Creek in fall colors and rushing stream

Autumn creek, fall colors watercolor painting

Love challenge

Many years ago, I had done some rough sketch with watercolor pencils on a 24 x 18” Arches paper. Probably in 2009 or 2010. We used to travel a lot back then. The sketch was of a creek with trees in fall colors. While the photo of step 1 is very white and light in value, the actual sketch was not. You might know that it’s not possible to erase watercolor pencil lines. I didn’t like everything in that sketch, but I love challenge. I decided let’s try to make out something of this creek in fall colors.

Techniques I used

I don’t use masking fluid, but rather prefer painting large and even huge shapes so that it’s possible to paint around whatever I need to. Good, firm and thick cold press watercolor paper allows for lifting and adjustment, as well as layering many times over the basic color. Rocks are great for application of salt. When applying salt, one has to be mindful of timing, there’s fairly narrow window when this technique works. If the rocks are really large and the entire painting is large, we can do numerous extra things.

Changing and correcting watercolor painting

The photos of painting steps of this creek in fall colors might not have the exact colors and contrast, however they give an idea of how one can change and improve watercolor painting even when initial shapes are not correct. I’m reading in Facebook groups how people describe watercolor as difficult and something one cannot correct. That’s wrong! If you paint large and on good paper, you can change and correct everything. The best colors to lift are all blue shades, even Payne’s grey can be lifted to almost white paper.

Use live art classes

I teach all painting techniques in my live art classes. I can see that online class doesn’t give one proper understanding of what and how to use, what timing should be applied, how to use paper towel, lifting and layering and what colors work and what don’t. It was a difficult picture to take photos of because of the distinct cool and very warm colors. Their use is absolutely intentional. That’s also important aspect – color temperature.

Imperfections are fine

Just like always, my photos could better, but I am going ahead and publishing the creek in fall colors. The reason I want to paint somewhat realistic watercolors, even imaginative ones is that abstracts are not challenging enough. I’m not worried also that absolutely everything isn’t perfect. When it comes to painting, I’m all for process and for challenge. If it’s easy, there are no thrills for me.

For beginners in watercolor painting

If you are a beginner and want to paint with watercolor, go big. You are not going to ever leant painting with tiny brushes on tiny paper. There’s simply no space for any effects. Also, using tutorials and watching somebody else paint isn’t going to help much. Brush and paints are important, but what matters most, is the hand that moves the brush. I would like to remind how important is value sketch in large size. Contrast and values are what make painting appear three-dimensional. To check your values, turn the painting in black and white. If it still shows the subject correctly, values are right, too.

Enjoy the art!

New painting season and art classes

Fall landscape paintings

New painting season to match changes in nature

As the seasons change and the fall makes us feel its presence, a new painting season starts. I switch from summer projects to abundance of sparkling colors and more autumnal subjects. For students who take the brush in their hands for the first time and for experienced artists, it is a great moment to submerge oneself into this fantastic experience of creation. The nostalgic feel of something going away, the thoughtfulness of nature preparing for sleep, the dance of leaves in the backyard and harvest on the table: this is an never ending inspiration for poets and artists alike.

Wide choice of medium and subject options

The new painting season is going to be rich in colors and painting subjects. All media capture fall colors well. Watercolor does it with bright washes and brilliance of pure color, like the transparent fall sky and the gold and red of leaves. Acrylic allows for numerous layers, thus polishing the painting to a perfect fall art. We can use pastel and pencil also, why not? I hope I and my current students will create something impressive. We already welcomed the new painting season with the first set of acrylic painting classes.

New season of painting classes

Painting classes have always been popular. I used to have participants who attended my painting classes every week, month after month, and so for quite a few years. That was before the online classes and tutorials started to take over the internet space. The advantage of art class as opposed to tutorial or paint night is very significant: art classes teach you to use tools, explore surfaces, many techniques, as well as painting and drawing subjects. The goal of art classes is to teach you to become independent and to be able to paint or draw anything afterwards.

The story told by trees

During this new painting season, we will allow trees to tell their story, allow the brush to dance on canvas. We will use sponge and fan brush because that’s a very fantastic way to capture fall nature. One just needs to know how to go about that and what colors and in what sequence to use. I love watercolor, I love acrylic painting, and there’s nothing wrong with color sketch or simple ink or pencil drawing. However, the new painting season will be devoted to new type of art which will shine not only through composition, color choices, but also new approaches and techniques.

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Fall art projects for art classes

Art projects for art classes

Art projects for art classes and paintings for a show: they are very different by nature, subject and size. Time is of essence since one can attend only that many art classes usually (I always hope they’d come back for more!) and an art class needs to be of certain length. After holding extremely many of them, I’ve stayed with roughly two academic hours or 1.5 hours. There is a reason for that. The attention span can stretch only that long, and to create something good, we absolutely need to be attentive, focused and alert.

For show art projects, I’d definitely choose a much larger canvas size, as well as maybe more tricky, more complex and more intriguing subject which my students who can be almost or practically beginners would not be able to paint. The painting process itself is not the same also: I work on the entire painting and not with a few colors or on a few areas. My attention goes to any spot which requires it and I obviously do not follow special steps, but rather my idea and its implementation. All attached images are 20 x 116 in or 51 x 41 cm in size.

Over time, one learns how to apply paint automatically, how to clean brush automatically and very frequently, as well as how not to skip the messy stage of acrylic painting which can look quite horrible at times. Brushstroke is one of the most important parts of the painting process. When somebody starts out, they just don’t have it yet. If you still remember how you learned to write manually, you know that the hand cannot follow what the brain tells it to. The other sensitive issue is that if you have experience, you never start acrylic painting with the final color and layer. You build color, build your subject, all shapes and color transitions starting with dark and moving up. Our art projects allow practicing all of that.

To cheat the visual perception easier, as well as to have at least one good base layer on what to build the rest on, I do ask my students using pre-painted canvas only. Yet, still people are so afraid of dark colors that the pre-painted canvas is way too light. Without strong base, there is nothing much of a painting. We can all move paint around, even to the point when it becomes muddy brown-grey, but to get on that canvas some impression and some mood, takes much more than that.

Since everybody paints abstracts and there’s no clear understanding what’s a good abstract and what’s just a colored canvas, I stick to my personalized realism. It definitely allows implementing my own features and apply something which others do not. Therefore, my art projects include some of realistic features. While having texture layer on canvas attracts lots of attention let’s say at a show, it can look not good on photos because the high spots catch more light which doesn’t always correspond to light areas on the painting.

The attached images were initially painted between 10-5 years ago. The subject of these art projects is what we liked back then: barns, roads, fall colors, something not too complex, but bright and vivid. The current acrylic class deals with slightly more sophisticated acrylic art projects. We’ve just had one class by now and the start looks promising. The group is tiny as in COVID era, so no problem treating everyone very individually.  They are still very good paintings, the ones which took the first brushstroke long time ago, and I will hang them in the studio room where I can put art on the wall because I cannot do that everywhere. Well, I rent, and that comes with requirements.

Enjoy! What better time to immerse oneself in color than now?

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The golden view of early fall

Acrylic paintings by Inese Poga

August is here, and it’s about time to create some fall landscape and treescape. The colors are not here yet, but they’ll be everywhere before we know. Just as I wrote before, I get tired of green and I need something completely different. This post shows my most recent acrylic painting ” Golden view of early fall” on lots of textures in the background, or underneath the multiple layers of paint.

I started creating very textured paintings many years ago. Before modeling paste was available, I used plaster and plaster cloth, then cured it and, thus, got amazing textures. It’s hard to say which one is easier to use. Plaster takes more layers of primer before paint application, but modeling paste sometimes dries too quick. Nowadays, textured art is common, but it wasn’t when I started creating it some 15 years ago.

I asked my husband to take a few pictures with me working on this painting in order to present the size of it. Everything I post just as a cropped image of painting alone doesn’t allow seeing it in space and with dimensions. For a textured art and in order textures were more or less visible on a photo, it is important to get some angled views.

Just adding more layers to Golden eternity painting. The perspective of iPhone is quite terrible, but one can see the size at least

Golden eternity painting on the easel. It took me about 3 weeks to get it painted going over layer by layer and so for many times.

Textures and color, close-up and I hope you can see how textures push through the paint layers

The “Golden eternity” is 81 x 66 cm or 32 x 28 inches in size.

Textured paintings are very special, especially when you can see them in person. Colors slightly change with different light conditions. I usually have to ask not to touch such paintings. Well, they draw attention of a viewer and it’s hard to resist not to trace the visible lines of textured trees and leaves.

Have a great August and fun enjoying nature! Nature is an endless source of the best things on our Earth.

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