Different approach to art class: focus on relaxing and stress-free creativity

Watercolor paints

Creativity for an art class

As the fall of 2017 is approaching, my new art class focus on stress-free environment and creative techniques. Students can learn, paint and relax letting all concerns and problems go. The key to creativity is being relaxed and not expecting miracles, but creating them: one small miracle at a time. I noticed that some students were taking art classes way too seriously, and being worried does not allow achieving great results.

Forget concerns and technical perfection

I want this to be a welcoming stress-free environment for creation so that purely technical goals become secondary. Traditional art instruction pays too much attention to the technical execution leaving the emotional and mental side neglected. That is why some artists go for big lengths: trace and copy photos, repaint everything which is in digitally adjusted photo. What about creativity? Going for photographic perfection frequently lacks the emotional aspect. I’d like to emphasize: the creative process is the most valuable part of the artistic journey.

Don’t limit yourself

Perfection in art is not the best goal because it simply prevents from unfolding our creative potential and limits the range of tools and techniques we apply. I hear this quite frequently: I’m not touching this painting anymore because I do not want to damage it. Well, leaving work unfinished isn’t good either. Limitless creativity takes us much further. You will learn effortless and, thus, stress-free techniques to avoid leaving work unfinished in my art class.

Live versus online art class

I also wanted to make an art class which is impossible to replicate online. The content of this art class rests on the presence and the interaction between me, group and everybody as an individual. The live art class allows me seeing and noticing why something does not work and why students cannot achieve the result they are looking for.

Artistic experience

I will gear everything towards a great, interesting, amazing and positive experience. That means learning about oneself and art, and learning to be creative without the annoying pressure which some teaching venues want to impose on somebody who is looking for a new skill and ability.

Painted images diary

We will use blocks of paper, so that at the end of this  positive painting session  everybody will have an image diary and will be able to continue adding creations. Inspiration and immersion in calm, creative environment is what one can find engaging in art.

Emotional satisfaction

I believe, this type of art class where experience and activity flow together creating emotional satisfaction, thus, being stress-free and providing with a new perspective on the bothersome issues in one’s life, will be appreciated. It’s interesting that I was away and did not do any advertising so far, but people were applying already, in fact, a lot of people. That included the new daytime watercolor painting class.

Wash paintings without drawing

I am adding as illustration brushstroke and wash only painting. We use only watercolor paint and water, and we watch what happens and how our thoughts and ideas look on paper. Watercolor paintings without drawing:  it is fun, relaxing brushing and interesting flow of pigment:

Choose your own subject

Participants will have a lot of choice: they can draw, they can use pen or they can also do very abstract or semi-abstract art for their image diary. That’s why it’s called: stress relief with color and line. Art classes are for everybody because we will be using only our personal preferences with colors, subjects and the way they look.

Sign up here: Art classes

Find out more: Inese’s blog

The best way to start painting with watercolors

Watercolor painting, butterflies and spring, creativity

How to start painting with watercolor

The best way to start painting with watercolor is using pen and watercolor wash. We all want our art to be great and impressive. However, if you are new to some medium or absolutely new to drawing and painting, you have to bear in mind: nothing happens right away and with the first brushstroke. I have had absolute beginners who were somewhat disappointed that their first piece of art wasn’t exhibition quality. Well, that is normal.

Patience

Every skill takes time, efforts and work. Creation of drawing or painting involves lots and lots of information. Some people are courageous by nature and love to experiment, and that is very beneficial. Some people are perfectionists and they believe everything they do must be either perfect or they are ready to give it up: don’t use this approach.

Focus on potential

My personal attitude towards something new in painting: different subject, medium, tools or technique never focuses on perfection. I focus on potential. Something might work out and something might not. There will be easy parts and probably difficult parts. That way. I call this attitude: let us see what happens. Progress is usually gradual. That is why we start with simple things and move to more complicated things.

Pen and watercolor

Pen and watercolor wash is a great technique for beginning  watercolor artists. Some like it so much that they stick to this technique and turn it into their personal style. If you are insecure about drawing lines with pen, sketch them using pencil. You can draw over with pen and delete everything else. We have now clean drawing in black ink, and the white paper is not damaged.

Any subject will do

Anything can serve as a subject: from your morning coffee cup to flowers in a vase or at the fence, from a bird at your window to sprouting vegetables in a garden. Any scene with some object is good, but flowers look extremely nice when done in pen and watercolor.

Everybody can draw

When somebody says they cannot draw, I don’t believe that. Most often that means they tried 1 or 2 drawings and these drawings were not splendid. So, they conclude that they cannot draw. Talk to me after 100 drawings. That is a decent start. It is also much easier to point out what else one should do in order to create better art when they have engaged in more than just a few attempts.

Pen and watercolor flowers and spring scenes

Pen and watercolor, Spring daffodils painting 12 x 12 in or 30.5 x 30.5 cm

Stylish and simple spring rose, all done with black pen lines and watercolor wash

Apple blooms in pen and watercolor: great starting subject

Pen and watercolor apple blossoms, the finished painting

Smiley purple pansy faces, pen and watercolor wash

Spring mood with apple blossoms, butterflies and beautiful colors

Pen and watercolor wash is easy

Why to start with pen and watercolor? It is forgiving, it is easy and fast, and it allows learning watercolor application more effortlessly. The pen lines provide additional support. It is a flattering technique since practically any painting or drawing looks good regardless of how sufficient one is with watercolor. I have done numerous pen and watercolor paintings over years, just because it is fun, it is easy and looks fantastic.

Copyright notice: Copyright of displayed paintings, drawings, images of work in progress and images of finished paintings belong to artist Inese Poga. The use of painting and drawing images is prohibited if I have not given a written permission. That includes no pinning on Pinterest.

Stick to your plan and pay attention to reference

Acrylic painting, flowers

Having a plan, sticking to it

Sticking to a plan is a key also in painting. Whatever we are doing, we need some kind of a draft in our head or some plan which we keep in mind. However, it is easier said than done. That especially refers to beginners in art. I have noticed that most people want to draw or paint without any plan and without any thinking.

Elements of a painting

Perhaps, when starting out, it is hard to know what parts or matters we should pay most attention to. There are lots of simple things which make the subject look multi-dimensional. By far, those are not only darker and stronger values. Strongly emphasized edges or absence thereof, strong dark areas behind the lighter ones also contribute significantly to the spatial perception, not to mention color if it is used.

Things to do and not to do

I was told that the darkest dark should meet the lightest light when I started painting about 50 years ago. It can be tough to implement, especially without real reference, when we have only a photography or a sketch. I am personally not excited about patterns which repeat in a regular rhythm such as petals or trees along the path, blooms on a branch and similar things which we unintentionally place on our canvas when there is no firm plan or sketch.

Acrylic painting, spring magnolia
Pink spring magnolia blossoms is an acrylic painting on 20 x 16 in or 51 x 41 cm canvas, Spring mood, light colors and feeling.

Reference is a guide

Why am I saying: pay attention to reference? Because most people don’t do that. When we are just beginning the painting, they would have a look at the reference image or set-up. After a while, I notice nobody looks any more at the reference. You have to! The only exception is when it is a completely abstract work which has been drafted in one’s imagination or when we paint from memory.

Painting or drawing from memory

Painting from memory takes practice, and beginning artists cannot handle that too well. Reference or value drawing (if you have created such) has all the answers: where to use dark color, where to make strong edge, where to wash out edges to lose them, where to place highlights and what exactly the shape of something is.

Preferred brushes

Knowing what values go where is extremely important, much more important than what brush to use. However, talking about brushes: always use the ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We can use no brush at all, but sponge or palette knife, that is a matter of preference and choice.

Try no rules, but use principles

I know how some art instructors want to make rules about everything. There are no rules in the use of tools. It is very obvious that using a very wide brush for tiny spot is simply difficult and vice versa. I know a lot of artists who create the entire painting with just one brush. I do that sometimes, too.

Acrylic painting, pink rose
Pink rose, acrylic painting on canvas, 20 x 16 in or 51 x 41 cm, this painting is also a demonstration artwork for art class.

Real versus photo

So, the conclusion is: do not change things around dramatically or completely when the work is halfway through and always keep an eye on the reference. If something does not work at all, it is better to start over again. That’s why it is so rewarding to paint from real subjects, live is live and photo is just a photo. Live comes with smell, touch, very visible shape and very noticeable values.

Purple pansies, acrylic painting
Lovely purple pansy faces, acrylic painting on 20 x 16 in canvas. Bold color, large flowers

No pressure

Do not put pressure on yourself and painting: there are moments when we need to stop and make a decision about the next step. Paintings and drawings really hate when they are not treated with due respect. It is much better to allow everything to develop in a natural way. For illustration, I have attached the recent flower paintings. There are many more, but they just need finalizing touches. You know: painting is never done, right?

Million shades of everything: experiment!

Acrylic painting, nature

Mixing colors: experiment

Did you know that it is possible to mix up quite a few thousands of colors just using ultramarine blue, primary magenta, cadmium yellow medium and titanium white? These color mixes are pretty much unlimited taking into account how slight change in proportion would alter the color. We don’t usually use only premixed colors or paints straight from the tube. Everybody is aware that yellow plus blue allows mixing up greens, and red plus blue creates purple shades.

The power of grey

Adding yellow to different shades of blue and red causes the graying effect and results in fantastic variations of neutrals. Why do we need grey shades and background neutrals? Well, they make other colors shine. We don’t have to always paint sunsets in order to observe how yellow shines on a grey-blue or purple, but we often need the fairly saturated neutrals to build up some scene or object. They also give all objects more substance.

Practice!

One can have color charts and theory books and check out all available information on color mixing, yet, not manage it when it comes to painting. How so? We know many things in theory. When it comes to applying the theoretical knowledge in practice, everything is completely different. Theoretical knowledge without decent practicing is worth zero. Therefore, practice!

Importance of experiment

I’m always encouraging students to experiment. Experimenting and exploring is the key to knowledge. There is never only one correct way of painting or drawing something. In fact, there are thousands of ways when we are trying to get similar results. Let’s take for example video tutorials.

Dos and don’ts

How to paint trees? How to paint clouds? How to paint forest? The answer is: whatever way you find it suitable for you because these tutorials will show how to paint trees according to artist X, or clouds as artist Y is seeing and painting them. Artist A might consider such trees incorrect, and B will tell you that nobody should paint clouds like artist Y.

Watching is not doing

While you watch somebody’s demo, it seems to be very easy. However, when you are one on one with brush and paints, things are not the same. The more colors you have, the more confused you might become. Many color mixes yield very close color tones, especially in acrylic when everything becomes much darker as it dries.

Having your own painting supplies

When somebody wants to start painting, they usually are not very excited about spending much money on materials. However, having your own paints, brushes and other tools is very beneficial. We just have to keep art supply list short and buy less.

Experimenting is very important for any artist. Mix colors, apply layers, see what your paints can do

Keep discovery for yourself

Do not allow anybody to steal from you the pleasure of discovery! Some people are very insecure initially since they believe they don’t know enough about painting. There are artists who have more experience, but nobody knows everything about everything. The other thing is that we develop our mastery and build experience only when we take creative risks and dare to explore and experiment.

Early spring was done entirely during art classes and served as a demo painting

Learn through experiment

Therefore, experiment, experiment, experiment! It is good to ask a question when something is not happening the way you expected. However, there is no need to perform major search online just because you are not sure whether to use blue-green or yellow-green on some area. Do it your own way. It might take longer, but all efforts will pay off when you have painted exactly what you were trying to.

Your creation beats prints

It is much better to have your own painting on the wall than print. Print is a print. It will never have the energy of an original, therefore, it makes sense to frame also kids art because it has that special touch. Does our art have to be perfect? We can certainly try to get to that stage, but absolutely flawless and impressive art is extremely rare. It sometimes happens. Just working towards one great picture at a time brings us to the desired result. which will be the best ever.

Behind the bend: acrylic painting of spring road is 20 x 16 in or 51 x 41 cm

Some errors which need to be fixed

Beginners try to paint with hardly any paint, or with a tiny droplet of it. In acrylic that means, it dries almost instantly. Use generous amount of paint and clean brush every time you switch color.

Values are important

Beginning artists always pay attention to color and absolutely no attention to value. We can change color very quickly, but we need strong, medium and light values placed accordingly to our plans in any painting. Therefore: experiment! Good luck!

Art classes: Sign up here

Is fear preventing you from getting started?

Floral art by Inese Poga

How to start painting?

I’ve noticed that too much preparation can result in never getting started with anything. That is especially true when trying to know everything will prevent one from ever getting started, for instance, with painting.  That will cause insecurity and feeling of always missing something. Many people mention also fear, the fact that they are scared to draw on white paper or paint on blank canvas.

Children do it right

Children usually are very successful with new things. They don’t try to prepare for everything which might or might not happen. They also don’t try to collect all possible and imaginable tools and references in order to get started. That is an issue I have observed during my very long teaching career. It was the same when I was teaching German language and literature, English or Latvian, design, drawing and art.

Information flood can affect our readiness to get started

We are flooded with huge amounts of information. When we turn on TV, when we are scrolling through computer screen, and when we are checking out our phone, there is huge amount of information. This information can be related or totally unrelated, true or false, meaningless or crucial to whatever we are doing, and we are normally absorbing at least some of it. Should we? To some extent, we obviously should be aware of what’s going on and do research when we are exploring matters that are important for us, However, with so many sources and with such infinite amounts of advice, we most likely will feel rather lost.

We don’t ever know everything

This refers very directly to drawing, painting and any other creative activity. I know people who would not start drawing or painting because they assume they don’t know everything about it. They are trying to get ready for this activity by exploring techniques, mediums, tools, paint characteristics, types of brushes and features of colors and any other related matters. Many of them never get to any drawing or painting because they don’t feel they know enough and they don’t believe they have all necessary art supplies.

Choose smartly

There are millions of different techniques, styles and ways to create art. Since internet has controversial advice and sometimes even misleading suggestions, it is very hard to distinct between true help and silly recommendations. How is it possible to find out whether painting is what you want to do? It is extremely simple: just give it a try. Nobody knows everything about everything. We can follow hundreds of websites, we can watch thousands of “how to” videos and read endless articles or books about painting. There’s plenty of advice out there, and some of that is useful for us, but most of it will not help one starting out in art. Why not? We have to start doing things before we can decide if we like them or not. Only these, who dare to try, can hope to get something done.

Jumping on it without any fear

Other good thing about students who don’t have too much knowledge is that they have no fear. They are not afraid to damage paper or canvas, and they fearlessly apply courageous brushstrokes  or put down lines on paper. That results in a good or satisfactory first painting. They do not think it is some kind of superb masterpiece, but realistically evaluate it. Therefore, they can keep improving their abilities when doing the next painting. The knowledge comes through doing, and that is the only way to gain experience.

Experience is an excellent building block of mastery

This is how hands-on activities are contributing to fast development of any skill: you see it happening and you try it immediately. If something went wrong, try it again. Watching other people can give us an idea about how we should proceed, but until we haven’t tried it out for ourselves, we will never know how exactly it is done. We can learn all kinds of compositions and color theories, but when the paint dries out fast and when the brush is moving quickly, there’s no time to recall all of it.

Our personal color theory

The way we can create our own color theory is to mix colors, to use color swatches, to test multiple colors in a mix and to apply paint accordingly to how we feel about it. This might take some time until the brain remembers what hands were doing and how this was suiting our creative intentions. Eventually, we will have our own color and painting theory. That will become the base of your personal style.

Never stop at the first failure

The first steps are the most difficult. These, who are afraid to get wet, won’t ever learn swimming. It is interesting to compare the first art you ever created with the most recent drawings or paintings. There is always a progress. Improvement is visible immediately. Every piece of art we create allows seeing better where we want to go with our creations and what we eventually want to achieve.

Good luck and check out links for inspiration!

Art classes: Art classes

Flower paintings: FAA flower paintings