Category: painting techniques

Posted on

How and why to use watercolor for spring flowers

Floral art by Inese Poga

Watercolor paints: easy to take with you, easy to use

I love watercolor paints because they are compact, light and easy to apply whether painting outdoors or indoors, while traveling or working at a comfortable desk. When traveling, I do not use paint in tubes, but rather in tiny containers or pans. Therefore, I can make use of my watercolor paint set which I am taking with me everywhere, just in case some attractive subject happens to be around. The same goes for a few small (approximately 11 x 14 in) sheets of firm, quite heavy Arches or Saunders-Waterford watercolor paper. It is archival quality cotton paper.

Spring in nature and in art

Spring is a moody season in Latvia where I spent this month. Snow mixes with rain drops, but hopefully, the white cover will melt soon. The forecast says: by the weekend. I had not planned to travel this early, but that was what I had to do. From what I saw on the current news, spring does not want to arrive in Southern Canada either: temperatures might be not that low, but we will have to wait for some time until grass turns green and buds on trees are ready to pop.

Paint spring before it arrives

This is the time when we can have what we are longing for by simply painting it. Imagined spring or spring around you: there is always something great to draw or paint. One more great feature of watercolor is its ability to cover paper fast. I use lots of water to create soft color transitions. Small landscape can be done in half an hour. Still life or floral painting will take longer, but not the entire day.

Early spring flowers: your best subjects

Around March, I would be happy if there were already the first snowdrops, crocuses and similar early bloomers showing above the tiny grass stems and sprouts. I’ve seen that happening, but not too often.

My art is based on drawings. I am too good with drawing and always have been, therefore, I don’t think I will ever switch to completely abstract painting. Watercolor requires some planning, therefore, value sketch in the actual size is the absolutely best reference.

Drawing for watercolor painting

If you are new to watercolor, you should know that drawing can and most often should be done on some other paper. I use for that purpose the transparent transfer paper which is attached to a thick white sheet of firm paper. To transfer drawing onto watercolor paper, I use simply daylight. That way, I have hardly visible, accurate pencil lines, but initial drawing serves me as a value drawing. That helps deciding where to apply whatever color.

Floral art by Inese Poga
Spring tulips in many colors, watercolor painting which I completed while in Latvia

Painting in layers

I paint in layers starting of with mapping my painting and leaving marks wherever I decide it is helpful. I know people who paint one segment start to finish and then move to the next one. I prefer going all over the painting with first, second, third and more layers if necessary. That is the way I like it.

Ready to create painting of spring flowers?

Are you in mood for some creativity and relaxing moment with paints? Do it in watercolor and don’t be afraid of water! If it won’t work out perfect, no problem. Start over and don’t put any limitations and pressure on yourself. Spring flowers and landscapes will make you feel happy. The well flowing watercolor paints can capture softness of flowers beautifully.

For art classes, please sign up here: Registration for art classes

To decorate for spring, you might check out my art prints which come at a reasonable price from Fine Art America.


Enjoy my demo painting of tulips and get creative with watercolor paints!

 

Posted on

How does it feel to become a rose?

Acrylic painting, wild pink roses

Rose is a wonderful subject for an acrylic painting. Especially, pink rose.

I always prefer and I always advice others to use real objects, real scenes and live models for their paintings. It’s not only because camera does not see things as a human eye does, but also because of immediate presence.

When somebody aims only for technically great achievements in arts, they certainly stick with photos because we quite cannot distinguish between tiny details when looking at something with just our eyes. I’m not painting or drawing anything I cannot see or which is too small to see. I prefer to go bolder and not to use any magnifying glass.

It can be tough painting flowers sometimes, especially in winter, and real flowers generally do not last as long as painting takes. Anyway, whenever possible using real things has its advantages. They have emotional impact, cause admiration, attraction. This is also something we are trying to implement in our paintings. Technical ability is great, but technically perfect and emotionally cold art isn’t speaking to me. I’m not saying that I always keep working until I have achieved absolutely everything. There is something great about unfinished paintings, too. For instance, a chance to add imaginative characteristics or continue with one’s thoughts. When painting is small, 16 x 20 inches (40.5 cm x 51 cm) inches or so, it doesn’t feel right to spend a year painting it. I sometimes return to a painting after 2-3 years.

Bright red rose, acrylic painting
Bright red rose, it was so beautiful that I sold it right after finishing this painting, 20 x 16 in

Therefore, it feels great becoming a rose. As we paint any petal, we build it and grow it to our liking. Although, it’s just a rose, it has it all: some hidden attraction, some mystery and some color combinations that do not always find reflection in a photo of the painting, but they do become visible when looking at the artwork in person.

Acrylic painting, wild pink roses
Bright wild roses, sold This painting inspired to paint another one in lighter colors

There are lots and lots of objects which can be painted not even leaving our room. People sometimes say: I don’t want to paint still life, it’s boring. That’s totally wrong. That is the best exercise in painting there can be found. People who can paint or draw can paint anything and draw anything from apple to face. Still life is the shortest way to explore values, edges, color transitions and the ways we can create them. It’s the best tool to learn underpainting, sketching and blocking in the main shapes. It’s also the easiest way to learn about lines and their relationships, as well as all kinds of shadows. Therefore, we should never underestimate still life as subject, genre or way of expression.

Pink rose, elegance, acrylic painting
Pink rose, acrylic painting 20 x 16 in. The background colors work very well

Learn drawing and painting: https://inesepogagallery.com/classes-workshops-schedule/

Check out the available art page: Art for sale

My lifeschool blog reviews pros and cons of using supplements and synthetic vitamins: Are you wasting your money for not working supplements and vitamins?

Posted on

Nothing compares to summer painting outdoors

Chickadee, watercolor

I wish summer stayed with us longer

Summer days are running away so fast that it is pretty clear: this summer is pretty much gone. It is certainly the best time to grab our paint box, some paper, pencil or brush and go outside. The weather isn’t too friendly in Ontario this year. I cannot recall so many heat waves and so many days without a drop of rain while I have been living in Canada. My mornings are spent at a clinic, afternoons – trying to get back in shape, but painting helps staying well.

What to start with?

When people ask me what they should start painting or drawing with, my answer is very simple: draw and paint anything around you. There is nothing better than drawing from real subjects and real places. Once you get used to it, you will notice how everything is more vibrant and more realistic when we paint from life.

Use real reference materials whenever possible

Lots of instructions start with: take a picture. I would love to say, however, do not take any pictures, but set up a still life or do a reference sketch. If it is a large work and you are afraid you’d forget the scene, you might also take a reference picture. The problem is that most people want to copy their reference photo instead of just using it. I might sound like an old vinyl, but it’s so silly to copy the photo and then pretend you painted it from scratch.

Chickadee, watercolor, summer

Chickadee in summer shade, watercolor, 12 x 16 inches or 30.5 x 41 cm

That’s why we have eyes and brain; we are supposed to use them as intensively as possible.

If you can draw, you can draw anything

The next thing which matters is this: once you learn drawing, you are able to draw anything. This happens because you have perfected your visual perception, developed eye-hand coordination and your hand starts perceiving impulses from your brain. Drawing happens as if on its own, and all we have to do is relax and observe.

Summer painting, backyard

The backyard, 12 x 16 inches or 30.5 x 41 cm

Create your personal color palette

Is it important to stick with colors which somebody else is using? Not at all. It is much better to explore and develop your personal color combinations. I also find that paints of different brands act very differently. My favorite watercolor paints are St. Petersburg artist grade paints. I haven’t seen any other paints which have such transparency and allow mixing up all sorts of colors easy. It is almost impossible to get a dull painting with these paints. The secret is the natural and pure pigments they use as opposed to many paint manufacturers which cheat and replace pigments with fillers and binders. That means chemicals which do not enhance color or its purity.

Important art supplies

I usually use just one large round size 12-14 brush and one size 6 round brush for any up to 20 x 24 in watercolor painting. Along with paints and brushes, an extremely important part for watercolor painting is paper. When I am asking my students, why they are using this really thin and bad paper, they’d normally answer: they are just learning and it’s not worth to spend money on a good thick paper. This is a wrong assumption. Every paper acts differently. The thinner and lighter papers do not even absorb paint. It floats on the surface and creates ugly marks. It is also quite easy to lift paint, but not that easy to add more. My favorite paper is Arches. However, paint keeps traveling through layers of paper even quite a while after paint application. I am using other heavy, cold press papers also.

Summer painting

My lovely old fence post, watercolor 12 x 16 inches or 30.5 x 41 cm

Use good art supplies for practice

If you practice on a bad paper, you won’t know how much easier it is to paint on a good paper. Watercolor paper is definitely the most important part of all supplies for watercolor painting. I haven’t done much recently because I am trying to recover. It’s already a month after surgery, but it seems like I will need more time.

The current Life school blog post tells a story about the ugly side of success and how this can destroy lives: The ugly side of success

Support is always much appreciated

I would appreciate a purchase of any of my original paintings. After such a long period of being out of work, any support would mean a lot. I can certainly offer very good deals on originals; but prints and other products on Fine Art America site are inexpensive anyway. Since people rarely read these posts, this might go unnoticed, but anyway, I hope I can get something sold. Big thank you goes to 3 ladies, who bought 5 watercolor paintings!

My art prints and artistic products on Fine Art America:

Posted on

Stick to your plan and pay attention to reference

Acrylic painting, flowers

Having a plan, sticking to it

Sticking to a plan is a key also in painting. Whatever we are doing, we need some kind of a draft in our head or some plan which we keep in mind. However, it is easier said than done. That especially refers to beginners in art. I have noticed that most people want to draw or paint without any plan and without any thinking.

Elements of a painting

Perhaps, when starting out, it is hard to know what parts or matters we should pay most attention to. There are lots of simple things which make the subject look multi-dimensional. By far, those are not only darker and stronger values. Strongly emphasized edges or absence thereof, strong dark areas behind the lighter ones also contribute significantly to the spatial perception, not to mention color if it is used.

Things to do and not to do

I was told that the darkest dark should meet the lightest light when I started painting about 50 years ago. It can be tough to implement, especially without real reference, when we have only a photography or a sketch. I am personally not excited about patterns which repeat in a regular rhythm such as petals or trees along the path, blooms on a branch and similar things which we unintentionally place on our canvas when there is no firm plan or sketch.

Acrylic painting, spring magnolia
Pink spring magnolia blossoms is an acrylic painting on 20 x 16 in or 51 x 41 cm canvas, Spring mood, light colors and feeling.

Reference is a guide

Why am I saying: pay attention to reference? Because most people don’t do that. When we are just beginning the painting, they would have a look at the reference image or set-up. After a while, I notice nobody looks any more at the reference. You have to! The only exception is when it is a completely abstract work which has been drafted in one’s imagination or when we paint from memory.

Painting or drawing from memory

Painting from memory takes practice, and beginning artists cannot handle that too well. Reference or value drawing (if you have created such) has all the answers: where to use dark color, where to make strong edge, where to wash out edges to lose them, where to place highlights and what exactly the shape of something is.

Preferred brushes

Knowing what values go where is extremely important, much more important than what brush to use. However, talking about brushes: always use the ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We can use no brush at all, but sponge or palette knife, that is a matter of preference and choice.

Try no rules, but use principles

I know how some art instructors want to make rules about everything. There are no rules in the use of tools. It is very obvious that using a very wide brush for tiny spot is simply difficult and vice versa. I know a lot of artists who create the entire painting with just one brush. I do that sometimes, too.

Acrylic painting, pink rose
Pink rose, acrylic painting on canvas, 20 x 16 in or 51 x 41 cm, this painting is also a demonstration artwork for art class.

Real versus photo

So, the conclusion is: do not change things around dramatically or completely when the work is halfway through and always keep an eye on the reference. If something does not work at all, it is better to start over again. That’s why it is so rewarding to paint from real subjects, live is live and photo is just a photo. Live comes with smell, touch, very visible shape and very noticeable values.

Purple pansies, acrylic painting
Lovely purple pansy faces, acrylic painting on 20 x 16 in canvas. Bold color, large flowers

No pressure

Do not put pressure on yourself and painting: there are moments when we need to stop and make a decision about the next step. Paintings and drawings really hate when they are not treated with due respect. It is much better to allow everything to develop in a natural way. For illustration, I have attached the recent flower paintings. There are many more, but they just need finalizing touches. You know: painting is never done, right?

Posted on

Is fear preventing you from getting started?

Floral art by Inese Poga

How to start painting?

I’ve noticed that too much preparation can result in never getting started with anything. That is especially true when trying to know everything will prevent one from ever getting started, for instance, with painting.  That will cause insecurity and feeling of always missing something. Many people mention also fear, the fact that they are scared to draw on white paper or paint on blank canvas.

Children do it right

Children usually are very successful with new things. They don’t try to prepare for everything which might or might not happen. They also don’t try to collect all possible and imaginable tools and references in order to get started. That is an issue I have observed during my very long teaching career. It was the same when I was teaching German language and literature, English or Latvian, design, drawing and art.

Information flood can affect our readiness to get started

We are flooded with huge amounts of information. When we turn on TV, when we are scrolling through computer screen, and when we are checking out our phone, there is huge amount of information. This information can be related or totally unrelated, true or false, meaningless or crucial to whatever we are doing, and we are normally absorbing at least some of it. Should we? To some extent, we obviously should be aware of what’s going on and do research when we are exploring matters that are important for us, However, with so many sources and with such infinite amounts of advice, we most likely will feel rather lost.

We don’t ever know everything

This refers very directly to drawing, painting and any other creative activity. I know people who would not start drawing or painting because they assume they don’t know everything about it. They are trying to get ready for this activity by exploring techniques, mediums, tools, paint characteristics, types of brushes and features of colors and any other related matters. Many of them never get to any drawing or painting because they don’t feel they know enough and they don’t believe they have all necessary art supplies.

Choose smartly

There are millions of different techniques, styles and ways to create art. Since internet has controversial advice and sometimes even misleading suggestions, it is very hard to distinct between true help and silly recommendations. How is it possible to find out whether painting is what you want to do? It is extremely simple: just give it a try. Nobody knows everything about everything. We can follow hundreds of websites, we can watch thousands of “how to” videos and read endless articles or books about painting. There’s plenty of advice out there, and some of that is useful for us, but most of it will not help one starting out in art. Why not? We have to start doing things before we can decide if we like them or not. Only these, who dare to try, can hope to get something done.

Spring daffodils by Inese Poga
Pen and watercolor, Spring daffodils painting 12 x 12 in or 30.5 x 30.5 cm

Jumping on it without any fear

Other good thing about students who don’t have too much knowledge is that they have no fear. They are not afraid to damage paper or canvas, and they fearlessly apply courageous brushstrokes  or put down lines on paper. That results in a good or satisfactory first painting. They do not think it is some kind of superb masterpiece, but realistically evaluate it. Therefore, they can keep improving their abilities when doing the next painting. The knowledge comes through doing, and that is the only way to gain experience.

Experience is an excellent building block of mastery

This is how hands-on activities are contributing to fast development of any skill: you see it happening and you try it immediately. If something went wrong, try it again. Watching other people can give us an idea about how we should proceed, but until we haven’t tried it out for ourselves, we will never know how exactly it is done. We can learn all kinds of compositions and color theories, but when the paint dries out fast and when the brush is moving quickly, there’s no time to recall all of it.

Our personal color theory

The way we can create our own color theory is to mix colors, to use color swatches, to test multiple colors in a mix and to apply paint accordingly to how we feel about it. This might take some time until the brain remembers what hands were doing and how this was suiting our creative intentions. Eventually, we will have our own color and painting theory. That will become the base of your personal style.

Floral watercolors by Inese Poga
Rose and apple blossoms , always in great color combinations

Never stop at the first failure

The first steps are the most difficult. These, who are afraid to get wet, won’t ever learn swimming. It is interesting to compare the first art you ever created with the most recent drawings or paintings. There is always a progress. Improvement is visible immediately. Every piece of art we create allows seeing better where we want to go with our creations and what we eventually want to achieve.

Floral art by Inese Poga
Colors and shapes of flowers will blow you away

Good luck and check out links for inspiration!

Art classes: Art classes

Flower paintings: FAA flower paintings