Try something different: painting with sponge

Spring forest, sponge painting in watercolor

Have you tried painting watercolor with sponge? I decided that adding some new technique wouldn’t disturb. Let’s give it a try.

This time it was application of watercolor using a sea grass sponge. It worked well with acrylic (I will post these pictures separately), it seemed it could work nicely with watercolor, as well.

I could see after the first attempts that it is advisable to test colors first. There are lots of brands, many types of paints, it’s hard to know whether the chosen colors will or won’t mix well. It is important not to overdo right at the beginning. Sponging takes one away easily, and in no time we can lose focus and forget where exactly we intended to place any particular color.

I did not plan these paintings. They are very spontaneous, and I just got straight to sponging. I would advise anybody who is trying this technique to plan a small bit ahead. Sponge allows to create beautiful watercolor backgrounds, like distant trees or forests, it is amazing how quickly some spots get textures, and it is a fantastic way of layering watercolor. Simply don’t forget to test your paint colors.

It seemed that Hooker’s green light and dark in combination with French ultramarine, Cobalt blue, Payne’s grey, Lemon yellow and Burnt sienna or Burnt umber worked better than Sap green in any combination unless I mixed only 2 or 3 colors in all layers.

Seagrass sponges are inexpensive and available at any art store, that’s at least where I got them. Every sponge is slightly different, so will be textures created using these sponges. I cut my sponge in smaller parts, and used every time that part which seemed to be the most fitting. Sponge has to be made wet at first, and we should squeeze out all excess water before picking up the paint with it.

Sponge works on wet paper well (wet in wet application), and we can create nice distant backgrounds this way. It creates thicker layers and attractive irregular shapes when applied on dry paper. It is possible to create the entire painting this way, and it looks especially great when we combine different techniques.

Generally speaking, application of a sponge helps loosen up, and sponge is a good tool to vary paint application techniques.

Forest creek, I used sponge for background.

Layering quite a few colors with sponge is interesting: we never know how it will look at the end! Using just a few colors is beneficial with sponge painting. If you test them before and see that mix well without causing muddy look, just go ahead.

Spring forest: watercolor painting using sponge, it is quite large, 18 x 24 inches

I did these paintings during private painting classes sitting next to my student. That allowed me seeing immediately what they did correctly and what needed extra adjustment. These paintings are perfect for any beginner in watercolor painting. There is hardly any need for drawing, just some areas need that. Painting with sponge in watercolor will make it simple for any beginner and help loosen up.

And finally, large watercolor painting Spring forest: watercolor painting using sponge, 18 x 24 inches or 46 x 61 cm.

Please, read more articles, all you need is typing the term in the Search box.

Private art lessons

Original watercolor paintings for sale

I love birds and Natural Awakenings feature my painting on cover

Watercolor painting of summer meadows

When I started to paint and draw  birds, I unexpectedly discovered a new interesting set of subjects. There was so much to explore! My first paintings of birds were very approximate, animated. I tried to give them some character without getting too much into detail. I’m paying more attention now to arrangement of colors on wings and other feathers and to their external anatomy.

I like most birds, and I really need to love or somewhat like the subject which I am going to draw or paint. That was pretty much the reason I had stopped painting human portraits.

Bird paintings, mounted on wood panels, all watercolors on Arches watercolor paper

Mostly blue background for these lovely birds

They look very attractive, and all paintings are ready to hang without extra frame or glass

Nature has the most wonderful variety of everything, from small to huge, from simple to complicated. I suppose, I will keep studying birds for a while. I do get tired of similar images, though, that’s why the next paintings are three-dimensional landscapes.

Talking about landscapes, my painting “Overlooking the Meadow” will be on the cover of Natural Awakenings Magazine.

Overlooking the meadow, is a large 18 x 24 in or 46 x 61 cm watercolor

Natural Awakenings is a free publication about healthy and natural living that is available in over 90 cities in the US and Puerto Rico, with a readership of over three million. I had my market scene on their cover in 2012, and immediately after that I sold some paintings. Well, if you happen to see this magazine, pick it up for free. They write about useful things there. I also find amazing that they contacted me already 2 times.

Enjoy!

Springtime watercolors: bright, sunny and cheerful

Wild anemones, springtime watercolor

Spring time: we’ve been waiting long for sun to show up and wake up the nature. At my studio, we have been very busy with creating spring time watercolors, too. We keep enjoying the pleasure of being able to create something great, cheerful and uplifting. That would be art which is simple, but speaks to us.

Watercolor painting of pink garden anemones: demo version for adult watercolor class

While there’s some useful advice contained in all learning materials, it’s most often a description of a common, basic and simple techniques and approaches. When you try painting in reality and on your own, it might seem more difficult. However, we have to start with something, therefore, we can do easy spring time nature paintings.

Kristina is genuinely happy since the chickadee painting came out extremely nice

Presence of immediate advice is extremely important. That not only speeds up everything, but also provides students with plenty of information in a very short period of time, allowing to experience and apply everything right there and right away.

This is a very direct and very immediate “how to”. Any question receives answer on the spot, any problem gets solved when it occurs.

Watercolor wash and detailed parts

Students, who want to learn, are very happy with my classes, and so am I. It’s always a pleasure to see fast development of young, talented artists. It is great to know that I have contributed quite a lot to this development.

Pear still life and fall art classes

Art studio, still life with pears

Still life, – classic or modern, abstract, or realistic, – I adore this subject in any form it’s created. I took my time this summer and painted a good size watercolor on heavy Arches paper. For this particular still life, I used real pears and a cloth next to the window. My intention was using bright and sunny colors as you can see in the resulting painting.

Golden pears still life on my easel, just finished

It is more my personalized realism painting than pure realism. I chose the placement of fruit and light reflection so that the entire painting shines through flow of colors and shapes.

Watercolor painting, Golden pears, still life. It is 24 x 18 in or 61 x 46 cm in size

In the upcoming art classes, I am teaching still life, floral painting and landscapes.  My goal is to teach students so that they can discover the excitement of drawing and painting real fruits, vegetables, flowers, street scenes, nature scenes without reproducing photos, computer printouts and similar aid. We learn creating a genuinely original art since it originates in our imagination and perception.

Most students are beginners or have very limited experience, but everyone has shown remarkable results so far. There is also usually a group of students with previous experience in painting and drawing. They will also learn numerous new techniques and discover new ideas.

Classes are designed for children 12+ years, youth and adults.

Register here: Sign up for art classes

Focusing on still life and garden scenes

Part of farmer's market painting

Summer is a great time to engage in plein-air painting.

I recently painted a garden scene called “Take a Rest” with some flowers and garden tools.

I use real scenes and real set-ups to create my paintings, I somehow cannot paint using photos, I just can’t.

First, I do a freehand drawing. The weather was very good for a while, so, I could paint every day outdoors. I had set up the exact items in my backyard, and it was a double pleasure to paint there.

The other painting is a still life called “Kitchen Symphony”.

I had set up all items in my art studio where I have a good light. For my paintings, daylight is extremely important because of color adjustment. Any artificial light changes color.

I think, both paintings came out quite nicely, however, it was very late when I took a photo of my garden scene, so the light might be not that perfect.

Part of the farmer’s market painting

I would love to also mention the Farmer’s market painting which is as large as the previous paintings – full sheet watercolor, 29 x 22″. All paintings are created using heavy, cold press Arches watercolor paper. The look really impressive when you see them full-size and in person. Well, size matters.

I hope you enjoy such art!

More of my still life: Painting still life