Just like always, time passes swiftly. Whether it is bad or great spring, we go through it. I just couldn’t get myself to the point this time to post something new. I have started working on projects in downloadable format, and that is tough. My previous main computer crashed, and lots of software which I cannot get back went with it. While I had backups for most picture folders, it is sort of impossible to recreate everything which has been carefully put together over the course of 12 years. Every device has its limits, but crashes come always at a wrong moment. Therefore: spring mix!
Poor choices for realistic editing of picture
While there are numerous, I’d even say countless apps and software for manipulating photos and using all kinds of effects on photos, there is practically nothing anymore for simple editing which makes image of a drawing or painting look like it is in reality. The last great editing software was Microsoft Digital Image Editor, but that’s gone now. I still have it on laptop, but my laptop display is so poor that I cannot do any sensitive adjustments on it. My much loved watermark is gone, too. I bought another one which is kind of ok, but doesn’t do the same at the same speed as the previous one. I don’t have many things on this computer yet, so, putting up my content on the internet is problematic at the moment.
Projects with watercolor pencils
I would like to introduce the use and application of watercolor pencils for beginners in watercolor. It is easy and it is better for people, who are very good at drawing and not that good at watercolor wash control. I read in a Facebook group how people complained that they got horrible results using watercolor pencils. I would completely disagree with that. If you use watercolor pencils sensitively and you have an idea how to do that, the result is fantastic. I have great watercolor pencils which I bought maybe 13 or more years ago. They last long time. I actually use them only in classes. For my personal use, they are too slow. However, one can really learn well everything about painting principles, values, contrast, shadows, shapes, highlights and composition using good quality watercolor pencils which contain decent amount of pigment.
Now is the right time to learn
When else are we going to learn new things if not now when we have to stay at home? Drawing and painting has very good ability to consume all our thoughts. While we are creating, there is absolutely no space for being afraid, scared or depressed. There is no space for being worried and frustrated about the future. It is extremely calming and rewarding process when we let it to be that way.
Stay tuned for home projects!
I wish I could work out the home projects faster and put up them for download, so, that everybody can be creative and busy in a nice way. I know that drawing is the most difficult part for most beginning and even advanced artists. Therefore, I intend to allow tracing template drawings.
Stay safe and create! Have a bit of patience and you will be able to paint with me beautiful spring flowers, landscapes and more!
While the weather is still changing swiftly outdoors, my studio blossoms in full force. Spring flowers are in bloom!
Art is timeless, it can easily survive us. Art is a gentle reminder that we never know everything and we are here just to learn and to give our skills to others.
We are adding new projects practically weekly, and I am finalizing some paintings at least twice a week. Light is great during the day and days are becoming longer, too. I am not sure how much brighter the light should be for video recording. It is very sufficient when painting, but for video recording it is still not enough as it appears.
Doing is better than watching
My personal point is, nobody has ever learned anything by watching others do it. We can either paint or draw, or watch others paint. It’s pretty much so that we cannot do both at the same time. I would say, if you want to learn, just go for it. Everybody damages many watercolor papers and paints over previously painted canvas many times and until they manage to use the brush properly, as well as understand what colors they like and how to create them.
What is important
It was never about how to paint or draw an apple, or one particular flower, or one particular landscape. Painting and drawing is a skill which follows certain principles and teaches one to become efficient with decision making.
These are watercolor supplies we were using
No need to be afraid
It is silly to be afraid of damaging paper or canvas. While we learn, we are in process of discovering so many aspects of our subject. This is a path which involves many sideways and much blundering around until we find the right way for us.
White and yellow daffodils, watercolor
Trillium forest, watercolor on paper, one of my recent watercolor painting projects. It is so lovely to paint fresh greens!
This was an amazing project, and we really enjoyed creating dark background around the white blossoms.
More spring flowers from previous projects
That’s what I do every spring: disappear in flowers until it is time to start digging and planting seeds in the soil.
Enjoy the spring blossoming and lovely colors of flowers. This subject really works well using any medium, but especially watercolor, thanks to speed and fast coverage of large areas.
Copyrights of the displayed art belong to artist Inese Poga. Please, do not copy, or use, or place images of my art on any other websites without written consent from Inese Poga. See full Copyright notice on the widget area.
We can learn painting and create better art using many tools and sources nowadays. Internet is huge and numerous sites offer tutorials, art classes and online and live workshops. I would like to share a few observations which stood out after talking to students and seeing how they learn. I’m convinced also that successful painting is a combination of many aspects. The other notable matter is that anything we want to be of high quality and value takes time, efforts and practice, and there is no other way to master a skill. I have listed below assumptions and factors which do not result in good art.
Copying colors and image will do it
Lots of people use color charts or try to recreate the exact colors of a photo. With current numerous brands and very wide range in art supply quality, the most important part is not what the photo has, but what works for your painting. Photography has different tools to create impressive image. Drawing, watercolor, pastel, acrylic and oil painting use completely different tools. Only copying colors and image won’t result in great art because that is the input of artist which makes art great. Outline drawing is important, but artist makes it alive with the use of artistic tools and paints.
Using exactly the same colors and drawing will create the same image
Using exactly the same colors and drawing won’t result in the same painting because it is usually not possible to repeat original artwork even by the artist who painted it. Ambient temperature, flow of paint, sloppy or targeted brushstroke, light conditions, air humidity in room or outdoors, inspiration, mood of artist, surge of energy or tiredness are all significant factors. It’s also not important what colors somebody else used because the differences between the same name colors can be huge with different brands. Therefore, the most important part is to test what you have and to see what your paints can do.
Color is secondary, value is primary or otherwise black and white paintings or monochromatic paintings would not make sense. They do, so, value is the aspect that provides image and subject with volume and dimension. If in doubt, you can always create a tonal or value sketch. I do that for complex paintings in watercolor going large scale or exactly the same size what my painting is.
I can paint knowing nothing about color mixing and paint features
You can paint knowing nothing about color mixing and paint features. Most likely, it will take time and many experiments to get to where you want to be. Eventually, you will arrive at all creation-related discoveries, it just might be a time-consuming process. I am talking about years, not hours. Simply, there will be good, mediocre or not satisfying result at first. Initially, all good results come from happy painting accidents, and we get what we get as opposed to what we intend to.
I will learn painting just watching others paint
No, that is not true. Art instructors or people, who demonstrate painting, know what they are doing or at least they should. Quite frequently people, who watch it, have no idea what, where and why is applied. The personal features and ability to apply paint and correct color matter, too. If the art is somewhat realistic, it is very important to be able to draw. We sketch with brush at first, and then we follow with brushstrokes to create volume, shadows, negative spaces and so on. If you can draw, you know better where to apply paint.
What, where and why
In the painting process, we have to answer these questions at any point of painting process. It is very useful to know why you are doing something. Why do you want the background dark or light? Why do you want to place some accent in the middle or in front? Why do you want distant parts cool and the front part warm? Why do you want to use black, purple or blue for grey color? Why do you paint the focal point in the most striking color? And so on. All of these answers impact your painting, later series of paintings, and they eventually create your style.
Paint night or sipping and painting
Many believe that paint night or sipping and painting will teach how to paint. These are entertaining events with a brush and paint, not art classes. The goal of such events isn’t teaching you composition, color theory, values or brush stroke. The goal is to entertain and painting is just an addition to mood, drink or food. I have mentioned many times before how important focus and decision making is for creation of art. Paint night or sipping and painting do not contain the most important learning aspects, such as reasoning, decision making or using your personalized approach.
Everything is art
Everything isn’t art and it shouldn’t be. While many people might refer to a canvas covered with some paint as art, it isn’t always art. You can hang it on the wall and it becomes wall filler. However, you can also look at it after it has dried and canvas fabric has become visible (too less paint coverage!) and try to create something decent on top of it. I wrote in my previous article that calling framed wallpaper art does not make it art. It is a decorative piece, just as an empty frame is.
Aimless splashing with paint
The reality of nowadays is such that we want everything right away, right this moment and even better yet, without much or any effort. Art has never been just brushing around or aimlessly splashing with paint. Art always involves thinking, concept, idea and the execution thereof with adequate artistic tools. Aimless splashing and brushing of paint results in nothing really. One uses a lot of paint and time with no result. I have seen over years people, who picked up art effortlessly, and I have also seen people, who had to spend years to learn. An art class is no different from a regular school class: some students learn fast, some are perfectionists, some are free-spirited, some are not that interested and some simply do not focus or pay attention.
Perfectionism and perfect skill
Perfectionism is disturbing and limiting when it comes to learning. Why? It is disturbing since there is no such thing as a perfect attempt, a perfect error or a perfect search for a new technique and skill. Perfectionism is the opposite of artistic freedom and it has nothing to do with the quality of result in learning process. I hear this often: I am a perfectionist. That is fine, but it does not apply to learning new things. One cannot be perfect with what they cannot do or do not know. Developing perfect skills is more like it, but perfect skill is a result while learning is a process. Learning process involves making errors and being mistaken. Learning process involves searching for the best or most suitable solution in the current situation.
Preparing my solo show
I am working on preparation of my solo art show next month. It opens on February 13. I just finished a few watercolor paintings which I started for November and December classes. Pink color is not a coincidence. It is a very attractive, soothing color which has also big impact and is gentle at the same time. Less people attend shows or art events nowadays since everything is on the internet. I would like to still emphasize that nothing compares to seeing art in person. There are so many devices between the real painting and its image on the internet! Any of these devices totally change the look of painting, so some things get lost along the way. Anyway, enjoy the new paintings!
The elegant pink rose, watercolor on 20 x 16 inches or 51 x 41 cm watercolor paper, the white background enhances the softness and attraction of color in the rose flower
Pink winter orchids,, watercolor on paper, 20 x 16 in or 51 x 41 cm
Magnolia blooms on white, watercolor, 18 x 14 inches or 46 x 36 cm
Copyright notice: Copyright of displayed paintings, drawings, images of work in progress and images of finished paintings belong to artist Inese Poga. Use of painting and drawing images is prohibited on any website or otherwise if I have not issued a written permission. No pinning on Pinterest!
Fruity, simple and attractive is still life with apples. Between years 2013 and 2018, I used to spend either August or September in Latvia. They have numerous fruit trees. Apples were in all tones and colors: red, white, green, purple and scarlet. Their round perfect shape was always attractive to me, so, I rarely could resist sketching or painting some apples whether with leaves or other elements.
This particular painting comes from my bright color period. I think it was 2008 when I painted this still life. It is quite large, 15 x 22 inches or 38 x 56 cm. I used to enjoy extra bright colors and St. Petersburg watercolors definitely facilitate that.
This apple still life was painted in Latvia looking at a tree and balancing paper in my lap. The weather wasn’t really cooperating, but I managed to finalize this painting upon my return to Canada.
Similarly, this still life with apples and pears was painted at my daughter’s computer desk. The space was too small to lay out paints and paper in a manner that I could paint without worrying that something falls to the floor. However, I love how it came out. I got some leaves in the garden, and they had a few green pears. I love my color combination in this one.
These are clear white apples which grow in my sister’s garden. They are ripe in August or even sooner, but must be consumed swiftly. They are extremely juicy and sweet, but go bad fast. I haven’t actually seen this sort of apples in Canada. I think this still life came out quite nice, too. I had to add final touches upon my return to Canada.
I have many sketches of apples, some unfinished watercolors and also acrylic still life painting with fruit and apples. It is not possible to remember all paintings which feature apples.
My personal point is that anything makes a good painting. Simple things can be painted and drawn as great as very complex subjects. I do always advise starting with such subjects that are around you and are easily found and replaced. That is a wonderful exercise in composition and color. It is also pleasure for eyes. Such paintings look great on any wall.
I have painted numerous still life paintings over years. It was not my most favorite subject when I was young, but I fall in love with this subject as time passed by. This genre usually works well for me: set up some things which can be found in the garden or fridge, find some cups, bowls and add a few flowers or leaves in absence of flowers. As you know, whenever possible I do not use photos because camera always distorts the image to some extent and the image is never what human eye can see.
Still life tells a story
Still life always tells a story, and this story can be read quite easily if and when the viewer wants to. It is by far not only shapes and color; it is much more than contrast between live and organic shapes and handmade items. Still life reflects my current opinions and my current emotions. It can express everything we are willing to disclose.
I started this particular still life 5 years ago. I had everything I need to set up something quite attractive. I did a rough value sketch in the actual size which is 22 x 30 inches or full sheet of Arches watercolor paper. I transferred the drawing onto watercolor paper and moved to first washes, just like always working from the back to the front.
This is how far I got in 2015., drawing from a setup in my studioI only created a few washes and left the painting alone for practically 5 years
Restarting the process
I suppose, I got busy afterwards and the items of my still life simply went bad. I did not have time for about 5 years until recently.
After I moved into my new Ajax place, I had to sort out all numerous art folders. I found a few started paintings, all on large size Arches watercolor paper, and I decided to do something about at least a few of them. It took me about 3 days to bring the painting to its final stages.
Lack of reference should not stop us
The sad thing is that I could only reference the rough sketch. I obviously used my memory and imagination, otherwise it did not work. Working from life results in more vivid and lifelike painting. However, if there is huge interruption in the process, completing such painting can be challenging. It is not only because I do not have the same setup, but also because we change over time. Our perception changes, our color preferences change and, finally, the way we work changes. Therefore, it can be tricky to pick up the process where it was left so many years ago.
I took the risk, and I think the result is great. It is a very large painting. It took the entire table length to somehow accommodate it. I also had quite hard time taking pictures with iPhone because of the size.
Masterclass: new way to learn art this fall
This fall I am starting master-classes which will take place once a month. These will be classes for people with experience and they will be designed to elaborate a particular subject and master-class will also include extensive demo and explanations.
I would like to give art classes that genuinely teach somebody, so, that they have artistic freedom creating their own art. I find that most art classes teach students nothing. It is mostly just some design which is executed with paints. Learning is a great way to stay young and keep our brain flexible.
