Spring flowers are in bloom at the studio

Soft yellow spring daffodils

While the weather is still changing swiftly outdoors, my studio blossoms in full force. Spring flowers are in bloom!

Art is timeless, it can easily survive us. Art is a gentle reminder that we never know everything and we are here just to learn and to give our skills to others.

We are adding new projects practically weekly, and I am finalizing some paintings at least twice a week. Light is great during the day and days are becoming longer, too. I am not sure how much brighter the light should be for video recording. It is very sufficient when painting, but for video recording it is still not enough as it appears.

Soft yellow spring daffodils
Just finished: White and yellow daffodils
Trillium forest, watercolor by Inese Poga
Trillium forest, white trillium blossoms, sparkling with light

Doing is better than watching

My personal point is, nobody has ever learned anything by watching others do it. We can either paint or draw, or watch others paint. It’s pretty much so that we cannot do both at the same time. I would say, if you want to learn, just go for it. Everybody damages many watercolor papers and paints over previously painted canvas many times and until they manage to use the brush properly, as well as understand what colors they like and how to create them.

What is important

It was never about how to paint or draw an apple, or one particular flower, or one particular landscape. Painting and drawing is a skill which follows certain principles and teaches one to become efficient with decision making.

Learn painting with watercolor
These are watercolor supplies we were using

No need to be afraid

It is silly to be afraid of damaging paper or canvas. While we learn, we are in process of discovering so many aspects of our subject. This is a path which involves many sideways and much blundering around until we find the right way for us.

Spring flower paintings by Inese Poga
White and yellow daffodils, watercolor
Flower watercolor paintings by Inese Poga
Trillium forest, watercolor on paper, one of my recent watercolor painting projects. It is so lovely to paint fresh greens!

This was an amazing project, and we really enjoyed creating dark background around the white blossoms.

Spring flower paintings by artist Inese Poga
Spring flowers in all colors

More spring flowers from previous projects

Floral watercolor paintings by Inese Poga
Flowers and more flowers

That’s what I do every spring: disappear in flowers until it is time to start digging and planting seeds in the soil.

Enjoy the spring blossoming and lovely colors of flowers. This subject really works well using any medium, but especially watercolor, thanks to speed and fast coverage of large areas.

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Copyrights of the displayed art belong to artist Inese Poga. Please, do not copy, or use, or place images of my art on any other websites without written consent from Inese Poga. See full Copyright notice on the widget area.

How to create better art and flower paintings

Watercolor painting of rose, rose painting

Create better art without getting lost in advice 

We can learn painting and create better art using many tools and sources nowadays. Internet is huge and numerous sites offer tutorials, art classes and online and live workshops. I would like to share a few observations which stood out after talking to students and seeing how they learn. I’m convinced also that successful painting is a combination of many aspects. The other notable matter is that anything we want to be of high quality and value takes time, efforts and practice, and there is no other way to master a skill. I have listed below assumptions and factors which do not result in good art.

Copying colors and image will do it

Lots of people use color charts or try to recreate the exact colors of a photo. With current numerous brands and very wide range in art supply quality, the most important part is not what the photo has, but what works for your painting. Photography has different tools to create impressive image. Drawing, watercolor, pastel, acrylic and oil painting use completely different tools. Only copying colors and image won’t result in great art because that is the input of artist which makes art great. Outline drawing is important, but artist makes it alive with the use of artistic tools and paints.

Using exactly the same colors and drawing will create the same image

Using exactly the same colors and drawing won’t result in the same painting because it is usually not possible to repeat original artwork even by the artist who painted it. Ambient temperature, flow of paint, sloppy or targeted brushstroke, light conditions, air humidity in room or outdoors, inspiration, mood of artist, surge of energy or tiredness are all significant factors. It’s also not important what colors somebody else used because the differences between the same name colors can be huge with different brands. Therefore, the most important part is to test what you have and to see what your paints can do.

Color is secondary, value is primary or otherwise black and white paintings or monochromatic paintings would not make sense. They do, so, value is the aspect that provides image and subject with volume and dimension. If in doubt, you can always create a tonal or value sketch. I do that for complex paintings in watercolor going large scale or exactly the same size what my painting is.

I can paint knowing nothing about color mixing and paint features

You can paint knowing nothing about color mixing and paint features. Most likely, it will take time and many experiments to get to where you want to be. Eventually, you will arrive at all creation-related discoveries, it just might be a time-consuming process. I am talking about years, not hours. Simply, there will be good, mediocre or not satisfying result at first. Initially, all good results come from happy painting accidents, and we get what we get as opposed to what we intend to.

I will learn painting just watching others paint

No, that is not true. Art instructors or people, who demonstrate painting, know what they are doing or at least they should. Quite frequently people, who watch it, have no idea what, where and why is applied. The personal features and ability to apply paint and correct color matter, too. If the art is somewhat realistic, it is very important to be able to draw. We sketch with brush at first, and then we follow with brushstrokes to create volume, shadows, negative spaces and so on. If you can draw, you know better where to apply paint.

What, where and why

In the painting process, we have to answer these questions at any point of painting process. It is very useful to know why you are doing something. Why do you want the background dark or light? Why do you want to place some accent in the middle or in front? Why do you want distant parts cool and the front part warm? Why do you want to use black, purple or blue for grey color? Why do you paint the focal point in the most striking color? And so on. All of these answers impact your painting, later series of paintings, and they eventually create your style.

Paint night or sipping and painting

Many believe that paint night or sipping and painting will teach how to paint. These are entertaining events with a brush and paint, not art classes. The goal of such events isn’t teaching you composition, color theory, values or brush stroke. The goal is to entertain and painting is just an addition to mood, drink or food. I have mentioned many times before how important focus and decision making is for creation of art. Paint night or sipping and painting do not contain the most important learning aspects, such as reasoning, decision making or using your personalized approach.

Everything is art

Everything isn’t art and it shouldn’t be. While many people might refer to a canvas covered with some paint as art, it isn’t always art. You can hang it on the wall and it becomes wall filler. However, you can also look at it after it has dried and canvas fabric has become visible (too less paint coverage!) and try to create something decent on top of it. I wrote in my previous article that calling framed wallpaper art does not make it art. It is a decorative piece, just as an empty frame is.

Aimless splashing with paint

The reality of nowadays is such that we want everything right away, right this moment and even better yet, without much or any effort. Art has never been just brushing around or aimlessly splashing with paint. Art always involves thinking, concept, idea and the execution thereof with adequate artistic tools. Aimless splashing and brushing of paint results in nothing really. One uses a lot of paint and time with no result. I have seen over years people, who picked up art effortlessly, and I have also seen people, who had to spend years to learn. An art class is no different from a regular school class: some students learn fast, some are perfectionists, some are free-spirited, some are not that interested and some simply do not focus or pay attention.

Perfectionism and perfect skill

Perfectionism is disturbing and limiting when it comes to learning. Why? It is disturbing since there is no such thing as a perfect attempt, a perfect error or a perfect search for a new technique and skill. Perfectionism is the opposite of artistic freedom and it has nothing to do with the quality of result in learning process. I hear this often: I am a perfectionist. That is fine, but it does not apply to learning new things. One cannot be perfect with what they cannot do or do not know. Developing perfect skills is more like it, but perfect skill is a result while learning is a process. Learning process involves making errors and being mistaken. Learning process involves searching for the best or most suitable solution in the current situation.

Preparing my solo show

I am working on preparation of my solo art show next month. It opens on February 13. I just finished a few watercolor paintings which I started for November and December classes. Pink color is not a coincidence. It is a very attractive, soothing color which has also big impact and is gentle at the same time. Less people attend shows or art events nowadays since everything is on the internet. I would like to still emphasize that nothing compares to seeing art in person. There are so many devices between the real painting and its image on the internet! Any of these devices totally change the look of painting, so some things get lost along the way. Anyway, enjoy the new paintings!

Better art, flower painting, rose

The elegant pink rose, watercolor on 20 x 16 inches or 51 x 41 cm watercolor paper, the white background enhances the softness and attraction of color in the rose flower

Orchid painting, better art

Pink winter orchids,, watercolor on paper, 20 x 16 in or 51 x 41 cm

Magnolia watercolor painting

Magnolia blooms on white, watercolor, 18 x 14 inches or 46 x 36 cm

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PLEASE OBSERVE MY COPYRIGHT: Copyright notice: Copyright of displayed paintings, drawings, images of work in progress and images of finished paintings belong to artist Inese Poga. Use of painting and drawing images is prohibited on any website or otherwise if I have not issued a written permission. No pinning on PInterest!

November needs more color and sunflowers

Sunflower painting, watercolor by artist Inese Poga

Sunflowers, the sunny flowers

Sun plus flowers equals sunflowers. It is also an excellent painting subject when it gets darker in October and November. We switched from bright fall colors to rainy and snowy start of November. Warmth of sunflower color fills up the entire studio. Gentle, soft flow of light yellow and burnt sienna tones among the strong earthy greens and burnt umber is a very attractive color combination. I am a good example of how artist’s taste and feel for the subject changes over time during a few decades. I was painting a similar image years ago, and my color choices were completely different then.

Large watercolor sunflower

My painting style

Specifics of my painting style include spontaneous and intuitive use of color and improvisation on the spot. I don’t use masking fluid much, especially, for paintings which are done as a demo for an art class. There’s simply no time for that. Ability to improvise helps with demonstration. Many unexpected  and interesting things can happen painting intuitively! Since I have been painting and teaching for many years, I can act and react very promptly, including change of subject if necessary. I love freedom in my own art. I do teach others to treat their painting like that, too. This particular sunflower painting is 20 x 16 in or 51 x 41 cm.

Beautiful sunflower painting

Red barn in fall

Subject of the following painting is a red country barn which I also painted in acrylic. My watercolor painting is larger than the acrylic one. Its size is 18 x 14 in (46 x 36 cm). Size means a lot in live presentation, but unfortunately not online. This painting relies on combination of saturated fall colors, tree shape and barn. Barn is placed strategically to increase the perspective and feeling of depth. I am trying to take pictures of my art with background in order size of paintings would be more visible. However, it’s not always possible. I love bold colors as much as simple grey and saturated brown tones. This particular image shines because of colors and diagonal use of composition elements.

Red barn painting

Barn on green

This is a barn which was painted a while ago. I love painting buildings, because of organized and completed lines and perspective. My mom had saved some drawings which were done when I was 12 and 13. That’s like half a century ago. These were my drawings of buildings and plants which I had done looking at the actual subject. We didn’t have internet or cameras then. I always loved drawing what’s around me. This painting is also quite big, it shows a country barn and side building as I see it. Green is also super amazing color and it really makes one feeling alive. The same goes for painting: vivid greens and lovely buildings.

Watercolor painting, Country barn and summer green

I hope you love my sunflowers and other paintings! It was great pleasure to paint the recent sunflowers, and this painting is the newest addition to my watercolor collection also.

Sunflower painting

Enjoy, be inspired and paint! I do appreciate visitors to my sale pages, here is Original watercolors page, it gets updated quite frequently:

Original watercolor paintings for sale

I was also chosen to be a Spotlight Artist in Fine Art America’s traditional still life group with the pumpkin still life which I published before. That is nice!

All FAA images:

Copyright notice: Copyright of displayed paintings, drawings, images of work in progress and images of finished paintings belong to artist Inese Poga. Please, respect my copyright. The use of my images is prohibited if I have not issued a written permission. That includes no pinning on Pinterest.

Watercolor flowers: serenity and hope

Roses for my mom, will she see them

Sad as I am today, I can only paint some flowers.

Sometimes I can forget the reality and sometimes it is too persistently reminding that nothing is going to be as it was.

I did not have any energy left to sign the most current flower painting yet, but it is watermarked.

I look at this painting and think about spring and things that won’t be the same.

We are always in a different place in space. We travel so fast it would be strange to hope things never change if everything else does.

To me, painted flowers are like music to eyes.

Poetry to mind.

Water to the desert.

Hope in hopeless moments.

Beauty when everything is frozen and dark.

Light in the middle of night.

Watercolor flowers: pink and white roses painting

11 x 14 in (28 x 36 cm), watercolor on Arches watercolor paper.

I hope you will love it.

Other recent flowers: Roses from me to you

Some more:  Pink watercolor flowers

Five stages to becoming an artist and summer art

watercolor painting, landscape painting

I have found five stages which allow becoming an artist. For illustration, this post includes beautiful images of summer art in watercolor.

Learning is a gradual process

Learning how to draw or paint is a gradual process. I have noticed five stages of learning process which result in being an artist. It is the same as with manual writing: the more you write, the less you have to think about the technical side of writing a letter. Once you are past the first attempts and know all letters, you can put your efforts towards expressing a thought. The less you think about how to do that, the better your story.

Developing manual drawing and painting ability

To some extent, drawing and painting are similar activities to manual writing. You have a concept and you use graphic characters and signs to turn your concept into visually perceivable and readable text.  At first, you learn writing letters. You put letters together and you have a word. You line up words in a sentence. You study grammar and style, and your sentences become better over time. After long hours of practice and after many attempts, you are able to write a story or a poem.  This poem is what people can read and understand. The same goes for drawing and painting. Becoming an artist takes time.

Practicing techniques

The more you draw and use your brush, the less you have to think about how to use your brush or pencil sufficiently. You feel that you can show the story behind your painting and focus on expressing your emotions, not struggles with getting the main shapes and values right or achieving contrast and good composition.. Drawing and painting become processes which progress by hour if you keep practicing.

The first stage

You draw something, paint something. You try, but either brush or pencil does not want to do what you tell them to. Many lines have to be erased and brush stroke does not work yet. This is the encouraging stage: I could draw or paint, but this will require work and learning. Long way yet to being an artist.

The second stage

You decide to draw or paint a particular subject. Artwork is satisfactory, but the successful parts are good because you got them right accidentally, not intentionally. You mention frequently: I’m not going to touch it again, otherwise I will destroy what I have. The stage of accidental success. This stage will motivate you to move on.

The third stage

You have a plan, and everything goes accordingly to it, but some areas of painting do not work. You work over parts of drawing or painting for many times. Subject could have less or more detail, colors could be much better. There is little distinctions in values. Your artwork shows mainly the same values all over. You notice still lots of flaws. The almost-certain stage. You know you can do it, but practice is necessary, however, you feel like an artist!

The fourth stage

You have decided to draw a rose. You go outside, find a flower and draw a rose that looks like a soft, gentle rose. You decide to add color to it. You mix and test colors. No rush. It works out well: no part is too strong or too weak. Brushstrokes lay on smoothly. You are very satisfied with what you have achieved. A month passes. You look at the same painting, and you definitely see that,  it could have been better actually. The potential excellence stage. You are very aware that there is still space for improvement.

The fifth stage

You are not flying on clouds. You know that any painting subject takes work and some planning. You allow yourself making unexpected and unplanned steps, too. It is meant just to keep the hand sensitive, to keep your eye observant. You have no absurd expectations. You have become master of the process, the artist. You can paint anything which comes to mind.

To know what works

You do a value or color sketch. You transfer the drawing onto paper or canvas. You do the color test. You create dark and light color palette for the particular painting. You have your favorite subjects, but you step out of comfort zone. You know exactly what effect each color combination will provide you with. You know exactly where to place details in order to make your composition work.

Painting according to your plan

You start painting in a relaxed manner. You know it takes time, but when this drawing or painting is done, it will be exactly what you want. You raise your bar with every painting. You look at your first drawings and paintings and you say: what was I thinking! That is when you have arrived at the mastery stage. You can do it. You can achieve any results you want. You have no limitations in what you draw or paint. Finally, you are in charge. Rushing won’t take you to where you want to be faster.

Watercolors of summer nature to inspire

Artist, watercolor painting, summer
Summer barn, just finished watercolor 15 x 20 in or 38 x 50.5 cm
Watercolor artist
Summer barn watercolor painting, 15 x 20 in or 38 x 50.5 cm
Artist, Pen and watercolor sketch
Spring creek sketch which I used as reference for the large watercolor painting
Watercolor artist
This sketch became a large watercolor painting afterwards
watercolor artist, landscape painting
The final spring creek painting, larger than sketch, it is 24.5  x 20.5 in or 62 cm x 51.5 cm
Watercolor, spring landscape, watercolor artist
Spring creek with white anemones, 24.5  x 20.5 in or 62 cm x 51.5 cm watercolor

Self-care and no summer vacation stress syndrome

There is a huge advantage with manual drawing and painting: it is a perfect type of self-care and the best cure for summer stress syndrome when people feel lost and do not know how to spend their vacation. Many feel they have no idea what to fill all free time with, especially, if they cannot book a trip, travel or have a party. I’m inviting everybody to paint!

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If you are in the GTA, Ontario and have time in the afternoon. please, stop by at my studio.

My art prints and paintings on Fine Art America

Art collections by Inese Poga