Who benefits from art and artists

When you look at art for sale, it can sometimes seem the artist is probably under drugs and wants to extremely profit from their paintings, drawings or other type of art. It seems so.
I once asked a lady who was enquiring about my paintings: do you know anybody who would work for about two months, every day, about 6-8 hours a day and then receive for all this work 200 bucks minus materials? It isn’t that I tried to get her to pay more or whatever, it’s just the reality.
She was a nice lady, and she honestly said she didn’t know anybody who would work on such terms. I could add to this that I don’t know either, except fellow artists who for different reasons are in the same boat.
A brief list of these who benefit not only from  full-time artists, but anybody who creates art and tries to sell their art:
companies that make pencils, papers, tracing papers, graphite papers, drawing sketching, watercolor and all kinds of art papers,
companies that manufacture canvas, canvas panels, canvas boards, stretcher bars and canvas fabric,
companies that make paints, pigments, mediums for paints, solvents, vanishes, and all kinds of chemicals that are necessary for putting paint on canvas or paper at different stages or preserving the ready art,
companies that make easels, supports and all kinds of frame manufacturers, framing places and manufacturers of framing supplies, that includes mats, matting paper, glass, Plexiglas and similar materials;
every artists needs a website or blog, as well as social media presentation, so there are lots of platforms and hosting companies which sell everything from security certificates, to software for managing website, hosting, themes, plugins and many tools in order the website stayed functional;
companies that manufacture computers, tablets, ipads, cameras, video cameras and phones since we need to get the image somewhat captured and transferred to online space;
any landlord who leases studio or showroom space;
any utility provider who sells power, gas and water to the studio;
any show, gallery, exhibition, fair, including juried shows, online competitions and online shows which charge a fee for putting the artwork out there;
any online sales or art print sales provider which charges membership fee and commission;
money collecting and payment processing companies, i. e. Paypal, banks, etc.
That is not the entire list, and to some extent it is similar to expenses that are inevitable for any freelance or self-employed person, but the creation of art is definitely at the higher end of expenses, costs of materials and time consumption.
Artist obviously pays for paints, paper, canvasses, frames and framing, fees for shows and gallery representation and any utilities, as well as monthly payment for studio regardless of whether there is going to be some profit or not. Even when the art ends up in the waste basket, it still involves cost.
I know one would say: anybody who creates a product must create it first and there is never a guarantee of selling it. True, however, most products which are 100% unique, handmade and original sell for much more than the materials and labor that goes into them.
So, we have arrived at the most crucial question: who enables the artist to benefit? Who makes it possible for the artist to profit from their talent, work and efforts?
The artist can only profit from his or her clients who purchase the work whether as a product with art image on or in it, or as an original painting and drawing.
That is you. Somebody who loves and appreciates art. Somebody who has some money and is willing to spend it not on food, not on outfit, not on make-up or furniture, but art. Art is not a medication and it won’t cover you as a blanket, but it can feel that way, too. I know people who can stand for half an hour at some of my paintings and they feel exactly that: warmth and energy, and healing power.
I hope when you go to an art show next time and when you look at some painting, you will be aware that along with artist’s efforts, talent, time and soul there goes in a lot of other expense. That is an expense which is not covered quite frequently.
Being a freelance writer and artist is not easy by any means. There is a lot of insecurity: I do not know when some new work request arrives, I cannot ever guess with certainty when some painting will sell. I obviously cannot work when I’m not well, and that causes other problems. The domino effect.
Why to do this? At the present moment, this is the only option I have.
I am not sure if I will have to post something else before I fly to Latvia next Monday, yes, I unintentionally have chosen the full solar eclipse day, but whatever; I am presenting a few paintings which come as result of giving the flower painting class.

Lovely pinks

I compared also Arches 300 paper with Saunders Waterford 300.

Saturday rose is available at $150 plus shipping Saturday rose

Sunday rose is available at $150 plus shipping, Daily Paintworks, Sunday rose

Unfortunately, both papers were not bright white. If you have enough time to dry paper decently between layers, Arches is better. It is very easy to paint on it. However, I did not have time to dry paper, so Saunders Waterford was better because it does not keep flowing that much.


I do appreciate any sale through this site, at studio or through any other site because that allows me to benefit small bit from my creations.

Million shades of everything: experiment!

When somebody wants to try painting, they usually are not very excited about getting lots of materials. However, some people would like to have their own paints, at least some of them in order to work on sketches or perfect the scenes we have done during workshops.

Acrylic color mixing art classes for beginners

Did you know that using just ultramarine blue, primary magenta, cadmium yellow medium and titanium white, it is possible to mix up quite a few thousands of shades, and these mixes are pretty much unlimited taking into account how slight change in proportion would alter the color? We don’t usually use only premixed colors or paints straight from the tube. Everybody is aware that yellow plus blue allows mixing up greens, and red plus blue creates purple shades.

Acrylic color mixing art classes for adults

Adding yellow to different shades of blue and red causes the graying effect and results in fantastic variations of neutrals. Why do we need grey shades and background neutrals? Well, they make other colors shine. We don’t have to always paint sunsets in order to observe how yellow shines on a grey-blue or purple, but we often need those fairly saturated neutrals to build up some scene or object. They also give all objects more substance.

Acrylic color mixing experiment

One can have color charts and theory books and check out all available information on color mixing, yet not manage it when it comes to painting. How so? We know many things in theory. Quite a lot of them, but when it comes to applying the theoretical knowledge in practice, everything is completely different. I’ve observed the following: we just discussed some approach or principle, and we are now about to use what we learned about it practically. What happens? Nothing. Theoretical knowledge without decent amount of practicing is worth zero.

Acrylic color mixing Spring paintings

We were doing a lot of spring scenes, roads and fences recently.

Acrylic color mixing workshop image

This is the image we got done within 3 hours.

I slightly adjusted it later, mainly trees.

Acrylic color mixing workshop Spring scene

Painting, drawing, singing, dancing, playing an instrument and similar can be only taught by explaining, showing and demonstrating. Plus theory which many people assume the most important part and that is not true. The rest is up to that person who wants to acquire new skills or ideas. Because they will have to do this on their own: they will have to use what they just saw or heard about practically, and they will be moving brush and adding colors. It is a great exercise for decision-making: we have to make a decision every second or even more frequently.

I’m always encouraging students to experiment. Experimenting and exploring is the key to knowledge. Why? There is never only one correct way of painting or drawing something. In fact, there are thousands of ways when we are trying to get similar results. Let’s take for example video tutorials. How to paint trees? How to paint clouds? How to paint forest? The answer is: whatever way you find it suitable for you because these tutorials will show how to paint trees according to X, or clouds as Y is seeing and perceiving them, and forest in a manner of Z, but A might consider such trees incorrect, and B will tell you that nobody should paint clouds like Y was doing them. If video material gives you push and you’re trying to figure it out after watching how effortlessly somebody has done it, fine. However, when you are one on one with brush and paints, things are not the same. The more paint colors you have, the more confused you might become. Well, many color mixes yield very close colors, especially in acrylic where everything will be much darker after it dries.

Do not allow anybody to steal the pleasure of discovery from you! Some people are very insecure initially since they believe they don’t know enough about painting to paint. Well, that’s just wrong. There are artists who have more experience, but nobody knows everything about everything. The other matter is that we develop our mastery and build experience only when we take creative risks and dare to explore and experiment. Therefore, experiment, experiment, experiment! It is good to ask a question when something is not happening the way you expected, but there is no need to check every single move on the internet and perform major search just because you are not sure whether to use blue-green or yellow-green on some spot. Do it your own way, it might take longer, but all efforts will pay off when you’ll have painted exactly what you were trying to.

These images show my efforts trying to take a decent picture of a wet painting in a poorly lightened room.

Acrylic color mixing Road to Spring

However, I quite liked two of these not ready for a website images:

Acrylic color mixing Spring scene

This has reflection because it was too wet.

Acrylic color mixing Spring painting

This came out darker than in reality

It is much better to have your own painting on the wall than some print. Print is a print, it will never have the energy of an original, therefore it makes sense to frame also kids art because it has that special touch. Does our art have to be perfect? We can certainly try to get to that stage, but absolutely flawless and impressive art is extremely rare. It sometimes happens, obviously not with every single piece. I’m doing this all the time: just working towards one great picture which will be the best ever.

Two major errors are these: beginners try to paint with hardly any paint, with a tiny droplet of it. In acrylic that means, it dries out almost instantly.

Acrylic paintings art classes for teens

The small poppies, just a 15 minute exercise, looks good on the wall, not that great as a picture.

Second: beginning artists always pay attention to color and most often absolutely no attention to value. We can change color in a second, but for any painting we need some kind of values placed accordingly to our plans. Therefore: experiment! So that you can meet the spring in nicely decorated house and use your own paintings for that purpose.

Road to spring acrylic painting by Inese Poga

Finally got a better picture which looks more than the real painting.