Pencil drawings and sketches, new and updated

Pencil drawing, still life

Pencil drawings and sketches

It happened so that I gave numerous drawing classes this season. People love pencil drawing and sketches, and they are excited to learn how to create such art or a value drawing for other art, like for a watercolor and acrylic painting. Therefore, I have many drawings now. I always ask my students to also use big size paper for their creations. We most often use 24 x 18 in or 61 x 46 cm paper.

Using reference image or setting up still life

I personally prefer real items in front of classroom for my pencil drawings and sketches. During summer and fall, it’s extremely easy to find something suitable. We used real items for still life, but perspective pencil drawings and sketches are simply composed and constructed from imagination. I haven’t got images yet of other drawings with personal items, shoes, jeans jackets and figures. We gradually increased complexity and went from still life and perspective drawing to pencil drawings and sketches of figures. That took about 30 private art classes. Large size paper makes a lot of sense and allows creating the best compositions and value transitions.

Tutorial won’t do that

Tutorials usually teach something one: style or technique of a particular artist, one subject or one feature of it, and that doesn’t always mean your tutorial will include explanation or clear understanding why to choose exactly this one style, feature or part of subject. Demonstrations are frequently done on small sheets of paper. I’ve mentioned this numerous times before: if you can draw, you can draw anything without any limitations. You won’t need photos, printouts, grids and similar things. If you can draw, you just observe, pay attention and allow pencil to do its job. Which I always do! I hope you love seeing these drawings and sketches! I have to post many at a time because there are way too many.

Private art lessons

Art collections by Inese Poga

The extremely calming pencil drawing

Drawing buildings

Pencil sketch and drawing

For me, many of paintings start with pencil sketch or drawing. It can be a marker or a simple black pen, too. I’ve never counted my drawings, but there are numerous of them, many hundreds. Every time when I give an art class, I create an outline sketch, value sketch or quite a detailed drawing. Compared to other medium choices we have, drawing is the simplest and the least dependent medium on anything. We need just something to draw with and on, but the rest can be imagination, real items, even a photo. In my opinion, pencil drawing is the beginning of any art which displays realism to some degree.

Easy drawing process

Pencil drawing doesn’t require timing your process. It allows to start, put off and continue any time afterwards. With water media, such as watercolor or acrylic, timing is an extremely important factor. The same goes for humidity, ambient temperature and similar aspects. Quality of water media art is strongly affected by the quality of art supplies. Pencil drawing can be done even when we do not have special pencils of different hardness, we can draw even without eraser and pretty much on any paper. I do regret that many of my drawings are done on transparent paper since I needed them to be transferable onto watercolor paper. They don’t look that good when photographed and cannot be presented as finished artwork, although, many are. In fact, any large and very large drawings are problematic to photograph.

Sketch and draw real things

I’ve noticed that people, who haven’t been using photos as reference for creation of their art initially, develop the ability to draw more effortlessly and it is easier for them to understand the mechanism of capturing something which has volume onto a flat surface. These, who have started out tracing, copying and using somebody else’s drawing, have more difficult times. It’s probably because they don’t trust their eyes, have less confidence and don’t want to take risks or experiment. However, all it takes is seeing your subject in an artistic way. Seeing is the part which many of us are lacking.

Drawing shadows
Quick marker drawing on shadows

All buildings and one-point perspective drawings are constructed and drawn from imagination, without using any reference.

Constructed one-point perspective drawing, full size 24 x 19 in or 61 x 48 cm

Distorted photo images

I come from a different background; therefore, I simply didn’t have photos and couldn’t take them either. That worked out as an advantage eventually. If you look online at photo images, you cannot help, but notice how distorted they are. That most likely comes from the frequent use of phone cameras and the way perspective, as well as colors are automatically adjusted. What we get, is a profoundly wrong reference which is no good for drawing or painting. If you pay attention to shadows or reflection, solid structures and their dimensions, or for that matter, comparative size of separate parts and their proportion, the absence of correct linear perspective is very notable. If the reflection or shadows stretch for miles, it simply looks wrong. It will be even less acceptable in a painting. The same applies to buildings and street views.

Drawing buildings
Drawing from pre-pandemic art class, also imagined, constructed drawing, no reference needed
Drawing buildings
Drawing from 2018, 1 point perspective, also just lines and linear perspective

Live art classes

Since private art classes resumed, we’ve done a few drawings, pencil sketches, as well as watercolors and acrylic landscapes. My younger students usually aim for filling up portfolio, therefore, they want to learn about perspective, shadows, direction of light and similar aspects of drawing. That is fantastic because regardless of medium, any more or less realistic art consists of the same parts: composition, linear and atmospheric perspective, values, contrast, light and shadows, as well as size and proportions between parts. It is interesting that younger students eagerly want to learn about perspective, correct proportions, types of shadows and ways to display play of light on their drawings and paintings. One-point perspective is a very good subject for beginners.

Painting process simplified

The fastest way to learn about all aspects of a successful painting is using pencil. Pencil drawing allows seeing the essence of your subject easier and in a more impressive manner. Students love the fact that they cannot do drawing wrong, hence, we can erase anything if want to. Pencil drawing is a fantastic pastime for people, who have time, or the best artistic practice and preparation step for artists, established and beginning. It is a calm and soothing activity. There’s no rush as with water-soluble paint which might dry too fast, get tacky and so forth. There are no worries about water flowing where you don’t want it or pigment acting weirdly. Pencil dances on the paper and this allows creating our phantasy or reality. Whichever we choose, we are the winners. Pencil drawing is extremely rewarding in any regard.

Mastering drawing

Taking or making time and being observant is difficult for folks nowadays, but drawing requires seeing things which people normally do not notice. This activity makes our world bigger with every single pencil line. Due to preparation work for art classes, as well as the huge time that was necessary for setting up the outdoor classroom, I have not been able to post practically anything on both my blogs. Well, here you have it. My pencil drawings are not done just within a few hours. My drawings are usually large, up to 29 x 22 in or 74 x 56 cm, and they take plenty of time. I would say, to post this article with images which come from different years, and to take and edit current photos, took me at least a month. Many hours go into every single drawing, most often, 20 or more hours for the large ones for sure. However, it is time well spent.

Line drawing, pencil outlines intended for watercolor painting

Online presentation and new art classes

You will obviously see the small online images. The paper was bright white, yet, it didn’t look that bright on my pictures. Well, it is what it is. Enjoy and join the art classes if you live around Ajax, Ontario:

Group art classes

Private art classes might be an option: Private art lessons

I have added the artistic prints page, it takes to another site, so, click on the back arrow to get back onto my site:

Artistic products and art prints

My other blog is about life and getting the best out of it. Many people who click on “like” from the Reader, do not know I have it, but I write also poetry and stories, about my observations and interesting facts which became notable after many decades. You might like to have a look:

Life school blog

Have a great time in August!

Still life with personal touch

Blue, green and orange still life by Inese Poga

This post has many pictures, make sure to check them out. I decided to devote a special article to my still life paintings since it has been an important genre for me for many decades.. In languages which I speak fluently (native Latvian, German, English and Russian), still life is called as follows:

Still life: English

Stilleben: German

Hатюрморт: Russian

Klusā daba: Latvian

Nature morte: French

Naturaleza muerta: Spanish

Natura morta: Italian

Wikipedia gives a brief historic overview of still life as a genre, and I don’t think I need to repeat it.

Etymology and direct meaning

Translating literally, still life means dead nature in French, Italian and Spanish and Italian and Spanish have presumably borrowed it from French. The direct meaning of English still life is “life which is not moving and making no sound”; not moving and silent life – in German. Russian uses a loanword from French; hence French was spoken in all higher educated circles in Russia for quite a while until the Socialist revolution in 1918. Still life in Latvian means “silent nature” referring to rather making no sound than not moving. I find this very amazing. I do stick in my still life paintings with “nature that isn’t moving, but is visibly alive”.

My still life

As a native Latvian, I have formed my understanding of still life based on classic Latvian art. I especially adored Latvian art which was created between 18th and 19th century and around the beginning of 20th century. Latvians used to go to France and Italy to study art, therefore, the influence is undeniable. The part I never liked and to which I developed internal opposition was the use of mainly cold raw umber and rather muddy earth and dirty blue color in still life art between the WWII and 60-s of the previous century. However, they worked well in combination with grey color since grey has many thousands of shades. When I was younger, I couldn’t stand such color combinations.

The beginning of my personal style

I initially was somewhat really naturalistic. I could sit for hours in the garden or in my room and draw leaves, plants and flowers between age 10 and 16. I drew also people and faces of my sister and other relatives, but for still life, I didn’t have to ask anybody to sit and stay there for a few hours. Back in 60s and 70s of 20th century while Latvia was still in the Soviet Union, I could mostly use what I got from our garden. Vegetables and fruit lasted longer than flowers, so, I developed a special love to them. I used just pencil and watercolor on a bad quality paper. I didn’t have lots of art supplies, often not even eraser. That taught me drawing so that I wouldn’t need eraser. I didn’t have obviously camera and printer, and nobody knew anything about the internet yet.

The subject of still life

Still life with fruit and flowers, watercolor

I have most often certain requirements when setting up a still life. I use something man-made, such as bowl, cup, jar or mug, box, books or similar items. I implement some flower or leaves, or the entire plant whenever I have it, and that establishes the living part of my still life. I also love adding either fruit or vegetables since they are always available. I sometimes cleaned out the fridge, and my husband used to joke that we didn’t eat for the entire month while I painted my still life. Big is definitely more impactful, and I go with full sheet watercolor paper (22 x 30 inches or 56 x 76 cm) when I have a good quality paper. The same about acrylic painting of still life. The small size is about 16 x 20 inches or 41 x 51 cm with just a very few exceptions that are even smaller. Painting big size art is much easier for me and I always prefer that assuming I have enough time and appropriate art supplies.

A very attractive genre

Blue, green and orange still life by Inese Poga
Green, blue and orange still life, just finalized with extra touches

Over years, I have painted numerous still life paintings. Many have been sold as prints. I cannot include all still life paintings, but just a few in one post. These paintings are recently finalized, but started even 10 years ago. The “Spring tulips and cup” painting was done like that. Pictures I was taking years ago, do not look that good any longer, but I cannot get better ones from framed art which is under glass. For these paintings, I had only my sketch or drawing for reference.

My reference for my still life painting
I could finish this painting because I had created a value drawing in the same size what painting is: 20 x 24 inches or 51 x 61 cm, therefore, I had reference
Watercolor painting, still life
Still life with blue, 25.5 x 20 in or 64 x 51 cm

It is usually difficult to get true pictures of paintings and how the viewer sees my paintings, depends on their device. I certainly tried. I have 4 monitors at 2 computers, and every image looks very different on each one of them. These paintings are available as art prints also. Thanks for reading!

More about my still life art, click on image for article:

Watercolor still life

Please, shop for art prints of all kinds and other art products:

Virtual marketplace and my art in room settings

Virtual art marketplace paintings

It’s amazing that I had no idea my art had been added to a local virtual marketplace. It was somewhat encouraging to see that my art was appreciated.

If I knew about that, I’d had kept working on new paintings instead of spending the last week in the backyard. I had intended to post images of the previously unpublished paintings also at least a week ago, but life just sometimes demands dealing with other things.

These are images of paintings which were sold, but I hadn’t actually gotten a chance to publish them anywhere.

Positive energy art

I painted at least 4 versions of “Nostalgia, gardens of dreams”. This painting was sold about 10 years ago. It’s size was 22 x 28 inches or 56 x 71 cm, acrylic on canvas.  I actually do commissions also which means one can order any size of my painting and in any colors they prefer. Variation of my own art certainly works the best.

Spring orchard, sold, Virtual arts market

The Spring orchard (20 x 16 in) was sold in 2016. One of my art students bought it. Since the pictures of paintings were taken briefly before their sale, I cannot get any better photos. This particular painting had a very nice play of colors in textures since trees and grasses are very suitable for that.

Pears and daisies, Virtual arts market

The still life I still have. It was hiding in the storage room. Pears and daisies, 12 x 16 inches or 30.5 x 41 cm; sunny still life in acrylic.

Virtual arts market

At that time which might be about 8-10 years ago, this painting was named “Flower hill”. We did it in acrylic painting classes and my painting was a demo. Its size was 16 x 20 inches or 41 x 51 cm acrylic on canvas.

Fits any style actually

A few weeks ago, I was simply playing around with placing pictures of my art in room settings. While many people would dare using only abstract art with their light, white or minimalist style, I think my paintings make each one of these rooms look great.

My art prints on Fine Art America:

Stay in touch and stay safe! I will have something new soon, especially for art students; now, that gardenworks are almost done.

New Year, new art and new experience

Art studio, watercolor paintings

Happy New Year!

The new year should make us richer with new ideas, intentions and goals, help us better understand ourselves and never let us down, as we go through our life and this time.

I woke up this morning and suddenly realized how happy I was. There was nothing to complain about. The morning was crisp and sunny, it almost seemed like spring.

I could spend the entire day as I wish. Nothing was hurting me, there were no regrets about the previous day. I had a complete freedom over my decisions and intentions, and the day was just about to start. It was like a promise, and I had no doubts this promise will be kept.

What is holding us back when we are unable to turn our dreams into reality? Small issues, big issues or issues which might not be even existing?

In fact, it is very simple in most cases:

Identify what is disturbing you, and get rid of it.

When it’s impossible to get rid of it, try to handle it in the best way.

Fruit still life, watercolor
Fruit and berries, watercolor 61 x 46 cm or 24 x 18 in

My African violets are in full bloom, three are purple, one is pink, and one is white. They blossom every year around this time, and that’s when I paint them.

Watercolor painting, floral
Love in purple 1, 24 x 18 in or 61 x 46 cm

I have added a few views from my art gallery.

I hope it will be a good year with many new paintings. Enjoy!