Stick to your plan and pay attention to reference

Acrylic painting, flowers

Having a plan, sticking to it

Sticking to a plan is a key also in painting. Whatever we are doing, we need some kind of a draft in our head or some plan which we keep in mind. However, it is easier said than done. That especially refers to beginners in art. I have noticed that most people want to draw or paint without any plan and without any thinking.

Elements of a painting

Perhaps, when starting out, it is hard to know what parts or matters we should pay most attention to. There are lots of simple things which make the subject look multi-dimensional. By far, those are not only darker and stronger values. Strongly emphasized edges or absence thereof, strong dark areas behind the lighter ones also contribute significantly to the spatial perception, not to mention color if it is used.

Things to do and not to do

I was told that the darkest dark should meet the lightest light when I started painting about 50 years ago. It can be tough to implement, especially without real reference, when we have only a photography or a sketch. I am personally not excited about patterns which repeat in a regular rhythm such as petals or trees along the path, blooms on a branch and similar things which we unintentionally place on our canvas when there is no firm plan or sketch.

Acrylic painting, spring magnolia
Pink spring magnolia blossoms is an acrylic painting on 20 x 16 in or 51 x 41 cm canvas, Spring mood, light colors and feeling.

Reference is a guide

Why am I saying: pay attention to reference? Because most people don’t do that. When we are just beginning the painting, they would have a look at the reference image or set-up. After a while, I notice nobody looks any more at the reference. You have to! The only exception is when it is a completely abstract work which has been drafted in one’s imagination or when we paint from memory.

Painting or drawing from memory

Painting from memory takes practice, and beginning artists cannot handle that too well. Reference or value drawing (if you have created such) has all the answers: where to use dark color, where to make strong edge, where to wash out edges to lose them, where to place highlights and what exactly the shape of something is.

Preferred brushes

Knowing what values go where is extremely important, much more important than what brush to use. However, talking about brushes: always use the ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We can use no brush at all, but sponge or palette knife, that is a matter of preference and choice.

Try no rules, but use principles

I know how some art instructors want to make rules about everything. There are no rules in the use of tools. It is very obvious that using a very wide brush for tiny spot is simply difficult and vice versa. I know a lot of artists who create the entire painting with just one brush. I do that sometimes, too.

Acrylic painting, pink rose
Pink rose, acrylic painting on canvas, 20 x 16 in or 51 x 41 cm, this painting is also a demonstration artwork for art class.

Real versus photo

So, the conclusion is: do not change things around dramatically or completely when the work is halfway through and always keep an eye on the reference. If something does not work at all, it is better to start over again. That’s why it is so rewarding to paint from real subjects, live is live and photo is just a photo. Live comes with smell, touch, very visible shape and very noticeable values.

Purple pansies, acrylic painting
Lovely purple pansy faces, acrylic painting on 20 x 16 in canvas. Bold color, large flowers

No pressure

Do not put pressure on yourself and painting: there are moments when we need to stop and make a decision about the next step. Paintings and drawings really hate when they are not treated with due respect. It is much better to allow everything to develop in a natural way. For illustration, I have attached the recent flower paintings. There are many more, but they just need finalizing touches. You know: painting is never done, right?

Million shades of everything: experiment!

Acrylic painting, nature

Mixing colors: experiment

Did you know that it is possible to mix up quite a few thousands of colors just using ultramarine blue, primary magenta, cadmium yellow medium and titanium white? These color mixes are pretty much unlimited taking into account how slight change in proportion would alter the color. We don’t usually use only premixed colors or paints straight from the tube. Everybody is aware that yellow plus blue allows mixing up greens, and red plus blue creates purple shades.

The power of grey

Acrylic color mixing

Adding yellow to different shades of blue and red causes the graying effect and results in fantastic variations of neutrals. Why do we need grey shades and background neutrals? Well, they make other colors shine. We don’t have to always paint sunsets in order to observe how yellow shines on a grey-blue or purple, but we often need the fairly saturated neutrals to build up some scene or object. They also give all objects more substance.

Acrylic color mixing

Practice!

One can have color charts and theory books and check out all available information on color mixing, yet, not manage it when it comes to painting. How so? We know many things in theory. When it comes to applying the theoretical knowledge in practice, everything is completely different. Theoretical knowledge without decent practicing is worth zero. Therefore, practice!

Importance of experiment

I’m always encouraging students to experiment. Experimenting and exploring is the key to knowledge. There is never only one correct way of painting or drawing something. In fact, there are thousands of ways when we are trying to get similar results. Let’s take for example video tutorials.

Dos and don’ts

How to paint trees? How to paint clouds? How to paint forest? The answer is: whatever way you find it suitable for you because these tutorials will show how to paint trees according to artist X, or clouds as artist Y is seeing and painting them. Artist A might consider such trees incorrect, and B will tell you that nobody should paint clouds like artist Y.

Watching is not doing

While you watch somebody’s demo, it seems to be very easy. However, when you are one on one with brush and paints, things are not the same. The more colors you have, the more confused you might become. Many color mixes yield very close color tones, especially in acrylic when everything becomes much darker as it dries.

Having your own painting supplies

When somebody wants to start painting, they usually are not very excited about spending much money on materials. However, having your own paints, brushes and other tools is very beneficial. We just have to keep art supply list short and buy less.

Acrylic painting, nature
Experimenting is very important for any artist. Mix colors, apply layers, see what your paints can do.

Keep discovery for yourself

Do not allow anybody to steal from you the pleasure of discovery! Some people are very insecure initially since they believe they don’t know enough about painting. There are artists who have more experience, but nobody knows everything about everything. The other thing is that we develop our mastery and build experience only when we take creative risks and dare to explore and experiment.

Early spring, acrylic painting by Inese Poga
Early spring was done entirely during art classes and served as a demo painting

Learn through experiment

Therefore, experiment, experiment, experiment! It is good to ask a question when something is not happening the way you expected. However, there is no need to perform major search online just because you are not sure whether to use blue-green or yellow-green on some area. Do it your own way. It might take longer, but all efforts will pay off when you have painted exactly what you were trying to.

Your creation beats prints

It is much better to have your own painting on the wall than print. Print is a print. It will never have the energy of an original, therefore, it makes sense to frame also kids art because it has that special touch. Does our art have to be perfect? We can certainly try to get to that stage, but absolutely flawless and impressive art is extremely rare. It sometimes happens. Just working towards one great picture at a time brings us to the desired result. which will be the best ever.

Spring road, acrylic painting
Behind the ben: acrylic painting of spring road is 20 x 16 in or 51 x 41 cm art on canvas

Some errors which need to be fixed

Beginners try to paint with hardly any paint, or with a tiny droplet of it. In acrylic that means, it dries almost instantly. Use generous amount of paint and clean brush every time you switch color.

Values are important

Beginning artists always pay attention to color and absolutely no attention to value. We can change color very quickly, but we need strong, medium and light values placed accordingly to our plans in any painting. Therefore: experiment! Good luck!

Art classes: Sign up here

Is fear preventing you from getting started?

Floral art by Inese Poga

How to start painting?

I’ve noticed that too much preparation can result in never getting started with anything. That is especially true when trying to know everything will prevent one from ever getting started, for instance, with painting.  That will cause insecurity and feeling of always missing something. Many people mention also fear, the fact that they are scared to draw on white paper or paint on blank canvas.

Children do it right

Children usually are very successful with new things. They don’t try to prepare for everything which might or might not happen. They also don’t try to collect all possible and imaginable tools and references in order to get started. That is an issue I have observed during my very long teaching career. It was the same when I was teaching German language and literature, English or Latvian, design, drawing and art.

Information flood can affect our readiness to get started

We are flooded with huge amounts of information. When we turn on TV, when we are scrolling through computer screen, and when we are checking out our phone, there is huge amount of information. This information can be related or totally unrelated, true or false, meaningless or crucial to whatever we are doing, and we are normally absorbing at least some of it. Should we? To some extent, we obviously should be aware of what’s going on and do research when we are exploring matters that are important for us, However, with so many sources and with such infinite amounts of advice, we most likely will feel rather lost.

We don’t ever know everything

This refers very directly to drawing, painting and any other creative activity. I know people who would not start drawing or painting because they assume they don’t know everything about it. They are trying to get ready for this activity by exploring techniques, mediums, tools, paint characteristics, types of brushes and features of colors and any other related matters. Many of them never get to any drawing or painting because they don’t feel they know enough and they don’t believe they have all necessary art supplies.

Choose smartly

There are millions of different techniques, styles and ways to create art. Since internet has controversial advice and sometimes even misleading suggestions, it is very hard to distinct between true help and silly recommendations. How is it possible to find out whether painting is what you want to do? It is extremely simple: just give it a try. Nobody knows everything about everything. We can follow hundreds of websites, we can watch thousands of “how to” videos and read endless articles or books about painting. There’s plenty of advice out there, and some of that is useful for us, but most of it will not help one starting out in art. Why not? We have to start doing things before we can decide if we like them or not. Only these, who dare to try, can hope to get something done.

Spring daffodils by Inese Poga
Pen and watercolor, Spring daffodils painting 12 x 12 in or 30.5 x 30.5 cm

Jumping on it without any fear

Other good thing about students who don’t have too much knowledge is that they have no fear. They are not afraid to damage paper or canvas, and they fearlessly apply courageous brushstrokes  or put down lines on paper. That results in a good or satisfactory first painting. They do not think it is some kind of superb masterpiece, but realistically evaluate it. Therefore, they can keep improving their abilities when doing the next painting. The knowledge comes through doing, and that is the only way to gain experience.

Experience is an excellent building block of mastery

This is how hands-on activities are contributing to fast development of any skill: you see it happening and you try it immediately. If something went wrong, try it again. Watching other people can give us an idea about how we should proceed, but until we haven’t tried it out for ourselves, we will never know how exactly it is done. We can learn all kinds of compositions and color theories, but when the paint dries out fast and when the brush is moving quickly, there’s no time to recall all of it.

Our personal color theory

The way we can create our own color theory is to mix colors, to use color swatches, to test multiple colors in a mix and to apply paint accordingly to how we feel about it. This might take some time until the brain remembers what hands were doing and how this was suiting our creative intentions. Eventually, we will have our own color and painting theory. That will become the base of your personal style.

Floral watercolors by Inese Poga
Rose and apple blossoms , always in great color combinations

Never stop at the first failure

The first steps are the most difficult. These, who are afraid to get wet, won’t ever learn swimming. It is interesting to compare the first art you ever created with the most recent drawings or paintings. There is always a progress. Improvement is visible immediately. Every piece of art we create allows seeing better where we want to go with our creations and what we eventually want to achieve.

Floral art by Inese Poga
Colors and shapes of flowers will blow you away

Good luck and check out links for inspiration!

Art classes: Art classes

Flower paintings: FAA flower paintings

Simple, magic cure for creativity crisis

Cure for creativity crisis

 Cure for creativity crisis

We are recently hearing about the creativity crisis. How come? Why do we even need to be creative? Everybody who cares about personal development would most likely agree that it is very important to develop our creative side and work on it. Creative activities help easing different mental conditions. Being creative makes life happier by raising serotonin levels and significantly improves our internal balance. Balance is the key to everything: good health, well-being, success and prosperity.

Creative children are more successful

Long-term and wide research shows that creative children are more likely to succeed in any subject and cope with any situation easier. They will feel more confident and less lost if something unexpected happens than kids, who are lacking creativity.  Creative activities can make one’s life more interesting, fuller, more exiting and less stressful.

Magic cure for creativity crisis

Letting creativity in

I was reading recently how becoming creative was described as getting into some state of mind and intentionally trying to make that happen. I am very sure it won’t happen that way. Becoming smart, interesting, enthusiastic and creative is not following five easy steps. Becoming creative takes work, efforts, numerous experiments and perseverance.

Creativity and art classes for teens

You have to simply try

Creativity is not that somebody will pour over you, and nobody can actually teach you how exactly to be creative. There are so many definitions, approaches, tests and scores to detect whether you are or are not a creative person. Creativity has to originate from the inside of an individual. It is possible to get advice, technical and practical guidance, but the process is up to you.

Cure for creativity crisis

Attractive trait of character

Creativity is a very attractive feature, similar to being interesting, imaginative and innovative. Such talent empowers any person. We all desire to be noticed, to be loved and appreciated. By doing something creative, we are opening the doors for love, appreciation, new friendships.

Art classes for beginners

Most people want to be creative

Whenever the talk touches creativity, nobody has told so far they did not want to be creative. I am most often receiving completely contrary messages. People complain their life is boring, dull, it is lacking any interesting or magic aspect.  They would love to become somehow involved with creative things. So what’s stopping them?

What is stopping you?

Many people give up quickly anything which does not happen right away. Some give up activity they just started  because the results did not show after the first  attempt. Some are feeling sorry to spend any money on what they think is simply a pastime. Creativity crisis is associated with other issues, unfortunately.

Cure for creativity crisis

Spending on creativity

Spending some money on creative activities is inevitable. The least costly thing is probably writing poetry or stories. So, yes, you will have to spend some money on your fabrics or papers, for sewing machine or brushes, for gardening or crafting tools. That is definitely less than one spends on fast foods, useless drinks or antidepressant pills.

Using contrast: painting tips for beginners

Benefits of being creative

Depending on your creative activity, there are also real benefits. We spend much less money for things we have created than bought. The creative mind works like this: I have something, perhaps I’d need a few other materials and I probably could make something great out of it, or I could recycle or upcycle something. The consumerist’s mind works this way: where do I get it and how much it costs?

Inspiration

Where to get inspiration or idea what is the creative area you would like? There are hundreds of options: all craft and art shows, local meetings of writers and photographers, amateur song and dance festivals, amateur theater performances, garden shows, musical gatherings like open mikes, galleries, art and craft stores and departments, fabric stores and more. Besides, there are always people at these events and places who will give good advice on where to start.

Is creativity forgotten?

Surveys and research tell us that creativity is dramatically decreasing, and something needs to be done to reintroduce more creative activities in our families, schools and society. We might have too many opportunities to get everything served on a tray. However, things you create reflect you and suit you the best. Become artistic and creative crisis won’t be an issue.

Never too late

It is never too late to engage in creative things. Local people who are interested in art could join also my art classes and attend the creative workshops. I am not surprised that some of my students love these art classes so much that they return year after year. They would miss anything else, but not the weekly art class. It is obviously doing something good for them!

Cure for creativity crisis

My experience

My experience after teaching at high schools, colleges, individually, and in groups allows concluding the following. The idea of becoming creative most often is present in the family and it is passed over from generation to generation. Kids, who pick up arts, crafts, sewing, writing, dancing, playing an instrument in early childhood, will most likely continue with creative activities. Teens, who love creative lifestyle and who paint, write, dance, sing, play, have less depression, anxiety and upset moods. They don’t engage in drugs, alcohol and troubles.

Cure for creativity crisis

Adults need creativity, too

The same goes for adults. People, who are involved in creative activities, are much less complaining about loneliness, depression, feeling lost, seeing no meaning or purpose in life than those, who at the best go to the bar or sit in front of TV. People, who make creativity their best companion, are healthier and more satisfied with their life.

Sign up for art classes: Learn how to draw and paint

Orchards blossoming in the art studio

acrylic painting for beginners

Waiting for something can be as exciting as the upcoming event itself.

Spring is late this year, and that makes us more impatient. Everyone is tired of storms, cold, snow and icy winds. However, why to wait when you can create sensation of spring and speed up its arrival on your own?

We’ve been busy with blossoming apple trees painting during the last 4 classes.

Unlikely many North American art schools, we are focusing not only on technical abilities, but also on the emotional impact of our creations. We pay attention to emotional aspect and the energetic potential of painting.. Great art creates fantastic energy.

When painting a certain subject, we are trying to capture not that much its photographic likeness, but rather to implement the idea  and emotions, the emotional charge within and behind the painted image.

We are trying to paint our vision in the way others could experience it, too. That requires freedom in our approach, experimenting with colors and brush stroke, immediate decision-making, and high confidence level, as well.

The painting subject was very attractive this time, and we got really great results on our canvas.

It is important that we use the same basic image and the same medium (acrylic, watercolor or pastel) in a class since every medium requires different handling and specific techniques for bringing the painting subject to life.

acrylic painting for beginners

Acrylic is actually very forgiving, and everything can be adjusted, changed and improved when necessary.

All artists were not present at the time of taking pictures, but all paintings looked fantastic. They are beginners! This is a great achievement.

We will just have to learn how to paint sky and water yet, and these students could surprise us with fantastic paintings which they have created without a guidance.