Perfect subject for acrylic painting

Old rustic barn acrylic painting

Beginner art classes in acrylic painting

Summer is always busy, and I am wrapping up summer art classes next week. After that, I have only private classes for a while, and we restart in September. Since my students are mostly beginners who have been trying other options, like tutorials and video lessons and decided that it’s worth to learn rather directly.

Getting acquainted with new medium

Introduction in new medium, art supplies, like brushes, canvas and other tools should realistically start with exploration thereof. Most people come to an art class with new brushes, new paint tubes and neither I, nor they know what they have. We have numerous paint manufacturers, some pretty bad, some acceptable and a few – decent. The only way to know how our paints work is to try, test and use them.

Important aspects of painting

I am trying also to teach about basics of painting apart from practical things and techniques. It’s important how we create composition, how we lay down the first layers and how we achieve contrast and value distinction. It’s important to approach acrylic painting based on the properties of acrylic paint, meaning, how long till it dries, what happens if you don’t stop working some segment when paint is tacky and so forth.

Brushstroke and brushes for acrylic painting

Brushstroke is very much neglected part of painting, and it takes quite a while until one gets sufficient with the use of their brushes. Fan brush is fantastic and we use it often with landscape painting, except, that one has to practice using it until they can achieve the desired effect. Brushes can do a lot; we just need to be aware of what! Below is an image of updated barn painting from a few years ago.

Specifics of acrylic painting

I teach painting in layers and segments with first blocking in the main shapes. The correct way is to start with what’s underneath and that means also applying dark colors. We basically never paint details first, as well as the final colors. We build them up. The first layers can look not attractive at all, but we keep adding layers and painting starts to come to life.

Patience matters

We are always rushing and impatient nowadays. We want results right away and on the spot. In painting, results come after spending time with our paints and brushes, after learning what painting involves and how to achieve what we would like. That never happens within a few days or weeks. It takes time to make our movements automatic, like cleaning the brush every time we switch color.

Good subjects for acrylic painting

Clearly defined subjects, like this barn and other barns in landscape, are easier for beginners, there’s something to hold on. We need abstract parts and defined parts in a painting, but we should never put small details in the background. All students were extremely satisfied with their paintings while they admitted there’s much more to learn.

Fantastic result – old barn in summer meadow

I personally enjoyed painting this barn in a summer meadow. Colors worked very well, and like always, the actual painting is better than my photos. I don’t think any camera has the ability to perfectly capture the soft and gentle color transitions, as well as vert accurate colors. Well, it’s available. Barn painting is 20 x 16”. The other barn with flowers is 24 x 18″, and I think it looks impressive.

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Creation as art therapy

Colors for art therapy

Harmony and balance – main goal of creation as art therapy

To regain harmony, balance and self-fulfillment, many people are trying to find simple ways to cure their stresses and change the rushed lifestyle in nowadays unforgiving world. The most healing, as well as most accessible path is using creation as art therapy. You don’t have to be an artist to find huge satisfaction, calmness and feeling whole again since creation of art, painting, drawing, sketch is already art therapy. If you never tried, maybe you should do that right now while it’s cold and not that great outdoors.

The healing potential of creation as art therapy

The healing aspect of creation is based on the idea that it involves mind, soul, emotions, feelings, activation of memory pathways, harmonizing movements of hand with brush or pencil, thus, stimulating self-expression, intuition and getting in contact with person’s inner self. All of that gives us a chance to free ourselves from never ending stresses, being in competition with everybody else, and getting rid of emotional blocks. The other aspects of creation of art are ability to focus, improvement of memory and decision making.

Relaxing creativity

Creation as art therapy involves fantastic relaxing potential. Especially, if you prefer using color as the main feature in art. The colors we feel as ours, disclose the subconscious state of our mind and lead to transforming experience. Creation of art involves all of our brain processes, and that manifests as a healing effect and feeling of inner balance. Participation in art classes is one way to facilitate the creativity and learn how to implement it in our life.

Power of colors

Each color possesses unique energy which affects us. Working with colors releases different energies. For painting, we usually go either with color of our subject and reference, or choose it intuitively which is what I do most often. Choice of color can be frequently subconscious – we feel attracted to some colors and avoid using others. The same goes for subjects which we feel are ours.

Blue and green – colors of life and harmony

Blue color calms and facilitates peacefulness decreasing stress and anxiety. Look at the blue sky, which represents endless calm. We surely can paint sky and water as blue as we want. Green color symbolizes the energy of nature, harmony and balance, healing and increasing the feeling of the inner calm. Green color means life and renewal, just like in spring everything comes back to life. Green is dominant in nature during spring and summer, it’s the most healing color, the best art therapy.

Orange and red for passion

Orange color is the color of enthusiasm, living energy and creative intentions, it gives us vitality, helping to open our mind to new ideas. Red color activates our energy, power and passion, especially passion to live and create. Red color also can be a manifestation of subdued emotions and inner restlessness. I have rarely used only red, orange or yellow, but these colors are very essential for fall landscapes where they are represented in abundance.

Yellow for joy, purple for magic

Yellow color is associated with joy, self-awareness, mental clarity, it facilitates positive attitude and perception. Yellow brightens our space and sparkles up feeling of pleasure in our mind. Having different shades of good quality yellow paint is absolutely crucial for any painting. Purple is color of spirituality, intuition and depth of soul. Color of mystery and magic. I have rarely used purple as a dominant color, but it’s useful for softening green. Purple has its place in art therapy.

White and black

White means clarity and purity, new beginnings. White is unavoidable in art. We need to brighten and lighten other colors, and pure white is very important for watercolor and acrylic painting. Black color represents completeness and strongly indicates value, shape and form in art. I don’t use black color in watercolor at all, but as a mixing component in acrylic. Strong indication of values is important in any painting.

Painting, creating and using colors

When we create a painting, we rarely use paint straight from the tube. It’s important our painting has light and dark values and warm and cold colors. Therefore, most often it is a mix of colors and different shades. Yet, the overall impression usually shows a tendency towards some particular color palette, like I love combining all kinds of green with blue, white and yellow. Fresh and uplifting, at the same time, emotionally loaded and peaceful. Fall paintings have numerous red, orange, yellow and mixed shades. Saturated colors, warm, bright and vibrant.

Different preferences

I have written before about my grey and subdued color periods, as well as blue, green and red. Over time, the perception of color becomes very refined. The color choice usually reflects the mood of that time. Grey looks fantastic in art. Sometimes less color makes painting much better. However, there are seasons when I feel I need the brightness, the strong, bold colors. Nobody says we have to stick to something one. In art, we experiment, explore and test. Time spent painting becomes meditation and art therapy.

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Techniques for spontaneous watercolor painting

Abstract watercolor painting, private art classes

The versatile watercolor

Watercolor is a medium we can use in hundreds of different ways. What we create and how it looks depends largely on technique we apply. While many of my watercolors look carefully worked out, I often start painting with just randomly washing some paint onto watercolor paper. I posted my spring palette colors in the previous article. For spring paintings, I am using a limited palette:

Payne’s grey

French ultramarine

Brilliant yellow

Burnt sienna

Burnt umber

Gold ochre

Leaf green

It’s possible, however, to create numerous color tones using these paints. They work well together and with decent application of water, there’s no mud. I will work on floral spontaneous watercolors next, and I am adding magenta and carmine for these.

Allowing paint and water to work

While the paint application is extremely loose, I still have some idea. Washes look great when painting treescapes and paintings with abstract water. This is a technique which perfectionists might not like. We simply allow colors to mix and flow as they please. It’s a myth that watercolor painting cannot be adjusted or changed. One just needs to know how to do that.

Lifting paint

I think many watercolor artists use too less of paint lifting technique. For paint lifting, large brush with pointy tip is very useful. My main brush is Luke number 14, round. Along with simple lifting, I implement one more step: lifting with very liquid other color. It’s a fantastic, but unpredictable process. It’s also fun, and I love this technique because it allows me adding definition to subject. Lifting paint is an essential technique for spontaneous watercolor my-style.

Non-cotton paper has its uses

Lifting automatically takes care of the negative space. When to lift and where to add paint depends on our personal preference and feel. For this technique, cotton paper is not the best option. Non-cotton watercolor paper makes lifting paint an easy step. In fact, it’s way easier to lift paint from some thick non-cotton papers than to add an extra layer. I am using for these paintings Strathmore 400 series paper. It requires flattening afterwards. All non-cotton watercolor papers must be weight-pressed after application of water and paint since they become uneven.

Multi-step process

While people ask when I will have online art classes, I must say, I probably won’t. Things I am writing about most often cannot be shown online. One must see the actual process in order to understand how we create loose, spontaneous watercolor painting and add the touch of reality to it. The process involves drying paper and restarting wet-on-wet, then adding dry paint, then lifting more and so on. It takes about 6-8 hours to paint one artwork. I have spent about 3 days in average on each painting.

Testing paints

Spontaneous watercolor works great for people who just want to explore what their paper and paints can do. Check compatibility of colors before you start painting. Water takes care of lot of things with loose watercolor painting, but there are colors which will destroy the flow and cause unpleasant muddy shades. To avoid that, learn what your paints do. My paints are rich in pigments, all artist grade. I never use white or black colors, as well as, I don’t even have masking fluid. These paintings consist only of watercolor paint on paper.

Give it a try

Want to try this approach? No better time than now. This means absolute freedom, you don’t need any photos to follow, but having an idea is helpful. I love using the earth colors togethers with blue and green. Burnt sienna adds a bit of red tint. Simplicity is beautiful; however, I’ve never been a minimalist in any regard. That goes for any of my paintings. Well, we can stop working whenever it feels right.

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Painting without restrictions, spring landscape

Painting in progress, Highland creek landscape

Being in spring landscape

What to do during the dull and dark February days? Probably, just keep painting. Acrylic painting is a bit more difficult with heating on, but it is also very rewarding. I pick myself up and place in the middle of spring. We used to go for walks along the Highland creek which offers attractive views and many varieties of trees, wild plants, chance to watch animals, jump over rocks and rushing water. Creek is wide in the middle part and water stays quite still in some spots. This is like mental transition in time and to another place. Thus, spring landscape is born.

Central part of Highland creek flood water painting

Imaginated reality

As you know, art has no restrictions. That includes the painting subject, colors we use, parts we paint and parts we don’t. I’m usually not that worried about how realistic something looks when painted. There must be some joy and fun put into every brushstroke. I usually paint as I see something in my head. When I look at empty canvas, I can easily visualize what is going to be there, in this spring landscape for instance. Similar to when we have a piece of fabric and we can imagine how the ready outfit will look. Imagination has no borders, too.

Top part of Highland creek flood water painting

Spring landscape as painting subject

This Highland creek flood water painting was done for the private art classes. I thought spring landscape was very fitting since we can paint much less of it or add much more to any part. We can leave the distant part completely abstract. Well, my student was impatient and here and there jumped over the gradual steps which processing an acrylic painting requires. My demo steps got jumpy, too, but, nevertheless, this painting was brought to completion just a few days ago. What you are seeing, however, is not the painting, but images of it. I straggled getting all parts of it onto pictures.

See painting steps above

Getting correct colors in acrylic painting

What’s most important for me personally, is whether the mood in an artwork can move us, inspire us, make us want to be there, in that place which doesn’t actually exist in the real world. I am trying to also teach my students patience and correct use of acrylic paints. While any wet acrylic painting might look perfectly right, it will definitely dry darker. The weaker the paint we use, the darker our painting might become. I regret noticing how Liquitex heavy body professional grade paints have lost some of their quality over years. That refers to Titanium white and yellow shades.

Close-up of front part

The usual acrylic painting principles

Regardless of our artistic intention, we always work from dark to light in acrylic, always from underneath upwards, always from back to front. With heating on, acrylic paint can dry immediately, therefore, we glaze separate parts and work in small segments. The lore layers acrylic painting has, the better it will look. That especially refers to the moment when somebody sees the actual painting in person. I sometimes go over even the final layers if the paint has become too dull in some spots.

Highland creek flood water, acrylic painting 24 x 18″ or 61 x 46 cm

Place yourself in this spring landscape

I hope you love this spring landscape and its mood. I believe you’d hear birds singing and water rushing over wet rocks and grasses if you are able to forget the surroundings for a moment and be immersed in this painting. It’s in great size, not too huge, not too tiny, 24 x 18″ or 61 x 46 cm. The steep vertical format adds a good quality to this spring landscape and pushes compositionally important elements close to the viewer.

Just like always, thanks if you read my post! I intend to catch up with likes and comments.

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Watercolor, beating the blues with art

Sunny spring creek watercolor

Bright and sunny watercolor art

On TV, they were talking about winter blues. How this dull and wet January weather makes people feel down and upset. Our mind tells us that spring is far away, and to make everything worse, the sky cries with us. Bright and sunny watercolor art is my personal cure, my response to mood swings and upset mind. I paint the places where I want to be and flowers which will start in April or May.

Uplifting creativity

Not all people are artists, but many have paint sets at their disposal. Brushing bright, sunny colors on paper or canvas makes a big difference. It’s an immersive activity which allows to create our own imagined reality, very distinctive from the current settings. This year has been tough so far, so taking our mind off the painful and upsetting matters is vitally important.

New large-size watercolor art

All of these watercolor paintings are the same size – 24 x 18 inches or 61 x 46 cm. Well, to express ourselves, we need space. Tiny paper just won’t do that for you. It’s not cotton paper I used for these paintings. All of our art stores are closed now, and that leaves online shopping which I dislike. Paper is a very important part of watercolor painting, and each paper acts differently. This paper allows lifting paint easily, but it’s very problematic when adding paint layers.

Spring pansies, 24 x 18″ watercolor painting

Watercolor painting with pansies was started in the winter of 2021. So, it sat in a folder until I decided to add a few layers of paint and finish it up. Photos show way more white space, and I just cannot do anything about it. That’s how phone camera acts when there are white or light areas. Just imagine more purple and pink color on blooms because that’s how they look. Anyway, pansy blooms make a great subject in all regards. Use any color, any number and view of blooms.

Early spring flood, 24 x 18″ watercolor painting

The Early spring flood is based on views around our place. It’s a painting where you just throw on colors – Payne’s grey, Cobalt blue, Burnt sienna, Green gold, some yellow and Burnt umber. This all mixes itself on paper and then we swipe clean the areas which we would prefer to be white. We outline the trees, add leaves, wash on more color and sprinkle with a little of leaf green.

Watercolor wash and color

It is much easier to create watercolor paint washes on cotton paper, but if you don’t have it, any firm and thick watercolor paper will do. It needs to be thick and heavy since thin paper just rolls off and buckles. It was tricky to get any pictures of this painting since I don’t have good photographing light, and it’s been cloudy and very dark almost every single day. I love the dreamy quality of this painting, although I couldn’t get it on pictures. Colors are balanced – I used warm and cool shades to create the early spring mood.

Sunny spring creek, 24 x 18″ watercolor painting

I started the Spring creek painting (one more!) for a private art class last spring. It was half-done, just as many of art classes paintings are. It took me a while to get back to it, but I am very satisfied with the play of colors and placement of details. This painting is done with Cobalt and Brilliant blue, Burnt umber, burnt sienna, Lemon and Cadmium yellow, as well as Raw sienna and Sap green and little bit of Payne’s grey. This painting involves quite many layers.

Bright and happy art reality

I’d say these paintings show a very bright and happy place and that’s where I reside when I don’t have to deal with daily chores and other issues. It’s a perfect escape from daily routines, a perfect way to beat the winter blues. I think it’s time to write a new guidance for beginning artists. Trust me, tutorials cannot teach much about painting as such since it’s always something a particular person prefers and does. When we learn paint, we decide on everything – style, colors and subject, but tutorial requires to simply follow and copy.

I hope you’re dealing well with everything which comes your way. Spring will arrive eventually. Thanks for reading!

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Painting classes: Group art classes