencil and watercolor on a bad quality paper. I didn’t have lots of art supplies, often not even eraser. That taught me drawing so that I wouldn’t need eraser. I didn’t have obviously camera and printer, and nobody knew anything about the internet yet.
The subjectof still life
I have most often certain requirements when setting up a still life. I use something man-made, such as bowl, cup, jar or mug, box, books or similar items. I implement some flower or leaves, or the entire plant whenever I have it, and that establishes the living part of my still life. I also love adding either fruit or vegetables since they are always available. I sometimes cleaned out the fridge, and my husband used to joke that we didn’t eat for the entire month while I painted my still life. Big is definitely more impactful, and I go with full sheet watercolor paper (22 x 30 inches or 56 x 76 cm) when I have a good quality paper. The same about acrylic painting of still life. The small size is about 16 x 20 inches or 41 x 51 cm with just a very few exceptions that are even smaller. Painting big size art is much easier for me and I always prefer that assuming I have enough time and appropriate art supplies.
A very attractive genre
Over years, I have painted numerous still life paintings. Many have been sold as prints. I cannot include all still life paintings, but just a few in one post. These paintings are recently finalized, but started even 10 years ago. The “Spring tulips and cup” painting was done like that. Pictures I was taking years ago, do not look that good any longer, but I cannot get better ones from framed art which is under glass. For these paintings, I had only my sketch or drawing for reference.
I could finish this painting because I had created a value drawing in the same size what painting is: 20 x 24 inches or 51 x 61 cm, therefore, I had reference
Still life with blue, 25.5 x 20 in or 64 x 51 cm
It is usually difficult to get true pictures of paintings and how the viewer sees my paintings, depends on their device. I certainly tried. I have 4 monitors at 2 computers, and every image looks very different on each one of them. These paintings are available as art prints also. Thanks for reading!
More about my still life art, click on image for article:
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Sunny still life is a painting which I started on January 1, 2013. I got busy, and this canvas was collecting dust (literally, it was hard to get rid of it) until now. The other day, I was going through different pictures and thought: why not to finish up this still life? “Sunny still life” was intended to be painted in pastel. I had painted two smaller pastels on canvas from the same set-up in my studio, and everybody liked them and later bought. I used watercolor for the base layer. However, this isn’t a watercolor paper. It is watercolor canvas.
What is watercolor canvas?
Watercolor canvas is supposed to be a surface which accepts watercolor paint. In reality, it doesn’t. Paint comes off extremely easily, and it doesn’t stay on. I can lift paint, but to get more of it on, is not going to happen using regular technique. I bought this watercolor canvas exactly 8 years ago. My hope was I could use it for watercolor and then hang without a frame. Frames are always a problem, and they become an issue when one has very many paintings.
Getting realistic image on watercolor canvas
Watercolor canvas is very difficult with somewhat realistic image since we get only one attempt in covering an area. I think it would work when pouring on very thick watercolor paint, but there is nothing much of a thin layer. I still decided to complete this painting. The truth is, I feel obligated to finish all paintings I have started. I don’t know if they still sell watercolor canvas, but this was the only one I ever bought. Thick watercolor paper is so much better for realistic paintings, but it needs a frame, unfortunately.
Excellent quality paints
After lots of attempts cheating paint onto canvas, I got somewhat saturated colors. This painting is 24 x 20 inches or 61 x 51 cm. I always paint around edges, just like with any painting on canvas. I could accomplish this because I use pigment-rich watercolor paints. I use St. Petersburg watercolor paints, and I’m absolutely happy with them. Over years, I have tried most brands, and I must admit, nothing on the market compares to St. Petersburg paints.
I think the mood is really sunny, and therefore, the title of this painting is also “Sunny still life”. This is how the painting process and experiments started: Experimenting with surface and medium
Other than that, I am preparing materials for online art classes and my watercolor painting book. It is a very lengthy and time-consuming process. At least for me. I am a bit slow because there is so much to do in the garden.
We are born with the ability to draw, but we lose it as we grow up and get older. Many schools disregard manual drawing as unnecessary in the age of coding, digital art and devices that can do everything.
Sometimes, we lose our ability to draw when one compares their drawing with the best possible drawings on the internet and decides that they will never be able to do such a drawing. Therefore, it is easy to give up what did not even get a chance to unfold.
We forget that it is not what some internet sites will tell you: draw like a master in one day. For some unknown reason, it is believed that art does not take numerous hours of practicing and numerous attempts to improve our own results. Nobody becomes a master in one day.
Who can learn drawing?
Most people who have managed to learn manual writing shouldn’t have any problem with drawing also. In order to be able to just look at something and draw it, you must practice. It will not happen right away, and it will not happen on its own.
In fact, to acquire ability to draw, you must exercise your ability to see at first. If you want to see things artistically, you also need to know what to look for and what to pay attention to. We lose our ability to notice things, as well as our ability to maintain focus when we are always distracted by presence and interference of devises.
Don’t be perfectionist
Cravings for perfection can be irresistible; therefore, many people take credits for a drawing which they have simply traced from a photo or printout, reproduced on a larger scale using grid, display on a wall, or photo editing software. I would still suggest: learn manual drawing and don’t depend on devices. Be driven by just the desire to capture your subject.
Drawing is a base for any more or less realistic painting. Painting is drawing with a brush.
What is important when you start drawing?
Draw big: that is the most important part when starting drawing.
Choose big size paper. For beginners, 12 x 16 in (30.5 x 41 cm) is a good size, later go up to 20 x 24 in (51 x 61 cm) or create value drawings as big as your painting is. Even with smaller size paper, draw your subject large. Small things do not allow implementing much of what is important: values, shadows, direction of light and contrast.
In order to show something special that your subject has, you have to stay away from tiny things. Large drawing has also more impact. It is simply much more effective and noticeable.
Best subjects
The absolutely best way to learn about values, shadows, direction of light, contrast, size and shape relationships is starting with still life. Still life can consist of anything: your favorite things, toys, souvenirs, beauty products, food, fruit, vegetables, flowers, dishes, books, clothes, hats, gloves, glasses, interior items and so on. Use your imagination and set up something you like and find interesting.
Fragments of landscape are great. If you are a beginner, choose just a small part of a view.
Buildings and structures are one more extraordinary great thing to draw. They are everywhere, no need to stress out looking for something which is out of your reach. Add fences, fence posts, doors, steps, windows and so on. Perspective is a very important part of such drawings. It is nothing very difficult, but there are things you simply need to know.
Flowers are always easy to find and get, therefore they suit well as subject.
Portrait and figure drawing require a model. Model can be not always available. Reproducing photos does not really make one an artist who can draw human faces and figures, but as a learning exercise it is still fine.
How to start drawing?
We start with exploring our subject visually. We try to look at our subject at least 3 times longer every time than at our paper. Gradually, your hand will do what you want it to do.
At first, we mark up the space with approximate sizes and place approximate shapes.
Try not using eraser until you have established the main shapes and are about to define details.
We always go from abstract to definite and from distant to close, as well as from back to the front if it is a large piece or shows perspective.
Work simultaneously at all parts of drawing until every single part has obtained some definition. Step back and decide what’s to stay, what needs more work and what has to be erased. Clean up unnecessary lines, correct the wrong ones.
How to bring your drawing to a completion stage you want or need
Drawing serves many different purposes.
Drawing as a reminding sketch
Drawing as a reminding sketch is the simplest way to recall view, landscape or interesting detail. For such drawing, only the main lines, shapes and values will do.
Two point perspective drawing
Value drawing for transfer
I have many hundreds of large size value drawingsand sketches. My models can sometimes go bad, such as fruit, vegetables or flowers. For watercolor, we do not want to damage the watercolor paper, and therefore, we improvise and test everything on another (preferably, half transparent) paper. When the subject is complex, or when the potential painting consists of many parts, or these parts must be aligned in a certain accurate way, for instance, in perspective drawing of buildings, street views or complex structures, value drawing is much better reference than any photography.
Such value drawings and sketches can be left unfinished because some parts do not need much work and you can do it directly in painting. We only define more these parts which might be difficult to remember due to unusual shadow play or shape and line relationship.
Drawing practice pieces
To create a quick manual drawing, does not take much time or effort. Focus on something interesting, rather fragment than the entire view or subject. We sometimes want to see whether some part of drawing or painting will work or not. Therefore, we do sketches and drawings of some parts only. That is simply a good practice also. Such drawing can be finished and worked out, or we can leave it at a sketch level.
My drawing of spring lilies for watercolor painting
My drawing of spring lilies for watercolor painting
Standalone drawing as art
Drawing as art which will be potentially framed and hang onto wall or placed in portfolio will require the most time. It will include all aspects of painting, plus line work, nice shadows, strong and zero values, and everything in the middle. It will have good contrast, interesting relationships between parts and more. We will use soft eraser and sometimes stump to spread out graphite dust and create smooth, even coverage of dark areas. We will also use different pencils with different softness grades.
My drawing for watercolor painting, many daffodils, see painting in other posts
My drawings
I usually don’t create just drawings because I probably love color too much. I have many value drawings and sketches, and some are really worked out quite well. I keep them in large 1 meter x 60 cm folders. I can always re-use whatever I like or consider suitable. My drawings are usually large and very large, attached images are up to 51 x 61 cm or 20 x 24 in and larger.
I don’t mind spending time on a manual drawing because that works like a plan for painting. While you draw, you can figure out all accents and contrasts, as well as see how and if your concept even works. I will eventually turn some drawings into paintings.
Any of these drawings might become paintings, this still life drawing is 22 x 29 inches ( 56 x 74 cm)
Everybody can draw
We can draw before we can speak. We can draw even if we cannot speak or express ourselves in writing. We can still draw and recreate memories when everything else is gone from our mind.
Research confirmed that people, who had lost big part of their cognitive function and memory, could clearly remember what they had been drawing many years ago: places, events, occasions and people. They test this at University of Waterloo,, Canada. Researchers also advise people to draw and paint their adventures and life experiences because they will never forget what they created artistically.
Don’t wait: start manual drawing today! I simply would love that everybody experiences the huge pleasure we gain from simply drawing and sketching. Register for my art classes: Registration for art classes
Draw and paint your reality and keep memory in good shape
Why should you start drawing and painting if you are not and do not intend to be an artist? Why should your kid draw instead of scrolling through screens?
The worst part of nowadays trends is trying to achieve a wonderful result without any efforts, experience and work. When it comes to art classes, that takes away from any benefits drawing and painting provides you with.
I have listed benefits of participating in art class many times before. Some:
It is not that important actually what you draw or paint, but how you use the medium of your choice or art supplies you have. It is also very important for people who are not and do not intend to be artists, to pick up a pencil and start drawing. Do it for fun, for pleasure, do it without regard to results and just to keep your brain flexible, young and memory strong.
Realistic painting of Bell peppers on white background
How to turn simple things into awesome subject of painting
While trying to become familiar with drawing or painting, you will progress faster and create more impressive drawings and paintings if you use real things, not photos. When artists have experience and know what they are doing and what they are trying to achieve, they can use also photos because they will understand how to handle them.
Draw what you see
We can draw and paint anything. It does not have to be an extraordinary setup of extraordinary things. Anything you have on the table or in fridge is fine. Anything you see through the window is fine. Anything visible in the backyard is fine, too. Try to create abstract outlines at first and then refine every area more. Don’t worry about the result; allow yourself the freedom to be a creator. Who cares what you have drawn? The main thing is engaging our brain, eyes, mind and hand.
Photo versus reality
If your initial learning subject is already flat and two-dimensional, you will have hard times to ever adjust to drawing or painting from reality. It is even worse to trace outlines from a photo because you are missing the most crucial part of drawing and painting process which is to understand why you place things where you place them and why you use the specific artistic tools such as contrasts, shadows, overlapping, specific colors, sizes and shapes on certain areas.
Brain loves drawing and painting
Art is a very logical thing; and decisions we make are the result of communication between many brain areas which are activated while we perform some specific task. Unlike any other cognition and memory related activity, drawing process involves many areas of the brain because drawing is a multi-sensory activity and in order to create we use many brain regions:
to see and understand our painting subject;
to process its shape, outline, size and spatial relationship with anything else;
to send the signal to our hand with brush or pencil;
to recreate visual images with line, color, form, value, contrast and shadow on a paper or canvas;
to give our subject multi-dimensional look and volume on a flat paper or canvas;
to distinct between abstracted areas and definite details;
to make certain focal points stand out or point out the main area of interest.
Decision-making and personal know-how
That is a lot of decision-making! Therefore, using our brain to its full capacity more and more often, we become successful with capturing our idea or visually perceived subject and turning work on it into personal artistic experience, into our personal know-how.
Composition and values
Composition and values, as well as shapes and shadows are things we should figure out while we are creating a sketch or value drawing for a painting. That is why reality is more helpful than we think. Photo has limitations, and you will have to pretty much stick with it while reality allows for endless interpretation and adjustment.
Creation takes origin in us and our own brain
That is also my biggest argument against the idea of believing that watching how somebody else paints results in better drawing or painting for you. You simply do not know all the things the artist who demonstrates painting or drawing is considering. Artists, who demonstrate their creative process, have made countless decisions before they started to apply paint. They keep making new decisions every split second, and most often, they have also practiced on this particular piece many times.
Draw and paint and become more efficient with any mental task
If you already do not spend some calming, soothing and relaxing time with pencil or brush, please, consider it. You do not need to be an artist to start drawing or painting. However, most people need either mental or physical healing, and we definitely need to maintain our memory in a good shape. These are benefits we can count on along with creating something beautiful.
P.S. I had already written this post by Friday morning, and my mom had a stroke on Friday afternoon. See lifeschool blog for more info on that: Bad news comes always at wrong time
My mom was better today. She recognized me and was able to recall my name.
