How to choose art classes

Many people who feel attracted to art, sign up for art and painting classes in the fall. Certainly, days are getting shorter and the weather gradually changes from very pleasant to quite nasty, rainy and chilly. I will not list all advantages of joining an art class or painting group this time because I’ve been mentioning them multiple times, and there are so many: from building your confidence and self-esteem and finding a great thing to fill up the long nights to effects similar to meditation which allow one floating away from daily troubles and problems, to mental fitness and rejuvenation of brain cells. The created art becomes just another gain along the way.

When choosing an art class, you should first check out what the instructor does: what are his or her favorite subjects, style, colors, approach. If you generally do not like such art as instructor is doing, so most likely you will the class unsuitable. For instance, if instructor is in meticulous copy creation of photos, you most likely will not be learning how to paint abstracts; or if she or he never do portrait painting, it is unlikely the class will provide with portrait painting skills.

Secondly, make sure the size of group somewhat works with you. I hear people complaining that they signed up for an art class and never got any attention, therefore, never learned anything. Well, if a weekly art class is 2 hours long and there are 20 or even more students in the classroom, how would you get a lot of attention? You can count on some 5 minutes of individual instruction in the best case because no instructor can run around all class while they are showing how to paint something. It is obvious that you have to choose a small art class if you require much advice or want very individual approach.

Thirdly, find out what level this art class is for. If some class is intended for advanced painters, most often, if you are just starting out you will not be able to catch up with others.

Beginner is somebody who hasn’t done at least 200 small size paintings or 150 larger paintings.

Next thing is: be realistic in expectations. That is probably the most overlooked aspect of any art class or studies of creative things.

Learning how to use tools takes time. That means: any tools. Although, everybody has seen a painting brush and quite frequently people have tried using it painting something on their own, it does not mean that you know how to actually use it. Any brush (they come in very many sizes, shapes and are made from all kinds of materials) can be used for some very specific things and also for some very general approaches. It is obviously possible to use just one brush start to finish, but the key is to find one that suits you and the task you want to accomplish. That depends also on your personal preferences, medium and subject.

Materials are an extremely important thing also for an art class, so, the best results will definitely be achieved using good quality materials straight from the beginning.

I have heard this often: I’m just learning, so I will use the cheapest materials for now. Well, that might not work at all because using bad materials can easily become a torture and nuisance. Sometimes students struggle around bad watercolor paper and they think they are doing something wrong, but, in fact, it is the paper which prevents from getting acceptable results. The funny part is that when one has a lot of experience they can survive with bad materials because their mastery will cover up the flaws, but initially, when there is very little knowledge, good materials will help overcoming your insecurities.

Equally important is also having your own materials. It might seem: what’s the difference? The answer is: there is a huge difference between paints, brushes, canvas, papers, pencils and even erasers, not to mention that is one of the most important aspects of learning. Tools matter, surface matters, paints and brands matter. There is no other way to become familiar with some materials in particular as using them.

Many people think that art classes and artistic activities cost a lot of money. Comparatively, I have to admit that is not really true. Most classes are way cheaper than going to a movie, about 8-10 times cheaper than attending a concert, at least 2 times cheaper than getting a hairdo, minimum 2 times cheaper than dining out at a medium quality place, much cheaper than boozing at a pub and so on. If your priority is to eat, work and sleep, that might seem like a big expense, but if you are looking for an overall improvement of your mental state, brain flexibility, memory, life quality and health improvement, it is just something which will pay back over many upcoming years. Therefore, the first question should not be “How much”. While the cost makes up an important part of anything we are doing and affording, there are very many other factors to consider. All classes are different: some are just a few weeks, some are a few months, some are short in a very large group and some are long and almost private. The most important part is to sign up for something that you feel interested in. One should also be prepared to learn, practice and memorize things, be spontaneous, courageous, daring and fearless, as well as have enough personal time for not feeling rushed.

I recently got new pictures and got a chance to post some watercolors on DailyPaintworks site.

I always work harder on pictures than actual paintings.

Colors in context images are much more like in reality.

I loved them, I hope it becomes a source of pleasure for other people, too.

This is the updated painting

 

They sell at $150, plus $15 shipping in Canada and USA.

Clear white on DPW

Enjoy!

Art is created in a different dimension

Art is even more than meditation. It transfers us to a different place, it happens in a different dimension and it results in a completely different experience.

I need, just like most of us, to shut off the world here and there.

To recharge, regain energy and clean my internal, soul-bound me.

I know that somebody might say: well, there are important subject and totally unimportant, and trying to paint unimportant things is just waste of time.

It doesn’t really matter, not one small bit.

It is totally possible to forget to eat, to forget what the weather outdoors is; what day it is and whether there are some urgent chores to be done.

The funny thing is that everybody can get into it.

I certainly would advise to let everything disappear time to time.

 

These are my lovely veggies

Love veggies is available from studio, this website and DailyPaintworks site:

$150 plus shipping in Canada $20 and to USA shipping is $25 because this is a large painting Love veggies

At least on my computer, better color balance is visible: ash berries or rowan berries, watercolor, The fall branch is also on DailyPaintworks:

Branch of ash berries

Sunflower sketch

 

I also got finally better pictures of sunflower sketch and ash berries. Well, in order these pictures were normally visible, every picture should be featured at the beginning of post. I just  really do not care about many things, and frequency of posting is one of them. I am in the middle of a creative uplifting swing. I hope it takes me somewhere higher.

Culture Days: free sketching event

Culture Days is a big deal in Canada. I must admit people love these free events and it is also a fantastic motivation to get involved.

We should love culture and we should implement creativity in our schedule regardless of what day or month that is.

People who do arts and creative things get much less depressed and they are less affected by bad news that surrounds us.

They learn living mindfully and consciously, and care about balance: while creativity takes some money that we put in materials, tools and space, it gives back a lot, too. That is not always countable in dollars and measurable by profits, but the gain is rather in experience. That is an incomparable experience, and if you have never tried to create something or engage in creativity, you most likely do not know how uplifting, encouraging and healing this experience can be.

My personal goal is to convince more people to devote some part, even if it is a small part to art and artistic self-expression.

Creativity is life, light and future. Consumerism is a dead-end and self-destruction.

Art culture reveals the nation’s true potential and values.

Although, I have absolutely no sponsors as large art places do, I still wanted to offer everybody to try sketching. Just to see how much fun it can be and that one doesn’t need any previous art experience to get started. I will provide with all materials.

I always bring watercolor sets from my annual trips to Europe. Therefore I will give away 2 watercolor sets which can be used indoors and outdoors for sketching and watercolor painting. If you intended to sign up for either Tuesday daytime or Tuesday night watercolor painting class, so you have a chance to win these watercolor sets tomorrow.

Giveaway: 2 sets of watercolor paints for beginners in painting.

To give some inspiration to these who are interested in acrylic painting, I am attaching 2 images.

Art is light. A large, very textured, light filled acrylic painting “The path of fall”

Acrylic, 30 in x 24 in (76 cm x 61 cm), only for pickup in Ontario since it is quite heavy, $600

Color in waterfall: acrylic on canvas, 24 in x 20 in (61 cm x 51 cm); $420

Ships in Canada approx. $40 and to USA at approx. $50


Culture and art are two sides of one creative experience.

It is rainy and nasty today, but I hope the sun will be out tomorrow.

Therefore, I kindly invite everybody who can make it to come to my studio tomorrow between 1 and 4 pm. I will also show and explain pros and cons of art materials, as well as demonstrate them in action.

Culture days should bring art and creativity to every person in the local community. Just don’t be lazy and come out for a pleasant and great experience!

Art classes and fall start soon

Fall art classes start soon. That is a fact. Fall is here. This might be the most inspirational time for poets and artists, especially these ones who are taken away by color.

My fall art classes usually resume in October. I went to Latvia earlier this year, so, art classes can start sooner and be long enough to learn plenty. It’s going to be October.

I had to think a lot how to arrange art classes this year: I tried 1-day workshops, 2-day workshops, monthly classes and 2 classes on the same subject. I tried everything, I believe. I will have 8 classes in a row this season because it felt as if previous approach did not give enough time for everybody, and I definitely do not like rushing people.

These classes are supposed to give a lot of space and freedom for interpreting subject in a very personal way. We have created wonderful paintings before, and they never looked the same. Every student had used their own view on things, and that is pretty much how art should be: originating in the artist, not in a photo which gets copied onto a paper or canvas. I would love that every class is experience and process and less an attempt to stick to perfection because when we do not get everything perfect we are upset. I encourage everybody to play with shapes, contrasts, colors and try finding the ones that make sense for that particular student personally. We are all similar and very different at the same time: why would we try to create copies of each others work?

We will have new fall art class: a  daytime watercolor and sketching class which will focus on pleasure and excitement that only colors and good mood can provide us with. I was told quite frequently that not everybody can attend the late afternoon class, so, here you go: meditate, relax and enjoy doing these watercolor studies that are suitable for absolutely everybody as long as they are willing to try some brushstrokes. This class does not require a lot of materials, and we will do exactly that: we will get lost in artistic freedom to create whatever we feel like at that moment. I have a pretty good idea how well this will work out, so, it should be a fantastic class if you are looking for a great pastime and if you feel you need to decrease your stresses and forget about problems.

Fall art classes: late afternoon watercolor and acrylic painting class will continue the good tradition of this studio: enjoy the process and learn in a relaxing environment. I have thought about new subjects which will be very suitable for exploration and studies, and I will try to gear students’ attention towards the use of tips and tricks, many different techniques and ways of paint application, as well as watercolorists will get a boost with their drawing skill.

When I am traveling from place to place, there is rarely time to sit down and quietly paint or sketch. As you know, I want my subject to be in front of me, whether that is a still life apple or some flower, or a scene. I quite honestly cannot stand repainting photos, so, I am very happy every time when there is a chance to get something on paper. It’s not much. My subjects had wilted and gotten bad while I was away, but still: that is at least an exercise. I did not have a desk or decent table, and I had to balance everything on my lap or stretch a bit in order to reach to water or paint which is a fun of some sort.

Some sketch and 2 watercolor paintings, that’s all I got done so far while traveling

Rowan berries or ash berries, as well as some sunflower and apples, we will try some nature scenes with still life elements in our fall art classes, too.

Quick sketch: inspiration for fall art classes

 

This really says: fall

 

 

 

I have noticed: if I cannot paint or draw for a longer time, I feel like I am missing something a lot. I hope you have nice plans for your fall season, as well!

Draw the line: put things in perspective

Perspective in art is much easier to implement than perspective in life. In fact, there is nothing much to it as far as we are aware of  how it works and what it does for a painting or drawing.

Perspective creates depth and dimension in any drawing and painting which deals with suitable subject.

Traditional linear perspective uses size, overlap of objects and their placement in composition, as well as convergence of lines.

If you love landscape, street scenes, rural scenes with farms and barns, simple roads, streams or rivers, so on and so forth, you will need to implement linear and atmospheric perspective and also use color values accordingly to perspective principles.

Well, if you are drawing and painting plein air, you most likely use some perspective.

Some people are confused: how many vanishing points to use: 1, 2, 3 or even more?

The answer is that will depend on the placement of your shapes and forms on different planes.

1 point perspective uses 1 vanishing point on the horizon line.

Most often we use 1 point perspective with roads, streams, tree and fence lines and buildings on both or one side of a path or road. That creates an easy perceivable composition which is pleasure to look at and easy to create.

2 point perspective respectively will use 2 vanishing points.

Plein air drawing, 2-point perspective

Pen and watercolor sketch, mostly done outdoors, since this building is next to my entrance. We used the 2-point perspective sketch

When drawing close-ups of buildings or placing many scattered buildings in composition we can use rather 2, 3 or 4 point perspective because that will allow achieving lots of depth and dimension.

When some objects are close, some distant or scattered all around, you could use 3 and 4 vanishing points. It does not mean that your drawing becomes extremely complex. It means that you will have freedom to place compositionally wherever you want it and make it the size you’d like.

I noticed that most drawing demos that involved 2 point perspective did not explain that the roof top line runs through 1 vanishing point. That was also the most confusing part for students since they had a problem placing the roof line where it belongs.

Please enjoy the recent paintings and sketches which involve perspective.

Thin and thick pen and watercolor for creation of perspective sketch, 1-point perspective

Simple watercolor plein air sketch which has just slightly sketched in perspective

Perspective in man-made structures: large watercolor. To create it, I first did a pencil sketch on transparent transfer paper in the size of the painting.

This is a demo pen and watercolor painting for 1-point perspective

I am giving a set of 4 classes about perspective in sketches and drawings at the moment. Therefore, I haven’t made any perspective videos or demos yet. However, I am working on materials and most likely this winter I will be able to post something to learn from online.

Other than that, bad health and garden work kept me from finishing work at my website. It’s still half done.

If Bluehost with their Mojo Marketplace were not cheating and if I had the theme I initially wanted, my website would be completed and running beautifully by now. Unfortunately, I had to wait for refund and then I got very sick and then I had to prepare classes, so I could not work on finalizing neither the layout nor content of my website.

I did not post recently that much for the same reason: I thought I just wait for a while until it’s all done. That moment never came so far; therefore, I am posting my recent works that involve creating perspective. Most drawings, sketches and watercolor paintings are done outdoors or plein air. A few are demos. It’s needless to say that perspective is an important part of any painting, sketch or drawing. Learning how to create perspective is not difficult or overwhelming.

Please be patient and you will be able to check out my advice on creation of perspective in any drawing or painting. I will definitely have lots of images and sample drawings.

Where would we be without the beauty?

Beauty is the most universal, self-expressing phenomenon that does not require words or language knowledge. It is present in all walks of life, but it becomes something extremely perceivable due to art.

As we rush our daily schedules and spend most of the time running, we might not notice the moment when a bud opens. The magic moment when the fragile petals unfold and when the sun and rain pour life into it. It becomes a mediator of beauty. Every smallest vein and line, every nuance of color is so unique.

The biggest advantage of being able to create, draw and paint is the feeling of being a creator. We can do anything with the sheet of white paper in front of us. It’s our choice what goes on it. I choose the never-ending, personality enriching and mood uplifting divine features of the nature. It is a cheerful activity on its own. It is more than meditation, it is much more than immersing in oneself, it is the imperative life-continuing reveal of the underlying essence of life, and the essence of life is beauty.

Cherry blossoms, watercolor painting. Beauty unfolding

 

Apple blossoms, watercolor painting. Beauty in a very visual way.

Enjoy! Happy Mother’s Day! I know my mom will love these paintings.

The best way to start painting with watercolors

… is using pen and watercolor wash.

We all want our art to be great and impressive. However, if you are new to some medium or absolutely new to drawing and painting, you have to bear in mind: nothing happens right away and with the first brush stroke. I have had absolute beginners who were somewhat disappointed that their first piece of art wasn’t exhibition quality. Well, that is normal.

Every skill takes time, efforts and work.

Creation of drawing or painting involves lots and lots of information. Some people are courageous by nature and love to experiment, and that is a very good start. Some people are perfectionists and they believe everything they do must be either perfect or they are ready to give it up; and that is a completely wrong approach.

My personal attitude towards something new in painting: different subject, medium, tools or technique never focuses on perfection. I focus on potential. Something might work out and something might not. There will be easy parts and probably difficult parts. That way. I call this attitude: let us see what happens.

Progress is usually gradual. That is why we start with simple things and move to more complicated things.

Pen and watercolor wash is a great technique for beginning watercolorists. Some like it so much that they stick to this technique and turn it into their personal style.

If you are insecure about drawing lines with pen, sketch them in using pencil. You can draw over with pen and delete everything else. We have now clean drawing in black ink, and the white paper is not damaged.

Anything can serve as a subject: from your morning coffee cup to flowers in a vase or at the fence, from a bird at your window to sprouting vegetables in a garden. Any scene with some object is good, but flowers look extremely nice when done in pen and watercolor.

When somebody says they cannot draw, I don’t believe that. Most often that means they tried 1 or 2 drawings and these drawings were not splendid. So, they make a conclusion that they cannot draw. Talk to me after 200-300 drawings. That is a decent start. It is also much easier to point out what else one should do in order to create better art when they have done some attempts.

Pen and watercolor flowers and spring scenes

Flowers are extremely suitable subject for this type of watercolor application

Apple blooms in pen and watercolor: great starting subject

Birds fit in this category, as well

Spring mood with butterflies: excellent subject for beginners in watercolor

This exercise is for absolute beginners

Why to start with pen and watercolor? It is forgiving, it is easy and fast, and it allows learning watercolor application more effortlessly. The pen lines provide additional support. It is a flattering technique since practically any painting or drawing looks good regardless of how sufficient one is with watercolor only.

I have done numerous pen and watercolor paintings over years, just because it is fun, it is easy and looks fantastic.

Dreaming goes on because art is timeless

Before you leave this site, please, spend a short moment with my other blog which is not that visible since it’s secondary (WordPress, it’s time to change that!!!), and the post tells a fairy-tale about Christmas: https://inesepogalifeschool.com/2016/12/22/christmas-fairy-tale-going-home/

Inese Poga's art show

Show, large room, right side

Inese Poga's art show

Show, large room, left side

Art for sale

Sun slightly disturbing, but the light was excellent

artbylocalartist Inese Poga

It’s good to wrap up things and have the feeling of “I have done everything I could, and it is what it is”. It would be certainly way better to finish the year in more elevated mood, like “Was this ever fantastic!” That’s not going to happen this time.

It’s good not to have any classes for a while because that allows getting back to me: doing things that I want and prefer, not only classwork. Giving classes is a big responsibility; it takes a lot of energy and time-consuming preparation work.

I certainly would like to move to my personal themes and my personal visions in art, but unfinished paintings are really standing in the way: you look at some, and it says: hey, just add a few brush strokes, just wash in some more background, it’s not going to be that much of your time! I end up spending a lot of time, and since these are paintings that I started a long time ago, my internal critic disagrees with some aspects. Why did I start this at all? Right, during the class. Why did I choose that much detail? Why didn’t I make it simple and with large accents? Basically, it’s difficult because I have moved on and it feels like catching up on some long time ago forgotten thought or idea.

I will try to be more disciplined and not start that many new paintings, but then again when I didn’t do demos on canvas, I suddenly painted a few great paintings … on messed up cardboard. The wavy texture shines through, and they are not any good for display. It’s even impossible to take any picture of them. You never know with painting: something good can appear where one didn’t expect that and everything can go wrong when we had high expectations. There are so many forces and energies involved that it isn’t by far as simple as “just do it right or according to your plan”.

Classes also put a lot of pressure on any teacher because teaching is also not that simple. I usually think and plan and sketch until I find the right image for a particular group. I also have to think about simplified ways how to put it on canvas or paper.

16 x 12 orchid by Inese Poga

Magnolia, the small version

artbylocalartist gerbera

Gerbera daisy

artbylocalartist my favorite

Finally, got a better picture of poinsettia

artbylocalartist very red poppies

Ones side still pale, but I didn’t have any picture of these red poppies

art Toronto artist

They all looked so attractive

artbylocalartist Barn reflection

We did recently this reflection, everybody loved painting it

artbylocalartist Sunset over shores

This was the subject for a Saturday workshop

artbylocalartist some birches

We are often painting birches

artbylocalartist autumn and birches

This is one of recent class paintings

I had put up a beautiful show, those who came were really impressed, but I believe, my timing was a bit off. I will start to prepare the next show “Blooms and Leaves” fairly soon, and that might be ready by the end of April or by May. Anyway, there is not such a thing as lack of paintings for sale at my gallery. It’s always open and available to anybody over the internet. Just ask.

Merry Christmas to these who celebrate it and fantastic holidays to those who have other celebrations!

Creating is learning, learning means: living more intense

Any creation involves saying something about ourselves. That’s how we are telling others what our point of view is. True creativity is never copying and reproducing, but taking an idea that lives or is just born in our imagination and bringing it to life.

I regret seeing how plenty of instruction is meant to learn not principles and methods, but trying to reproduce a particular artist’s style and manner. Creativity is great not because we can do things that other artists or writers have done, but because we can create everything exactly as we want, have intended and imagined.

The use of color is a very personal feature, color mixing: a general approach to make a shade or tone we want, and therefore, learning the latter is important. Composition can be explained as good and impactful view on items painted on a particular size paper, canvas or other base material. There are generally applicable principles and that’s what we should know. Specific compositional approaches are a personal feature of a particular artist, and we should rather develop our own.

Choice of subject is always important, but we should remember that it is much more useful to learn principles of drawing or painting without sticking to subjects somebody else is painting in some particular manner and doing it great.

How and what always depends on us. The many ways for achieving the desired result we ae learning. Learning is an ongoing activity, and it’s erroneous to assume somebody knows everything. Experiment is the best teacher of all: how do we know if we never tried?

Mistakes and errors are an essential part of learning process. It’s silly to be afraid of mistakes and do nothing. Perfectionism most likely lives inside many minds, but that does not mean anything less than perfect has no value.

I personally always think: let’s see what happens. Everybody who is painting or drawing has thrown out lots of paper and damaged quite a few canvas. There is nothing bad about that. I had a girl who once said: I do not want to throw away this expensive paper just because I started the painting wrong. Well, it is much more difficult to correct wrong lines and colors than start a fresh work using the new knowledge. I believe that every task adds something to our knowledge and skills.

art-for-everyboy-to-create

Sunflower drawing

art-classes sunflower

Sunflower watercolor

I am not at home at the moment, but visiting my closest family in Latvia. I had a few sheets of paper, kid’s paints in fairly bad colors, meaning, they didn’t have the transparency or flow abilities of good quality paints, but still: I simply saw this bloom and these apples, and that; s what I do not have at home. I always prefer drawing from real subject. It was more difficult because the right tools and brushes are helpful, but I did not allow that stopping me. I could return to and reuse the same drawings with decent paints and better size paper or canvas, but these are results at this moment.

art-to-make apple drawing

Drawing for apple watercolor

art-we-love Apples watercolor

I would like to just remind that adults and teens are welcome to attend November/December classes which will start as soon as I get home.

Lifeschool blog deals with GREEN LIVING and importance of changing our perception in order the Earth was living and livable longer. I had to write about the green living for our survival because they are handled so much better in Europe. I have added lots of pictures. Since it’s the secondary blog, it is not that visible, so here is a special invitation. However, those who never read posts, won’t notice that either. Anyway, I hope it is a nice weekend approaching.

Links to 3 recent posts: they continue the same conversation about green living.

https://inesepogalifeschool.com/2016/10/14/living-green-means-simplifying-and-enhancing-life/

https://inesepogalifeschool.com/2016/10/14/the-new-perception-of-prosperity-and-green-living/

https://inesepogalifeschool.com/2016/10/10/the-very-green-walk-in-october-forest-we-have-to-end-consumerism/

 

Watercolor mania? Yes, incurable

Watercolor, watercolor and ink, as well as pastels are my favorite mediums to use because I am very good at drawing, I would say I was born being able to draw.  It isn’t so that I am completely obsessed with painting, but I have given thousands of workshops and classes just within the last 4 years. There were moments when I had 5 or 4 painting workshops and classes every week. Every class or workshop required some reference painting, plus, I certainly wanted to paint something on my own, as well. My problem is that preparation for any class and workshop and my own paintings always take so much time that I never really get to selling anything seriously. I would put on the “Open” sign, and that is pretty much it. I am realizing now that I have so many paintings which would easily fill up the largest gallery.

Watercolors up to 11 x 14 in (28 x 36 cm)

Some are framed, some matted 

Most of them make great greeting cards, as well, and look fantastic in white or light grey frames

Most of these paintings are in piles and wrapped up because classes involve a lot of splashing, so nobody actually gets to see them. That includes me, as well, because I rarely have time to sort things out. These are just some of small size (7 x 10 and up to 11 x 14) and medium size (12 x 16 to 22 x 18) watercolors.

Flower power

I did not even realize that, but the number of paintings has reached sort of tipping point. I would need at least 3-4 times larger space to either hang it all or display in any other way. It is time to reconsider everything and become more serious about doing something with all this art which, quite honestly, has taken numerous hours of drawing and painting. I always enjoyed that, but I am short for storage and space. What good do these paintings if nobody ever can see them? Therefore, I would be very happy some of them found new walls and homes.

Anyway, most likely I will have to repeat this before Christmas and holidays, but still, I believe, these are very attractive paintings which would look great in any place, especially in a proper frame.

All details and separate images are on  Fine Art America.

You can view all images and then let me know if you would like to see if original is still available. Shipping will be extra.

Everything $100 to $350. Shipping extra. Thanks if you decided to check out my paintings and possibly get some art product, print or original painting.

If you ever doubted whether to start drawing and painting, just go for it. Being addicted to painting is not the worst that can happen. It is an entirely distinctive new world which never stops surprising.