Nothing compares to summer painting outdoors

Watercolor painting, summer watercolor

I wish summer stayed with us longer

Summer days are running away so fast that it is pretty clear: this summer is almost gone. It is certainly the best time to grab our paint box, some paper, pencil or brush and go outside. The weather isn’t too friendly in Ontario this year. I cannot recall so many heat waves and so many days without a drop of rain while I have been living in Canada. My mornings are spent at a clinic, afternoons – trying to get back in shape, but painting helps staying well.

What to start with?

When people ask me what they should start painting or drawing with, my answer is very simple: draw and paint anything around you. There is nothing better than drawing from real subjects and real places. Once you get used to it, you will notice how everything is more vibrant and more realistic when we paint from life.

Use real reference materials whenever possible

Lots of instructions start with: take a picture. I would love to say, however, do not take any pictures, but set up a still life or do a reference sketch. If it is a large work and you are afraid you’d forget the scene, you might also take a reference picture. The problem is that most people want to copy their reference photo instead of just using it. I might sound like an old vinyl, but it’s so silly to copy the photo and then pretend you painted it from scratch.

Chickadee in summer shade, watercolor, 12 x 16 inches or 30.5 x 41 cm

If you can draw, you can draw anything

The next thing which matters is this: once you learn drawing, you are able to draw anything. This happens because you have perfected your visual perception, developed eye-hand coordination and your hand starts perceiving impulses from your brain. Drawing happens as if on its own, and all we have to do is relax and observe.

The backyard, 12 x 16 inches or 30.5 x 41 cm

Create your personal color palette

Is it important to stick with colors which somebody else is using? Not at all. It is much better to explore and develop your personal color combinations. I also find that paints of different brands act very differently. My favorite watercolor paints are St. Petersburg artist grade paints. I haven’t seen any other paints which have such transparency and allow mixing colors easy. The secret is the natural and pure pigments they use as opposed to many paint manufacturers which cheat and replace pigments with fillers and binders. That means chemicals which do not enhance color or its purity.

Important art supplies

I usually use just one large round size 12-14 brush and one size 6 round brush for any up to 20 x 24 in watercolor painting. Along with paints and brushes, an extremely important part for watercolor painting is paper. When I am asking my students, why they are using this really thin and bad paper, they’d normally answer: they are just learning and it’s not worth to spend money on a good thick paper. This is a wrong assumption. Every paper acts differently. The thinner and lighter papers do not even absorb paint. It floats on the surface and creates ugly marks. It is also quite easy to lift paint, but not that easy to add more. My favorite paper is Arches. However, paint keeps traveling through layers of paper even quite a while after paint application. I am using other heavy, cold press papers also.

Blue reflexion, summer watercolor painting

Use good art supplies for practice

If you practice on a bad paper, you won’t know how much easier it is to paint on a good paper. Watercolor paper is definitely the most important part of all supplies for watercolor painting. I haven’t done much recently because I am trying to recover. It’s already a month after surgery, but it seems like I will need more time.

Support is always much appreciated

I would appreciate a purchase of any of my original paintings. After such a long period of being out of work, any support would mean a lot. I can certainly offer very good deals on originals; but prints and other products on Fine Art America site are inexpensive anyway. Since people rarely read these posts, this might go unnoticed, but anyway, I hope I can get something sold. Big thank you goes to 3 ladies, who bought 5 watercolor paintings!

My art prints and artistic products on Fine Art America:

Art collections by Inese Poga

Autumn silver and gold: large textured acrylic painting

Gold and silver of fall, large acrylic painting by Inese Poga

Textured autumn silver and gold painting

I finally got time to finish a very large (48 in x 32 in or 1 meter 22 cm x 81 cm) semi-abstract very textured autumn scene. It is  Autumn silver and gold acrylic painting. I applied very visible textures at first and built layers of acrylic paint on top of textured background. This painting will be exhibited at my gallery entrance greeting all visitors and students.

Autumn silver and gold, a very large (48 in x 32″ or 1 meter 22 cm x 81 cm) acrylic painting with textured layers under paint

The other texture-rich painting is smaller: 24 x 20 inches, but it also looks great on the wall. I kept colors quiet and subtle.

However, such painting technique is very time-consuming. I’d love to do many more acrylic paintings using rich texture since it adds to the impression tremendously, but it’;s a fairly slow process. The painting must be left to dry between each step until the final brushstrokes can be applied. The look is very three-dimensional. Colors shift and change also depending on the light source.

The smaller fall and maple leave paintings are sold.

Art is the most space enhancing feature which there only can be. Just removing a few paintings from the wall, makes it look virtually empty, and my personal experience shows that there simply cannot be too much art around us. Seasonal art is the best decoration.

Shop here: Original paintings by Inese Poga

I love textures, and I have created numerous large paintings in this technique.

Art prints: Art collections by Inese Poga

I love birds and Natural Awakenings feature my painting on cover

Watercolor painting of summer meadows

Once I started to paint and draw  birds, I found unexpectedly a new interesting set of subjects. There’s so much to explore! My first paintings of birds were very approximate. I tried to give them some character without getting too much into detail. I’m paying more attention now to arrangement of colors, on wings and other feathers and to their external anatomy.

I like most birds, and I really need to love or somehow like that stuff which I am going to draw or paint. That’s pretty much the reason I stopped painting human portraits.

Chaffinch in the grass watercolor painting
Blue finch, 12 x 12 in or 30.5 x 30.5 in watercolor mounted on wood panel

Birds in watercolor
Mostly blue background for lovely birds

Watercolor painting, birds
They look very attractive, and all paintings are ready to hang without extra frame or glass

Nature has the most wonderful variety of everything, from small to huge, from simple to complicated. I suppose, I will keep studying birds for a while. I do get tired of similar images, though, that’s why the next paintings are three-dimensional landscapes.

Talking about landscapes, my painting “Overlooking the Meadow” will be on the cover of Natural Awakenings Magazine.

Watercolor painting of summer meadows
Overlooking the meadow, is a large 18 x 24 in or 46 x 61 cm watercolor

Natural Awakenings is a free publication about healthy and natural living that is available in over 90 cities in the US and Puerto Rico, with a readership of over three million. I had my market scene on their cover in 2012, and immediately after that I sold some paintings. Well, if you happen to see this magazine, pick it up for free. They write about useful things there. I also find amazing that they contacted me already 2 times.