Art classes and fall start soon

It is almost fall. This might be the most inspirational time for poets and artists, especially these ones who are taken away by color.

My art classes usually resume in the fall. I went to Latvia earlier this year, so, art classes can start sooner and be long enough to learn plenty. It’s going to be October.

I had to think a lot how to arrange art classes this year: I tried 1-day workshops, 2-day workshops, monthly classes and 2 classes on the same subject. I tried everything, I believe. I will have 10 classes in a row this season because it felt as if previous approach did not give enough time for everybody, and I definitely do not like rushing people.

These classes are supposed to give a lot of space and freedom for interpreting subject in a very personal way. We have created wonderful paintings before, and they never looked the same. Every student had used their own view on things, and that is pretty much how art should be: originating in the artist, not in a photo which gets copied onto a paper or canvas. I would love that every class is experience and process and less an attempt to stick to perfection because when we do not get everything perfect we are upset. I encourage everybody to play with shapes, contrasts, colors and try finding the ones that make sense for that particular student personally. We are all similar and very different at the same time: why would we try to create copies of each others work?

Talking about relaxation and recharging after some stressful stretch of time or event: I will have a new daytime class which will focus on pleasure and excitement that only colors and good mood can provide us with. I was told quite frequently that not everybody can attend the late afternoon class, so, here you go: meditate, relax and enjoy doing these watercolor studies that are suitable for absolutely everybody as long as they are willing to try some brushstrokes. This class does not require a lot of materials, and we will do exactly that: we will get lost in artistic freedom to create whatever we feel like at that moment. I have a pretty good idea how well this will work out, so, it should be a fantastic class if you are looking for a great pastime and if you feel you need to decrease your stresses and forget about problems.

Late afternoon watercolor and acrylic class will continue the good tradition of this studio: enjoy the process and learn in a relaxing environment. I have thought about new subjects which will be very suitable for exploration and studies, and I will try to gear students’ attention towards the use of tips and tricks, many different techniques and ways of paint application, as well as watercolorists will get a boost with their drawing skill.

When I am traveling from place to place, there is rarely time to sit down and quietly paint or sketch. As you know, I want my subject to be in front of me, whether that is a still life apple or some flower, or a scene. I quite honestly cannot stand repainting photos, so, I am very happy every time when there is a chance to get something on paper. It’s not much. My subjects had wilted and gotten bad while I was away, but still: that is at least an exercise. I did not have a desk or decent table, and I had to balance everything on my lap or stretch a bit in order to reach to water or paint which is a fun of some sort.

Some sketch and 2 watercolor paintings, that’s all I got done so far while traveling

Rowan berries or ash berries, as well as some sunflower and apples

Quick sketch

This really says: fall

 

Just like always: no decent light, phone pictures are sometimes trouble, but still: you will have some idea.

And from another angle:

I have noticed: if I cannot paint or draw for a longer time, I feel like I am totally missing something. I hope you have nice plans for your fall season, as well!

Illustration or sketch: one, two, three: ready! How to start sketching

Illustration or sketch can be simplified in order to get it done outdoors or to complete indoors because sometimes the weather can be quite bothersome and not cooperating with our intentions.

I have had a chance to watch numerous people when they first learn painting or drawing.

I would love to share some observations because they might inspire somebody to just get a pencil, a brush and paper and go ahead.

Do we need rules in art?

It might sound strange, but most people believe there are many rules when we draw or paint. Maybe the instruction on some sites makes one feel that if you do not follow rules you cannot paint or draw. That is not true. That is actually completely wrong.

While there are lots of tricks, shortcuts and favorite ways to get things done faster and better, one should not try to stick to something which we call rules. Not with creativity. Not in art.

That would mean the small kid who does not have an idea of rules and instructions should not be able to draw. But the small kid is able to draw. Every kid is able to draw and paint.

As people grow up they find out that life wants us to comply with requirements, regulations, rules and certain instructions. It’s no surprise they want to apply rules to everything what we do. I know artists who would call the way of paint application a rule, or the way of drawing something on paper a rule.

No rules, just do your best!

I would love to encourage these who want to try art, to just go with their intention.

I hear quite frequently: I don’t know anything about painting or drawing. Well, you don’t have to. You just have to start trusting your eyes and trying to draw or paint whatever you intend to.

What to use for watercolor sketching?

Everything you can afford or like. If you do not know whether you will continue or not, why would you buy $75 watercolor brush? We always use the largest watercolor brush that still allows achieving what we want. It’s pretty much common sense. You could survive with just one number 10 watercolor brush if it has a good fine tip. 20-brush sets from Dollarstore won’t do anything, don’t go for these.

If you are applying wet paint on your sketch, traditional sketching paper won’t allow that. It is too thin. That’s pretty much common sense, as well; it could tolerate dry pencil or some pen, but not washes, especially repeated washes or paint lifting.

I would advise to always use watercolor paper for drawing, sketch, illustration, practise, color or flow practise because that is thicker and can be made wet.

If you are a beginner, you can live with just beginner’s watercolor paint set.

You can do illustration or sketch any way you like

If you are afraid to draw right away with pen, do the initial drawing in pencil and go over with pen afterwards. Keep the best lines and erase everything else, and here you have a nice, clean, attractive drawing. Why to use pen? It is simply easier. Pen makes the outline clearly visible, all image looks finished and elaborated even when the drawing is far from perfect and watercolor washes will bring your artistic attempt to life.

There is no wrong or right way to sketch, to draw or to paint

All artists develop their own style over time. Should you expect the first attempts to be perfect? No, don’t do that. Always tell yourself: Let us see what happens. Treat all of your first year’s art as a practise, as an experiment. Some will be god, some will fly into the waste basket, and that is absolutely fine.

People call everything which did not come out perfect: a mistake. That does not always apply to art either.

Some artistic mistakes and flaws can become the foundation of your personal style. Some experiments can set the tone for anything you do in the future. Therefore: experiment, experiment and experiment!

I am attaching some works from previous sketching session.

Illustration or sketch can be carried out in any style you prefer

I am advising to use pen just for simplicity and speed. It really helps. I also love the accomplished look of such sketches which can be definitely used as completely finished art on the wall or for any other purpose.

 

First we draw with pencil the main lines. We draw lightly without using pressure. After that we repeat the best lines in pen.

Choose whatever colors you love and would want in your sketch. Activate with water. Test on testing paper how transparent the watered down mix is. Apply small amount of water onto the main image area. You can use spray bottle if it creates mist. Check against light: if the shine is about to disappear, that’s the best time for first washes.

More washes or less diluted paint, and we are done.

 

If you allow first layers to dry and then make your paper wet again, nothing will happen to the dried out first layers. It is safe to go over with water. Don’t rub or scratch with the brush; that will definitely take some paint of.

Corrections are done with paper towel when the painting is wet: pressing paper towel onto paper will take off most of wet paint. When the paper is completely dry, apply washes and use damp brush or paper towel to lift color or paint you don’t want. Repeat until you like it.

The thicker the watercolor paper, the more things you can do with it.

Cheap watercolor paper is for tests and some practice only. It is simply too thin to do something more.

You can choose any pen you can afford or like. Your pen can be different color, too. Black simply fits any other color and makes it stand out more.

Large sketch using much wider pen

All watercolor illustrations and sketches look great. If you want them to be better: practice more and don’t expect immediate perfection.

Where would we be without the beauty?

Beauty is the most universal, self-expressing phenomenon that does not require words or language knowledge. It is present in all walks of life, but it becomes something extremely perceivable due to art.

As we rush our daily schedules and spend most of the time running, we might not notice the moment when a bud opens. The magic moment when the fragile petals unfold and when the sun and rain pour life into it. It becomes a mediator of beauty. Every smallest vein and line, every nuance of color is so unique.

The biggest advantage of being able to create, draw and paint is the feeling of being a creator. We can do anything with the sheet of white paper in front of us. It’s our choice what goes on it. I choose the never-ending, personality enriching and mood uplifting divine features of the nature. It is a cheerful activity on its own. It is more than meditation, it is much more than immersing in oneself, it is the imperative life-continuing reveal of the underlying essence of life, and the essence of life is beauty.

Cherry blossoms, watercolor painting. Beauty unfolding

 

Apple blossoms, watercolor painting. Beauty in a very visual way.

Enjoy! Happy Mother’s Day! I know my mom will love these paintings.

How about a painting party?

Do you ever think that having a painting party or private painting event might be a fantastic way to have a good time and have a glimpse into art creation secrets? Many people admit they are extremely exhausted, tired and losing interest in their daily chores. There are plenty of people who suffer from the burnout syndrome. That happens especially when the job involves some kind of repetition and routine, and good results are not always there. It can be caused by clients or family who do not appreciate your efforts or lack of success in things you are trying to achieve. Winter time is causing depressive state of mind, and sometimes we simply are feeling that we need something completely new. New experience, new challenge, time for ourselves. It does not really matter how average or outstanding is the art we create at such events. We have to be somewhat realistic: nobody can become an artist within a few hours. However, we can still do something meaningful. It is better than simply snoozing on the couch or eating at the local fast food restaurant just because one is bored.

Creativity is present in every single one of us, it’s just so that it can be fairly tricky to put your creative abilities to the test. Well, people who love entertainment without negative side effects can certainly enjoy such an afternoon or evening.

It is fairly tough on me because I’m only one person who does everything, but I’m OK with that. It is not that such parties are every week. Therefore, you should try, too. Every neighborhood has art places that offer to enjoy painting with friends, family or colleagues.

Photo gallery shows a recent painting party. This family had chosen a scene with rocks and highly textured background. I placed all textures on canvas 2 days before the event, and it actually took me a while.

Lifeschool blog talks about risks associated with the use of synthetic vitamins and supplements:

https://inesepogalifeschool.com/2017/02/20/healthy-lifestyle-habits-that-put-you-at-risk-for-undesirable-side-effects/

Dreaming goes on because art is timeless

Before you leave this site, please, spend a short moment with my other blog which is not that visible since it’s secondary (WordPress, it’s time to change that!!!), and the post tells a fairy-tale about Christmas: https://inesepogalifeschool.com/2016/12/22/christmas-fairy-tale-going-home/

Inese Poga's art show

Show, large room, right side

Inese Poga's art show

Show, large room, left side

Art for sale

Sun slightly disturbing, but the light was excellent

artbylocalartist Inese Poga

It’s good to wrap up things and have the feeling of “I have done everything I could, and it is what it is”. It would be certainly way better to finish the year in more elevated mood, like “Was this ever fantastic!” That’s not going to happen this time.

It’s good not to have any classes for a while because that allows getting back to me: doing things that I want and prefer, not only classwork. Giving classes is a big responsibility; it takes a lot of energy and time-consuming preparation work.

I certainly would like to move to my personal themes and my personal visions in art, but unfinished paintings are really standing in the way: you look at some, and it says: hey, just add a few brush strokes, just wash in some more background, it’s not going to be that much of your time! I end up spending a lot of time, and since these are paintings that I started a long time ago, my internal critic disagrees with some aspects. Why did I start this at all? Right, during the class. Why did I choose that much detail? Why didn’t I make it simple and with large accents? Basically, it’s difficult because I have moved on and it feels like catching up on some long time ago forgotten thought or idea.

I will try to be more disciplined and not start that many new paintings, but then again when I didn’t do demos on canvas, I suddenly painted a few great paintings … on messed up cardboard. The wavy texture shines through, and they are not any good for display. It’s even impossible to take any picture of them. You never know with painting: something good can appear where one didn’t expect that and everything can go wrong when we had high expectations. There are so many forces and energies involved that it isn’t by far as simple as “just do it right or according to your plan”.

Classes also put a lot of pressure on any teacher because teaching is also not that simple. I usually think and plan and sketch until I find the right image for a particular group. I also have to think about simplified ways how to put it on canvas or paper.

16 x 12 orchid by Inese Poga

Magnolia, the small version

artbylocalartist gerbera

Gerbera daisy

artbylocalartist my favorite

Finally, got a better picture of poinsettia

artbylocalartist very red poppies

Ones side still pale, but I didn’t have any picture of these red poppies

art Toronto artist

They all looked so attractive

artbylocalartist Barn reflection

We did recently this reflection, everybody loved painting it

artbylocalartist Sunset over shores

This was the subject for a Saturday workshop

artbylocalartist some birches

We are often painting birches

artbylocalartist autumn and birches

This is one of recent class paintings

I had put up a beautiful show, those who came were really impressed, but I believe, my timing was a bit off. I will start to prepare the next show “Blooms and Leaves” fairly soon, and that might be ready by the end of April or by May. Anyway, there is not such a thing as lack of paintings for sale at my gallery. It’s always open and available to anybody over the internet. Just ask.

Merry Christmas to these who celebrate it and fantastic holidays to those who have other celebrations!

Reds and gold for Christmas and holidays

How have you been? I was so busy during the past 2 months that I hardly could do anything else except work, work and work.

I thought it would be great to have a good show this year since the summer was not the best. It feels the 3 bad years are over and I can start fresh. Meaning: much better, at much higher level, much more efficient and much more skillful. That is not hard to do when health has returned.

I know how many people would love some art and there is not enough money for everything. I will probably try in the New Year posting some giveaways on Facebook (link is on the right: Art plus Life).

Well, I am completely behind posting schedule on either blog, this one and lifeschool. I promise to post some articles and poems more often once I get over Christmas.

reds-and-gold-for-christmas-88

The theme of this year is: Reds and gold for Christmas. Red is such a warm and energizing color, we need it; we need it especially when it’s cold and nasty outside, or inside the heart. I was spending almost all day trying to get some pics for my show. Well, light was bad, but I tried, tried and tried until I was somewhat satisfied.

reds-and-gold-for-christmas-2

Some new friendly birds

reds-and-gold-for-christmas-4

Different settings

reds-and-gold-for-christmas-6

No celebration without poinsettia

reds-and-gold-for-christmas-5

Lovely golds and robins

reds-and-gold-for-christmas-7

Golden light of candles

reds-for-christmas-1-blog

It was difficult to guess which one was the painted poinsettia when I first looked at pictures.

I wish you not overdoing with gifts, but choosing soul-warming, mood-lifting and energy-giving things. Like a painting? Why not?

Creating is learning, learning means: living more intense

Any creation involves saying something about ourselves. That’s how we are telling others what our point of view is. True creativity is never copying and reproducing, but taking an idea that lives or is just born in our imagination and bringing it to life.

I regret seeing how plenty of instruction is meant to learn not principles and methods, but trying to reproduce a particular artist’s style and manner. Creativity is great not because we can do things that other artists or writers have done, but because we can create everything exactly as we want, have intended and imagined.

The use of color is a very personal feature, color mixing: a general approach to make a shade or tone we want, and therefore, learning the latter is important. Composition can be explained as good and impactful view on items painted on a particular size paper, canvas or other base material. There are generally applicable principles and that’s what we should know. Specific compositional approaches are a personal feature of a particular artist, and we should rather develop our own.

Choice of subject is always important, but we should remember that it is much more useful to learn principles of drawing or painting without sticking to subjects somebody else is painting in some particular manner and doing it great.

How and what always depends on us. The many ways for achieving the desired result we ae learning. Learning is an ongoing activity, and it’s erroneous to assume somebody knows everything. Experiment is the best teacher of all: how do we know if we never tried?

Mistakes and errors are an essential part of learning process. It’s silly to be afraid of mistakes and do nothing. Perfectionism most likely lives inside many minds, but that does not mean anything less than perfect has no value.

I personally always think: let’s see what happens. Everybody who is painting or drawing has thrown out lots of paper and damaged quite a few canvas. There is nothing bad about that. I had a girl who once said: I do not want to throw away this expensive paper just because I started the painting wrong. Well, it is much more difficult to correct wrong lines and colors than start a fresh work using the new knowledge. I believe that every task adds something to our knowledge and skills.

art-for-everyboy-to-create

Sunflower drawing

art-classes sunflower

Sunflower watercolor

I am not at home at the moment, but visiting my closest family in Latvia. I had a few sheets of paper, kid’s paints in fairly bad colors, meaning, they didn’t have the transparency or flow abilities of good quality paints, but still: I simply saw this bloom and these apples, and that; s what I do not have at home. I always prefer drawing from real subject. It was more difficult because the right tools and brushes are helpful, but I did not allow that stopping me. I could return to and reuse the same drawings with decent paints and better size paper or canvas, but these are results at this moment.

art-to-make apple drawing

Drawing for apple watercolor

art-we-love Apples watercolor

I would like to just remind that adults and teens are welcome to attend November/December classes which will start as soon as I get home.

Lifeschool blog deals with GREEN LIVING and importance of changing our perception in order the Earth was living and livable longer. I had to write about the green living for our survival because they are handled so much better in Europe. I have added lots of pictures. Since it’s the secondary blog, it is not that visible, so here is a special invitation. However, those who never read posts, won’t notice that either. Anyway, I hope it is a nice weekend approaching.

Links to 3 recent posts: they continue the same conversation about green living.

https://inesepogalifeschool.com/2016/10/14/living-green-means-simplifying-and-enhancing-life/

https://inesepogalifeschool.com/2016/10/14/the-new-perception-of-prosperity-and-green-living/

https://inesepogalifeschool.com/2016/10/10/the-very-green-walk-in-october-forest-we-have-to-end-consumerism/

 

Watercolor mania? Yes, incurable

It isn’t so that I am completely obsessed with painting, but I have given thousands of workshops and classes just within the last 4 years. There were moments when I had 5 or 4 every week. Every class or workshop required some reference painting, plus, I certainly wanted to paint something on my own, as well. My problem is that preparation for any class and workshop and my own paintings always took so much time that I never really got to selling anything seriously. I would put on the “Open” sign, and that was pretty much it. I am realizing now that I have so many paintings which would easily fill up the largest gallery.

Watercolors up to 11 x 14 in (28 x 36 cm)

Some are framed, some matted 

 

Most of them make great greeting cards, as well, and look fantastic in white or light grey frames

Most of these paintings are in piles and wrapped up because classes involve a lot of splashing, so nobody actually gets to see them. That includes me, as well, because I rarely have time to sort things out. These are just some of small size (7 x 10 and up to 11 x 14) and medium size (12 x 16 to 22 x 18) watercolors.

Flower power

 

 

I did not even realize that, but the number of paintings has reached sort of tipping point. I would need at least 3-4 times larger space to either hang it all or display in any other way. It is time to reconsider everything and become more serious about doing something with all this art which, quite honestly, has taken numerous hours of drawing and painting. I always enjoyed that, but I am short for storage and space. What good do these paintings if nobody ever can see them? Therefore, I would be very happy some of them found new walls and homes.

Anyway, most likely I will have to repeat this before Christmas and holidays, but still, I believe, these are very attractive paintings which would look great in any place, especially in a proper frame.

All details and separate images are on  Fine Art America.

You can view all images and then let me know if you would like to see if original is still available. Shipping will be extra.

 

Everything $100 to $350. Shipping extra. Thanks if you checked them out!

If you ever doubted whether to start drawing and painting, just go for it. Being addicted to painting is not the worst that can happen. It is an entirely distinctive new world which never stops surprising.

Your support would be much appreciated

If you read this post, not only clicked on like, that would be wonderful.

I am finally returning to life and life is returning to me, however, the long time period of not being able to do much has its sequences.

I asked before the readers and people who wouldn’t be hurt by spending something on any painting for help and possibly support. It was fantastic how one lady bought a painting which should arrive at her place in the USA tomorrow, and I hope she will be happy with that painting. I hope there is somebody else among you who would not mind to support me after these terrible health struggles for quite a while.

After giving so many workshops and classes and since I’m always painting along with my students, I have very many 16 x 20 in paintings.  We never repeat any single painting, so to speak to keep the inspiration flowing and our artistic juices fresh.

Not all of my 16 x 20 inch paintings are finished. I sometimes change my mind; I sometimes have moved forward and have no interest in subject any longer, and therefore quite often additional work or reworking are required. Whenever I feel like doing so, I keep working on these paintings, however, I would like to discontinue small size landscapes, and return to large and very large paintings. Even many years ago, I loved painting large art. Not only I find it more expressive and more impressive, it is easier for me to paint in that scale because eyesight does not get any better, but I hate wearing glasses when painting because they destroy the correct proportions and mislead in interpretation of a subject. That’s my intention: to return to large pieces and especially to still life because that was always my most favorite subject. Still life which consists of something man-made, live flowers and leaves which symbolizes life and either food, vegetables and fruits, or subjects like glasses, books, candles, watches and similar. I still love birds, and I am watching them; and I can say I do not need any more references to paint birds which are in my backyard. About 40 bird paintings are available at my gallery.

I have paintings which even I haven’t seen for a while; these are large watercolors which took me up to half a year to paint. I couldn’t frame all very large paintings, therefore, nobody gets to see them because watercolor is sensitive without glass. Full size watercolors are not included in sales, but everything else is. I need to make space and invest in new paints and canvasses, as well as watercolor and pastel paper. As you know, good paper is expensive, but it’s worth it. Those of you who paint probably have experienced that difference between good and bad watercolor paper is insane. It’s possible to say right away on what paper some painting has been painted. Paint and water sit and float on the top of a cheap paper and they never act as on thick and multi-layer paper. That explains why some watercolor just do not look right.

A few small studies in watercolor

Small watercolor of sky reflection: $80.00, watercolor on paper, ships in envelope 


Small spring watercolor: $85, watercolor on paper, ships in envelope


Not all paintings have pictures and some of them are visible only in group photos. I make also extremely textured paintings, and it is sort of impossible to get a good picture of a highly textured painting. Light is reflected brighter from higher spots and shadows also disturb to have the right balance which exists in reality, but not on a photo. Well, there might be even people who can come to the gallery in person; that certainly is the best because no photo can replace the impression of an artwork. Any painting up to 20 x 24 inches without frame ships anywhere.

I have uploaded quite a lot of art on Fine Art America; they have so many products with images that I have lost count. I get from any purchase $2 to $10, except greeting cards in which case it is $0.50 to $1.

My art and artsy products on Fine Art America

I hope at least a few of you like something that much that they would not mind to own it. I mean especially originals. Please ask me about extremely good deals on 12 x 16 and 8 x 10 in watercolor paintings. I just learned my lesson that shipping with UPS was more expensive than painting, so any shipping will be extra. Thanks in advance!

Lifeschool blog talks about dreams that do not always come true, but hope is never given up: https://inesepogalifeschool.com/2016/09/11/the-soothing-sunday-thoughts-castles-of-sand/

Stick to your plan and pay attention to reference

Lesson 3

Whatever we are doing, we need some kind of a draft in our head or some plan which we keep in mind. However, it is easier said than done. That especially refers to classes. I have noticed that most people want to draw or paint without any plan and without any thinking. It might be so that when starting out it is hard to know what parts or segments should be paid most attention to. There are lots of simple things which make the object look multi-dimensional. By far, those are not only darker and stronger values. Strongly emphasized edges or absence thereof, always darker spots behind the lighter areas also contribute a lot to the spatial perception, not to mention color if it is used. I remember from early years I was told that the darkest dark should meet the lightest light. It can be tough to implement, especially when not having a real reference, but just a photography or sketch. I am personally not excited about patterns which repeat in a regular rhythm such as petals or trees along the path, blooms on a branch and similar things which we unintentionally place on our canvas when there is no firm plan or sketch.

 

Magnolias, recent class demo and I always work together with students straight in front of the class

Why am I saying: pay attention to reference? Because most people don’t do that. When we are just beginning the painting, they would have a look at the reference image or set-up. After a while, I notice nobody looks any more at the reference. You have to! The only exception is when it is a completely abstract work which has been drafted in one’s imagination or when we paint from memory. Painting from memory takes practice, however, and beginning artists cannot handle that too well. Reference or value drawing (if you have created such) has all the answers: where to use dark color, where to make strong edge, where to wash edges to lose them, where to place highlights and what exactly the shape of something is. It is extremely important, much more important than what brush to use. Talking about brushes: always use these ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We can use no brush at all, use a sponge or palette knife, that is a matter of a preference and choice. I know how some instructors want to make rules about everything. There are no rules in the use of tools. It is very obvious that using a very wide brush for tiny spot is simply difficult and vice versa. I know a lot of artists who create the entire painting with just one brush. I do that sometimes, too.

 

The Pink rose, recent class demo

So, the conclusion is: do not change things around dramatically or completely when the work is halfway through and always keep an eye on the reference. That’s why it is so rewarding to paint from real objects, live is live and photo is just a photo. Live comes with smell, touch, very visible shape and very noticeable values. Do not pressurize yourself and painting: there are moments when we need to stop and make a decision about the next step.

 

Purple pansies, finished just yesterday

Paintings and drawings really hate when they are not treated with due respect. It is much better to allow everything to develop in a natural way. For illustration I have attached the recent flower paintings. There are many more, but they just need finalizing touches. You know: painting is never done, right?