Beauty is the most universal, self-expressing phenomenon that does not require words or language knowledge. It is present in all walks of life, but it becomes something extremely perceivable due to art.
As we rush our daily schedules and spend most of the time running, we might not notice the moment when a bud opens. The magic moment when the fragile petals unfold and when the sun and rain pour life into it. It becomes a mediator of beauty. Every smallest vein and line, every nuance of color is so unique. Beauty which breathes and is alive.
The biggest advantage of being able to create, draw and paint is the feeling of being a creator. We can do anything with the sheet of white paper in front of us. It’s our choice what goes on it. I choose the never-ending, personality enriching and mood uplifting divine features of the nature. It is a cheerful activity on its own. It is more than meditation, it is much more than immersion in oneself, it is the imperative life-continuing reveal of the underlying essence of life, and the essence of life is beauty.
Enjoy! Happy Mother’s Day! I know my mom will love these paintings.
The best way to start painting with watercolors is using pen and watercolor wash. We all want our art to be great and impressive. However, if you are new to some medium or absolutely new to drawing and painting, you have to bear in mind: nothing happens right away and with the first brushstroke. I have had absolute beginners who were somewhat disappointed that their first piece of art wasn’t exhibition quality. Well, that is normal.
Patience
Every skill takes time, efforts and work. Creation of drawing or painting involves lots and lots of information. Some people are courageous by nature and love to experiment, and that is very beneficial. Some people are perfectionists and they believe everything they do must be either perfect or they are ready to give it up: don’t use this approach.
Focus on potential
My personal attitude towards something new in painting: different subject, medium, tools or technique never focuses on perfection. I focus on potential. Something might work out and something might not. There will be easy parts and probably difficult parts. That way. I call this attitude: let us see what happens. Progress is usually gradual. That is why we start with simple things and move to more complicated things.
Pen and watercolor
Pen and watercolor wash is a great technique for beginning watercolor artists. Some like it so much that they stick to this technique and turn it into their personal style. If you are insecure about drawing lines with pen, sketch them using pencil. You can draw over with pen and delete everything else. We have now clean drawing in black ink, and the white paper is not damaged.
Any subject will do
Anything can serve as a subject: from your morning coffee cup to flowers in a vase or at the fence, from a bird at your window to sprouting vegetables in a garden. Any scene with some object is good, but flowers look extremely nice when done in pen and watercolor.
Everybody can draw
When somebody says they cannot draw, I don’t believe that. Most often that means they tried 1 or 2 drawings and these drawings were not splendid. So, they conclude that they cannot draw. Talk to me after 200-300 drawings. That is a decent start. It is also much easier to point out what else one should do in order to create better art when they have engaged in more than just few attempts.
Pen and watercolor flowers and spring scenes
Pen and watercolor, Spring daffodils painting 12 x 12 in or 30.5 x 30.5 cm
Stylish and simple spring rose, all done with black pen lines and watercolor wash
Apple blooms in pen and watercolor: great starting subject
Pen and watercolor apple blossoms, the finished painting
Smiley purple pansy faces, pen and watercolor wash
Spring mood with apple blossoms, butterflies and beautiful colors
Pen and watercolor wash is easy
Why to start with pen and watercolor? It is forgiving, it is easy and fast, and it allows learning watercolor application more effortlessly. The pen lines provide additional support. It is a flattering technique since practically any painting or drawing looks good regardless of how sufficient one is with watercolor. I have done numerous pen and watercolor paintings over years, just because it is fun, it is easy and looks fantastic.
Copyright notice: Copyright of displayed paintings, drawings, images of work in progress and images of finished paintings belong to artist Inese Poga. The use of painting and drawing images is prohibited if I have not given a written permission. That includes no pinning on Pinterest.
Any creation involves saying something about ourselves. That is how we are telling others what our point of view is. True creativity is never copying and reproducing, but taking an idea that lives or is just born in our imagination and bringing it to life.
The use of color and technique
The use of color is also a very personal feature. To mix up a color which we find unique and love, we have to learn the process of color mixing. It is important not to stick with paint colors out of tube. Composition can be explained as good layout of the painted subject on a particular size paper, canvas or other surface material. There are generally applicable principles, and we should know them. Specific take on composition is a personal feature of an artist, and we should rather develop our own preferred compositions.
Choice of painting subject
Choice of painting subject is always important, and it is also a very personal feature. We should remember that it is much more useful to learn principles of drawing or painting without reproducing subjects somebody else is already painting in a very specific manner. You like it because they are painting it great. Nevertheless, we should not copy this style and painting subject.
Choice of technique and style
How and what we draw and paint always depends on us. As we progress, we study the many ways of achieving the desired result. Learning is an ongoing activity, and it’s erroneous to assume somebody knows everything. Experiment is the best teacher of all. Try for yourself and you will see whether it works or not.
Experiment and error
Learning process always involves mistakes and errors. Only people who do nothing never make mistakes. Try not being a perfectionist, at least at early stages of learning how to draw and paint. Perfectionism lives inside many minds, but it is restrictive and limiting. Art which is less than perfect is still art and provides you with improvement value.
Take the path of discovery
I personally always think: let’s see what happens. Everybody who is painting or drawing has thrown out lots of paper and damaged quite a lot of canvas. There is nothing bad about that. I had a girl who once said: I do not want to throw away this expensive paper just because I started the painting wrong. Don’t do that! When something cannot be corrected, throw it out without any regret.
Start over
It is much more difficult to correct wrong lines and colors than start a fresh using the new knowledge you just discovered. I believe that every task adds something to our knowledge and skills.
Sunflower drawing
Sunflower watercolor
Creating on the go
I am not at home at the moment, but visiting my closest family in Latvia. I had a few sheets of paper and student grade paints in too few colors. Such paints don’t have the transparency or flow ability of good quality paints. However, I could not resist when I saw this bloom and these apples, because I do not have these painting subjects in Canada. I always prefer drawing from real subject. It was more difficult because I didn’t have the right tools and brushes, but I did not allow that stopping me. I can reuse the same drawings with decent paints and better size paper or canvas at home.
Drawing for apple watercolor
First layers of watercolor
I finished the painting after I returned home, Purple variety
My life school blog deals with GREEN LIVING and importance of changing our perception in order the Earth was living and livable longer. Links to 3 recent posts which continue the same conversation about green living.
You always wanted to draw or paint, it’s time to start painting
Sometimes, this idea might seem too complex to pursue, but, in fact, all it takes is starting to draw or paint. Simply get your art and – start painting. Learn as you go. You will need patience, courage, willingness to experiment and accept your mistakes. You should be ready also to put efforts, work and time into your learning process. Nothing happens on its own and without actually doing it. Any drawing and painting starts with being able to see and use our senses. It does not start with knowledge of techniques and all kinds of tools and mediums. We acquire this knowledge gradually as we gain experience.
Experience and first issues
I have given countless classes and workshops over many years. It actually feels like I have been teaching arts all my life. It is obvious that all people, who would love to start painting or drawing, do not get past the first problems. They give up this fantastic activity before they familiarize themselves with easy fixes. We can fix anything in painting or drawing along the way when it comes to creation. It sometimes only takes a few brushstrokes with dark or light color.
First we learn seeing
The important aspect of engaging in visual arts is the ability to see and to understand what one is looking for. Most people are sure that they have good enough eyesight and that they can see everything. That is not true at all. While we are seeing things around us, we are not seeing them in an artistic way because for drawing or painting we need to sometimes abstract the view or define the detail. I suppose the inability to perceive values, shapes, colors, lines and their relationship, as well as correct scale, depends on whether one is aware that these things exist.
Don’t trace, don’t copy
It’s not rare that artists simply copy an image or photo and then transfer this copy onto paper or canvas. Many artists do a lot of image editing with special software so that the image is ready to copy and to apply paint on it. That supposedly saves time and efforts and makes painting process easier. If you want to ever draw and paint without fear and with confidence and know why you are using a particular technique or step, go with freehand drawing and observation straight from the beginning. It will pay off in longer time, usually not in the first hour.
Drawing takes time
A complex drawing might take me between 30 minutes and 2-3 hours. When the drawing, value or tonal sketch is done, I have everything what I need to proceed to painting: values, contrast, highlights, composition and correct correct scale. I’m usually doing drawings in size of actual paintings as opposed to thumbnail sketches. I can do whatever I want with my sketch afterwards: use it for watercolor, pastel or acrylic and more. I can even flip it or use just some part for my next painting. I don’t need editing, adjusting, copying or enlarging. Therefore, if you want to be ever free from computers, screens, measuring devices, grids, start learning to see.
Pay attention to reference
I have noticed this many times: students do not see the reference photo or picture in an artistic way. They see a flower, a tree or fence, but that’s not the most important aspect. I am using frequently real objects: fruit, vegetables, flowers, flower pots, leaves, cups, bowls, glasses and similar things for still life, and that can be a problem also. Until you start paying attention to shadows, values, correct size and scale, potential composition, contrast and layout, drawing doesn’t happen. Everybody can draw and paint anything as soon as they understand what they have to see in the subject.
Draw any subject
There are countless tutorials. They usually show how to paint one single subject. If you first learn to draw, meaning draw anything, you can choose any subject without limitations. You just need to know what is important about the subject and look for it. That means paying attention to things which other people don’t even know about. Start with placing your subject in front of you and look at it. Look carefully at dark and light spots, visible lines and shadows, direction and size and notice how light makes a difference. Starting with very light and general outlines try to get the exact form. We go from very general shapes and lines and move towards details. Repeat until the drawing becomes three dimensional, not flat.
My approach to creating acrylic flower paintings
I have elaborated a new approach to acrylic flower painting since many students want to learn painting with acrylic, but their results are quite often disappointing and don’t make them happy. We use the large-scale drawing, transfer it onto canvas and then follow with paint. This new approach uses the specific features of acrylic paints: short drying time, ability to work over dry layers; and turns them into the biggest advantage. Results are quite stunning. However: results are great as long as one follows all steps and uses multiple layers of paint.
Value sketch of lilies, it might seem slightly blurry because the drawing is done in the actual size of lily painting on tracing paper. We carefully transfer this drawing onto canvas and use as our reference while painting.
Easter lilies, acrylic painting on canvas, 20 x 16 in or 51 x 41 cm. I do not have images of process steps because I painted this lily during art classes. We transferred drawing onto canvas and after painting around the blossoms applied multiple layers of paint.
Everything matters
So far, I have given only live art classes because they make a lot of sense. Explanation and even watching somebody else painting do not always lead to good results. It matters how much water or how much paint, or what medium on what surface one uses. It matters how fast the previous steps are done and it matters how you move the brush and mix the paint. Everything matters, and we can correct mistakes right there as they happen. It is great that somebody can explain why some things work and why some others don’t by doing it in the classroom.
Acrylic is a fantastic medium for large and bold flowers. I recently demonstrated how to paint these poppies. This painting is 20 x 16 in or 51 x 41 cm, acrylic on canvas. I didn’t use any mediums, just canvas covered with medium dark color.
Drawing and watercolor painting take time, and I was recently short of it. However, we created sketches from real fruits in our watercolor class. We did also a large-scale reference drawing for our still life painting, and we are about to finish the chickadees and birch painting in the evening class. Creating pencil sketches is the best you can do to make painting easier.
Drawing therapy
I paint and create drawings even when I cannot do anything else. I paint and do drawing when I feel desperate, disappointed with the reality of life and when I am having mood swings because of the strong medications. It can be a bit difficult to get started, bet when I overcome the resistance, it is a pleasure. I don’t always care how great the painting or drawing will be or how perfect the color combinations will come out. Art is so therapeutic that I cannot compare it with anything else.
One set-up of still life which resulted in reference drawing to be used for creation of a painting
Advantage of live classes
When we compare online, over-the-internet and live art classes, I must say nothing can replace the live interaction and face-to-face learning. Why? Because I can see right away what’s causing some problem: too much water, too dry paper, too less paint, too much paint, bad quality paper, brush or paint.
Any of these drawings might become paintings, this one is 22 x 29 inches ( 56 x 74 cm)
When it comes to watercolors, everything matters, yet, the quality of paper is the most important part. I always use the same paper that I give my students which is quite large size, approximately 16 x 18 in or 41 x 46 cm. This time it was 18 x 24 inches or 46 x 61 cm. Big practice painting is much more beneficial.
Drawing still life: pen and watercolor sketch
First step in still life painting is sketch: we did a very light line drawing and began to apply some paint
This is just the start, but we will finish this painting during the next class
Process
First we create the drawing and value sketch with all shadows and halftones. You can do that in pencil, using pen or even pen and ink. We transfer the drawing onto watercolor paper using very light lines. Once paper is wet, we cannot erase anything. We do the first washes and add layers and more layers until our paintings looks completed.
Don’t go tiny, experiment with large sizes
I have seen over the years how tiny and small paper prevents one from creating good art. If paper is too small, it will be definitely too difficult to apply paint on it. If you are watching somebody paint online and you do not have a very thick, heavy and good quality paper, you can kill yourself, but you simply won’t achieve what they are showing you. Saving on paper is a mistake because thin paper won’t allow to use multiple washes. With bad paints, you won’t have great results and transparency also, so, it’s best to have the decent ones.
Drawing real things
I love drawing, therefore, I’m also teaching students to draw from real life, not photos whenever possible. I believe that drawing from real subjects results in the best art because it gives one absolute freedom of interpretation. I find drawing easy because I was learning drawing not from photos, but from real subjects and set-ups. I am simply good at it and it is very helpful not to have to use computer for editing.
Enjoy the benefits of creativity
I hope that more people will pick up pencils and brushes following my advice and get started with drawing and painting. There is simply nothing like it. It doesn’t demand one to be in good shape or to be dressed up or look perfect, it doesn’t even require being in a good mood. That comes as an additional benefit along the way. I’m also seeing art as a tool to cure addictions and prevent from falling back into them. Creativity is a powerful tool which we all can make use of.
