Adding color to winter days

Watercolor mixing, floral watercolor

The warming color

Adding color to cool winter days feels right. Or a bit better than simply doing nothing. I was hoping to get done much more, but darkness is very restricting. Even though, I’m drawing and painting at electric light, that has impact also because color changes. Sensitive colors and shades change to a great extent in different light, and the only correct painting light for me is the daylight. I’m obviously experiencing shortage of it and using warm and bright colors to offset the shortage of natural  light.

Colorful illusion of spring

As long as I remember myself, I never liked winter. I feel that I deserve way better than this freezing air and this wet snow or icy wind gusts from around the corner. I am not trying to get up when I should, and staying up much longer at night, that’s not helping. My productivity is down in winter and I find all kinds of excuses to justify the wasted time. It might be so that I’m completely dependent on seasonal cycles of the nature. I’m definitely a summer person, and darkness and cold are completely arguing with every living cell in my body. Well, I know, winter will pass, too, and painting in bright colors takes me to spring.

Art as a rescue medicine

My only rescue medicine is art. It’s impossible to imagine how I would survive these dark months without colors, paints, sketches, drawings, ideas and paintings! Thankfully, these things occupy my brain and mind completely taking into a meditative state of no reaction to surroundings, problems or issues. I believe art is the best way to fight these upsetting and lazy moods. The only times when I experience real flush of energy are before art classes, workshops and events. The opportunity to make canvas blossom gives me wings and I’m bursting with fresh ideas and suggestions. I’m very generous when it comes to sharing ideas and new knowledge.

Warm colors for cold winter days

Add color to your day

“Add color to your day” project is coming along, but not without a resistance. I will eventually figure out how to implement three 1.5 hour sessions during the week in order to use only watercolor paints, allowing them to flow, taking away bad emotions, and therefore these sessions will be providing people, who have similar winter moods, with positive energy and opportunity to overcome the situations they’ve stuck in. That might be health or relationships, or our own nature, it doesn’t matter what exactly. Color and art can cure everything, even people, who are unable to physically perform something difficult. New images for these sessions are on the way.

A little bit of warmth

To share with everybody a little bit of warmth, I’m attaching a few watercolors. These are layered watercolors without using masking fluid. For some images, we created pen outline drawing at first.

Watercolor mixing

Winter watercolors

January watercolor in warm colors: we just kept adding different layers and glazing, and adding more and more of them. I know we should have used something like masking fluid, but there was no time to wait until everything is dry.

Abstract poppies

Pen and watercolor sketch of poppies: it’s cold outside, but painting in warm colors brightens up any place, any mood and any day.

 

The warm side of the grey scale: conquering procrastination

Moonlight, acrylic painting

The reason I decided not to do any demos on a separate canvas for every class is simple: there have accumulated large numbers of somewhat finished; half-finished, not at all finished medium size paintings. For that purpose, I invented my changeable demo board which can tolerate everything: all kinds of colors and themes. It takes a lot of work to bring these unfinished paintings to some completed condition. On the other hand, I do not always feel like I would be interested any more in either that subject, scene, or the work itself. You know this state: some time later, next week, next month, in the fall, etc. Procrastination is a tough thing to conquer.

We all evolve, it is not surprising that our priorities or preferred methods do not remain attractive forever. I suppose anybody who has done painting or writing over long period of time, has experienced the state when one has to really wonder what was that I liked so much in this picture, scene, poem, article, story or sketch. We have learned along the way, and the former passions pale out when compared to the most recent discoveries or achievements. To some point, that is also true when I think about some people who I was so passionate about 30-40 years ago. Were they worth the tears cried out? Oh my, I have to laugh now remembering the stuff which seemed like a tragedy back then.

Autumn boats, acrylic painting

The same laws of affection and love regulate my overall attitude to themes and objects which I would like exploring closer and drawing or painting. The colors I loved 30 years ago are not matching the color scheme I feel comfortable with at the moment. I would not say my drawing style or general approach has dramatically changed, but there certainly has been movement and development. I am one of those people who just took the pencil and started to draw, it was very simple and easy, and everything just fall in place as I moved the pencil around. I don’t actually use eraser when drawing, unless I would like to place something significantly higher, lower, more left or right. My mom had preserved portraits and illustrations I did when I was 10 (that’s 46 years ago), and I don’t find anything wrong with them. I suppose, I dared a lot because I had not studied anything art related. It was all fresh, all from scratch, and thus, totally unaffected by any other opinions.

These were my reminiscences from far away.

Today, I am facing a lot of work. Some of previous paintings are so highly textured that it is impossible to paint over the initial image or replace it with something else. I have been thinking also about adding some mixed media parts to such works, well, assuming I’d ever have time for that. I am not sorry to through out something which is completely out of line, but there is sort of appeal in previously used canvas. Some kind of challenge, too: is it possible at all to make something nice out of this mess?

That way, I have been adding some brush strokes here and there, and some paintings are actually getting done. Interesting enough, they seem to be unusually grey scale for me. Grays have abnormally huge scale of possible shades. It is interesting to observe what some particular stuff might result in.

The attached images might inspire somebody to also finish up their started works.

It is always fairly difficult to get on the photo the exact colors or look. I’m trying, however, no online image can ever replace the actual painting.

 

My rainy day sketches and paintings sparkle with light, and we have finally summer weather

Sketching in watercolor what is the advantage

Sketches sparkle with light probably because the weather has been no fun. The Latvian weather has been very unpredictable. Since I am always drawing and painting mostly from life and using real objects, that was quite upsetting. I did not get all depressed, but moved on as much as I could.

For time saving purposes, I am sometimes outlining and drawing with black pen. I do not have to use glasses that way which is great because glasses can destroy proportions and distort the visual perception.

Be curious, be creative

I love cheerful colors!

We were doing parrots in the Exotic birds drawing workshop. Everybody loved them!

Sketches sparkle with light
Parrot trio
Sketches sparkle with light
Apples were growing in the sister’s garden, so were the red currants.

I was very happy also that I finally obtained the St. Petersburg watercolor set. I wanted these paints ever since I was a small kid when I saw one artist painting with them. I got them now at the age of 55, actually my birthday is just some weeks away, so it’s a nice birthday gift for myself. These paints are said to be the best in the world just because they are made of the purest and best really natural ingredients. I love these watercolor paints: they have excellent transparency,  brightness and they are very pure.

Be curious, be creative

The sun is beating down today, so we are having some Mexico weather this week. Isn’t that crazy how I was freezing in my leather coat just a week ago, and it is advisable to wear nothing more than a swimming suit at the moment? Too bad, no swimming pool anywhere here, but I suppose, I can survive that, too!

Sketching in watercolor what is the advantage

I am a child of the sun, my horoscope sign is leo, and this immediately changes my inner settings. I don’t care how hot it gets, whenever it is sunny, I am happy.

I would love to express the hugest THANK YOU to all those fellow bloggers, friends and students who did not stop encouraging me during the bad weather period and are still following my trip to Europe, Latvia.

Try something different: painting with sponge

sponge painting

Have you tried painting watercolor with sponge? I decided that adding some new technique wouldn’t disturb. Let’s give it a try.

This time it was application of watercolor using a sea grass sponge. It worked well with acrylic (I will post these pictures separately), it seemed it could work nicely with watercolor, as well.

I could see after the first attempts that it is advisable to test colors first. There are lots of brands, many types of paints, it’s hard to know whether the chosen colors will or won’t mix well. The big fear was not to overdo right at the beginning. Sponging sort of takes away easily, and it takes no time to lose focus and to forget where exactly was I intending to place any particular paint. I did not plan for these paintings, I just got straight to sponging. I would advise anybody who is trying this technique to plan a small bit ahead. Sponge allows to create beautiful watercolor backgrounds, like distant trees or forests, it is amazing how quickly some spots get textures, and it is a fantastic for layering watercolor paints. Simply don’t forget to test your colors.

It seemed that Hooker’s green light and dark in combination with French ultramarine, Cobalt blue, Payne’s grey, Lemon yellow and Burnt sienna or Burnt umber worked better than Sap green in any combination unless I mixed only 2 or 3 colors in all layers.

Seagrass sponges are inexpensive and available at any art store, that’s at least where I got them. Every sponge is slightly different, so will be textures created using these sponges. I cut my sponge in smaller parts, and used every time that part which seemed to be the most fitting. Sponge has to be made wet at first, and we should squeeze out all excess water before picking up the paint with it.

Sponge works on wet paper well (wet in wet application), and we can paint nice distant backgrounds this way. It creates thicker layers and attractive irregular shapes when applied on dry paper. It is possible to create the entire painting this way, and it looks especially great when we combine different techniques.

Generally speaking, application of a sponge helps loosen up, and sponge is a good tool to vary paint application techniques.

sponge painting
Sponge with watercolor
sponge backgrounds
Small creek, we used sponge for background

Layering quite a few colors with sponge is interesting: we never know how it will look at the end!

sponge painting
Spring forest: watercolor painting using sponge, it is quite large, 18 x 24 inches

Uniqueness of emerging painting styles and the seeming simplicity of winter scene

Creek, winter, trees, acrylic painting

Winter ends in the art studio around half January. That’s just how impatient we are: once Christmas is over, we’ve got to start preparing for Valentine’s Day, Easter and, most importantly, for spring. We use this time period to define our painting styles.

While winter may seem to be long, boring and unpleasant to many people, we are using the best part of it. The picturesque beauty of snow-covered fields makes a good scene for painting, especially when contrasted with frozen or silently running dark streams to which the majestic attraction of trees under the snow is added.

Our vision and perception of any subject are absolutely unique. There are no two persons who can see one thing in exactly the same way. That’s how nature has taken care of our individual features. That’s also how one image becomes a reflection of many personal interpretations and allows to create many distinctive paintings.

Creek, winter, trees, acrylic painting
Winter creek, acrylic painting, it’s sold. I painted it as a demo for class

Painting as a process is a very individual activity regardless of how much of experience or knowledge we are implementing in this process. The art we are creating from scratch will always carry our own features, as well.

From psychological point of view, it is possible to associate certain types of lines, composition, application of paint, colors, amount of detail or lack of it with particular human features. I find this fantastic because that’s one more way how our uniqueness manifests.

Winter creek project, art of students
Winter creek paintings by my students

The emerging painting style is like handwriting: once we have perfected it, it’s completely ours. Does it make sense to repeat somebody else’s writing? Probably not, not even in these cases when you are told your writing is hard to read. The most beautiful hand-writings are actually all complicated and hard to read.