Works and artworks

Artworks, lifting fog

It’s time to feature a few summer-related artworks, something which widens our space and takes us to places which might or might not exist. The power of imagination! I use imagination to a great extent since life has become somewhat subdued in the post-COVID era. Back to summer artworks.

I have to take new pictures of paintings which were created years ago, as well as quite recently. I mentioned in previous posts: an artwork for a show and an artwork for demonstration at art class simply cannot be the same. As art teacher, I try to adjust the subject to the skill level of students. Therefore, such paintings are more abstract. One example from the recent classes: bright summer landscape which is quite abstract, but uses strong colors.

While I was using iPhone 6, all my pictures were dark. With iPhone 8, then iPhone 10 Pro Max, all my pictures had yellow and purple overcast, the colors in paintings were as if yellowed out. With iPhone 13 Pro Max, I have sometimes extreme contrast, but there’s more ability to adjust the distorted perspective and color. However, paintings have extra bright blue-green, too strong blue, or all-over yellow-green and too much purple. Basically, any edits are global. I’ve never gotten my painting images right, practically never.

So, I have to take new pictures replacing all images between 2010 and 2018. They simply have no saturation, no contrast and make no sense either. One might ask: why to bother? Well, although few people ever read entire posts or look at all images, online images are often the only way they will see what I have painted. Since I have spent numerous hours cataloging my artworks, I decided to feature quite a few artworks from different years.

In Ontario where I live, summer is not that long. I rush to do gardening, painting, teaching while I have to catch up on regular chores also. Lots of things are still in boxes and many tasks await their completion. However, summer is for taking a break, too. Therefore, I won’t apologize for not posting very frequently, but I hope you love and purchase some art and love my artworks added to this post.

Have a great, green and blue, enjoyable summer!

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Spring edition, moving art studio

Moving art studio

My art studio is moving again, indeed, it has happened so many times during the recent years. I’ve moved three times since 2018 and now I have to do that again. While it sounds quite simple, it actually isn’t. The toughest part is finding a place and qualify for it. That requires mountains of paperwork, numerous hours of printing, scanning, signing, sending documents and so forth. That is the reason I hardly looked at the internet, any social media or blog sites. There wasn’t enough time in a day to cope with all that, and nothing was left for painting, unfortunately.

I did try to catch up with the artistic side, I sure did. However, that mostly resulted in wasted paint and a bit of frustration. As soon as I squeezed out acrylic paint and got in the mood for painting, the phone rang or I received a message, we have to go: to see a place, to meet somebody, to do whatever, and there was no other way around it. As you know, acrylic paint dries very fast, and even when preserving some in a tight container, it doesn’t work quite well as the fresh one.

I’m really hooked on the moment when nature awakes. The most fantastic view for me can be a tiny sprout breaking through the soil and greeting the sunshine. The first wild flowers are such a welcome sight! Strength to overcome the freeze and courage to break through impossible obstacles: that is what grasses and wild flowers have. I cannot resist, I return to wildflowers in spring settings every year.

One of my most favorite color combinations involves earthy tones, many shades of green as in sprouts, young leaves and grasses, blue patches of sky, as well as bright white, blue and pink of the wildflowers. According to such palette, I paint some knew dreamscape which I most often have seen only in imagination or which is stored in my memory chambers.

My art studio in this big house had to be adjusted and the actual painting space was sparse. As you might know from my previous posts, I usually paint only by daylight. There have been times when I have to add evenings, but I try to avoid painting at night when artificial light is required. It could be my eyesight which dictates that, but I am very sure that for true color match we need the daylight.

So, the art studio is on the move again, and I have started to pack up a few things. Very large and small paintings will be moved first, as well as part of my countless brushes and art supplies. I would love to sell a few more paintings, but I don’t have much time for advertising at the moment. We will be moving 9 large rooms into 5 rooms, only one of which is large. My art studio is going to be arranged there, in the largest room. Daylight will be much better in the new place, however. It’s an older building with large windows, lots of character and huge backyard. That is such a luxury nowadays!

My best guess is everything will be ready around April 15, and that’s when I can start with my own paintings and art classes. Until then, – I go through moving troubles, packing and unpackaging, sorting, cleaning and being busy with all kinds of things which are not necessarily art related. There will be moment when we won’t have internet yet, and when I am all set up, I will come up with my newest discoveries in painting. You can still scroll through my blog which documents all art studio moves, gives lots of advice for new and established artists and offers excellent quality art at great prices. Stay well! I’d love to hear from you!

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The many functions of art

Functions of art

Most often, when somebody visits artist’s website or blog, they are simply curious what the artist has come up with. People look for something which would potentially suit their space, and the art students seek for inspiration and advice. Art has many more functions, though, and they depend also on who you are. If you are a creator and love to try painting or drawing, art is a full-scale adventure for you. And me. In my mind, time is not spent usefully when I haven’t painted anything for a while. The creativity-satisfying and mind-moving functions of art shouldn’t be underestimated.

The moment when a painting is signed and done, comes with feeling of achievement. This is a moment of complete satisfaction. We all set our own goals with any task, so this moment shows that I can whatever I wanted to achieve. I don’t stop working until every smallest brushstroke is where it must be, that’s according to me. Therefore, my works take quite a while from the idea to its implementation.

The ties with reality are interesting nowadays. On one side, we have this immense internet surfing space and it transitions more and more into unreality. Digital and virtual world is just that – the things which exist only where there’s internet. On the other hand, our life happens based on real terms, read conditions and in an actual environment. The difference between unreal and real can cause somebody true depression and dissatisfaction with life. I personally prefer the tangible reality which won’t go away if I accidentally click on a wrong keyboard key.

That explains why I paint what I paint. The subject doesn’t exclude fantasy and impossible landscapes, still life settings or colors. That is one more function of handmade art: to take you anywhere you’d like to be. I would love to skip winter altogether. Since I cannot sleep it away, I still need to do something. Anything. It would be so pleasant to have plus 13 Celsius tomorrow instead of minus. The best functions of art are the ability to transfer one with all senses into a pleasurable space and provide with the feeling of being there.

As always, I’m not very happy with the internet display of art on different devices and phone. Every single painting deserves to serve as the cover image, every one of them. Unfortunately, that’s not possible. The full-size image, although, distant out in the internet space, still gives one that feeling of closeness to the source. So, I’ve spent couple of weeks taking horizontal pictures. For example, when my painting is vertical, I cannot use it as a cover image. If my painting is horizontal, it looks small or even tiny when viewing images on the phone. Some photos are very good, some just satisfactory, but I wish for internet space where they’d be all visible in large format, full-width, full size and have colors that match the original.

That remains to be seen and tried again and again. I have my hopes up for the new Twenty twenty-two WordPress theme. Hopefully, it will be what it promises, both, regarding size and flexibility. Until switch, I will just edit what I have. Other than that, we are in extremely deep snow in Ontario. We were completely cut off of everything yesterday, but it’s sunny today. Thanks for reading if you did and wishing you, too, more sunny days!

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A little bit of nostalgic beauty: snow and winter paintings

Snow and winter paintings

Snow and winter paintings are a great way to start painting since we can interpret the landscape or view in many ways. We can apply warm or cool glow to the snow and winter paintings, we can use shadows, different colors for sky and use distance or abstract background. We can stick to a photo or do what I’m doing: implement some visual ideas from memory or just look through the window and paint what is there. Out of my studio window, there’s plenty: all kinds of trees, buildings and so forth, including spruce, firs, pine and there’s a big sky, too. Quite enough for my snow and winter paintings.

Ontario weather takes care of the rest. Here and there, snow will be deep and bright white, capping every single branch and putting a warming snow scarf on every surface. It will have shadows in clear weather and it will show the branch shapes which puncture the clouds and sky. Altogether: it’s almost a finished landscape view, choose whatever angle suits better. Therefore, and because many of snow and winter paintings take origin as demos, I didn’t need or use any photos. The interpretation of these views is somewhat abstract. I will let the art speak more this time. It only has so many chances.

The collection of snow and winter paintings has grown quite big over years. It’s also a good selling feature before holidays. To be honest, winter and snow paintings usually sell only around this time and very rarely during other seasons. It’s a brief moment, and I believe I don’t really need more of snow and winter paintings at the moment. Until Christmas, we love snow and white wonderland landscapes. When it gets to February and March, oh my! We are totally tired of grey and white with spots of green which is also not the lively spring green. That certainly depends on the area where one lives. Ontario winter can be long.

I hope you’d love to make my Christmas and maybe purchase some art. There’s way more than I can publish just in one post. Enjoy!

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Thanks for visiting and reading!

Lifting morning fog, birches, classic landscape

Morning fog landscape

The lifting morning fog is the most recent addition to my art collection. Birch trees have always been a favorite for autumn paintings, especially, when I have a few students who want to learn painting fall colors. The classic involves an artwork which we started in 2018, and it got not finished until now. Half-done paintings sort of nag and urge me to not be lazy and just add a few layers of paint.

Every day is only worth what its accomplishments are. I believe every day is good when I can show something for it. Therefore, time I devote to each artwork feels as a well-spent day. While everything else is rather slow and inconclusive in our life at the moment, one aspect of it is always unchanging: the creative aspect and pleasure of creation.

Acrylic paints dry darker, that’s why we need to learn what color combination is suitable for background, middle and foreground. I’ve talked a lot before that applying color is not the same as building it up. Building up color creates volume and color shifts, as well as allows implementing color temperature.

Textured birch trees on bright forest ground takes its origin probably in 2015 if I am recalling this correctly. I apply textures on canvas which is painted in the base color, grey or brown usually. I cannot judge yet whether it will become a good painting or not, therefore, many layers of paint are required to make it work.

Textured paintings are more problematic to photograph because the textures are raised and reflect more light. Color play is important part of textured paintings, but it comes to full expression seeing the art in person.

Here is the Rusty gold of autumn birch: it’s the same painting, compare with the image below; but pictures show completely different background colors.  Unfortunately, neither one is absolutely true. The actual painting isn’t yellow, and the background isn’t bright blue, but the options are either to publish or not, and I would most often choose to publish. Rusty gold of autumn birch painting is 24 x 20 in or 61 x 51 cm.

I started to paint the lifting morning fog at the beginning of August. I had a very diligent student who attended private classes, and she was interested in fine detail of acrylic painting, layering colors and achieving a certain grade of realism. Nobody without experience can just jump in such art right away with the first brushstrokes. We managed, but such art takes much longer than a few hours. In my case, it’s rather a few weeks.

The lifting morning fog painting is created on my favorite size canvas: 24 x 18 in or 61 x 46 cm. I love this size for both, watercolor and acrylic.

Pictures were taken with iPhone, and that sometimes adds way too much contrast and changes the color temperature. Colors usually on pictures are either stronger or weaker, but not my actual colors. My experience is that grey becomes strong blue and that disturbs color balance of my artwork. I’m using a grey-bluish shade which is carefully crafted, unfortunately, it looks very blue on the images.

I hope you like the new additions to my art collection, and some will also be put up for sale soon. Currently, there are quite a lot of acrylic paintings, and I update the sale pages quite frequently. Stay in touch and all the best enjoying the October colors!

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