Author: Inesestudio

Artist, art instructor: fine art, watercolor, acrylic, drawing; medical writer and researcher, specializing in life sciences, brain function, memory and psychology
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Show time

Show time

It’s been a while, and summer just flew by. My art show was delayed for 2 years by pandemic, and now the show is finally coming up, and it will open on September 14. I have submitted the paperwork and still need to add wire on the back of quite a few paintings. I will mostly present large size art at this particular show and I hope it will look as impressive and memorable as the original art which has been created in the span of 5 years. It’s not that all art was created some years ago, but a few paintings are from 2018 and 2020 and so forth. I’m showing in total 25 artworks. I hope the wall space allows for that.

I decided to add a few green paintings, as well. Farewell to summer.

Country barn
Country barn in summer meadow, 24 x 18 in or 61 x 46 cm
garden fence, show
Garden fence, 24 x 18 in or 61 x 46 cm
Abstract art, green summer fields
Summer flower fields, abstract acrylic painting, 24 x 18 in or 61 x 46 cm

Ajax Community Centre, East wing offers better light than the previous exhibition space at Ajax Town Hall. This show is happening in cooperation with PineRidge Arts Council. I am a member of this artist association, it’s one of the few which do a lot for an artist and charge a very moderate membership fee. They have friendly staff, and especially I would like to mention Mary Cook who takes care of the web presentation.

  • Valley road for art show
  • Art show, Birch valley

I have taken numerous new pictures. I won’t repeat myself, but iPhone just really destroys my painting images with extreme contrast, with absolutely wrong colors and it’s unable to distinct between shades of white and grey. Grey tends to look black and all white is just white without any shades of it. To be honest, everybody who’s seen my art only on the internet, hasn’t seen it all. That’s the disadvantage of presenting images as opposed to actual artworks. Anyway, it’s the only chance for me to go global and so be it.

Birch valley for art show
Birch valley, 32 x 26 in or 81 x 66 cm

As you know, on this website all horizontal artworks look smaller and all vertical ones much larger. Well, I’m adding sizes, but, unfortunately, they don’t mean much if you’re viewing this blog post on your phone. I hope you will check the studio sales pages later in the week because there will be new special offers. All art I’m displaying on my blog is original art, meaning, I am selling just the only true artwork as it’s created.

  • Hay bales for art show
  • hay bales, autumn fields on easel
Hay bales, autumn fields, 28 x 22 in or 71 x 56 cm

Many of my paintings are created on textured backgrounds. People often ask me about palette knife, and, no, I’m not using it, but I’m creating textures on canvas before I start painting the actual shapes of trees and other elements.

Art show, birch painting
Textured birch colors, 20 x 16 in or 51 x 41 cm

Well, maybe some of you will stop at Ajax, Ontario in the future when traveling to Toronto and, thus, see how my art looks in reality. Meanwhile, buy art from my art studio also because numerous paintings won’t get into the show display. Certainly, attend the live show if you are in the Greater Toronto Area. It is the show time finally!

My summer was somewhat painful and I was off for about 6 weeks. I’m not one of people who snap pictures at emergency rooms and treatment clinics, so I had nothing much I was willing to share until I recently started feeling a bit better. Just in time, I’d say because I have only 1 week to finalize all art which goes into the art show.

All the best and have a good, colorful September!

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Pencil drawings and sketches, new and updated

Pencil drawing, still life

Pencil drawings and sketches

It happened so that I gave numerous drawing classes this season. People love pencil drawing and sketches, and they are excited to learn how to create such art or a value drawing for other art, like for a watercolor and acrylic painting. Therefore, I have many drawings now. I always ask my students to also use big size paper for their creations. We most often use 24 x 18 in or 61 x 46 cm paper.

  • pencil drawing, summer in the country
  • pencil drawing, perspective
  • Pencil drawing, creek

Using reference image or setting up still life

I personally prefer real items in front of classroom for my pencil drawings and sketches. During summer and fall, it’s extremely easy to find something suitable. We used real items for still life, but perspective pencil drawings and sketches are simply composed and constructed from imagination. I haven’t got images yet of other drawings with personal items, shoes, jeans jackets and figures. We gradually increased complexity and went from still life and perspective drawing to pencil drawings and sketches of figures. That took about 30 private art classes. Large size paper makes a lot of sense and allows creating the best compositions and value transitions.

  • Pencil drawing, still life
  • Drawing pansies and lunch items
  • pencil drawing, pansies and vegetables

Tutorial won’t do that

Tutorials usually teach something one: style or technique of a particular artist, one subject or one feature of it, and that doesn’t always mean your tutorial will include explanation or clear understanding why to choose exactly this one style, feature or part of subject. Demonstrations are frequently done on small sheets of paper. I’ve mentioned this numerous times before: if you can draw, you can draw anything without any limitations. You won’t need photos, printouts, grids and similar things. If you can draw, you just observe, pay attention and allow pencil to do its job. Which I always do! I hope you love seeing these drawings and sketches! I have to post many at a time because there are way too many.

Private art lessons

Art collections by Inese Poga

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Works and artworks

Artworks, lifting fog

It’s time to feature a few summer-related artworks, something which widens our space and takes us to places which might or might not exist. The power of imagination! I use imagination to a great extent since life has become somewhat subdued in the post-COVID era. Back to summer artworks.

  • Artworks, summer nature
  • Artworks, summer
New 24 x 18 in or 61 x 46 cm summer landscape from art classes
  • Artworks, summer
  • Artworks, summer

I have to take new pictures of paintings which were created years ago, as well as quite recently. I mentioned in previous posts: an artwork for a show and an artwork for demonstration at art class simply cannot be the same. As art teacher, I try to adjust the subject to the skill level of students. Therefore, such paintings are more abstract. One example from the recent classes: bright summer landscape which is quite abstract, but uses strong colors.

  • Artworks, lake view
  • Vertical paintings
  • Home, textured acrylic art
  • Artworks, reflection

While I was using iPhone 6, all my pictures were dark. With iPhone 8, then iPhone 10 Pro Max, all my pictures had yellow and purple overcast, the colors in paintings were as if yellowed out. With iPhone 13 Pro Max, I have sometimes extreme contrast, but there’s more ability to adjust the distorted perspective and color. However, paintings have extra bright blue-green, too strong blue, or all-over yellow-green and too much purple. Basically, any edits are global. I’ve never gotten my painting images right, practically never.

  • Summer landscape
  • Artworks, lifting fog
  • Daisy fields, acrylic artworks
  • Home, art for sale

So, I have to take new pictures replacing all images between 2010 and 2018. They simply have no saturation, no contrast and make no sense either. One might ask: why to bother? Well, although few people ever read entire posts or look at all images, online images are often the only way they will see what I have painted. Since I have spent numerous hours cataloging my artworks, I decided to feature quite a few artworks from different years.

  • Summer clouds, artworks
  • Home, Daisy field
  • Blooming wildflowers

In Ontario where I live, summer is not that long. I rush to do gardening, painting, teaching while I have to catch up on regular chores also. Lots of things are still in boxes and many tasks await their completion. However, summer is for taking a break, too. Therefore, I won’t apologize for not posting very frequently, but I hope you love and purchase some art and love my artworks added to this post.

Have a great, green and blue, enjoyable summer!

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Colors of summer, colors of garden

Colors of garden, acrylic painting

It happens every spring and summer: my students are very interested in painting something great which involves bright colors of garden or wildflowers. Therefore, I get my canvas and demonstrate patiently once more the attractive colors of garden which we see in spring and summer, and numerous plants which we can imagine.

It’s interesting that I have finally many students in private art classes. That’s quite amazing because usually groups were filling first. Certainly, private class is different from group class, and preparation thereof is quite time-consuming. We spend on one drawing 2 to 3 art classes and on a painting at least 3, but very often – 4 classes. That means I can finalize the art within 4 weeks.

I published good, very large drawings in the previous post, and it looks like they didn’t attract too many viewers and I didn’t hear the gasps which follow when somebody looks at the actual drawing.

While there’s often no other way, presenting art on the internet is boring and it never causes the same reaction as when looking at art in reality. I’d say, closeness and experiencing size of art really matter, and – to a huge extent. I usually do identify sizes of paintings online, but what you see on your screen is the size you experience. On the phone, the size becomes tiny. Needless to add that everything is extra bright on the phone and that might not always suit the painting. I do miss the chance to meet people in person, to share the thoughts behind each drawing or painting and steps of its creation.

  • Colors of garden, acrylic painting
  • Garden painting
Close-up view of top and front flowers

I’ve been still working on putting together our house and starting a new garden almost in a forest, quite literally, and to me, this seems a never-ending task, at least for now. Therefore, I’ve posted hardly anything anywhere. You might think: what’s a big deal about giving a class, but for me it is a time-consuming preparation process and major input of energy into the actual teaching. I take teaching very seriously, just like I take seriously everything that matters to me.

Colors of garden

Colors of garden, acrylic painting on canvas, 24 x 18 in or 61 x 46 cm. The size of this painting is 24 x 18 inches or 61 x 46 cm. I always start a painting on pre-painted or color-primed canvas. It’s easier to paint like that for everybody.

I don’t want to disappear completely from the internet space, so I am posting at least one new, just finished painting. I do adjust myself to requirements of the demo, and this particular subject is strong, bright and very present, and so are the colors of garden. Colors of garden in any case can be breathtaking.

  • Colors of garden, acrylic painting
  • Summer colors

I hope you like the pictures scattered around this post, and I’d love nothing more than to sell something from my art collections. It’s been a long time since I had a live show, but one is coming up this fall. It was cancelled due to pandemic.

Original watercolor paintings for sale

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Art collections by Inese Poga

I hope you have a good time at your place and enjoy the recent painting and other artworks!

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Not sure how to start painting? I have some tips

How to start drawing, drawing by Inese Poga

When it comes to painting, I wish all potential students had: the ability to create value sketches and drawings of whatever subject they intend to paint. That doesn’t apply very directly to abstract artists, yet, even they would benefit from knowing what value, color temperature, contrast, negative space, etc. is. More or less realistic painting features even more components, including direction of light, shadows, aerial or atmospheric perspective, linear perspective, elements of composition and so forth. When creating art, we cannot forget about the quality of materials, artist’s ability to apply them, and there’s also a spiritual and mental factor to creation of art. Confidence, inspiration, focus, being able to observe and memorize visual information are all important aspects of creation when you start painting.

Start drawing
We were using real items for our still life drawing, its size is 24 x 18 in or 61 x 46 cm

Wen everything comes together: theoretical and practical skills, experience, perfect mood and great materials, we can speak of excellent artwork. Beginners will normally focus on the technical side of creation, and using brush or pencil with confidence and skill, is a huge part of success. However, if we want to see progress, we have to build a base. Value sketch or drawing are the best possible base building blocks which help you start painting. Controlling graphite pencil is much easier than swiftly flowing paint, therefore, one can learn very gradually. Pencil drawing includes all aspects of painting, plus pressure control, minus colors.

Why is it important to know how the shadows are formed? Why is it important to create negative space and apply different values? Because that’s how our drawing gets dimension, depth and interestingness. If you are very familiar with these aspects, you will paint easier and the result will be more satisfying. Painting uses exactly the same visual components. If you are like me who has excellent visual memory, you will create art without thinking about these aspects. If you are just starting out, you will have to learn how everyone of these aspects contributes to successful painting and brings your idea to life.

  • Drawing still life
For this still life, we used real items again, size 24 x 18 in or 61 x 46 cm

To be honest, it’s by far not enough to trace the outline and then apply color to create a painting. Painting works when you know why something is there and why it is like that and no other way. Pencil drawing teaches all of the above and provides with good hand movement memory. It doesn’t matter actually what medium we use: if we master the principles and components, only the physical application of medium is different. As we know: the stronger the base, the better we can build upon it. Not sure where to start? Start with drawing.

  • Start drawing landscape
  • Landscape sketching
For this spring creek drawing, we used photo which we modified as necessary, size 24 x 18 in or 61 x 46 cm

Drawing big and huge is even better than simply drawing. The aspects and components of painting I mentioned before need space to make them visible. We use most often large size paper: 24 x 18 in or 61 x 46 cm for classes. I use the same size for my value sketches. We don’t have to finish the drawing as finalized artwork, but we can do that, as well. I bring most of my value sketches to condition when they can serve as a reference for watercolor or acrylic painting. Setting up real items or viewing real trees, grasses and plants and anything else allows creating easier. I teach drawing only in private classes because it requires very individual approach. The attached images are created from real things and photos. The weather is great in spring and summer, so start drawing outdoors and turn your sketches into completed artworks.

Good luck! Thanks for reading!

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