Painting merry Christmas

Merry Christmas paintings

Painting merry Christmas decreases the dread and fears of pandemic. During the last years, we’ve had everything: surprises and shocks, excitement and anxiety, elevated moods and bad times, fears and hope depending on where we tried to celebrate our merry Christmas. All the ups and downs have left us sometimes in doubt whether it’s worth going for a full-scale celebration. Well, restrictions are part of our life, too. That doesn’t affect my intentions since I am not going anywhere.

I used to paint many winter, snow and holiday-themed artworks. Partially that was because I gave numerous art classes and students wanted to create something specifically for this time. What better way to wish somebody merry Christmas than with a handmade artwork? Since I took new pictures of some watercolor paintings, I thought to post them.

Poinsettia and sunset creek paintings are from 2010, birches, snowman and small winter landscape: from 2017 and January of 2018. The largest creek painting is a huge one: 53.5 x 74 cm or 21.5 x 29 in. The smaller version of Sunset creek painting is 14 x 19 in or 36 x 48 cm . Back then, it usually took me from 2 weeks to about a month to get done one large painting. I didn’t use any masking fluid, therefore, I had to paint around any tiny white spots. I still don’t use masking fluid since I cannot stand the extra hard edges it leaves on cotton paper.

The online display has always seemed problematic to me, especially since I can never show the actual size of painting and changes in color affect the look also. My current WordPress theme has lots of limitations, but until the new one in 2022 comes out, I don’t see any other good options. I wish the Shopify buttons looked better, not that tiny or not that large with the full-size view. The horizontal images look unreasonably small with my current theme, and the vertical ones become huge. All of that misleads the viewer, and it’s kind of silly to expect art would make as much impact as it does in real settings.

My studio was doing comparatively great in Whitby up to August 2018, but the frequent moving, relocating to Ajax and years of pandemic are a bit of disaster. Internet environment has changed to a great extent, as well. There are abnormally many places to post art, but none really which can be used effectively. For me, posting on Facebook or similar places has not resulted in extra reach, I’ve got a bit more than 1,000 likes. I’m not on Instagram because I don’t use phone. We can post now from computer also, but I’m not sure if it’s worth it. When I had a giveaway, Facebook wanted me to pay for the post in order somebody would see it. Does that make sense? Not for me.

The winter solstice was yesterday, and now, we are very close to our merry Christmas of the second pandemic year. I suppose, many of us simply scale down and still have some good moments. We’ve got a smaller size, but very good-looking tree this year. The numerous room plants, as well my art on all surfaces around us, takes care of festive settings. I didn’t buy any gifts neither last year, nor this. I intend to paint one gift still. It won’t be season-related, but I should get to work.

Maybe you could paint some merry Christmas art, too? The snowman and blue snow landscape were painted just for fun. It makes most sense to create such art for yourself and to your liking. The good thing about art is: it doesn’t expire and it’s always in style as long as you like it. Art is also the most memorable gift we can get or give. Years will pass, but when you look at a particular painting, you’ll always recall when you got it, who gave it to you, or how you created it. Art visualizes our memories and they stay with us for a lifetime.

I’d like to wish merry Christmas to everybody who celebrates it, and a nice holiday season to these, who have other festivities planned! Stay healthy and safe!

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A little bit of nostalgic beauty: snow and winter paintings

Snow and winter paintings

Snow and winter paintings are a great way to start painting since we can interpret the landscape or view in many ways. We can apply warm or cool glow to the snow and winter paintings, we can use shadows, different colors for sky and use distance or abstract background. We can stick to a photo or do what I’m doing: implement some visual ideas from memory or just look through the window and paint what is there. Out of my studio window, there’s plenty: all kinds of trees, buildings and so forth, including spruce, firs, pine and there’s a big sky, too. Quite enough for my snow and winter paintings.

Ontario weather takes care of the rest. Here and there, snow will be deep and bright white, capping every single branch and putting a warming snow scarf on every surface. It will have shadows in clear weather and it will show the branch shapes which puncture the clouds and sky. Altogether: it’s almost a finished landscape view, choose whatever angle suits better. Therefore, and because many of snow and winter paintings take origin as demos, I didn’t need or use any photos. The interpretation of these views is somewhat abstract. I will let the art speak more this time. It only has so many chances.

The collection of snow and winter paintings has grown quite big over years. It’s also a good selling feature before holidays. To be honest, winter and snow paintings usually sell only around this time and very rarely during other seasons. It’s a brief moment, and I believe I don’t really need more of snow and winter paintings at the moment. Until Christmas, we love snow and white wonderland landscapes. When it gets to February and March, oh my! We are totally tired of grey and white with spots of green which is also not the lively spring green. That certainly depends on the area where one lives. Ontario winter can be long.

I hope you’d love to make my Christmas and maybe purchase some art. There’s way more than I can publish just in one post. Enjoy!

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Fall landscape, dazzling colors

Fall landscape, fall trees, acrylic painting

Fall landscape is especially attractive painting subject when days shrink and it gets pitch dark already around 5 pm. The added bonus is bright color palette and the options of mixing colors are endless.

I’ve been painting away, but since the daylight is sparse and ends soon, the hours I can work on a painting are short, too. If you have ever done acrylic or oil painting, you probably know how wet paint is reflected in artificial light. To the extent that it becomes impossible to paint.

If you favor walks in the nature and you are just like I am – always enjoying the play of colors in the sunlight or cloud shapes when it’s rainy and overcast, – you will probably like this painting with its vivid colors and the nature-related subject. The fall landscape is something I paint always around this time, but I am going to focus more on fragments of landscape in the future, unless it is a huge canvas.

It took very many layers of paint and going over and over some areas because it’s no secret acrylic paint is more and more lacking quality and saturation with pigment.

Fall landscape is a great subject for reflecting our love to color. To facilitate brightness and strong tones, I let the painting dry every night and return to it when the daylight is acceptable. Therefore, the process extends over a few weeks, but I am fine with it now. It already received lots of great feedback. The size is again 24 x 18 in or 61 x 46 cm. I started this painted for the class, but certainly, getting it done took many more hours.

My paintings are very color-sensitive. While the picture will show only what camera with automated settings can capture, the actual painting always has more of everything, but definitely great balance between dark and light, as well as cold and warm. These particular pictures are more on the warmer side. Just like always, I took many of them and chose to publish the ones which are the closest to the original.

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Fall art projects for art classes

Art projects for art classes

Art projects for art classes and paintings for a show: they are very different by nature, subject and size. Time is of essence since one can attend only that many art classes usually (I always hope they’d come back for more!) and an art class needs to be of certain length. After holding extremely many of them, I’ve stayed with roughly two academic hours or 1.5 hours. There is a reason for that. The attention span can stretch only that long, and to create something good, we absolutely need to be attentive, focused and alert.

For show art projects, I’d definitely choose a much larger canvas size, as well as maybe more tricky, more complex and more intriguing subject which my students who can be almost or practically beginners would not be able to paint. The painting process itself is not the same also: I work on the entire painting and not with a few colors or on a few areas. My attention goes to any spot which requires it and I obviously do not follow special steps, but rather my idea and its implementation. All attached images are 20 x 116 in or 51 x 41 cm in size.

Over time, one learns how to apply paint automatically, how to clean brush automatically and very frequently, as well as how not to skip the messy stage of acrylic painting which can look quite horrible at times. Brushstroke is one of the most important parts of the painting process. When somebody starts out, they just don’t have it yet. If you still remember how you learned to write manually, you know that the hand cannot follow what the brain tells it to. The other sensitive issue is that if you have experience, you never start acrylic painting with the final color and layer. You build color, build your subject, all shapes and color transitions starting with dark and moving up. Our art projects allow practicing all of that.

To cheat the visual perception easier, as well as to have at least one good base layer on what to build the rest on, I do ask my students using pre-painted canvas only. Yet, still people are so afraid of dark colors that the pre-painted canvas is way too light. Without strong base, there is nothing much of a painting. We can all move paint around, even to the point when it becomes muddy brown-grey, but to get on that canvas some impression and some mood, takes much more than that.

Since everybody paints abstracts and there’s no clear understanding what’s a good abstract and what’s just a colored canvas, I stick to my personalized realism. It definitely allows implementing my own features and apply something which others do not. Therefore, my art projects include some of realistic features. While having texture layer on canvas attracts lots of attention let’s say at a show, it can look not good on photos because the high spots catch more light which doesn’t always correspond to light areas on the painting.

The attached images were initially painted between 10-5 years ago. The subject of these art projects is what we liked back then: barns, roads, fall colors, something not too complex, but bright and vivid. The current acrylic class deals with slightly more sophisticated acrylic art projects. We’ve just had one class by now and the start looks promising. The group is tiny as in COVID era, so no problem treating everyone very individually.  They are still very good paintings, the ones which took the first brushstroke long time ago, and I will hang them in the studio room where I can put art on the wall because I cannot do that everywhere. Well, I rent, and that comes with requirements.

Enjoy! What better time to immerse oneself in color than now?

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Lifting morning fog, birches, classic landscape

Morning fog landscape

The lifting morning fog is the most recent addition to my art collection. Birch trees have always been a favorite for autumn paintings, especially, when I have a few students who want to learn painting fall colors. The classic involves an artwork which we started in 2018, and it got not finished until now. Half-done paintings sort of nag and urge me to not be lazy and just add a few layers of paint.

Every day is only worth what its accomplishments are. I believe every day is good when I can show something for it. Therefore, time I devote to each artwork feels as a well-spent day. While everything else is rather slow and inconclusive in our life at the moment, one aspect of it is always unchanging: the creative aspect and pleasure of creation.

Acrylic paints dry darker, that’s why we need to learn what color combination is suitable for background, middle and foreground. I’ve talked a lot before that applying color is not the same as building it up. Building up color creates volume and color shifts, as well as allows implementing color temperature.

Textured birch trees on bright forest ground takes its origin probably in 2015 if I am recalling this correctly. I apply textures on canvas which is painted in the base color, grey or brown usually. I cannot judge yet whether it will become a good painting or not, therefore, many layers of paint are required to make it work.

Textured paintings are more problematic to photograph because the textures are raised and reflect more light. Color play is important part of textured paintings, but it comes to full expression seeing the art in person.

Here is the Rusty gold of autumn birch: it’s the same painting, compare with the image below; but pictures show completely different background colors.  Unfortunately, neither one is absolutely true. The actual painting isn’t yellow, and the background isn’t bright blue, but the options are either to publish or not, and I would most often choose to publish. Rusty gold of autumn birch painting is 24 x 20 in or 61 x 51 cm.

I started to paint the lifting morning fog at the beginning of August. I had a very diligent student who attended private classes, and she was interested in fine detail of acrylic painting, layering colors and achieving a certain grade of realism. Nobody without experience can just jump in such art right away with the first brushstrokes. We managed, but such art takes much longer than a few hours. In my case, it’s rather a few weeks.

The lifting morning fog painting is created on my favorite size canvas: 24 x 18 in or 61 x 46 cm. I love this size for both, watercolor and acrylic.

Pictures were taken with iPhone, and that sometimes adds way too much contrast and changes the color temperature. Colors usually on pictures are either stronger or weaker, but not my actual colors. My experience is that grey becomes strong blue and that disturbs color balance of my artwork. I’m using a grey-bluish shade which is carefully crafted, unfortunately, it looks very blue on the images.

I hope you like the new additions to my art collection, and some will also be put up for sale soon. Currently, there are quite a lot of acrylic paintings, and I update the sale pages quite frequently. Stay in touch and all the best enjoying the October colors!

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