Watercolor is a medium we can use in hundreds of different ways. What we create and how it looks depends largely on technique we apply. While many of my watercolors look carefully worked out, I often start painting with just randomly washing some paint onto watercolor paper. I posted my spring palette colors in the previous article. For spring paintings, I am using a limited palette:
Payne’s grey
French ultramarine
Brilliant yellow
Burnt sienna
Burnt umber
Gold ochre
Leaf green
It’s possible, however, to create numerous color tones using these paints. They work well together and with decent application of water, there’s no mud. I will work on floral spontaneous watercolors next, and I am adding magenta and carmine for these.
Allowing paint and water to work
While the paint application is extremely loose, I still have some idea. Washes look great when painting treescapes and paintings with abstract water. This is a technique which perfectionists might not like. We simply allow colors to mix and flow as they please. It’s a myth that watercolor painting cannot be adjusted or changed. One just needs to know how to do that.
Lifting paint
I think many watercolor artists use too less of paint lifting technique. For paint lifting, large brush with pointy tip is very useful. My main brush is Luke number 14, round. Along with simple lifting, I implement one more step: lifting with very liquid other color. It’s a fantastic, but unpredictable process. It’s also fun, and I love this technique because it allows me adding definition to subject. Lifting paint is an essential technique for spontaneous watercolor my-style.
Non-cotton paper has its uses
Lifting automatically takes care of the negative space. When to lift and where to add paint depends on our personal preference and feel. For this technique, cotton paper is not the best option. Non-cotton watercolor paper makes lifting paint an easy step. In fact, it’s way easier to lift paint from some thick non-cotton papers than to add an extra layer. I am using for these paintings Strathmore 400 series paper. It requires flattening afterwards. All non-cotton watercolor papers must be weight-pressed after application of water and paint since they become uneven.
Multi-step process
While people ask when I will have online art classes, I must say, I probably won’t. Things I am writing about most often cannot be shown online. One must see the actual process in order to understand how we create loose, spontaneous watercolor painting and add the touch of reality to it. The process involves drying paper and restarting wet-on-wet, then adding dry paint, then lifting more and so on. It takes about 6-8 hours to paint one artwork. I have spent about 3 days in average on each painting.
Testing paints
Spontaneous watercolor works great for people who just want to explore what their paper and paints can do. Check compatibility of colors before you start painting. Water takes care of lot of things with loose watercolor painting, but there are colors which will destroy the flow and cause unpleasant muddy shades. To avoid that, learn what your paints do. My paints are rich in pigments, all artist grade. I never use white or black colors, as well as, I don’t even have masking fluid. These paintings consist only of watercolor paint on paper.
Give it a try
Want to try this approach? No better time than now. This means absolute freedom, you don’t need any photos to follow, but having an idea is helpful. I love using the earth colors togethers with blue and green. Burnt sienna adds a bit of red tint. Simplicity is beautiful; however, I’ve never been a minimalist in any regard. That goes for any of my paintings. Well, we can stop working whenever it feels right.
This year will be marked by COVID-19 pandemic forever. This time is a very specific one, and so are our experiences. One can spend more hours on simply reminiscing about the moments which were captured on photos last year, the year before that and many years ago. This time also shows us how wrong we were about many things and how little we appreciated the freedom to move around and to go places whenever we felt like.
Art creation requires to be alone
However, for someone like me, there is no much change. I am not excited about Ontario winter which extends into spring, and in April as this year again. We had snowflakes dancing around daffodil buds for a few days now. Regretfully, it has been cold, and spring didn’t keep its promise about plenty of sunshine which it arrived with.
Missing and hoping
So, I was scrolling through pictures from previous years not only because I didn’t have anything better to do, but also because I needed to reinstall everything onto another computer after the old one crashed. The pictures from earlier years cause wide range of emotions. I am so proud of having painted numerous outstanding quality paintings, I miss the live art classes, I want to be in the blossoming spring backyard sooner. I start feeling older and I look at my own life as a train running away. I actually stopped making big plans many years ago after the accident in 1992. It would be interesting to know what my life would have turned out without going through that awful time. However, due to aftereffects of that accident I came to Canada.
Museum quality art
The attached images are of large watercolor paintings which I painted between 2008 and 2011. I honestly regret I cannot show you the actual paintings in their actual size. The image size is 23 x 30 inches or 58 x 76 cm. I am excited myself to explore the flow of lines, the perfection of detail, the soft and unexpected transitions of color which photos unfortunately cannot capture. Most of these paintings are put away and preserved in large folders. The ones in frames are under glass and neither pictures, nor videos would show them without a glare.
Mastering the medium
All of these paintings realistically show mastery in paint application and composition. I usually spend at least a few weeks to a few months on just one painting. They have been accepted in juried shows and exhibited in all kinds of galleries. After I broke the large museum grade glass on one painting, I stopped taking them out. These paintings are excellent value, and they should be treated like such.
Affordability of art supplies
It doesn’t even seem that long ago, just a decade or a bit longer, but art materials, especially watercolor paper was so affordable! I used very heavy duty and very thick Arches paper for anything, even sketches and quick drafts. The same paper costs a lot more money today because 1 sheet is $25-$35 in Canada. Is this only my imagination, or quality also does not feel the same? Any paint quality has definitely decreased big time over the past 10 years while prices are 3-4 times higher.
Art supplies matter
The truth is: great watercolor paper makes up for at least 25% of watercolor art quality. It is physically impossible to create good washes and flow of pigment on paper which does not absorb paint and water. Looking at these pictures makes me sad, too. I wish all art materials were available without any hassles again! I am waiting currently for some acrylic paints to arrive. I also hope watercolor paper became less expensive. Actually, the highest prices for any art materials are in Canada.
Should I even paint something more?
Most likely, I should sell more, not paint more. It is a matter of space and storage, as well. Yet, once somebody is hooked on creating art, it becomes like addiction. I’ve been in art for 50 years, and I don’t think I am going to ever discontinue painting. When I look at the art scene of today, I must say, I feel disappointed. Most images are computer generated, vector images, digitally enhanced or digitally painted images.
Good quality hand made art
Good quality hand made art is becoming quite rare. I would emphasize: good quality. The reason might be that most people do not want to spend time learning how to draw. It is way easier to trace or copy or print off and then paint over. While one has outline, they also need a lot more: understanding what values are, how contrast, light, direction of light and composition, as well as perspective contribute to any painting. These aspects are the ones which are missing in big part of today’s art.
The thorough painting process
I usually create full-size hand drawing for each of these paintings. Most of drawings show also the scale of values. Therefore, I do not need any other reference if the still life or landscape setup and view is not available any longer. I set up or looked at a scene and then drew it. Here is one example setup which was the base reference for my garden painting.
I transferred the drawing (I used a large window for that as a lightbox) onto watercolor paper and kept working every day when the weather allowed.
The garden painting: so much great time spent with it, painted in 2011. This painting is 23 x 30 inches or 58 x 76 cm.
I cannot recall the year, but I think it was 2008 when I painted this road. It is also full-sheet watercolor painting on Arches. Some of my paintings have never been published, this is one of them
The forest road watercolor from 2008, This painting is 23 x 30 inches or 58 x 76 cm.
The birch path painting refers to a Latvian forest path. When it comes to painting, I am always subconsciously referencing my memory which stores Latvian landscapes, views and scenery. I have added Canadian landscapes to my memory in the recent years, but Latvia still prevails.
The picture comes from 2010 and might have more contrast. It was photographed through glass back then. However, the actual painting still looks very impressive and asks one to walk this path. This painting is 23 x 30 inches or 58 x 76 cm.
The spring creek was half imaginary, half photo-referenced. It took about a month to paint it. Image shows it more yellow, but it’s rather crisp light green and the blue is very attractive.
Spring creek, full-sheet or 23 x 30 inches (58 x 76 cm). spring watercolor painting
And finally, so far never published watercolor from 2010. It is also 23 x 30 inches or 58 x 76 cm
Along the summer stream, full-sheet watercolor on Arches
The difficult photo managing experience
Back then just as today, I was struggling with getting good photos of my paintings. It’s more struggle now thanks to Windows 10 photos app which seems to be incompatible with iPhone 11 Pro Max. Every time when I am trying to download pictures, one or another side doesn’t want to cooperate. Windows 10 photo app not only does not allow me to set my own parameters for download, they mess up everything and I have to manually copy over and delete lots of pictures. Sometimes this app wants to download all photos from phone, sometimes does not recognize any.
Simple editing tools
I was still using the great Microsoft Digital Image Editor 2006 up to the moment when my previous computer crashed. That was all I need for adjustment of my pictures. It was simple, fast, extremely efficient. One can find numerous photo manipulation apps now, but there is none for keeping the image as is, just fixing exposure, light and contrast. Most pictures displayed here were taken up to 2011. They are practically unedited, except, I added frames.
Blogging, pleasantries and some annoying habits
I have intended to post more of previous paintings since I also haven’t seen them for a while, that means for at least a few years. I know how people are busy. It’s just so that if you do not look at the actual post and the actual images, you most likely have no idea what I am talking about. I have noticed some bloggers click on “like” under 20 posts, but they certainly haven’t seen or read any of them. I am trying to always respond to all comments timely and I do appreciate your comments a lot. However, I never put blogging before the actual life, therefore, I will like back posts which deserve that and comment back in case I have something to say about your article when I have time.
My paintings on Fine Art America, large collection:
When you look at art for sale, it can seem sometimes artists are out of touch with reality and ask an unreasonably high price for their art. It seems so. I once asked a lady who had stopped by at my studio: do you know anybody who would work for about a month, every day, 6-8 hours a day and then get for all this work 200 bucks minus cost of materials? It wasn’t that I tried to make her pay more, it is how long it takes me in average to paint something. She was a nice lady, and she honestly said she didn’t know anybody who would work on such terms. I could add to this that I don’t know either, except fellow artists who for different reasons undersell their art.
Who benefits from art and artists
A brief list of these who benefit not only from full-time artists, but anybody who creates art and tries to sell their art, are companies which:
make pencils, papers, tracing papers, graphite papers, drawing sketching, watercolor and all kinds of art papers,
make canvas, canvas panels, canvas boards, stretcher bars and canvas fabric,
make paints, pigments, mediums for paints, solvents, varnishes, and all kinds of chemicals that are necessary for putting paint on canvas or paper at different stages or for preserving art,
make easels, supports, frame and framing supply manufacturers, including mats, matting paper, glass, Plexiglas and similar materials.
Let’s add website and blog
Every artists needs a website or blog, as well as social media presentation, so there are numerous platforms and hosting businesses which sell everything from security certificates to software for managing website, hosting, themes, plugins and many tools in order the website stayed functional.
We should add companies which manufacture computers, tablets, laptops, cameras, video cameras and phones since we need to get the art image captured and transferred to online space.
Virtual and real space-related cost
Space-related cost involves quite many aspects: any landlord who leases studio or showroom space;
any utility provider who sells power, gas and water to the studio;
any show, gallery, exhibition, fair, including juried shows, online competitions and online shows which charge a fee for putting the artwork out there;
any online art sales or art print sales provider which charges membership fee and commission;
money collecting and payment processing companies, banks, etc. also benefit from artists and their work.
More expenses
That is not the entire list, mind you, and to some extent it is similar to expenses that are inevitable for any freelance or self-employed person. The creation of art is definitely at the higher end of expenses in regard to costs of materials and time consumption.
Artists obviously pay for paints, paper, canvasses, frames and framing, fees for shows and gallery representation and any utilities, as well as monthly payments for studio regardless of whether there is going to be some profit or not. Even when art ends up in the wastebasket, it still involves cost.
Product and demand
I know, anybody, who creates a product, must create it first and there is never a guarantee of selling it. However, most products which are 100% unique, handmade and original sell for much more than the materials and labor that goes into them. So, we have arrived at the most important question: who enables the artist to earn living? Who makes it possible for the artist to profit from their talent, work and efforts? That is, you, dear friend who loves art. These are people who collect art.
How does an artist earn income?
The artist can only profit from his or her clients, who purchase the work whether as a product with art image on or in it, or as an original painting and drawing. Therefore, all artists are looking out for people, who love and appreciate art. People, who have enough money and are willing to spend it not on food, not on outfit, not on make-up or furniture, but art. Art is not a medication and it won’t cover you as a blanket, but it can feel that way, too. I know people, who can stand for half an hour at some of my paintings, and they feel exactly that: warmth and energy, and healing power.
Think about it
I hope when you go to an art show next time and when you look at some painting, you will be aware that along with artist’s efforts, talent, time and soul, a lot of other expenses are included. That constitutes the invisible part of a painting which is quite frequently not covered at all.
Freelancing
Being a freelance writer and artist is not easy by any means. There is huge insecurity. I never know when a new work request arrives, I cannot guess with certainty when a painting will sell. I obviously cannot work when I’m not well, and that causes other problems. The domino effect.
Why to do this? At the present moment, this is the only option I have, and I just love creating art more than anything else.
A few watercolor paintings in fresh colors
I am presenting for reference a few large watercolor paintings which come as a result of many hours of work.
Peaceful, summer lake watercolor, 20 x 16 in or 51 x 41 cm
Mirror of spring, spring reflection watercolor painting, 24 x 18 in or 61 x 46 cm
Early spring along the creek, watercolor is 24 x 20 in or 61 x 51 cm
I am not sure if I will post something else before I fly to Latvia next Monday. I unintentionally have chosen the full solar eclipse day, but who cares. I am happy to go on this trip and see my family.
