Yellow hibiscus blooms: acrylic class is doing fine

I have noticed that sometimes students feel disappointed when they discover that drawing and painting actually takes some time, effort, skill and practice. Many people who are interested in creation of art use to watch YouTube videos and demos, and painting seems to be so easy and effortless, especially time-lapse demos, that when it comes to painting on their own they are really surprised how it didn’t happen with the first brush stroke. Any medium, and acrylic is no exception, requires to learn and figure out its advantages and drawbacks, to get used to its features and to understand how these paints really act and work on canvas or on paper. Mixing colors is a science on its own, and we still have to add to this the creation of image, planning, drawing, creating perspectives, compositions, we have to take into account values, contrasts, layout, so on and so on.

Well, one or two classes cannot give a complete understanding neither about the application of paint, nor about the painting process. We also need to be patient because sometimes the painting just doesn’t happen in a blink of an eye.

Even though, everybody was interested in still life painting in the Thursday group, I had to admit after the first classes the object which consisted of quite a few jars, cups and apples was too difficult to re-create. Two of my most dedicated students completed the painting, and their results were surprisingly good, but the rest didn’t have the persistence to overcome the initial difficulties and some just dropped out.

We decided to go with flowers as the next object. Some new students joined the class, as well, and we will probably do more scenery in the future just like the other group which has been busy with birches all October. It seems the hibiscus was liked by everybody, though.

 

Yellow hibiscus: model for acrylic painting class

I have taken many hundreds of pictures over 3 years since I have this plant. There are periods when it is resting and doing not so great, and there are moments when it looks breathtakingly beautiful with its large graceful yellow blooms which can be as big as a medium size plate. I keep this hibiscus outdoors in summer, and I obviously have to accommodate it indoors when the temperature drops.

Working on first layers

 

I don’t think anybody would complain about the lack of inspiration when this amazing plant is in full bloom. The color alone is worth a kingdom. I didn’t finish my demo yet, and some students only got done the first part, but our results were quite satisfactory this time.

Good start: new students joined the Thursday acrylic painting class

 

Acrylic painting can be relaxing as well

 

Acrylic painting class for beginners

Acrylic painting classes for adults and young people

Painting is progressing nicely

Enjoying the class: it is also fun and pleasure, not only work

Art classes for adults and teensWe started from the center and moved with the image and paint outwards as we progressed. It looks this approach is not only saving time, but also offers a lot of advantages when developing the image. The final paintings should be excellent.

Autumn silver and gold: large textured acrylic painting

I finally got time to finish a very large ( 48 in x 32 in or 1meter 22 cm x 81 cm) semi-abstract autumn scene. I did it in my favorite textured way applying thick layers of paint and acrylic medium over and over. This painting will be exhibited at my gallery entrance greeting all visitors and students.

Very large textured acrylic painting Fall trees in fog

Too bad, such technique is very time-consuming, but I’d love to do many more acrylic paintings using a rich texture since it adds to the impression tremendously.

I love birds and Natural Awakenings publishes my painting on the August issue cover

Once I started to paint and draw  birds, I unexpectedly found a new interesting scope of material. There’s so much to explore! My first paintings of birds were very approximate. I just tried to give them some character, that’s all. I’m paying more attention to the arrangement of colors, etc. on wings and other feathers and to their external anatomy.

I like most birds, and I really need to love or somehow like that stuff which I am going to draw or paint. That’s pretty much the reason I stopped painting human portraits.

Chaffinch in the grass watercolor painting

Chaffinch 4, watercolor painting of bird

Nature has the most wonderful variety of everything, from small to huge, from simple to complicated.

 

Chaffinch 3, bird painting in watercolor

I suppose, I will keep studying birds for a while. I do get tired of similar images, though, that’s why the next paintings to finish are three-dimensional landscapes.

Taking about landscapes: my painting “Overlooking the Meadow” will be on the cover of Natural Awakenings Magazine.

Overlooking the meadow

Natural Awakenings is a free publication about healthy living that is available in over 90 cities in the U.S and Puerto Rico, with a readership of over three million. I had my market scene on their cover in 2012, and immediately after that I sold some paintings. Well, if you happen to see this magazine, pick it up for free. They write about useful things there. I also find amazing that they contacted me already 2 times.

Should there always be a story behind the painting?

The story behind the painting is believed to be one of the best ways for selling art. Well, that really depends. When selling online, we don’t even know who’s bought the art, and when selling in person, it’s not always a good time for stories.

Spring forest: acrylic painting on canvas
Spring forest: acrylic painting on canvas

An interview with an old artist comes to mind when I’m thinking about how much art critics and art reviewers love rich wording.

Orchard in bloom: acrylic painting of apple trees in spring
Blossoming orchard: apple trees in bloom, acrylic painting

A young journalist pays visit to a much experienced, fairly rough artist and asks for permission to write an article about his art. The artist just keeps working, and seems to be neither too excited, nor too denying about this idea. Thus, the journalist takes out her notebook and starts questioning the old guy.
“How is that all of your art is structurally so multi-layered, multi-faceted and multi-reflective when depicting just routinely flat, boring and standard, sometimes underappreciated subjects? How can it show the underlying emotional hidden mystic concepts of these subjects in such an enormously effective and mentally enriching way?”
“Well, I just grab some paint and brush it on.”
“Sounds very simple, but how could you master describe the energetic overload in these trivial scenes which are jammed with overlaying structurally heavy, spontaneous brush strokes which seem to evoke in us the ancient and primary instincts and passions?”
“Well, I suppose, you see it now: I just grab some paint and brush it on.”
“Sure, your painting style is just fantastic and breathtaking. How about your artistic concepts when choosing these uninteresting subjects, but painting them in the way we experience things we never even knew about, not to mention we could see them captured in this vibrant, rigorously abundant manner which takes us to other dimensions and to futuristic domains of our mind?”
“Well, I don’t think, anything else says it better, as: grab some paint and brush it on.”
“Thank you, master. Would you like to share some of your secrets about implementing in your work this indescribably multifold capture and immediate expression of this vivid, eternally uplifting, intricately subdued and emotionally unvarnished light fractures?”
“Well, it’s kind of tough: just grab some paint and brush it on until you like it”.

Acrylic painting of fall scene: fields, trees and sky
Serene rural fall scenery: acrylic painting on canvas

Images which are attached to this post have been painted as demonstrations for classes. I finished them afterwards since I never get time enough during the class while I am trying to follow up on each student’s work. So, that’s the story: paintings of elements which we had to practice on.

Acrylic painting of white and pink amaryllis

Pink and white amaryllis: acrylic floral painting on canvas

It took me a while, but these paintings are available at the gallery now.