The joy of color

Acrylic paintings of winter and birds

Color is a big part of any artist’s work if they paint in color. We love some particular colors and we feel uncomfortable with or even dislike and hate other ones. I am very much convinced, though, color is secondary to value, otherwise black and white drawings and paintings wouldn’t make sense. Color gives my paintings mood and, sometimes, it’s the main element of the artwork. Usually, change in color will change the entire painting. I work very hard to achieve color balance and fine-tuned transitions in my art.

There’s more to art

However, people often notice only color, especially when art is viewed online. The online display has gone through many devices and you can see art also using whatever device you have. The most affecting factor is the size. 10 x 10 in art looks the same size as 10 feet by 10 feet painting online. The impact on viewer is totally incomparable because we have taken away all presence of this art. There is so much more to art than color. Lines, brushstrokes, edges, smoothness or extreme textures, story the painting tells and subject of it.

Unchanged nature: subject of my art

For realistic and semi-realistic art, color is interpreted depending on our subject. I’m looking for warmth in my art, as well as energy which makes us happy, maybe thoughtful, but not upset or more depressed. Therefore, I choose to paint nature. I love unchanged nature: flowers, wild flower fields, creeks, country roads, old country barns, small birds which I can watch in my backyard. This subject is very inspiring for me, and I’d say for everyone who looks at it. About 3 decades ago, I was very much in painting posters with faces and figures, I have done a lot of fashion images, too, but at some point, it became boring and moved on turning to nature.

Original, exquisite and recognizable

Early on, I made it my point not to get influenced by anybody else. It was easy before the internet came around since one cannot be present everywhere. After I moved to Canada, I realized that artists were literary copying photos sometimes. It had been the hugest no-no back in Europe. I still feel like it’s not a good art when one has to copy, trace and pretend this comes from the artist, and not from computer, printer and projection device. Therefore, I’m always trying to distinguish myself from the crowd. Many of my paintings are imaginative views of non-realistic settings, but I like the subject to be recognizable. I also want people to notice immediately that I have painted one or another artwork.

My painting techniques

I use techniques which I have developed during many years of creating art. Nowadays, you can find out quickly how somebody does whatever they do, but I prefer to go for my own discovery. My textures are most likely created with different tools and mediums. My color mixing definitely doesn’t fall into the regular color wheel dependence. I believe every artist has to find their own color palette because that will work always. I do not follow the trends, but frequently, some part of my art hits the trendy side anyway.

I currently sell originals only

The displayed images are of original paintings. Original means this painting is exactly as I have created it. My brushstrokes and my original color transitions are visible and touchable. That also means you can feel the energy and my touch. Original art is alive with everything that’s gone into it. I am very meticulous about what I want in the painting, even when it is a small painting with simple subject. I work tirelessly until I have achieved exactly what I wanted my painting to be. The images have a bit too much blue and green than my art. I use grey, brown-grey, but camera gets colors differently. What you see depends on settings on your device also.

Birds and other enjoyable themes this season

It is great one can rotate paintings on their walls. It is also fantastic one can create displays of large collections. Prints are fine for some areas and specific rooms, but when it comes to classiness and elegance, originals beat prints 100%. Classiness is already built in the original art, so you don’t need to add extra work to make this art look impressive. I have to display some paintings more than just one time for a few reasons: lots of people never read or look at something closely, attention is the hugest deficit nowadays, and holiday season is short. This type of paintings is sold only during holiday season.

Art prints

I can offer to select printed art products from Fine Art America site which has a huge choice of products which can be viewed in 3 dimensions and ArtPal which has mostly wall art and very affordably priced art prints.

My winter collection:

Winter paintings by Inese Poga

Enjoy! I hope somebody loves my art so much that they are willing to go a step farther and purchase it. The special offers are here:

Original paintings for winter holidays

Virtual marketplace and my art in room settings

Virtual art marketplace paintings

It’s amazing that I had no idea my art had been added to a local virtual marketplace. It was somewhat encouraging to see that my art was appreciated.

If I knew about that, I’d had kept working on new paintings instead of spending the last week in the backyard. I had intended to post images of the previously unpublished paintings also at least a week ago, but life just sometimes demands dealing with other things.

These are images of paintings which were sold, but I hadn’t actually gotten a chance to publish them anywhere.

Positive energy art

I painted at least 4 versions of “Nostalgia, gardens of dreams”. This painting was sold about 10 years ago. It’s size was 22 x 28 inches or 56 x 71 cm, acrylic on canvas.  I actually do commissions also which means one can order any size of my painting and in any colors they prefer. Variation of my own art certainly works the best.

Spring orchard, sold, Virtual arts market

The Spring orchard (20 x 16 in) was sold in 2016. One of my art students bought it. Since the pictures of paintings were taken briefly before their sale, I cannot get any better photos. This particular painting had a very nice play of colors in textures since trees and grasses are very suitable for that.

Pears and daisies, Virtual arts market

The still life I still have. It was hiding in the storage room. Pears and daisies, 12 x 16 inches or 30.5 x 41 cm; sunny still life in acrylic.

Virtual arts market

At that time which might be about 8-10 years ago, this painting was named “Flower hill”. We did it in acrylic painting classes and my painting was a demo. Its size was 16 x 20 inches or 41 x 51 cm acrylic on canvas.

Fits any style actually

A few weeks ago, I was simply playing around with placing pictures of my art in room settings. While many people would dare using only abstract art with their light, white or minimalist style, I think my paintings make each one of these rooms look great.

My art prints on Fine Art America:

Stay in touch and stay safe! I will have something new soon, especially for art students; now, that gardenworks are almost done.

My high definition realism art

Red barn, acrylic painting

Personalized vision and realism

Properties of our eyesight are very unique, indeed. There are no two persons, who see everything exactly the same way. We could say, the way we see is just as unique as our DNA, fingerprints, iris of the eye and similar extra fine things. Therefore, when we create something, some people will love it, some people will think it’s nothing special and some will either ignore or dislike it. That is normal. The thing we have created has still the same value for us personally, at least it should, because its objective value does not change depending on subjective likes or dislikes. It’s social media which either stamps some creation as success or disregards it.

High ranked mediocrity

I do sometimes wonder why a painting which is really good does not get that many likes as something rather average. Go figure. Partially, this is because of ranking. Let’s say, I post my image at the right time and it immediately gets 30 likes in the first 20 seconds. That’s it! It immediately moves up the ranks, and that is all we need. New likes follow, comments are posted and we’ve got the attention of the invisible viewer mass. Now, does the response always indicate that we are becoming a master in some area? Not really. We still need to have our self-criticism and apply our personal judgement.

Versatility

We should have options, always. The trends are out there and whether to comply and act on them is up to us. People sometimes suggest: you should paint more abstracts, you should do some black and white art, you should post more drawings and so on. I could do all of the above. The problem is, however, that I do create art which I am deeply in at any particular moment. I am not good with following trends and I actually do not care that much about them either. It is bad for marketing, no doubt about that. However, it is the only way to stay true to oneself and do more of my own realism.

Specific realism

I love realism. I need to clarify, it’s not any realism, but my personal enhanced realism. We could say, it’s high definition because I adore adding something still tasteful, but very detailed. Details are risky, but they also make a view very unique. I love specific colors and cannot stand some other particular colors. I do not like using black, in fact, I use it only for mixing up other colors. I love greens which are mixed up from black plus blue, plus yellow plus burnt sienna and white. Some grey shades require black. I really dislike black in watercolors. I never have used even 1 drop of black in any of my watercolors.

The choice of subject

We normally paint what resonates with us. I at least do. I have also many favorite subjects: still life, seasonal landscape, buildings, perspective and flowers. I think all young people want to paint portraits and figures. I did, too. Some stick to them and some move over to other subjects. I love painting and drawing from reality, and to paint face or figure, I’d need a model. That complicates things because it makes me dependent on somebody else. With my subjects, I choose time, place and medium.

Original realism art
recent acrylic paintings, all in spring colors

Too many paintings

I’ve read how people complain they don’t have enough artworks in portfolio. I think it is also problematic to have too many artworks. I’m adding 2-3 a week in average. I have numerous paintings in different completion stages. Some are drafts, some half-done, some need change in color or more highlights. I get tired of one medium or subject quickly. Therefore, I switch from acrylic to watercolor and vice versa, I sometimes do just pencil drawing or pastel drawing. I love creating all kinds of drawing-based art because I’m very good at drawing from reality, and for that matter, drawing anything.

Breezy daisy fields, realism by Inese Poga
White daisies and summer field

Preferences

My preferences are very noticeable when it comes to art. I love clean colors. I never use paint straight from tube, but the mix must be clean. It is easy to create any color from 3 primary colors, plus black and white in acrylic. I add burnt sienna, burnt umber, ocher and many shades of blue. That way, my palette is complete. I’m not a big fan of Ultramarine. Instead, I use Prussian blue and brilliant blue. Seasons have huge effect on me. I basically paint spring in winter or early spring, summer in spring, and fall in summer. Does that mean I cannot wait until the actual season arrives? Yes, it does.

Summer acrylic paintings by Inese Poga
For the love of color
Summer barn, acrylic painting
Enhanced and personalized realism in art; Summer place 2, I love how it came out, acrylic painting on canvas 18 x 24 inches or 46 x 61 cm

Summer place 2 and Breezy daisy field

I would love to post just one painting in every article, but there are so many lined up. I will limit myself to just two this time. Summer place 2 is the second one in Summer place series. Breezy daisy field is also continuing the flower field series. As usually, I started them for demo purposes at art classes. The summer place 2 took about 2 weeks and daisy field about a full week to complete. My paintings consist of many layers and under-layers. It is best to paint any acrylic painting on color-coated canvas. They both are the same size: 18 x 24 inches or 46 x 61 cm. One is horizontal, the other is vertical. I’m very sure, the internet display will make one look larger and the other smaller.

Daisy fields, acrylic artworks
Breezy daisy field, it got a lot of attention on Facebook, acrylic painting on canvas 18 x 24 inches or 46 x 61 cm

Grey of spring and lush green of summer

It is still cold outdoors. This April came with such a nice promise of spring starting early. What a disappointment! It is almost May and we have freezing temperatures every night. That is why I am a lot in very strong and very rich green color. I’m not trying to overdo, but it feels so nice to surround myself with this color at the moment. My love relationship with green will pass, too, but it’s so pleasant to look at such art and be around it.

Here you see art currently for sale: Shop original art

My art prints and other art products on FAA:

My solo art show February 14 – March 19

Red country barn, acrylic painting

If it was only painting

My show is finally up. Putting up a show, small or extensive, takes time, many hours of work, dealing with selection, adjustments and paperwork. It felt as if the small tasks were never-ending: glazing, covering with protective layer, attaching wires, designing and printing price tags. I have taken numerous pictures. Light was not that good some days; well, it’s February. Therefore, contrast ranged from extreme to none, brightness went from burnt  out images to a total lack of light.

Lots of work and many decisions

Even putting up paintings at location was time-consuming. Any place has its pluses and minuses. Light is as it is, and I had to figure out the best layout immediately and without hesitation. There was staff, who went up the ladder and put up each painting, and while they were doing their best, everything took some adjustment. I think I managed to do very well with placement of my art.

It is a great advantage to see art in person

While less people attend shows or art events nowadays since everything is on the internet, I would like to still emphasize that nothing compares to seeing art with your own eyes and experience the feeling of direct presence. There are so many devices between the real painting and its image on the internet! Any of these devices change the look of painting to a great extent, so some things get lost along the way, which especially refers to balanced and carefully crafted colors and contrast.

Paintings which were included in this show

My paintings frequently display paths and roads. Road, as well as path is an important symbolic element of my art. We are always on the way, always going to something new which is still to be discovered and explored. I am posting this time a few completely new and a few overworked paintings. That especially refers to “Nostalgia” series.

Subjects of my art

I loved to find untouched landscapes in close vicinity of a town: old country barns, quiet streams, birch groves and meandering forest paths. I genuinely love wildflowers, they appear quite frequently in my art. The same goes for always painting spring in winter.  That is a natural mood lift and fantastic way of spending dark and gloomy days when storms, snow, cold and ice make the outdoor landscape very hostile.

Less text, more art

This post is intended to show paintings, therefore, less text, more art.

Early spring with red barn, acrylic painting on canvas by Inese Poga
Red country barn, early spring, acrylic painting 76 x 61 cm, acrylic on canvas
Early spring with red country barn, painting by Inese Poga
Red country barn, early spring won the easel, Nostalgia series
Nature paintings, spring paintings
Path in blue hill woods, Nostalgia series, acrylic painting, 24 x 20 in or 61 x 51 cm
Original art by Inese Poga
A few of show paintings
Acrylic landscape, summer reflection
Reflection of clouds, summer stream, acrylic painting on 24 x 20 in or 61 x 51 cm canvas
Art show by Inese Poga
With little bit of background and wider view
Nostalgia, acrylic painting by Inese Poga
Nostalgia, the painting which initiated the series of landscapes disappearing from our neighborhoods, acrylic on canvas, 24 x 20 in 61 x 51
With background, acrylic landscape
Nostalgia painting on background of other art

Interested to purchase? Shop originals

If you happen to live in Greater Toronto Area and especially around Ajax, please stop by. My show is on at Ajax Town Hall Council Chambers Lobby until March 19. 25 works of art are exhibited. I take from the first responses, that people like it. Enjoy!

Link to Fine Art America printed art products:

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Upcoming art show and stolen images

Birch road, acrylic nature painting

Never-ending stealing of painting images

This issue comes up almost every time as I type in Google search terms which I describe my paintings and drawings with. Almost every time, I find stolen images of my paintings which I obviously did not know of. I look at the website link: if it is not my website, my Fine Art America site or similar sites, I can be sure somebody has copied image of my painting and placed on their website. The purpose of stealing painting images is not always clear. Some websites look like they are selling prints, some seem to have the image for anybody to paint or draw. I am feeling sad and mad about this.

How about I use your art for my artwork?

Somebody contacted me recently (at least they contacted and asked for permission, which I appreciate) about 2 of my best floral paintings. It said: may I use your images for creation of my artwork? That left me wondering: how is that? If that was a photo of something else, but not my art, I could have allowed using it. But the idea was to take the image of my painting and use for whatever adjusted art they create. So, I work hard for some 3-4 weeks and paint it and try to do my best. I work on taking good pictures. They come along and admit that I did well, and that’s why they would use these images. To me, they are finished paintings, and I do not want anybody to add embellishments to them or remove something digitally. Creation of art takes time, efforts and actually talent, too. No, I’m not fine that you just copy it over and sell as painting by numbers.

Please, be respectful

I wonder: how do people come on these ideas? I think it’s time we start to respect efforts and time somebody has put in their art. I have seen all kinds of claims about art instruction, writing, including poems, stories, essays, interviews, how to instruction and lots and lots of paintings which are simply stolen from the owner’s website. I have watermarks on my paintings. I usually post paintings with my signature on them except when it’s work in progress. I have copyright notice in place, and I made it longer just now and I am also putting it under each article as of today.

Are these protective measures enough?

Do I believe these measures are going to stop some websites from stealing and displaying my art? Probably not. However, I will alarm about 2 most recent websites where I found my paintings. If you are a good artist, your drawings and paintings might be there also. Internet enables all kinds of unauthorized actions. It’s just so that it is annoying and time-consuming to follow up on all of this. It took me an hour approximately dealing with these websites. I am not even sure; there may have been more images. There is never guarantee that I will achieve much with searching, checking and sending my notifications in case a theft is detected.

It is a big deal

Does this stealing happen because people think that it is not a big deal to just simply copy somebody’s work and go ahead and place or use it any way they prefer? Well, it is a big deal for me, and I suppose for any artist whose life is a full time art creation and writing. No, I do not feel flattered by my painting images (sometimes works in progress) being scattered around who knows where. The display is usually also not the most appealing, and they are taken out of context and sometimes used for other than intended purpose. If you’d like to see what websites have your painting images, enter art descriptions which fit your art in Google search, click on images and see what comes up.

New show paintings

My initial intention was to post two images of my new paintings which will be included in show opening on February 14. And I am still working on more new paintings, as well as adjusting and varnishing some earlier works. But here I am: dealing with stolen painting images again. That happens much too often to ignore it. Maybe it’s time to report these websites and maybe they’d be closed down. Maybe it’s time to deal with thieves in a stricter manner? It’s been countless times I find my paintings on strange websites when I google for images with descriptions I have frequently used.

Happy with results

Anyway, art is where I find my happiest moments in life. The largest painting is Birch road. It is 30 x 24 inches or 76 x 61 cm. I cannot ship it at the moment, but it is available from my studio. It took about 3 weeks painting for about 6 hours a day. The photo cannot show all golden shade transitions which are implemented in leaves, but the real painting has perfect color play.

Some art simply got adjusted and new pictures were taken. I hope you enjoy my paintings and feel the same good vibes as I did when painting them!

Except for Birch tri, all other paintings are 24 x 20 in or 61 x 51 cm.

Fall colors, bright as in nature!

As always, check out FFA site: Art collections by Inese Poga