Acrylic painting supplies for art classes

Painting supplies for acrylic painting classes

We do not need a lot of acrylic painting supplies to start painting, so, keep the list short and get things you do not have yet as you go.

Brushes

1 flat brush, soft, synthetic for either watercolor or acrylic painting, ¾ inch wide; or about the same size Filbert brush (it is flat with rounded corners). 1 small soft watercolor or acrylic brush, size 4-6 round, fan brush for oil painting (rough bristles). If fan brush with rough bristles is not available, get simple wall/window painting brush, 1-1.5 inch wide. We will cut it out with scissors, so that it can do more. I will show how.  We can use Filbert brushes (slightly rounded edges) in small to medium sizes also.

Canvas

We use 16 x 20” canvas for regular classes and 16 x 12″ canvas for 1 day workshops. If you believe you are rather slow with brushing paint, the smallest size is 12 x 16 in. However, painting larger is easier. You will need to paint your canvas in medium dark grey or brown color before you come to class. The edges of canvas need to be covered with one layer of paint as well. That helps creating better art much faster.

Acrylic paints

The best acrylic paints for beginners are AMSTERDAM students’ grade or Liquitex Basics students’ grade paints. Artist’s Loft (Michael’s brand) will work, as well, but it doesn’t mix well with paints of other brands (curdles).

The best is to get a professional grade Titanium white and two yellow colors: one lemon yellow and the other cadmium medium yellow or similar warm yellow. White and yellow are very weak colors in any students’ grade paints. I’d not advise to get a paint set, but rather separate tubes because we use white and yellow much more than other colors. You do not need any green color..

Short list of acrylic paint colors:

You will need 6 basic colors to get started:

White: Titanium white, required more than other colors

Black: Lamp black, Mars black

Red: 1 warm red (more orange red) and 1 cold red (more purple)

Cadmium medium red, Primary magenta, Crimson pyrrole, Carmine red, Crimson lake, Carmine lake, Naphthol red medium or similar, whatever red the brand you want to use has.

Yellow: 1 cold yellow (greenish shade), 1 warm yellow (more orange shade)

Hansa or Lemon yellow (cold yellow) and Cadmium yellow medium, Brilliant yellow, Azo yellow medium (warm yellow)., 2 yellow shades are important for color mixing. If you have just one, please, choose medium yellow (warmer).

Blue: Brilliant blue, Prussian blue and/or Cobalt blue, having at least 1 blue is very important

Artist grade paints have more pigment and less fillers and binders. If you would like to use artist’s grade paints, I would advise Liquitex heavy body, Graham (satisfactory quality, not that great tubes) or Golden (also tough to open tubes).

Additional acrylic paint colors:

You can get them gradually when you know what you need more.

Ocher: yellow ocher or golden ocher

Red-brown: Burnt sienna

Warm dark brown: Burnt umber

Blue: Ultramarine blue, Cerulean blue

Dark grey: Payne’s grey

Additional supplies: white plastic disposable plates (it is important plate is white). Do not use mixing papers or tiny palettes which are not suitable for mixing wet paint. I will not accept them for art classes. Mixing paper does not work with many acrylic paint applications, especially fan brush and sponge.

At least 10 sheets of paper towel per class. It is very important you use paper towel, it is not possible to paint without cleaning your brush frequently.

We use pre-painted canvas so that painting is much easier.

Additional supplies for easing the painting process

Plastic knife

Seaweed sponge or silk sponge

Slow-drying medium and blending medium, as well as modeling paste are useful, but we use them only for certain projects and get by with water. I have my own blending medium which I create from 3 components, I will show how.

It is better to have fewer acrylic painting supplies and better quality supplies. It is recommended to get paints at the art store. Artisan liquid paints from the Dollarama absolutely do not work.

Schedule:  Art classes, schedule and registration

Mastering watercolor painting

Choose art classes, watercolor painting classes

Mastering watercolor: it is a journey

You can expect a lot of learning; a lot of practicing and you will definitely find out something which you did not know before if you would like to paint with me. I take a lot of pride in boosting one’s creativity as opposed to mechanical copying and using paint without any knowledge. Along with nature watercolor and acrylic painting, fall art classes will be an ongoing journey into creativity, and hopefully result in some students mastering watercolor.

Nature art: a wonderful opportunity

Our eyes best notice what is around us if we focus, pay attention and observe. Fall colors are intense and make any composition look impressive. We have created numerous fall watercolors before, and they always came out nice. Acrylic definitely is a very suitable medium for depicting fall scenes, especially with grey and blue colors of sky.

Democratic nature of art

This season, fall art classes are designed to better suit teens 13+ years, and the evening group is for any age adults and youth. Art is very democratic: one works on their own canvas or paper, and nobody cares whether you have experience or not. Art classes are for learning. If you have never painted before, allow this skill some time to develop.

Online versus live art classes

When you are sitting on one side of screen, nobody can check or see how exactly you are applying the advice or tip. In a live art class, the instructor can see right away whether the paint is too wet, too dry, student uses too little of paint or there is way too much of it. The instructor can see right away who understood the technique and who is struggling with it.

Inese’s Art Studio has new location

Inese’s Art Studio has moved to Ajax at the beginning of August. It is a beautiful place with indoor and outdoor painting opportunities. Its location is perfect since it is quite central, but offers fantastic nature all around. I hope you will sign up and enjoy our fall art classes.

Schedule, registration and more info about art classes: Sign up here

 

Share the joy of watercolor painting

watercolor painting, flower painting, painting steps

July is world watercolor month! 

It’s probably a good reason for many to participate in World Watercolor Month and share the joy of creating art and using watercolor. Isn’t that great that it has become a tradition already? I read that it started only in 2016, and I believe many people are extra excited about that. I cannot post every day, but I am certainly happy to contribute at least some images and posts.

Manual abilities still matter

While we are swiftly becoming a digital and virtual society which uses devices and apps for everything, there are some things we should not delegate to devices. It’s in our favor to maintain ability to write and draw manually. Manual drawing and painting are extremely rewarding activities which not only make one happy and less stressed , but result in enjoyable art.

My current subjects: summer and nature

Nothing is better than nature, outdoors, gardens, flowers, growing vegetables in the summer. Nature is always genuine and honest. There is no pretense or flirting; that is the most real beauty we can have. I can draw and paint anything, but I have to admit that nature is the richest resource for any goal, any intention, anything in art. Therefore, while teaching and creating art I am teaching people to also love, appreciate and take care of this wonderful resource. Everything is connected. We can only harvest what we have planted.

The dreamy purple of summer pansies

Please, have a look and get inspired by my most recent watercolor project: The dreamy purple of summer pansies. I have posted 3 steps, but the first step is actually to transfer the drawing or draw with very light lines on watercolor paper. I used Saunders-Waterford watercolor paper, but medium to heavy Arches would serve better. The size is quite serious in order to capture flow of lines and shifts of color better.

The dreamy purple of pansies, step 1, painting in first layers on flowers and leaves, identifying the subject and composition

The dreamy purple of pansies, step 2, painting around the flowers and adding more layers on blossoms

The dreamy purple of pansies, step 3, adding more layers on flowers and defining more the background

Join us, create with watercolor

I know how excellent it is when one can use watercolor or pen and watercolor: it can easily become an obsession. If you were always attracted to watercolor, but are not completely sure what and how to paint, you are very welcome to join our watercolor summer painting sessions. Summer is the time to go out and paint nature. Enjoy the summer, get brushes and paint sets, and let us paint!

Link to registration for art classes: Art classes

Link to my Facebook page: Art plus Life page which is Inese’s Art Studio now

Art instruction: online versus real, myths versus reality

Art instruction, online versus real

Art instruction in abundance

Art instruction can be found in abundance everywhere: there are numerous online classes, numerous websites that will give an idea of creating art and also countless real life events. 100% of students who attend my art classes have been watching YouTube art instruction videos, demos and suggestions. One would think they have learned a lot. In fact, it isn’t the case.

Birch painting in watercolor

 

What is the gain?

Most people after spending a lot of time with online art instruction videos haven’t learned anything. That sounds strange, but it is a fact. Most people who have been watching YouTube tutorials and demos do not know how to use the brush with acrylic, how to blend paint and how to mix the correct color they want. Most people who were learning drawing and watercolor painting using online video tutorials are afraid of water; they do not know how to apply watercolor paint, how much water to use, how to time the painting process and how to avoid muddy colors.  Most people, who were learning how to draw online, cannot draw anything on their own or using real set-up compositions. They can only trace a photo or use an outline printout for their drawing.

Reasons and causes

Why would that be? Why haven’t they become skilled after spending numerous hours at the screen? The main reason might be the one-sidedness. If one has a lot of artistic experience and knowledge of painting techniques and understanding of paint properties, they will benefit from such online art instruction videos. These, who have zero experience, most likely will not. I believe these art instruction videos are good for inspiration and issue solving. If you do not have experience, you will rather get confused and disappointed.

Two-way communication

In real and live class, I can see how somebody understood the demo or painting tip. You’d be surprised seeing what levels of moisture are applied when I am saying: make your paper wet. That ranges from flooded paper with puddles of water to slightly seeing shine on it. Graded wash is understood in very different ways: from thick layer of paint to no paint at all. Not to mention a wet paint application on wet paper and a dry paint application on wet or dry paper.

Timing

Timing is a very important part of painting with either watercolor, or acrylic. By not observing timing and making good use of it, the potential artist will definitely get frustrated. There are things which are easy to do when the timing is right and impossible to do at all if the timing is wrong.

On your own and on one side of screen

When you are sitting on one side of screen, nobody can check or see how exactly you are applying advice or tip. In a live class, I can see right away whether the paint is too wet, too dry, if there is too little of it or way too much of it. I can see right away who understood the technique and who is struggling with it. I am able to notice the weaknesses and the strengths right away, as well, and do that for each particular student.

Brushing techniques

Brushing techniques are probably the most important part of acrylic painting. Most people have absolutely no idea about these techniques. It is understood that it does not matter how you put the acrylic paint on canvas. Well, that makes the painting experience either pleasant or results in frustration when one cannot achieve what they want to.

Art instruction can be found in abundance everywhere: there are numerous online classes, numerous websites that will give an idea of that and also countless real life events. 100% of students who attend my art classes have been watching YouTube art instruction videos, demos and suggestions. One would think they have learned a lot. In fact, it isn’t the case. Most people after spending a lot of time with online art instruction videos haven’t learned anything. That sounds strange, but it is a fact. Most people who have been watching YouTube tutorials and demos do not know how to use the brush with acrylic, how to blend paint and how to make the correct color they want. Most people who were learning drawing and watercolor painting using online video tutorials are afraid of water; they do not know how to apply watercolor paint, how much water to use, how to time the painting process and how to avoid muddy colors. Most people, who were learning how to draw online, cannot draw anything on their own or using real things and their set-up compositions. They can only trace a photo or use an outline printout for their drawing. Why would that be? Why haven’t they become skilled after spending numerous hours at the screen? The reason might be the one-sidedness. If one has a lot of artistic experience and knowledge of paint application techniques and understanding of paint properties, they will benefit from such online art instruction videos. These, who have zero experience, most likely will not. I believe these art instruction videos are good for inspiration and issue solving if you have plenty of painting and drawing experience. If you do not have such experience, you will rather get confused and disappointed. In real and live class, I can see how somebody understood the demo or painting tip. You’d be surprised seeing what levels of moisture are applied when I am saying: make your paper wet. That ranges from flooded paper with puddles of water to slightly seeing shine on it. Graded wash is understood in very different ways: from thick layer of paint to no paint at all. Not to mention a wet paint application on wet paper and a dry paint application on wet or dry paper. Timing is a very important part of painting with either watercolor, or acrylic. By not observing timing and making good use of it, the potential artist will definitely get frustrated. There are things which are easy to do when the timing is right and impossible to do at all if the timing is wrong. When you are sitting on one side of screen, nobody can check or see how exactly you are applying advice or tip. In a real life class, I can see right away whether the paint is too wet, too dry, there is too little of it or there is way too much of it. I can see right away who understood the technique and who is struggling with it. I am able to notice the weaknesses and the strengths right away, as well. Brushing techniques are probably the most important part of acrylic painting. Most people have absolutely no idea about these techniques. It is understood that it does not matter how you put the acrylic paint on canvas. Well, that makes the painting experience either pleasant, or results in frustration when one cannot achieve what they want to. Most people do not know how wet and how dry watercolor paint should be, and I have seen how some would try applying it without any water at all. Sounds crazy? Yes, it is weird because we call it watercolor since it can be used only with water. Pigment in watercolor paint is activated using water, otherwise it won’t work. Without doing this properly, there is no watercolor painting, but we create a streaky smear. There is a principle which is always true when it comes to art supplies: the better quality art supplies are, the easier it is to apply them; and vice versa: the worse quality art supplies are, the more skills one will need to use them properly and to achieve good results. While many art instruction demos and videos are called “How to paint ….” they should be called, in fact, “How I paint ….” because there are lots of ways to interpret one and the same subject and one and the same theme. Many of demos also instead of “How to paint …” fall in the category “How not to paint …”. That’s just how wrong the demo or art instruction advice can be. With the wide-spread accessibility of internet and opportunity to share and post anything, we cannot be always sure if the advice we are given is correct or if it will ever work for us in particular. We have to approach everything selectively. That refers not only to art instruction, but also to any advice for any situation in life. We have seen by now how art instruction is given by people who do not have the slightest teaching or art experience, as well. Art instruction has become an area where everybody is an expert. Would anybody teach and give music lessons? Piano or guitar lessons, for instance? No, they would not. Would anybody without any knowledge and skill teach foreign language, math or chemistry? No, they would not because that means misleading the student and pretending that one has what they do not. When it comes to drawing and painting, it is assumed that having no experience is not an issue. Just teach it and everything will be fine, which is profoundly wrong. I would say if you want to see fast results and create a decent and interesting art, you definitely have to start with real and live art instruction. Let the art instructor see how and what you are doing because that is the only way to find out why some things absolutely do not work and what you should be doing to make this experience rewarding and uplifting. Realistically, the things one needs to learn are the main principles of drawing and painting, not the style and techniques of artist X, Y or Z. The truth is that once you have learned the basics and have established the foundation you will be able to create anything, draw and paint anything in your personal style and to develop a personal approach to any subject. That won’t limit you to just being able to paint one particular scene and subject. It will feel like: I can draw and paint any scene, any still life and floral composition. I can draw and paint anything. That’s why starting with techniques, values, color theory and composition is important. Practically, that means finding out what your brush, paint and pencil can do once you know how to use them. Therefore, I would suggest, we start with basics and go from simple subjects to very complex ones. Along with becoming skilled in art, drawing and painting are the absolutely best things to devote our free time and leisure hours to. This means also exploring ourselves, becoming smarter, better with decision making and invisibly growing new brain cells, as well, extending the lifetime of the existing brain cells. That means a better memory and an improved cognitive function.

Using watercolor paint

Most people do not know how wet or how dry watercolor paint should be, and I have seen how some would try applying it without any water at all. Sounds crazy? Yes, it is weird because we call it watercolor because it is used with water. Pigment in watercolor paint is activated using water, otherwise it won’t work. Without doing this properly, there is no watercolor painting, but we create a streaky smear.

Quality of art supplies

There is a principle which is always true when it comes to art supplies: the better quality art supplies are, the easier it is to apply them; and vice versa: the worse quality art supplies are, the more skills one will need to use them properly and to achieve good results.

How to or how not to

While many art instruction demos and videos are called “How to paint ….” they should be called, in fact, “How I paint ….” because there are lots of ways to interpret one and the same subject and one and the same theme. Many of demos also instead of “How to paint …” fall in the category “How not to paint …”. That’s just how wrong the demo or art instruction advice can be. With the widespread accessibility of internet and opportunity to share and post anything, we cannot be always sure if the advice we are given is correct or if it will ever work for us in particular. We have to approach everything selectively. That refers not only to art instruction, but also to any advice for any situation in life.

Teaching without skills? That happens

We have seen by now how art instruction is given by people who do not have the slightest teaching or art experience, as well. Art instruction has become an area where everybody is an expert. Would anybody teach and give music lessons? Piano or guitar lessons, for instance? No, they would not. Would anybody without any knowledge and skill teach foreign language, math or chemistry? No, they would not because that means misleading the student and pretending that one has what they do not. When it comes to drawing and painting, it is assumed that having no experience is not an issue. Just teach it and everything will be fine. Isn’t that a bit absurd?

Learn faster

I would say if you want to see fast results and create decent and interesting art, you definitely have to start with real and live art instruction. Let the art instructor see how and what you are doing because that is the only way to find out why some things do not work and what you should be doing to make this experience rewarding and uplifting. Realistically, the things one needs to learn are the main principles of drawing and painting, not the style and techniques of artist X, Y or Z.

Finding out what you can do

Once you have learned the basics and have established the foundation, you will be able to create anything, draw and paint anything in your personal style and develop a personal approach to any subject. That won’t limit you to being able to only paint one particular scene and subject. It will feel like: I can draw and paint any scene, any still life and floral composition. I can draw and paint anything. That’s why starting with techniques, values, color theory and composition is important. Practically, that means finding out what your brush, paint and pencil can do once you know how to use them.

Winter birch painting by Inese Poga
Painting which we created during recent art class

From simple to complex

Therefore, I would suggest, we start with basics and go from simple subjects to very complex ones. Along with becoming skilled in art, drawing and painting are the absolutely best things to devote our free time and leisure hours to. This means also exploring ourselves, becoming smarter, better with decision-making and invisibly growing new brain cells, as well, extending the lifetime of the existing brain cells. That means a better memory and an improved cognitive function.

Suggestions on how to choose art classes: https://inesepogagallery.com/2017/10/09/choose-art-classes/

Registration for art classes: Art classes

And some of our previous experiences: https://inesepogagallery.com/2013/09/20/art-classes-a-worthwhile-activity/

Celebrate in style: the best way to get into Christmas mood

Christmas mood, small paintings

Robins, cardinals, fun and Christmas mood

Christmas mood must be intentionally created. Original art has a special attraction, energy and flare to it, therefore, it really helps. I don’t think there can be too much art on any walls. I have usually some 200 works of art on display in my studio gallery, and it does not feel overwhelming or crowded. I rotate my art depending on demand and season. It feels very appropriate to have snow scenes and winter villages on display when Christmas is around the corner, and it is very obvious that spring flowers blossom around the gallery in spring.

Fantastic small bird paintings

I have a special love to small birds. I preferred them to any other creatures already as a kid. I assume that one should only paint what they know. I watch these birds during any season, and I have hundreds of sketches which I can turn into artworks later. I painted this particular painting “Robins, winter” last year. I painted 6 bird paintings. As it frequently happens, I felt I wanted to improve the color balance. So, I added a few more layers of paint to this painting. I believe it became better and birds are more bird-like, as well. The entire scene is lovely and welcoming and speaks for itself – it works very well for Christmas mood.

Robins, winter, 16 x 20 in (41 cm x 51 cm) acrylic painting on canvas, sold

Festive gift painting workshop

I  invite everybody to participate in a festive workshop at the beginning of December to try out how nice of an adventure it is to create something heart-warming and cheerful. We can choose the image, and some people usually prefer winter scenes, some illustration or wall decoration type of art, as well as some might go for birds. We also paint poinsettias almost every winter. I must admit, that is a subject which always works well on canvas and paper and looks great.

Create the mood, create the gift

The best way to get into Christmas mood is to create art that suits the season. Let us celebrate in style with original art this year! Please let me know if you like “Robins, winter” painting and whether you’d love me to ship it to you!

Art prints and other artistic products are available from Fine Art America., just click on image.

My favorite from all products with this particular painting is the spiral notebook. It looks unbelievably good! Mugs also look impressive, so do actually lots of my art products and art prints.

Here is how you get to purchase many fantastic prints and similar artsy things at very attractive prices: Art collections by Inese Poga

Celebrate in style and have a wonderful Christmas mood!