My art studio is moving again, indeed, it has happened so many times during the recent years. I’ve moved three times since 2018 and now I have to do that again. While it sounds quite simple, it actually isn’t. The toughest part is finding a place and qualify for it. That requires mountains of paperwork, numerous hours of printing, scanning, signing, sending documents and so forth. That is the reason I hardly looked at the internet, any social media or blog sites. There wasn’t enough time in a day to cope with all that, and nothing was left for painting, unfortunately.
The Amsterdam paint tubes are added for color balance in photos, I use Liquitex for painting.
I did try to catch up with the artistic side, I sure did. However, that mostly resulted in wasted paint and a bit of frustration. As soon as I squeezed out acrylic paint and got in the mood for painting, the phone rang or I received a message, we have to go: to see a place, to meet somebody, to do whatever, and there was no other way around it. As you know, acrylic paint dries very fast, and even when preserving some in a tight container, it doesn’t work quite well as the fresh one.
The most recent painting: White trillium blooms in spring forest
I’m really hooked on the moment when nature awakes. The most fantastic view for me can be a tiny sprout breaking through the soil and greeting the sunshine. The first wild flowers are such a welcome sight! Strength to overcome the freeze and courage to break through impossible obstacles: that is what grasses and wild flowers have. I cannot resist, I return to wildflowers in spring settings every year.
Refreshed and updated photo of Trillium bloom hills
One of my most favorite color combinations involves earthy tones, many shades of green as in sprouts, young leaves and grasses, blue patches of sky, as well as bright white, blue and pink of the wildflowers. According to such palette, I paint some knew dreamscape which I most often have seen only in imagination or which is stored in my memory chambers.
Spring creek and white forest anemones, updated and refreshed
My art studio in this big house had to be adjusted and the actual painting space was sparse. As you might know from my previous posts, I usually paint only by daylight. There have been times when I have to add evenings, but I try to avoid painting at night when artificial light is required. It could be my eyesight which dictates that, but I am very sure that for true color match we need the daylight.
White spring anemones, new photo
So, the art studio is on the move again, and I have started to pack up a few things. Very large and small paintings will be moved first, as well as part of my countless brushes and art supplies. I would love to sell a few more paintings, but I don’t have much time for advertising at the moment. We will be moving 9 large rooms into 5 rooms, only one of which is large. My art studio is going to be arranged there, in the largest room. Daylight will be much better in the new place, however. It’s an older building with large windows, lots of character and huge backyard. That is such a luxury nowadays!
The paint tubes are added for color balance, iphone doesn’t get colors right
My best guess is everything will be ready around April 15, and that’s when I can start with my own paintings and art classes. Until then, – I go through moving troubles, packing and unpackaging, sorting, cleaning and being busy with all kinds of things which are not necessarily art related. There will be moment when we won’t have internet yet, and when I am all set up, I will come up with my newest discoveries in painting. You can still scroll through my blog which documents all art studio moves, gives lots of advice for new and established artists and offers excellent quality art at great prices. Stay well! I’d love to hear from you!
I have drawn and painted numerous flowers so far not only in pen lines and watercolor, transparent watercolor, but also in acrylic, and less known are my pastel paintings just because I don’t have any photos of them. Among them are roses, magnolias, orchids, daffodils, tulips, lilies, calla lilies, daisies, peonies, pansies, poppies, sunflowers, lilac, trillium, wildflowers, forest flowers and flower fields. I probably forgot to mention some. Flowers are convenient for painting since they are always around. Something is always available and that suits me and my personalized realism. Being in the middle of so much beauty, real and painted, feels extremely good.
The elegant pink rose watercolor was painted in winter, that’s why it has so much life to it. The white background enhances the look. Its size is quite large: 20.5 x 16.5 in or 51.5 x 41.5 cm.
My opportunity
As I explained in Part 1, my background is very different from Canada-born artists. I am purely expressing my personal vision about the subject because nothing stands between me and my idea which I am putting on canvas or paper, not even a photo, and no devices are involved. I could say it’s the purest form of creation, going from what you see to what you create. I love most turning white paper and blank canvas into something where you can walk in or are able to almost touch the drawn or painted subject.
Technique versus idea and emotional aspect
While it’s possible to get carried away by the technical side of painting or drawing, I’d love to remind that there’s also a concept, an idea and a hidden meaning within such art. The concept isn’t the subject itself, it’s what it can tell the viewer and how deep emotional impact it can make. That’s my opportunity to stand out. Drawing for me is pure pleasure because I don’t have to struggle with it, I usually do not need any eraser. Pencil dances on paper, the subject takes shape and it will definitely have more meaning than simply trying to be lifelike.
The purple pansies come from 2018 I believe. It was almost summer already, and the purple on green really looked impressive. It is also a large watercolor: 20 x 14 in or 51 x 36 cm
Complexity or simplicity of subject and display on the internet
I wrote in part 1 that the driving force for me is the subject, especially the challenging aspects of it, ability to create more complex and deeper paintings. I love complex paintings more. Also, it isn’t important whether my subject looks exactly like the real thing. I want the viewer to get my message, the idea behind the visible lines and colors. On the internet, you can only see a fairly small image of my art, often, the size does not reflect the actual size. On this blog, all vertical images look much larger than the horizontal ones, except the featured image must be horizontal. On Fine Art America print site, vertical paintings look much smaller than the horizontal ones and so on. Therefore, display doesn’t make a correct impression.
Drawing based still life
Drawing as base for watercolor painting
Realistic watercolor painting most often uses drawing before paint application. We can avoid that and create everything with brush only, and I have done that, too. However, when it comes to complex still life, floral or landscape painting, it’s best to plan values and know where to use what. I transfer such drawing onto watercolor paper using extra light and hardly visible lines. Watercolor paper doesn’t like eraser, and strong pencil lines disturb the image, at least I like only transparency of watercolor paint to be visible. This all refers to watercolor done traditionally: leaving white of paper for white and layering different value colors where they belong.
As seen in my sister’s garden, purple apples
Solo shows and juried art shows
I started out very well in 2011 in Ontario with showing my large watercolors and fewer acrylic paintings in a gallery near Toronto Beaches. I couldn’t find this gallery on a map now, it has probably changed hands and has a different name. I also took part in art fairs, juried art shows, gave classes and workshops at my own gallery, everything was working really well. Recently, a few art students from back then shared their memories on Facebook and told how much they had learned in my art classes and how much they appreciated them. It was a different time. Being in a commercially zoned property definitely helped. Then health problems caused me to slow down between 2016 and 2019, plus, we had to move 2 times after 2018.
Blue reflection or water edge is a painting from my ” vivid blue” period. I was teaching watercolor washes in art classes, therefore, some paintings got created along with this subject. This painting was done without any drawing using water and paint washes.
Moving an art studio
Moving just a house is difficult and stressful, but moving an entire large art studio with all kinds of art supplies, extra furniture, easels and numerous paintings of my own together with house, was a hassle. It’s inevitable that some art gets damaged, I had that happen even when moving art around to shows. It seems everything is packed up safely, but such move normally involves many people and not everyone of them knows how to handle a huge painting, for instance. That’s why I feel reluctant showing very large framed watercolors now. Glass sometimes breaks, it’s not only the high price for museum grade glass that worries me. Painting can get scratches, too, and the entire thing needs re-framing.
Still life with sunflowers carries a special meaning for me. I painted it in the fall of 2019. It wasn’t an easy time. I had just moved my gallery or rather moved to a new place and I was sad since many plants and my blooms were left behind. This sunflower painting worked as a cure and helped to return to happy mood.
My painting method and technique
When I paint in color, I definitely need daylight. Regardless how good the artificial light is, it causes changes in color. Therefore, some parts of painting require extra work, that can be a lot of extra work. With watercolor especially, there might be parts which I cannot undo. Whenever possible, I paint only by daylight. The usable portion of my current place isn’t that big, maybe spacious enough, but I could utilize easily double this size for an art studio. When there’s a lot of heating in winter, it’s very difficult to paint with acrylic paints. They dry on touch. For watercolor, it doesn’t matter because I can always make the paper wet again. Colors or shapes are not affected when re-wetting watercolor paper.
Chickadees on blue are from 2015 collection. I created two similar paintings, chickadees on blue and chickadees on yellow. Both paintings are large watercolors to help spending time while waiting for spring when it it doesn’t want to arrive. Chickadee painting is large: 24 x 18 in 61 x 46 cm.
Art is my full-time job
It is a huge risk to take on art as one’s entire lifestyle and full-time job. There are only a few fields where competition is as fierce as in art and teaching art. I had strong support when I engaged in art in Canada, but during the pandemic everything went downhill real fast. I don’t teach art as entertainment because my definition of learning is not the same as social drinking and using art as extra feature. I take painting seriously and I teach aspects I have discovered during many decades to those who want to master medium or observational drawing. That requires focus, interest in learning as a process, not only in a quick result. My students, who displayed the most willingness to learn, have become excellent artists.
Very much drawing based pen and watercolor painting
I will share my acrylic painting creation process and my thoughts about teaching observations in Part 3.
Realistic painting of Bell peppers on white background
Art studio is a place to create, recharge, work, relax, nurture big ideas, turn ideas into reality and dream. I like keeping my art studio well-organized, neat and clean. It is because I’m used to that since early childhood: we had to clean all rooms in the house on Saturday, so that we can take a relaxing break in a dust-free and neat home on Sunday and start fresh on Monday. Early childhood habits stay with us for a long time, and I am grateful to my mom who always showed such a fantastic example of how to decorate with self-made things, how to sew something that really makes us stand out and how to use flowers and outdoor finds to make the space extremely cozy, lovely and welcoming. Thanks, mom!
I was a good student.
Organizing everything decently: first rule of success
Therefore, my desk is always tidy and not overloaded; my painting tables are always organized so that everything I need is within reach. People who paint something more complicated than abstracted washes are aware that sometimes every minute we lose in crucial moments later requires working for hours to bring back the effect we had achieved. Timing is everything with water media, either acrylic or watercolor. That’s why I cannot answer phone, as well, if I’m in the middle of painting. Calling somebody is really bad habit unless there’s real urgency. I rarely use phone for calls, except when contacting doctor’s office or similar places. Phone is always at the wrong time. Always. There might be extremely rare exceptions when we are expecting a call, and even that is disturbing.
This is how you never need major cleaning
So, the studio is organized, tools and materials are in their right places, and cleaning never takes too much time. The golden rule is very simple: if you want to never look for something, find a suitable place for every type of items or every particular frequently used thing and always put it back where you got it from. I have no problem finding everything even when the power goes out: I do place everything back where I take it from and I also have a very good visual memory. Photographic memory, I’d say. Extremely good visual memory is the result of drawing and painting. I do not need any lists or written schedules since my head keeps it in the right order and allows recalling exactly when I need it.
Technology and reality
In my case, more technology has killed everything I was doing, and that has led to not that brilliant sequences. Therefore, I do not use and I am not willing to use any technology in my painting process. That means drawing and painting mostly from either real scenes and subjects, or imagination. That works well.
Changes in artistic preferences
When I was studying at the University and even after that, I was really in portrait and figure drawing. Some people later in my life destroyed any desire to draw portraits. I just started to feel that only nature won’t present itself with lies and in a pretentious manner. I found beauty where I had not noticed it before, like in some simple piece of weathered wood, withered leaf, opening bud or branch of half-dry tree with bird sitting on it. I mean that type of things. Classes require painting more robust scenes because my personal preferences do not necessarily suit the vision of somebody else.
Designate a special space for creativity
It is a huge advantage to have a specifically designed place for arts and crafts. I have a specific sewing place upstairs where fabrics, threads, buttons, zippers and all kinds of additional materials are neatly sorted in boxes and on shelves. I definitely need a place where everything is ready and waiting for creative outburst. I do not understand how difficult it must be doing arts or crafts at kitchen table since that can be used only for limited time. That is a bad situation.
Canadian houses do not support creativity
When we were looking for a place, I noticed that Canadian houses are absolutely not suited for creativity: there is a kitchen, dining room, bedroom, one or more bathrooms, but nothing where to create. Basement doesn’t work, in fact, for art because artificial lighting regardless of how good or white it is will always distort the color. Colors are true only by the real daylight and for somebody like me who is extremely sensitive to shift in a shade of color this is crucial. Being in a basement doesn’t do any good for nobody because we need the daylight and, especially, sunlight.
Art studio: inspiration
Art studio: achievements
Art studio: beauty
Art studio: pleasure
Art studio: work
Art studio: inviting and rewarding space
If you do not have a place for your art studio but are very much interested in creativity and recycling things, sewing, crafting and similar activities: fight for it. We do not live only to sleep, eat and entertain ourselves at screens. I assume people who do not have any passion boring and just filling in the space where we could allow our creative spirit to lift us in previously unseen heights.
The many advantages of doing art
Art is helpful: it decreases addictions, helps overcome depression and bad mood, makes us more confident and self-aware, allows feeling not lonely, takes away sadness and despair, opens our eyes to new possibilities, fills us with gratefulness and appreciation and, finally: it is the best way of meditation ever because we have created something enjoyable and usable at the end, too.
Definitely, it’s time your family has an art and craft studio, too: to take a break from screens and to realize that genuine happiness means creation, not only consumption.
Beauty is the most universal, self-expressing phenomenon that does not require words or language knowledge. It is present in all walks of life, but it becomes something extremely perceivable due to art.
As we rush our daily schedules and spend most of the time running, we might not notice the moment when a bud opens. The magic moment when the fragile petals unfold and when the sun and rain pour life into it. It becomes a mediator of beauty. Every smallest vein and line, every nuance of color is so unique. Beauty which breathes and is alive.
The biggest advantage of being able to create, draw and paint is the feeling of being a creator. We can do anything with the sheet of white paper in front of us. It’s our choice what goes on it. I choose the never-ending, personality enriching and mood uplifting divine features of the nature. It is a cheerful activity on its own. It is more than meditation, it is much more than immersion in oneself, it is the imperative life-continuing reveal of the underlying essence of life, and the essence of life is beauty.
Enjoy! Happy Mother’s Day! I know my mom will love these paintings.
Art studio is a necessity for any visual artist. I am lucky to have a real place which displays my art and has become not only my studio, but also my personal art gallery. I intend to post all news and events which will take place in my art studio and art gallery in this blog. I will share my painting tips, techniques and my thoughts about art and creativity, as well as present my art philosophy here.
It starts in spring
The weather has not been too nice this spring, but summer hopefully will bring more sunny days for outdoor painting. Painting from reality is the best way to get in touch with both: painting and nature. The settings are very suitable for creation of art, so is the season.
Inspiration for my watercolor and acrylic paintings
My watercolor and acrylic paintings are often based on scenes just outside my studio. The huge backyard offers plenty of subjects for painting. There are more and more fresh ideas originating in my head as everything blossoms and gets more beautiful outside.
Sunny spring creek, watercolor painting on Arches watercolor paper,full sheet, 29 x 22 in or 74 x 56 cm.
Enjoy creativity of my art studio and my art blog
I hope everyone joining me at my art studio will have great time, gain very useful experience, acquire good painting skills and become excellent in drawing. I also hope you will return to this blog again and again to get new inspiration and to possibly buy some art.
Still life with pansies, watercolor painting on Arches watercolor paper,full sheet, 29 x 22 in or 74 x 56 cm
I love going large
I paint very large watercolors, full sheet and larger, and they exceed 1 meter 20 cm with frame in height and are about 80 cm wide , as well as large and medium size acrylic paintings up to 30 x 40 in or 76 cm x 1 m and 2 cm. The Blossoming orchard is on display in Europe. Well, and I am in Canada.
Blossoming orchard, acrylic painting on canvas, sold
To welcome my most favorite season – spring, I painted the wild blue forest anemones. Blue anemones are the first messengers of spring. They symbolize all that is alive and starts thriving again.
Blue forest anemones, watercolor on Arches watercolor paper, full sheet, 29 x 22 in or 74 x 56 cm.
Still life is what I paint excellently. I love the shapes, I adore contrasting colors. Still life offers numerous variations in color and composition.
Still life with pears, watercolor painting on Arches paper, 24 x 20″Garden works, watercolor painting on Arches watercolor paper,full sheet, 29 x 22 in or 74 x 56 cm
See you around
I’m looking forward to seeing everyone at my art gallery and art studio, and this also means a very warm “Hello!” to my future online friends, fellow artists and art collectors. I am attaching link to my Fine Art America site.
