November needs more color and sunflowers

Sunflower painting, watercolor by artist Inese Poga

Sunflowers, the sunny flowers

Sun plus flowers equals sunflowers. It is also an excellent painting subject when it gets darker in October and November. We switched from bright fall colors to rainy and snowy start of November. Warmth of sunflower color fills up the entire studio. Gentle, soft flow of light yellow and burnt sienna tones among the strong earthy greens and burnt umber is a very attractive color combination. I am a good example of how artist’s taste and feel for the subject changes over time during a few decades. I was painting a similar image years ago, and my color choices were completely different then.

My painting style

Specifics of my painting style include spontaneous and intuitive use of color and improvisation on the spot. I don’t use masking fluid much, especially, for paintings which are done as a demo for an art class. There’s simply no time for that. Ability to improvise helps with demonstration. Many unexpected  and interesting things can happen painting intuitively! Since I have been painting and teaching for many years, I can act and react very promptly, including change of subject if necessary. I love freedom in my own art. I do teach others to treat their painting like that, too. This particular sunflower painting is 20 x 16 in or 51 x 41 cm.

Red barn in fall

Subject of the following painting is a red country barn which I also painted in acrylic. My watercolor painting is larger than the acrylic one. Its size is 18 x 14 in (46 x 36 cm). Size means a lot in live presentation, but unfortunately not online. This painting relies on combination of saturated fall colors, tree shape and barn. Barn is placed strategically to increase the perspective and feeling of depth. I am trying to take pictures of my art with background in order size of paintings would be more visible. However, it’s not always possible. I love bold colors as much as simple grey and saturated brown tones. This particular image shines because of colors and diagonal use of composition elements.

Barn and golden maple tree

This is a barn which was painted a while ago. I love painting buildings, because of organized and completed lines and perspective. My mom had saved some drawings which were done when I was 12 and 13. That’s like half a century ago. These were my drawings of buildings and plants which I had done looking at the actual subject. We didn’t have internet or cameras then. I always loved drawing what’s around me. This painting is also quite big, it shows a country barn and side building as I saw them. Oranges and reds are also super energizing colors. The same goes for painting: vivid colors help.

I hope you love my sunflowers and other paintings! It was great pleasure to paint the recent sunflowers, and this painting is the newest addition to my watercolor collection also.

Enjoy, be inspired and paint! I do appreciate visitors to my sale pages, here is Original watercolors page, it gets updated quite frequently:

Original watercolor paintings for sale

I was also chosen to be a Spotlight Artist in Fine Art America’s traditional still life group with the pumpkin still life which I published before. That is nice!

All prints from Fine Art America:

Art collections by Inese Poga

Copyright notice: Copyright of displayed paintings, drawings, images of work in progress and images of finished paintings belong to artist Inese Poga. Please, respect my copyright. The use of my images is prohibited if I have not issued a written permission. That includes no pinning on Pinterest.

Watercolor flowers: serenity and hope

Roses for my mom, will she see them

Sad as I am today, I can only paint some flowers.

Sometimes I can forget the reality and sometimes it is too persistently reminding that nothing is going to be as it was.

I did not have any energy left to sign the most current flower painting yet, but it is watermarked.

I look at this painting and think about spring and things that won’t be the same.

We are always in a different place in space. We travel so fast it would be strange to hope things never change if everything else does.

To me, painted flowers are like music to eyes.

Poetry to mind.

Water to the desert.

Hope in hopeless moments.

Beauty when everything is frozen and dark.

Light in the middle of night.

11 x 14 in (28 x 36 cm), watercolor on Arches watercolor paper.

I hope you will love it.

Other recent flowers: Roses from me to you

Some more:  Pink watercolor flowers

Five stages to becoming an artist and summer art

watercolor painting, landscape painting

I have found five stages which allow becoming an artist. For illustration, this post includes beautiful images of summer art in watercolor.

Learning is a gradual process

Learning how to draw or paint is a gradual process. I have noticed five stages of learning process which result in being an artist. It is the same as with manual writing: the more you write, the less you have to think about the technical side of writing a letter. Once you are past the first attempts and know all letters, you can put your efforts towards expressing a thought. The less you think about how to do that, the better your story.

Developing manual drawing and painting ability

To some extent, drawing and painting are similar activities to manual writing. You have a concept and you use graphic characters and signs to turn your concept into visually perceivable and readable text.  At first, you learn writing letters. You put letters together and you have a word. You line up words in a sentence. You study grammar and style, and your sentences become better over time. After long hours of practice and after many attempts, you are able to write a story or a poem.  This poem is what people can read and understand. The same goes for drawing and painting. Becoming an artist takes time.

Practicing techniques

The more you draw and use your brush, the less you have to think about how to use your brush or pencil sufficiently. You feel that you can show the story behind your painting and focus on expressing your emotions, not struggles with getting the main shapes and values right or achieving contrast and good composition.. Drawing and painting become processes which progress by hour if you keep practicing.

The first stage

You draw something, paint something. You try, but either brush or pencil does not want to do what you tell them to. Many lines have to be erased and brush stroke does not work yet. This is the encouraging stage: I could draw or paint, but this will require work and learning. Long way yet to being an artist.

The second stage

You decide to draw or paint a particular subject. Artwork is satisfactory, but the successful parts are good because you got them right accidentally, not intentionally. You mention frequently: I’m not going to touch it again, otherwise I will destroy what I have. The stage of accidental success. This stage will motivate you to move on.

The third stage

You have a plan, and everything goes accordingly to it, but some areas of painting do not work. You work over parts of drawing or painting for many times. Subject could have less or more detail, colors could be much better. There is little distinctions in values. Your artwork shows mainly the same values all over. You notice still lots of flaws. The almost-certain stage. You know you can do it, but practice is necessary, however, you feel like an artist!

The fourth stage

You have decided to draw a rose. You go outside, find a flower and draw a rose that looks like a soft, gentle rose. You decide to add color to it. You mix and test colors. No rush. It works out well: no part is too strong or too weak. Brushstrokes lay on smoothly. You are very satisfied with what you have achieved. A month passes. You look at the same painting, and you definitely see that,  it could have been better actually. The potential excellence stage. You are very aware that there is still space for improvement.

The fifth stage

You are not flying on clouds. You know that any painting subject takes work and some planning. You allow yourself making unexpected and unplanned steps, too. It is meant just to keep the hand sensitive, to keep your eye observant. You have no absurd expectations. You have become master of the process, the artist. You can paint anything which comes to mind.

To know what works

You do a value or color sketch. You transfer the drawing onto paper or canvas. You do the color test. You create dark and light color palette for the particular painting. You have your favorite subjects, but you step out of comfort zone. You know exactly what effect each color combination will provide you with. You know exactly where to place details in order to make your composition work.

Painting according to your plan

You start painting in a relaxed manner. You know it takes time, but when this drawing or painting is done, it will be exactly what you want. You raise your bar with every painting. You look at your first drawings and paintings and you say: what was I thinking! That is when you have arrived at the mastery stage. You can do it. You can achieve any results you want. You have no limitations in what you draw or paint. Finally, you are in charge. Rushing won’t take you to where you want to be faster.

Watercolors of summer nature to inspire

Summer barn, just finished watercolor 15 x 20 in or 38 x 50.5 cm

Watercolor artist


Summer barn watercolor painting, 15 x 20 in or 38 x 50.5 cm

Spring creek sketch which I used as reference for the large watercolor painting

This sketch became a large watercolor painting afterwards

The final spring creek painting is much larger than sketch.

Spring creek with white anemones, 24.5  x 20.5 in or 62 cm x 51.5 cm watercolor

Self-care and no summer vacation stress syndrome

There is a huge advantage with manual drawing and painting: it is a perfect type of self-care and the best cure for summer stress syndrome when people feel lost and do not know how to spend their vacation. Many feel they have no idea what to fill all free time with, especially, if they cannot book a trip, travel or have a party. I’m inviting everybody to paint!

Apply for art classes: Art classes

Learn in private: Find out more about private art classes

Please, visit my art studio

If you are in the GTA, Ontario and have time in the afternoon. please, stop by at my studio.

My art prints and paintings on Fine Art America

Art collections by Inese Poga

Share the joy of watercolor painting

watercolor painting, flower painting, painting steps

July is world watercolor month! 

It’s probably a good reason for many to participate in World Watercolor Month and share the joy of creating art and using watercolor. Isn’t that great that it has become a tradition already? I read that it started only in 2016, and I believe many people are extra excited about that. I cannot post every day, but I am certainly happy to contribute at least some images and posts.

Manual abilities still matter

While we are swiftly becoming a digital and virtual society which uses devices and apps for everything, there are some things we should not delegate to devices. It’s in our favor to maintain ability to write and draw manually. Manual drawing and painting are extremely rewarding activities which not only make one happy and less stressed , but result in enjoyable art.

My current subjects: summer and nature

Nothing is better than nature, outdoors, gardens, flowers, growing vegetables in the summer. Nature is always genuine and honest. There is no pretense or flirting; that is the most real beauty we can have. I can draw and paint anything, but I have to admit that nature is the richest resource for any goal, any intention, anything in art. Therefore, while teaching and creating art I am teaching people to also love, appreciate and take care of this wonderful resource. Everything is connected. We can only harvest what we have planted.

The dreamy purple of summer pansies

Please, have a look and get inspired by my most recent watercolor project: The dreamy purple of summer pansies. I have posted 3 steps, but the first step is actually to transfer the drawing or draw with very light lines on watercolor paper. I used Saunders-Waterford watercolor paper, but medium to heavy Arches would serve better. The size is quite serious in order to capture flow of lines and shifts of color better.

The dreamy purple of pansies, step 1, painting in first layers on flowers and leaves, identifying the subject and composition

The dreamy purple of pansies, step 2, painting around the flowers and adding more layers on blossoms

The dreamy purple of pansies, step 3, adding more layers on flowers and defining more the background

Join us, create with watercolor

I know how excellent it is when one can use watercolor or pen and watercolor: it can easily become an obsession. If you were always attracted to watercolor, but are not completely sure what and how to paint, you are very welcome to join our watercolor summer painting sessions. Summer is the time to go out and paint nature. Enjoy the summer, get brushes and paint sets, and let us paint!

Link to registration for art classes: Art classes

Link to my Facebook page: Art plus Life page which is Inese’s Art Studio now

Watercolor: light, shadow and direction of light

Light and shadow in painting

What is the direction of light in an artwork? Do you pay attention to it when you are drawing and painting? What are shadows in a drawing or painting? Do you know how they relate to the source of light? These are simple things, but pretending they do not exist or forgetting about them makes your drawing and painting flat and unconvincing.

Direction of light

For me personally, light must come from the left or from the left and from behind. That is when values and shadows in my paintings work well, and I intentionally and sometimes subconsciously would choose only such views and subjects. Why? When you know where the shadow falls and how to create it, you can use memory and imagination for that. If you struggle with shadows, most likely they are not cast from the correct side.

Creating art from photo

If you are creating your drawings or paintings from photos, you should know that there is no clear source of light or it comes from the right side very frequently. The direction of light can be also hard to detect on a photo. If your brain does not feel the same way about the source of light as it is on the photo, you will be struggling with every shadow and every detail you include in your composition.

Adjust the subject, not your perception

Generally, light and shadow is an important feature of any drawing and painting. Experienced artists use it automatically and they create set-ups or paint views where the light direction matches their visual perception. If you are just starting out, pay attention to the point where light comes from, its source. Outdoors, it is often the sunlight, but we do not normally paint the sun, we just indicate this area with color.

Sketch and quick watercolor for shadow testing

I usually create a rough drawing to use as a reference.

Watercolor and sketch are the easiest ways to test your perception of light and its representation in an artwork. It is much faster than doing the same in pastel, acrylic or oil, especially if you are a beginner and you have to learn everything: composition, values, contrast, perspective and color mixing, as well as brush stroke. Adding visible areas of different values helps. Most people, who draw and paint frequently, assume it an organically critical and absolutely necessary aspect of painting.

Spring walks in the village, is a large painting, 24 x 18 in or 61 x 46 cm, and so was its sketch, the other is Spring barn, also 24 x 18 in or 61 x 46 cm

Black ink pen for sketching out your subject.

Spring colors, cheerful and lovely, yet simple

In order to check your values, you can turn paing image into black and white.

All of these paintings make use of perspective: linear and atmospheric. Therefore, direction of light becomes very important.

Art classes: Art classes

Enjoy!