In the light of upcoming workshops, I decided to post some painting steps in order to set potential students in the right mood. These barns are not the same we will be doing during adult acrylic painting workshops. These we were painting during 2013 and 2014 spring classes.
I will also place some pictures about preparation of canvas for workshops and classes during the new painting session. It is not complicated, I also expect meeting some of the students and artists on August 3rd.
We all have some problems, some less bothersome, some more persistent and severe. I can tell from my experience that indulging in some painting helps incredibly and allows to find piece of mind and to forget about some not that pleasant stuff . It can be simple sketch and it can be multiple step painting: that is not of importance. The main thing is to immerse oneself into the meditative state of creation. Many students have told me they sometimes needed these classes and come-together so much just because life was too stormy or too complicated. These art classes served as a safe harbor where to take a breath and see further perspectives along the road.
This year we will be working on under-painted or at least toned canvasses.
This will save us time, as well, and it is much easier for many students to start out on a medium dark surface than on a completely white. It is just our perception, but painting happens smoother and faster this way.
You will need a fairly large brush which can be some old brush or not that expensive brush. I am using some leftover or not that great quality paint. It is advisable to use some brown and grayish shades or warm oranges and red browns for those who love bright colors. I personally prefer neutral base since that works the best with my perception. This is something one can choose depending on their personal preferences.
You should not make the base coat very dark since acrylic requires quite a few layers to build up lights. We are using 20 x 16 inches canvasses in workshops and in art classes. Slightly smaller size is fine, however, much larger will not allow finishing painting during classes.
You can mix paint and gesso straight on canvas. No worries if you get not very smooth color, however, there should not be any texture yet since that may disturb during painting.
Just brush the mixture on not forgetting edges because we are always painting around the edges as we go. That gives us a ready to hang painting which can be used without a frame. Allow some time to dry, at room temperatures, that may be 2-3 hours depending on what paint and how thick layer you have applied.
Students love watching time-lapse and speed painting videos. However, I would like to remind that painting in reality requires much more time. If you have decided to join workshops or classes, please be prepared that painting is not ready in one or two hours.
When I look at old barns, they make me feel warm. It is hard to explain, but cozy, too, which is somehow weird, but, nevertheless, I am painting them warm and cozy because that is how I perceive these objects. When I see abandoned farms or barns, I have to think about people who long ago were there. Why don’t they come back to fix the barn? Where are they now? Did they move away, or are they in another reality? Sort of nostalgia mixed with sadness and realization that Vanitas vanitatum et omnia vanitas. The strongest controversy straight before our eyes: the present wild beauty of the nature and an abandoned building with blind and empty windows witnessing past and better days. Well, there is so much behind a simple old barn in the wildly blooming summer day or at he mirror-like lakeside.
Talking about the steps, there were quite a few. I would always start with just dark and general outlines or blocks of shapes which get defined and refined during the painting process.
Basic layers to block in main shapes
Barn has got some red and fields, too
Placing paintings side by side allows noticing what needs more work
Why don’t they come to fix it?
Mirroring the past
The collage view of the most recent versions: old barn paintings in acrylic
The most unpleasant drawback of acrylic paints is the loss of lights and highlights as the painting dries. Therefore, we may need to rework some by adding more and more light color as the paint settles down. That does not happen right away, I have had paints which became dark only after some 2 weeks. That is something we learn cope with because the advantages of acrylic paints outweigh their minuses plenty of times.
I hope you will enjoy our workshops!