This time, I’m presenting Summer place 1 which actually started the series. This painting should have been posted right after the Summer place 2 which is shown in the previous post, but I got done very little these days. That is especially true about posting pictures, but not creating paintings.
I wish I had some clear vision about all this situation and where it is heading, but it is quite difficult at the moment. I’ve run out of acrylic paints. I ordered some, and the waiting has been about a month so far. In normal conditions, I do not ever prefer online shopping, but it is the only option right now. I’m also waiting for some other things which are essential for me because the previous computer died and I lost good software which I cannot get back. The realization that I have left not that much good watercolor paper and I will be still missing some acrylic paints because I simply forgot to order them the first time, makes me feel not good.
To create good art, I use high quality art supplies, often the best available. I do not want to waste these good canvases and papers and paint on them with leftover paint. The shipping might be faster when ordering online in other countries, but it is quite slow in Ontario.
There is one more important aspect to all of this: I love giving live art classes. They ended by the second half of February. I had to take off my art show halfway through, and without any physical showings, I just haven’t managed to sell anything either. I took off the “Buy now” buttons for a moment because I just would not be able to handle and cover the shipping right now, in particular, for large paintings which many of them are. In fact, I do not have tiny paintings. To somewhat facilitate my presence online, I intend to widen the social media circle and I updated my website nicely, too. More work will be done, but I’m not rushing it.
Springtime is usually spent in the garden; therefore, I can devote less hours to art. I always appreciate interest in art and people, who have bought it. This time is stressful for many people and bloggers. I would be probably wrong to expect somebody trying to buy art at the moment. Meanwhile, there is so much of it that lack of space is becoming a serious issue. We have moved almost every year for a while, and carrying around large numbers of sensitive paintings is very difficult. Sometimes art gets damaged, sometimes I’m struggling.
The Summer place 1 is an updated canvas. I had painted the fence during previous year, and it just never looked as a completed painting. I added more trees and drew in the building, and it came to life immediately. I do frequently travel in my thoughts and imagination, that includes time traveling. Summer place 1 looks like that adorable place where I spent my youth.
The white daisies were updated, too, because the previous version needed a facelift. I find that it is much easier to paint on textured or previously painted canvas. Acrylic is such paint: the more we add, the more layers we build, the better it looks. Any of my paintings take about a few days to a few weeks to paint. Photography unfortunately cannot capture the transparent layers or halftones, and that annoys me slightly.
Properties of our eyesight are very unique, indeed. There are no two persons, who see everything exactly the same way. We could say, the way we see is just as unique as our DNA, fingerprints, iris of the eye and similar extra fine things. Therefore, when we create something, some people will love it, some people will think it’s nothing special and some will either ignore or dislike it. That is normal. The thing we have created has still the same value for us personally, at least it should, because its objective value does not change depending on subjective likes or dislikes. It’s social media which either stamps some creation as success or disregards it.
High ranked mediocrity
I do sometimes wonder why a painting which is really good does not get that many likes as something rather average. Go figure. Partially, this is because of ranking. Let’s say, I post my image at the right time and it immediately gets 30 likes in the first 20 seconds. That’s it! It immediately moves up the ranks, and that is all we need. New likes follow, comments are posted and we’ve got the attention of the invisible viewer mass. Now, does the response always indicate that we are becoming a master in some area? Not really. We still need to have our self-criticism and apply our personal judgement.
Versatility
We should have options, always. The trends are out there and whether to comply and act on them is up to us. People sometimes suggest: you should paint more abstracts, you should do some black and white art, you should post more drawings and so on. I could do all of the above. The problem is, however, that I do create art which I am deeply in at any particular moment. I am not good with following trends and I actually do not care that much about them either. It is bad for marketing, no doubt about that. However, it is the only way to stay true to oneself and do more of my own realism.
Specific realism
I love realism. I need to clarify, it’s not any realism, but my personal enhanced realism. We could say, it’s high definition because I adore adding something still tasteful, but very detailed. Details are risky, but they also make a view very unique. I love specific colors and cannot stand some other particular colors. I do not like using black, in fact, I use it only for mixing up other colors. I love greens which are mixed up from black plus blue, plus yellow plus burnt sienna and white. Some grey shades require black. I really dislike black in watercolors. I never have used even 1 drop of black in any of my watercolors.
The choice of subject
We normally paint what resonates with us. I at least do. I have also many favorite subjects: still life, seasonal landscape, buildings, perspective and flowers. I think all young people want to paint portraits and figures. I did, too. Some stick to them and some move over to other subjects. I love painting and drawing from reality, and to paint face or figure, I’d need a model. That complicates things because it makes me dependent on somebody else. With my subjects, I choose time, place and medium.
Too many paintings
I’ve read how people complain they don’t have enough artworks in portfolio. I think it is also problematic to have too many artworks. I’m adding 2-3 a week in average. I have numerous paintings in different completion stages. Some are drafts, some half-done, some need change in color or more highlights. I get tired of one medium or subject quickly. Therefore, I switch from acrylic to watercolor and vice versa, I sometimes do just pencil drawing or pastel drawing. I love creating all kinds of drawing-based art because I’m very good at drawing from reality, and for that matter, drawing anything.
Preferences
My preferences are very noticeable when it comes to art. I love clean colors. I never use paint straight from tube, but the mix must be clean. It is easy to create any color from 3 primary colors, plus black and white in acrylic. I add burnt sienna, burnt umber, ocher and many shades of blue. That way, my palette is complete. I’m not a big fan of Ultramarine. Instead, I use Prussian blue and brilliant blue. Seasons have huge effect on me. I basically paint spring in winter or early spring, summer in spring, and fall in summer. Does that mean I cannot wait until the actual season arrives? Yes, it does.
Enhanced and personalized realism in art; Summer place 2, I love how it came out, acrylic painting on canvas 18 x 24 inches or 46 x 61 cm
Summer place 2 and Breezy daisy field
I would love to post just one painting in every article, but there are so many lined up. I will limit myself to just two this time. Summer place 2 is the second one in Summer place series. Breezy daisy field is also continuing the flower field series. As usually, I started them for demo purposes at art classes. The summer place 2 took about 2 weeks and daisy field about a full week to complete. My paintings consist of many layers and under-layers. It is best to paint any acrylic painting on color-coated canvas. They both are the same size: 18 x 24 inches or 46 x 61 cm. One is horizontal, the other is vertical. I’m very sure, the internet display will make one look larger and the other smaller.
Breezy daisy field, it got a lot of attention on Facebook, acrylic painting on canvas 18 x 24 inches or 46 x 61 cm
Grey of spring and lush green of summer
It is still cold outdoors. This April came with such a nice promise of spring starting early. What a disappointment! It is almost May and we have freezing temperatures every night. That is why I am a lot in very strong and very rich green color. I’m not trying to overdo, but it feels so nice to surround myself with this color at the moment. My love relationship with green will pass, too, but it’s so pleasant to look at such art and be around it.
This year will be marked by COVID-19 pandemic forever. This time is a very specific one, and so are our experiences. One can spend more hours on simply reminiscing about the moments which were captured on photos last year, the year before that and many years ago. This time also shows us how wrong we were about many things and how little we appreciated the freedom to move around and to go places whenever we felt like.
Art creation requires to be alone
However, for someone like me, there is no much change. I am not excited about Ontario winter which extends into spring, and in April as this year again. We had snowflakes dancing around daffodil buds for a few days now. Regretfully, it has been cold, and spring didn’t keep its promise about plenty of sunshine which it arrived with.
Missing and hoping
So, I was scrolling through pictures from previous years not only because I didn’t have anything better to do, but also because I needed to reinstall everything onto another computer after the old one crashed. The pictures from earlier years cause wide range of emotions. I am so proud of having painted numerous outstanding quality paintings, I miss the live art classes, I want to be in the blossoming spring backyard sooner. I start feeling older and I look at my own life as a train running away. I actually stopped making big plans many years ago after the accident in 1992. It would be interesting to know what my life would have turned out without going through that awful time. However, due to aftereffects of that accident I came to Canada.
Museum quality art
The attached images are of large watercolor paintings which I painted between 2008 and 2011. I honestly regret I cannot show you the actual paintings in their actual size. The image size is 23 x 30 inches or 58 x 76 cm. I am excited myself to explore the flow of lines, the perfection of detail, the soft and unexpected transitions of color which photos unfortunately cannot capture. Most of these paintings are put away and preserved in large folders. The ones in frames are under glass and neither pictures, nor videos would show them without a glare.
Mastering the medium
All of these paintings realistically show mastery in paint application and composition. I usually spend at least a few weeks to a few months on just one painting. They have been accepted in juried shows and exhibited in all kinds of galleries. After I broke the large museum grade glass on one painting, I stopped taking them out. These paintings are excellent value, and they should be treated like such.
Affordability of art supplies
It doesn’t even seem that long ago, just a decade or a bit longer, but art materials, especially watercolor paper was so affordable! I used very heavy duty and very thick Arches paper for anything, even sketches and quick drafts. The same paper costs a lot more money today because 1 sheet is $25-$35 in Canada. Is this only my imagination, or quality also does not feel the same? Any paint quality has definitely decreased big time over the past 10 years while prices are 3-4 times higher.
Art supplies matter
The truth is: great watercolor paper makes up for at least 25% of watercolor art quality. It is physically impossible to create good washes and flow of pigment on paper which does not absorb paint and water. Looking at these pictures makes me sad, too. I wish all art materials were available without any hassles again! I am waiting currently for some acrylic paints to arrive. I also hope watercolor paper became less expensive. Actually, the highest prices for any art materials are in Canada.
Should I even paint something more?
Most likely, I should sell more, not paint more. It is a matter of space and storage, as well. Yet, once somebody is hooked on creating art, it becomes like addiction. I’ve been in art for 50 years, and I don’t think I am going to ever discontinue painting. When I look at the art scene of today, I must say, I feel disappointed. Most images are computer generated, vector images, digitally enhanced or digitally painted images.
Good quality hand made art
Good quality hand made art is becoming quite rare. I would emphasize: good quality. The reason might be that most people do not want to spend time learning how to draw. It is way easier to trace or copy or print off and then paint over. While one has outline, they also need a lot more: understanding what values are, how contrast, light, direction of light and composition, as well as perspective contribute to any painting. These aspects are the ones which are missing in big part of today’s art.
The thorough painting process
I usually create full-size hand drawing for each of these paintings. Most of drawings show also the scale of values. Therefore, I do not need any other reference if the still life or landscape setup and view is not available any longer. I set up or looked at a scene and then drew it. Here is one example setup which was the base reference for my garden painting.
I transferred the drawing (I used a large window for that as a lightbox) onto watercolor paper and kept working every day when the weather allowed.
The garden painting: so much great time spent with it, painted in 2011. This painting is 23 x 30 inches or 58 x 76 cm.
I cannot recall the year, but I think it was 2008 when I painted this road. It is also full-sheet watercolor painting on Arches. Some of my paintings have never been published, this is one of them
The forest road watercolor from 2008, This painting is 23 x 30 inches or 58 x 76 cm.
The birch path painting refers to a Latvian forest path. When it comes to painting, I am always subconsciously referencing my memory which stores Latvian landscapes, views and scenery. I have added Canadian landscapes to my memory in the recent years, but Latvia still prevails.
The picture comes from 2010 and might have more contrast. It was photographed through glass back then. However, the actual painting still looks very impressive and asks one to walk this path. This painting is 23 x 30 inches or 58 x 76 cm.
The spring creek was half imaginary, half photo-referenced. It took about a month to paint it. Image shows it more yellow, but it’s rather crisp light green and the blue is very attractive.
Spring creek, full-sheet or 23 x 30 inches (58 x 76 cm). spring watercolor painting
And finally, so far never published watercolor from 2010. It is also 23 x 30 inches or 58 x 76 cm
Along the summer stream, full-sheet watercolor on Arches
The difficult photo managing experience
Back then just as today, I was struggling with getting good photos of my paintings. It’s more struggle now thanks to Windows 10 photos app which seems to be incompatible with iPhone 11 Pro Max. Every time when I am trying to download pictures, one or another side doesn’t want to cooperate. Windows 10 photo app not only does not allow me to set my own parameters for download, they mess up everything and I have to manually copy over and delete lots of pictures. Sometimes this app wants to download all photos from phone, sometimes does not recognize any.
Simple editing tools
I was still using the great Microsoft Digital Image Editor 2006 up to the moment when my previous computer crashed. That was all I need for adjustment of my pictures. It was simple, fast, extremely efficient. One can find numerous photo manipulation apps now, but there is none for keeping the image as is, just fixing exposure, light and contrast. Most pictures displayed here were taken up to 2011. They are practically unedited, except, I added frames.
Blogging, pleasantries and some annoying habits
I have intended to post more of previous paintings since I also haven’t seen them for a while, that means for at least a few years. I know how people are busy. It’s just so that if you do not look at the actual post and the actual images, you most likely have no idea what I am talking about. I have noticed some bloggers click on “like” under 20 posts, but they certainly haven’t seen or read any of them. I am trying to always respond to all comments timely and I do appreciate your comments a lot. However, I never put blogging before the actual life, therefore, I will like back posts which deserve that and comment back in case I have something to say about your article when I have time.
My paintings on Fine Art America, large collection of art prints:
My show is finally up. Putting up a show, small or extensive, takes time, many hours of work, dealing with selection, adjustments and paperwork. It felt as if the small tasks were never-ending: glazing, covering with protective layer, attaching wires, designing and printing price tags. I have taken numerous pictures. Light was not that good some days; well, it’s February. Therefore, contrast ranged from extreme to none, brightness went from burnt out images to a total lack of light.
Lots of work and many decisions
Even putting up paintings at location was time-consuming. Any place has its pluses and minuses. Light is as it is, and I had to figure out the best layout immediately and without hesitation. There was staff, who went up the ladder and put up each painting, and while they were doing their best, everything took some adjustment. I think I managed to do very well with placement of my art.
It is a great advantage to see art in person
While less people attend shows or art events nowadays since everything is on the internet, I would like to still emphasize that nothing compares to seeing art with your own eyes and experience the feeling of direct presence. There are so many devices between the real painting and its image on the internet! Any of these devices change the look of painting to a great extent, so some things get lost along the way, which especially refers to balanced and carefully crafted colors and contrast.
Paintings which were included in this show
My paintings frequently display paths and roads. Road, as well as path is an important symbolic element of my art. We are always on the way, always going to something new which is still to be discovered and explored. I am posting this time a few completely new and a few overworked paintings. That especially refers to “Nostalgia” series.
Subjects of my art
I loved to find untouched landscapes in close vicinity of a town: old country barns, quiet streams, birch groves and meandering forest paths. I genuinely love wildflowers, they appear quite frequently in my art. The same goes for always painting spring in winter. That is a natural mood lift and fantastic way of spending dark and gloomy days when storms, snow, cold and ice make the outdoor landscape very hostile.
Less text, more art
This post is intended to show paintings, therefore, less text, more art.
Red country barn, early spring, acrylic painting 76 x 61 cm, acrylic on canvas
Red country barn, early spring won the easel, Nostalgia series
Path in blue bell woods, Nostalgia series, acrylic painting, 24 x 20 in or 61 x 51 cm
Reflection of clouds, summer stream, acrylic painting on 24 x 20 in or 61 x 51 cm canvas
Nostalgia, the painting which initiated the series of landscapes disappearing from our neighborhoods, acrylic on canvas, 24 x 20 in 61 x 51
If you happen to live in Greater Toronto Area and especially around Ajax, please stop by. My show is on at Ajax Town Hall Council Chambers Lobby until March 19. 25 works of art are exhibited. I take from the first responses, that people like it. Enjoy!
Every paint brush becomes magic once we learn how to use it properly.
It’s how you use the brush
It matters how much pressure we put on the brush and what part of it we use. It matters that you use specifically watercolor brush for watercolor. Watercolor brushes are soft and able to hold plenty of water and paint. While the shape of brush matters, too, the most important part is still how one handles the brush. If you just try to aimlessly move some paint around the magic brush loses its ability to create something great. I usually use only a few brushes for every medium, most often just one or two.
My preferences for watercolor brushes
For watercolor, I use number 14 round, soft watercolor brush with a very fine tip mostly. Therefore, it performs quite a few functions. When we hold it perpendicular at a 90° angle, we can draw very thin lines. Since this brush holds a lot of water and pigment which is important for watercolor, we can use the side of brush parallel to paper and cover large areas fast with either water or paint.
Time it right
Timing is also important for watercolor. We can use just part of a large brush and move paint around. We can use full body of a big-size round brush and cover large areas of paper fast. We have to time everything accurately; if you want fine details, you will do them on dry paper. If you want smooth washes and color transitions, you most likely will wet paper first. Wet paper is also safer for those who are slow with paint application. That will allow avoiding streaks and patchy paint spots.
Fall colors
We have beautiful fall weather at the moment in Southern Canada. Leaves are turning golden, red, orange and purple. It is a good time to practice color mixing and color application since inspiration is everywhere. Bright, sunny and golden colors shine on grey and blue backgrounds. Use that in your favor when creating fall paintings. I started the painting of fall leaves a few years ago for watercolor painting class and finished just yesterday.
The most recent watercolor painting class image
This a quick watercolor painting without drawing and applying rather washes. Mine was done on not that great watercolor paper, but it still makes a lot of sense. Not to mention, that real painting always have more balanced colors and look way smoother than extra sharp iPhone pictures.
