Category: Nature

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No-rush life mode and energetic value of art

Boat on golden shore, boat painting

Distractions

These days, there are many distractions which do not allow working peacefully and devotedly on whatever we’d like to accomplish. I never give up painting, unless it’s so that I cannot get physically to my easel or painting desk. That is rare. I am working on additional paintings which will be included in the fall/winter sale event. It was supposed to take place in reality, but it’s safer to do this event remotely in the current situation.

Things which depend on me

I get done efficiently everything which directly depends on me. I wish everything depended directly on my own abilities and decisions! Just as always, iPhone gives me hard times. Especially when painting is large, it seems impossible to just snap a realistically looking picture of it. iPhone tries to enhance everything and I just don’t need that: contrast in excess, all blue or all yellow image, too light or too dark parts. These pictures look good on the phone screen, and that’s about it. Once I upload them on computer, it feels like disaster. It feels like that’s not the same painting.

Energetic value of original art

I post only original art on my website. That means I have created every single drawing and painting from scratch. There is no other one exactly like the ones I have painted. Original art is unique, one-of-a-kind and it displays features which are not visible or not present on a print or digitally multiplied image. Original painting has energy, and this energy vibrates in the space and captures the viewer.

Original art feels alive

Original painting upon completion starts living on its own. It’s a new energetic entity, and it has become a part of the universal energetic exchange. Art prints are copies, and they carry only the energy of materials and machines applied in the printing process, there’s nothing alive about a print. Yet, it is a good solution for decorating some certain spaces.

Texture plus multilayer paint

Many of my paintings have texture under multiple layers of paint. Textured spots enhance the image and usually look very attractive. It is more difficult to paint on a textured surface than on a smooth one. However, when used correctly, texture adds to volume and interestingness of art. I always use many layers of paint allowing them to dry between painting sessions. That also adds color play to painting and works towards an impressive impact. Photo cannot react to every tiniest nuance on canvas, and therefore, it goes almost unnoticed online.

  • Energy of original art
  • Detail image of October path painting
  • Autumn, fall acrylic painting
  • Golden eternity, acrylic painting by Inese Poga
  • Art show, Energetic value of original art
  • White birch, abstract acrylic painting
  • Set of 3 elegant paintings

Display and photo features

To be honest, if you haven’t seen art in person and with your own eyes, you pretty much haven’t seen it. Online is ok, and it can be anything: much better or much worse in real settings. If this pandemic had happened 50 years ago, we couldn’t even dream about connecting online and being present where we cannot be physically. Just keep in mind that no image can be like the original from which picture was taken. Every device, every screen will change it.

No-rush life mode

I’m living in a no-rush mode and moving ahead at my own pace. That also means putting no extra pressure on myself. Days are getting shorter swiftly, and I can do only what’s possible. That doesn’t involve lowering my personal standards, however. Every single one of my paintings involves a lot of work, many hours, numerous tubes of paint, countless decisions and millions of brushstrokes. It shows in the finished product. I actually wouldn’t change a thing when it comes to my art. It deserves attention and it deserves love. Slowly, but surely: art sales will take place.

As always, for prints you go to FAA:

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New fall art, online art show and sale

Inese Poga art studio

Finding the right conditions to work

I’m very pleased I can finally publish my newest fall art. If you read my posts, you probably know, we have to go through a live-in renovation. It hasn’t been easy, in fact, I had to take a break from anything I was doing for a while because it just wasn’t possible. I can only work in silence and when there’s no direct presence of anybody. I normally do not answer phone and also do not talk while painting. I’m all consumed and taken away by the creative process. I paint in silence without any music, but I open the patio doors and listen to birds and other sounds of nature if the weather is good.

Strict preventive measures prevent public access

My show should have been on from October 1st. After visiting the exhibition site, we decided not to go ahead with the real show. We have new restrictions in Ontario, and it basically comes to this: if hardly anybody is attending the exhibition site and they have to go through a strict procedure to be allowed on the premises, there’s no point in putting up a show. It is time-and effort-consuming process, and I just don’t see any value in exhibiting my art at this time.

Show and sale move online

The show will be all online. People, who reside in Ontario and can make an appointment to come to the studio, one person at a time, would be another option. I have numerous Thanksgiving pieces of art: from ecological prints to handmade unique cards, boxes and more. The ecological prints are created using nature materials like flowers and leaves and arranging them on thick watercolor paper. The process involves boiling and drying and then framing this art or using it in mixed media pieces.

Time-consuming creation process

My large paintings usually take up to month to finish, some – even longer, like 2-3 months. For medium size art, it’s approximately 2-3 weeks of work. I have never painted anything just in 1 sitting in acrylic. That is because of acrylic paint properties. Acrylic paint dries darker, much darker with some colors, therefore, I am glazing and adding new layers as I go. I want my art to be something impressive and something where one can literary feel like they are walking into the painting. I also take about 200 pictures of each painting, download, cut, resize them, then watermark and chose the most appropriate. That’s why I usually cannot post sooner than every 2 weeks at the best.

The birch valley

Fall art for sale
The birch valley is large painting, its size is 81 x 66 cm or 32 x 28 inches. Here it is on the easel. On the monitor screen, a picture of another fall painting is visible.
Fall art by Inese Poga
Birch valley, textured, large acrylic painting. As always, I have painted around the edges and painting is ready to hang on the wall.

Fall in the hills

Fall in the hills, acrylic painting by Inese Poga
Fall in the hills is 61 x 51 cm or 24 x 20 inches in size. It is one of the most tranquil paintings I’ve ever created.

I suppose it would look great on any wall. It depicts excellent mood and I think my color choice supports that. The first layers on this canvas were put down in 2015. It’s amazing how long it took me to add the final touches and turn this art into something I wanted to.

Fall in the hills, fall art by Inese Poga
Fall in the hills, beautiful soft colors and good composition

New red barn

And finally, the “New red barn’ which we started painting during art classes exactly a year ago. Just recently, I decided to finish it up so that one more painting is completed. Students were rushing, but I decided to work out this painting properly by adding enough layers and some detail.

Online art sale
The new red barn, acrylic painting on canvas, 20 x 16 in or 50.5 x 40.5 cm

Beauty has no price

I assume, my paintings when sold from the studio are not expensive. I don’t think you know anybody who’d work for $25-$40 a day and add even materials. Compared to all abstract and animated, as well as very amateurish art out there, my paintings are very recognizable on this background since I use certain colors, paint certain subjects and have a distinctive personal style. The truth is that fewer and fewer people can draw or create somewhat realistic looking art nowadays, and that works for me and lets me stand out.

Updating website and tackling shipping

I will work towards making my sales pages better in the upcoming weeks. They need update big time; I just didn’t get to that yet. Unfortunately, shipping is always what Canada Post charges me. They give great deals to huge customers so that their clients get free shipping, but a single person business pays way above the global average and also about 40-50% more than in the US.

Only original art

I am only selling originals for now. The new fall art looks amazing. For prints, I can order them myself and then resell, but that’s a risky process. I trust sites which specialize in creating and framing prints, such as Fine Art America, for instance. They do good job and nobody could ever compete with options for frames, as well as prints on numerous materials including wood and metal.

Art prints and other artistic products:

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The golden view of early fall

Acrylic paintings by Inese Poga

August is here, and it’s about time to create some fall landscape and treescape. The colors are not here yet, but they’ll be everywhere before we know. Just as I wrote before, I get tired of green and I need something completely different. This post shows my most recent acrylic painting ” Golden view of early fall” on lots of textures in the background, or underneath the multiple layers of paint.

I started creating very textured paintings many years ago. Before modeling paste was available, I used plaster and plaster cloth, then cured it and, thus, got amazing textures. It’s hard to say which one is easier to use. Plaster takes more layers of primer before paint application, but modeling paste sometimes dries too quick. Nowadays, textured art is common, but it wasn’t when I started creating it some 15 years ago.

I asked my husband to take a few pictures with me working on this painting in order to present the size of it. Everything I post just as a cropped image of painting alone doesn’t allow seeing it in space and with dimensions. For a textured art and in order textures were more or less visible on a photo, it is important to get some angled views.

Artist Inese Poga painting The Golden view of realy fall
Just adding more layers to Golden view painting. The perspective of iPhone is quite terrible, but one can see the size at least

Painting The Golden View of early fall
Golden view painting on the easel. It took me about 3 weeks to get it painted going over layer by layer and so for many times.

Large fall colors and nature painting
Textures and color, close-up

Details of large acrylic painting Golden view of early fall
I hope you can see how textures push through the paint layers

Golden eternity painting by Inese Poga
I eventually changed the name to Golden eternity, especially, when viewing the actual painting in person it makes sense

The “Golden eternity” is 81 x 66 cm or 32 x 28 inches in size.

Have a great August and fun enjoying nature! Nature is an endless source of the best things on our Earth.

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Pink and purple summer flowers with painting steps

Morning pansy, pansy watercolor painting

Summer flowers

When else to use live flowers as a model if not in summer when everything is in full bloom and getting more beautiful by hour? Although, we’ve been hit in Ontario by a heat wave, there’s plenty to paint outdoors and indoors. I won’t write a long text this time because pictures will display the painting sequence I use and also probably inspire somebody to get a brush, pencil and watercolor paper. There you have it: I’m presenting pink and purple summer flowers with painting steps.

Petunias

Petunias are usually in every garden. The pink and purple petunia painting is more abstract. I do usually create a drawing on a separate paper for reference and not to damage the watercolor paper with erasing anything. I transfer my drawing onto watercolor paper using daylight on a glass door and how it perfectly shines through even thick watercolor paper.

Watercolor paper

Watercolor paper is one of the most important aspects of watercolor painting. I started Bright petunias believing that I was using Arches watercolor paper. After a while, I realized it didn’t work like Arches. If you have painting experience, you know that Arches facilitate beautiful washes and easy flow of paint. It is possible to lift paint also. I discovered that this sheet came from leftover Saunders-Waterford paper. Some 10 years ago, it used to be a good paper, but it gradually became worse and worse, and the last batch they sent me was so bad, that I will simply never buy any Saunders-Waterford paper again.

Washes with big brushes

I always start with basic washes which I am applying to wet paper. Any cotton paper needs to be wet in areas which you intend to work on, except for fine details which we add at the end. Then I gradually build the shadows and shapes using multiple layers of paint. My pictures show how unsuitable the paper actually is. The only plus is it doesn’t buckle; therefore, I don’t have to tape it down as with cheap watercolor papers.

Paints and brush

I always use round brush with fine tip, size 14. I always use large brushes as long as possible for they hold a lot of water and pigment, yet allow getting extra fine edges and lines, too. I switch to number 6 round brush with fine tip only at the end when I need some tiny elements painted. I always use St. Petersburg original and authentic watercolor paints. I’ve never had better paints so far and I have tried very many. I’d give the second place Da Vinci paints, but they don’t sell them any longer at my art store. St. Petersburg paints have all the best qualities of watercolor paint thanks to the manufacturing process and raw materials.

Bright petunias, watercolor by Inese Poga

Bright petunias

The result could be smoother, but for an abstracted painting, it works. I use colors intuitively and carelessly actually and lots of water. For color testing, I am making use of extra sheet of cheaper watercolor paper because it shows the exact color I will have.

Morning pansy

For Morning pansy, I followed exactly the same steps. I’m creating drawing, transferring drawing to paper, making paper wet around the central flowers, staring with damping paint around the main part and allowing it to dry before I move on and start putting paint on flower. Then I create leaves. The entire painting requires going over and over some parts. At the end I’m adding water drops. In the base of every single painting are the same principles: want impact, create values. Color to me is always secondary and I use color whichever I prefer at that moment.

Result

Morning pansy, watercolor painting by Inese Poga
While I didn’t try to paint reality since I never do, colors and shapes work extremely well in this painting thanks to a very strong contrast not only between colors, but also between background and subject.

Inspiration

I think that could inspire you to paint your own summer flowers, but I will sell later full classes including the drawing templates on this website. My art is always based on drawings and I like it that way. Such art reveals progress and refinement of my personal style. I’ve done abstract watercolors, too, but they seem to be way too simple and never a real challenge. I love tricky things and exploration of effects and somewhat realistic art allows me doing that.

Note: Please, respect my copyrights, and since these particular painting steps are not intended for copying, use your own drawing, but apply process and advice.

More of everything, my art prints:

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My high definition realism art

Red barn, acrylic painting

Personalized vision and realism

Properties of our eyesight are very unique, indeed. There are no two persons, who see everything exactly the same way. We could say, the way we see is just as unique as our DNA, fingerprints, iris of the eye and similar extra fine things. Therefore, when we create something, some people will love it, some people will think it’s nothing special and some will either ignore or dislike it. That is normal. The thing we have created has still the same value for us personally, at least it should, because its objective value does not change depending on subjective likes or dislikes. It’s social media which either stamps some creation as success or disregards it.

High ranked mediocrity

I do sometimes wonder why a painting which is really good does not get that many likes as something rather average. Go figure. Partially, this is because of ranking. Let’s say, I post my image at the right time and it immediately gets 30 likes in the first 20 seconds. That’s it! It immediately moves up the ranks, and that is all we need. New likes follow, comments are posted and we’ve got the attention of the invisible viewer mass. Now, does the response always indicate that we are becoming a master in some area? Not really. We still need to have our self-criticism and apply our personal judgement.

Versatility

We should have options, always. The trends are out there and whether to comply and act on them is up to us. People sometimes suggest: you should paint more abstracts, you should do some black and white art, you should post more drawings and so on. I could do all of the above. The problem is, however, that I do create art which I am deeply in at any particular moment. I am not good with following trends and I actually do not care that much about them either. It is bad for marketing, no doubt about that. However, it is the only way to stay true to oneself and do more of my own realism.

Specific realism

I love realism. I need to clarify, it’s not any realism, but my personal enhanced realism. We could say, it’s high definition because I adore adding something still tasteful, but very detailed. Details are risky, but they also make a view very unique. I love specific colors and cannot stand some other particular colors. I do not like using black, in fact, I use it only for mixing up other colors. I love greens which are mixed up from black plus blue, plus yellow plus burnt sienna and white. Some grey shades require black. I really dislike black in watercolors. I never have used even 1 drop of black in any of my watercolors.

The choice of subject

We normally paint what resonates with us. I at least do. I have also many favorite subjects: still life, seasonal landscape, buildings, perspective and flowers. I think all young people want to paint portraits and figures. I did, too. Some stick to them and some move over to other subjects. I love painting and drawing from reality, and to paint face or figure, I’d need a model. That complicates things because it makes me dependent on somebody else. With my subjects, I choose time, place and medium.

Original realism art
recent acrylic paintings, all in spring colors

Too many paintings

I’ve read how people complain they don’t have enough artworks in portfolio. I think it is also problematic to have too many artworks. I’m adding 2-3 a week in average. I have numerous paintings in different completion stages. Some are drafts, some half-done, some need change in color or more highlights. I get tired of one medium or subject quickly. Therefore, I switch from acrylic to watercolor and vice versa, I sometimes do just pencil drawing or pastel drawing. I love creating all kinds of drawing-based art because I’m very good at drawing from reality, and for that matter, drawing anything.

Breezy daisy fields, realism by Inese Poga
White daisies and summer field

Preferences

My preferences are very noticeable when it comes to art. I love clean colors. I never use paint straight from tube, but the mix must be clean. It is easy to create any color from 3 primary colors, plus black and white in acrylic. I add burnt sienna, burnt umber, ocher and many shades of blue. That way, my palette is complete. I’m not a big fan of Ultramarine. Instead, I use Prussian blue and brilliant blue. Seasons have huge effect on me. I basically paint spring in winter or early spring, summer in spring, and fall in summer. Does that mean I cannot wait until the actual season arrives? Yes, it does.

Summer acrylic paintings by Inese Poga
For the love of color
Summer barn, acrylic painting
Enhanced and personalized realism in art; Summer place 2, I love how it came out, acrylic painting on canvas 18 x 24 inches or 46 x 61 cm

Summer place 2 and Breezy daisy field

I would love to post just one painting in every article, but there are so many lined up. I will limit myself to just two this time. Summer place 2 is the second one in Summer place series. Breezy daisy field is also continuing the flower field series. As usually, I started them for demo purposes at art classes. The summer place 2 took about 2 weeks and daisy field about a full week to complete. My paintings consist of many layers and under-layers. It is best to paint any acrylic painting on color-coated canvas. They both are the same size: 18 x 24 inches or 46 x 61 cm. One is horizontal, the other is vertical. I’m very sure, the internet display will make one look larger and the other smaller.

Daisy fields, acrylic artworks
Breezy daisy field, it got a lot of attention on Facebook, acrylic painting on canvas 18 x 24 inches or 46 x 61 cm

Grey of spring and lush green of summer

It is still cold outdoors. This April came with such a nice promise of spring starting early. What a disappointment! It is almost May and we have freezing temperatures every night. That is why I am a lot in very strong and very rich green color. I’m not trying to overdo, but it feels so nice to surround myself with this color at the moment. My love relationship with green will pass, too, but it’s so pleasant to look at such art and be around it.

Here you see art currently for sale: Shop original art

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