Stick to your plan and pay attention to reference

Acrylic painting, flowers

Having a plan, sticking to it

Sticking to a plan is a key also in painting. Whatever we are doing, we need some kind of a draft in our head or some plan which we keep in mind. However, it is easier said than done. That especially refers to beginners in art. I have noticed that most people want to draw or paint without any plan and without any thinking.

Elements of a painting

Perhaps, when starting out, it is hard to know what parts or matters we should pay most attention to. There are lots of simple things which make the subject look multi-dimensional. By far, those are not only darker and stronger values. Strongly emphasized edges or absence thereof, strong dark areas behind the lighter ones also contribute significantly to the spatial perception, not to mention color if it is used.

Things to do and not to do

I was told that the darkest dark should meet the lightest light when I started painting about 50 years ago. It can be tough to implement, especially without real reference, when we have only a photography or a sketch. I am personally not excited about patterns which repeat in a regular rhythm such as petals or trees along the path, blooms on a branch and similar things which we unintentionally place on our canvas when there is no firm plan or sketch.

Acrylic painting, spring magnolia
Pink spring magnolia blossoms is an acrylic painting on 20 x 16 in or 51 x 41 cm canvas, Spring mood, light colors and feeling.

Reference is a guide

Why am I saying: pay attention to reference? Because most people don’t do that. When we are just beginning the painting, they would have a look at the reference image or set-up. After a while, I notice nobody looks any more at the reference. You have to! The only exception is when it is a completely abstract work which has been drafted in one’s imagination or when we paint from memory.

Painting or drawing from memory

Painting from memory takes practice, and beginning artists cannot handle that too well. Reference or value drawing (if you have created such) has all the answers: where to use dark color, where to make strong edge, where to wash out edges to lose them, where to place highlights and what exactly the shape of something is.

Preferred brushes

Knowing what values go where is extremely important, much more important than what brush to use. However, talking about brushes: always use the ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We can use no brush at all, but sponge or palette knife, that is a matter of preference and choice.

Try no rules, but use principles

I know how some art instructors want to make rules about everything. There are no rules in the use of tools. It is very obvious that using a very wide brush for tiny spot is simply difficult and vice versa. I know a lot of artists who create the entire painting with just one brush. I do that sometimes, too.

Acrylic painting, pink rose
Pink rose, acrylic painting on canvas, 20 x 16 in or 51 x 41 cm, this painting is also a demonstration artwork for art class.

Real versus photo

So, the conclusion is: do not change things around dramatically or completely when the work is halfway through and always keep an eye on the reference. If something does not work at all, it is better to start over again. That’s why it is so rewarding to paint from real subjects, live is live and photo is just a photo. Live comes with smell, touch, very visible shape and very noticeable values.

Purple pansies, acrylic painting
Lovely purple pansy faces, acrylic painting on 20 x 16 in canvas. Bold color, large flowers

No pressure

Do not put pressure on yourself and painting: there are moments when we need to stop and make a decision about the next step. Paintings and drawings really hate when they are not treated with due respect. It is much better to allow everything to develop in a natural way. For illustration, I have attached the recent flower paintings. There are many more, but they just need finalizing touches. You know: painting is never done, right?

Is fear preventing you from getting started?

Floral art by Inese Poga

How to start painting?

I’ve noticed that too much preparation can result in never getting started with anything. That is especially true when trying to know everything will prevent one from ever getting started, for instance, with painting.  That will cause insecurity and feeling of always missing something. Many people mention also fear, the fact that they are scared to draw on white paper or paint on blank canvas.

Children do it right

Children usually are very successful with new things. They don’t try to prepare for everything which might or might not happen. They also don’t try to collect all possible and imaginable tools and references in order to get started. That is an issue I have observed during my very long teaching career. It was the same when I was teaching German language and literature, English or Latvian, design, drawing and art.

Information flood can affect our readiness to get started

We are flooded with huge amounts of information. When we turn on TV, when we are scrolling through computer screen, and when we are checking out our phone, there is huge amount of information. This information can be related or totally unrelated, true or false, meaningless or crucial to whatever we are doing, and we are normally absorbing at least some of it. Should we? To some extent, we obviously should be aware of what’s going on and do research when we are exploring matters that are important for us, However, with so many sources and with such infinite amounts of advice, we most likely will feel rather lost.

We don’t ever know everything

This refers very directly to drawing, painting and any other creative activity. I know people who would not start drawing or painting because they assume they don’t know everything about it. They are trying to get ready for this activity by exploring techniques, mediums, tools, paint characteristics, types of brushes and features of colors and any other related matters. Many of them never get to any drawing or painting because they don’t feel they know enough and they don’t believe they have all necessary art supplies.

Choose smartly

There are millions of different techniques, styles and ways to create art. Since internet has controversial advice and sometimes even misleading suggestions, it is very hard to distinct between true help and silly recommendations. How is it possible to find out whether painting is what you want to do? It is extremely simple: just give it a try. Nobody knows everything about everything. We can follow hundreds of websites, we can watch thousands of “how to” videos and read endless articles or books about painting. There’s plenty of advice out there, and some of that is useful for us, but most of it will not help one starting out in art. Why not? We have to start doing things before we can decide if we like them or not. Only these, who dare to try, can hope to get something done.

Jumping on it without any fear

Other good thing about students who don’t have too much knowledge is that they have no fear. They are not afraid to damage paper or canvas, and they fearlessly apply courageous brushstrokes  or put down lines on paper. That results in a good or satisfactory first painting. They do not think it is some kind of superb masterpiece, but realistically evaluate it. Therefore, they can keep improving their abilities when doing the next painting. The knowledge comes through doing, and that is the only way to gain experience.

Experience is an excellent building block of mastery

This is how hands-on activities are contributing to fast development of any skill: you see it happening and you try it immediately. If something went wrong, try it again. Watching other people can give us an idea about how we should proceed, but until we haven’t tried it out for ourselves, we will never know how exactly it is done. We can learn all kinds of compositions and color theories, but when the paint dries out fast and when the brush is moving quickly, there’s no time to recall all of it.

Our personal color theory

The way we can create our own color theory is to mix colors, to use color swatches, to test multiple colors in a mix and to apply paint accordingly to how we feel about it. This might take some time until the brain remembers what hands were doing and how this was suiting our creative intentions. Eventually, we will have our own color and painting theory. That will become the base of your personal style.

Never stop at the first failure

The first steps are the most difficult. These, who are afraid to get wet, won’t ever learn swimming. It is interesting to compare the first art you ever created with the most recent drawings or paintings. There is always a progress. Improvement is visible immediately. Every piece of art we create allows seeing better where we want to go with our creations and what we eventually want to achieve.

Good luck and check out links for inspiration!

Art classes: Art classes

Flower paintings: FAA flower paintings