Art instruction and art classes will definitely help because the painting subject is everything or almost everything. Why it is so difficult to choose what to paint? That sometimes takes, hours, days and weeks, even months. I know how some potential artists would procrastinate for long time just because they cannot stop at a particular painting subject, make a decision and start painting. Choosing your painting subject is crucial to get started at all. I am saying: use whatever you have around and take the first photo which makes sense.
Suitable features
When we go through images or sort our memory and imagination, we find the potential painting subject too difficult, too complex or too simple. There is nothing to paint. Nice colors, but bad view, no foreground or no background, boring or too detailed. These and similar thoughts might rush through your head. One of the worst ways to help you choosing what to draw or paint today is just to check out what others do or have done today.
Scrolling through online images
Scrolling through online or your own images can consume one completely. There goes your day and there go the best hours for painting. Internet images will suck you in; you will end up watching lots of YouTube videos which you neither wanted to watch, nor needed. You will look at endless Google images. That is a big distraction which we call inspiration. I will just get some inspiration on this painting subject, you say and nothing gets done.
Just do it
Whether that is a photo or real item, just get started. Just do it: the first line, the first brush stroke. Who cares? You can change colors. You can add or remove the background. You can disregard details or add them to your pleasing. Anything which is related to your computer or phone is here to distract you. Therefore, the only way to paint is to start painting.
Discipline
No wonder we wake up 4 hours later and we have not done one single line of a sketch, drawing or underpainting. I sometimes think people are way better off going to a class because that will remove all troubles. There will be a prepared image, subject or concept and you just go with it. That image will suit your intentions well.
If class is not an option
Assuming, you are alone and you do not have intention attending classes at the moment. Get a picture, good, perfect or not that great: it does not really matter. The only thing that matters is to get started. Once we are over the starting point, we will keep working. Just take the pencil or pen and start drawing. Take the brush and start brushing. The first step is what matters. After that point you will be fine because the inner “you” will not allow taking a break until you are done.
For inspiration, see the progress of recent barn and spring watercolor
Barns and buildings: great painting subject
We start with sketch, then do very light line drawing, apply first washes, add more or less color, define more and that’s pretty much it. Total time: about 5 hours. I did not like how the first version looked pale (not in photo, but in reality) the next morning, so i added stronger background and more layers to buildings and front.
That’s how it looks, watercolor on Saunders-Waterford paper, 22 x 16 inches, or 56 x 41 cm.
Creating art is a way of finding out if one is able to make creativity, drawing, sketching and painting part of their life and self-care. I recently received many positive comments about my art classes. Parents admitted that the art instruction which is available in our region (Ontario, Durham region) does not actually include learning how to draw or paint. They told that most art classes were rather craft classes which use glue, markers, inks, papers, mixed media and similar. There is a need for projects which involve real drawing, sketching and painting. I am adding to this creative freedom when we make our own choices.
Replacing device with brush and pencil
I have noticed the dramatically decreasing attention span and lack of focus due to the overuse of devices in the recent years. The inability to prioritize important things in our life is one more issue because there is too much of everything happening at once. While some people, who have no art creation experience, would assume that art entertainment events with cocktails and food are art classes, I am very sure they are not since such events don’t teach anybody anything. There are also misleading art instruction models. Most of them are designed to please the participants and to make them believe that they are gaining a lot.
Ready product versus process
Most people are interested only in the final products, and they have no interest or patience to learn about the process of getting to this final product. Indeed, we are seeing this frequently. Many venues offer art classes which are half-done product. They supply with paper or canvas with drawing on it, so that the student has to only apply paint on certain spots Most events are a few hours a single night or one day only because everybody is in a rush. Is it possible to master everything within such a small time frame? No, it isn’t. Brushing techniques alone take time to practice, not to mention that colors, values and composition matter. We always observe certain aspects of painting and we must be aware what these aspects are.
Meaningful art instruction
If we want to make art instruction meaningful again and if we want people to really fall in love with creativity and hand-made art, we have to go the long and more difficult way. We have to allow teens and adults, who want to learn, doing so. Having the final product or masterwork done in just a few hours is an illusion. Nevertheless, there are lots of people who believe in that. Final product or masterwork cannot be the only goal. What matters in this case is the journey, the multiple techniques and approaches, the enjoyable path to self-discovery, satisfaction and feeling of fulfillment. The key is understanding the main drawing and painting principles.
Progress of my recent project
The recent project was painting a simple barn while using expressive watercolor washes. Students learned how to blend red and green colors. For that, we require wet-in-wet approach since that eliminates muddy color. We used simple perspective drawing of buildings and fence.
A few layers are already applied, I start with abstract watercolor washes and define them as I go.
I keep adding layers and I have also worked more on fence posts.
The old country barn painting is almost done, just problems with picture-taking.
Mutual experience
I also wanted to make an art class which is hard to learn online: just because the content of this class rests on the presence and the interaction between me, group and everybody as an individual. Perspective is such subject for which understanding the principles is of extreme importance, or there is no perspective. While my photos were not perfect, the painting is correct.
The finished painting, Old country barn, 24 x 20 in or 61 x 51 cm watercolor painting on Saunders-Waterford cotton paper
Reason to be satisfied
Therefore, I am proud that my drawing, sketching and painting classes provide teens and adults with a meaningful art instruction. I make sure that students have tools to enjoy a creative freedom, and they are able to draw, sketch and paint anything they want and the way they would like to. I believe that is different and that works in favor of any student.
Art instruction can be found in abundance everywhere: there are numerous online classes, numerous websites that will give an idea of creating art and also countless real life events. 100% of students who attend my art classes have been watching YouTube art instruction videos, demos and suggestions. One would think they have learned a lot. In fact, it isn’t the case.
What is the gain?
Most people after spending a lot of time with online art instruction videos haven’t learned anything. That sounds strange, but it is a fact. Most people who have been watching YouTube tutorials and demos do not know how to use the brush with acrylic, how to blend paint and how to mix the correct color they want. Most people who were learning drawing and watercolor painting using online video tutorials are afraid of water; they do not know how to apply watercolor paint, how much water to use, how to time the painting process and how to avoid muddy colors. Most people, who were learning how to draw online, cannot draw anything on their own or using real set-up compositions. They can only trace a photo or use an outline printout for their drawing.
Reasons and causes
Why would that be? Why haven’t they become skilled after spending numerous hours at the screen? The main reason might be the one-sidedness. If one has a lot of artistic experience and knowledge of painting techniques and understanding of paint properties, they will benefit from such online art instruction videos. These, who have zero experience, most likely will not. I believe these art instruction videos are good for inspiration and issue solving. If you do not have experience, you will rather get confused and disappointed.
Two-way communication
In real and live class, I can see how somebody understood the demo or painting tip. You’d be surprised seeing what levels of moisture are applied when I am saying: make your paper wet. That ranges from flooded paper with puddles of water to slightly seeing shine on it. Graded wash is understood in very different ways: from thick layer of paint to no paint at all. Not to mention a wet paint application on wet paper and a dry paint application on wet or dry paper.
Timing
Timing is a very important part of painting with either watercolor, or acrylic. By not observing timing and making good use of it, the potential artist will definitely get frustrated. There are things which are easy to do when the timing is right and impossible to do at all if the timing is wrong.
On your own and on one side of screen
When you are sitting on one side of screen, nobody can check or see how exactly you are applying advice or tip. In a live class, I can see right away whether the paint is too wet, too dry, if there is too little of it or way too much of it. I can see right away who understood the technique and who is struggling with it. I am able to notice the weaknesses and the strengths right away, as well, and do that for each particular student.
Brushing techniques
Brushing techniques are probably the most important part of acrylic painting. Most people have absolutely no idea about these techniques. It is understood that it does not matter how you put the acrylic paint on canvas. Well, that makes the painting experience either pleasant or results in frustration when one cannot achieve what they want to.
Using watercolor paint
Most people do not know how wet or how dry watercolor paint should be, and I have seen how some would try applying it without any water at all. Sounds crazy? Yes, it is weird because we call it watercolor because it is used with water. Pigment in watercolor paint is activated using water, otherwise it won’t work. Without doing this properly, there is no watercolor painting, but we create a streaky smear.
Quality of art supplies
There is a principle which is always true when it comes to art supplies: the better quality art supplies are, the easier it is to apply them; and vice versa: the worse quality art supplies are, the more skills one will need to use them properly and to achieve good results.
How to or how not to
While many art instruction demos and videos are called “How to paint ….” they should be called, in fact, “How I paint ….” because there are lots of ways to interpret one and the same subject and one and the same theme. Many of demos also instead of “How to paint …” fall in the category “How not to paint …”. That’s just how wrong the demo or art instruction advice can be. With the widespread accessibility of internet and opportunity to share and post anything, we cannot be always sure if the advice we are given is correct or if it will ever work for us in particular. We have to approach everything selectively. That refers not only to art instruction, but also to any advice for any situation in life.
Teaching without skills? That happens
We have seen by now how art instruction is given by people who do not have the slightest teaching or art experience, as well. Art instruction has become an area where everybody is an expert. Would anybody teach and give music lessons? Piano or guitar lessons, for instance? No, they would not. Would anybody without any knowledge and skill teach foreign language, math or chemistry? No, they would not because that means misleading the student and pretending that one has what they do not. When it comes to drawing and painting, it is assumed that having no experience is not an issue. Just teach it and everything will be fine. Isn’t that a bit absurd?
Learn faster
I would say if you want to see fast results and create decent and interesting art, you definitely have to start with real and live art instruction. Let the art instructor see how and what you are doing because that is the only way to find out why some things do not work and what you should be doing to make this experience rewarding and uplifting. Realistically, the things one needs to learn are the main principles of drawing and painting, not the style and techniques of artist X, Y or Z.
Finding out what you can do
Once you have learned the basics and have established the foundation, you will be able to create anything, draw and paint anything in your personal style and develop a personal approach to any subject. That won’t limit you to being able to only paint one particular scene and subject. It will feel like: I can draw and paint any scene, any still life and floral composition. I can draw and paint anything. That’s why starting with techniques, values, color theory and composition is important. Practically, that means finding out what your brush, paint and pencil can do once you know how to use them.
Painting which we created during recent art class
From simple to complex
Therefore, I would suggest, we start with basics and go from simple subjects to very complex ones. Along with becoming skilled in art, drawing and painting are the absolutely best things to devote our free time and leisure hours to. This means also exploring ourselves, becoming smarter, better with decision-making and invisibly growing new brain cells, as well, extending the lifetime of the existing brain cells. That means a better memory and an improved cognitive function.
As the fall of 2017 is approaching, my new art class focus on stress-free environment and creative techniques. Students can learn, paint and relax letting all concerns and problems go. The key to creativity is being relaxed and not expecting miracles, but creating them: one small miracle at a time. I noticed that some students were taking art classes way too seriously, and being worried does not allow achieving great results.
Forget concerns and technical perfection
I want this to be a welcoming stress-free environment for creation so that purely technical goals become secondary. Traditional art instruction pays too much attention to the technical execution leaving the emotional and mental side neglected. That is why some artists go for big lengths: trace and copy photos, repaint everything which is in digitally adjusted photo. What about creativity? Going for photographic perfection frequently lacks the emotional aspect. I’d like to emphasize: the creative process is the most valuable part of the artistic journey.
Don’t limit yourself
Perfection in art is not the best goal because it simply prevents from unfolding our creative potential and limits the range of tools and techniques we apply. I hear this quite frequently: I’m not touching this painting anymore because I do not want to damage it. Well, leaving work unfinished isn’t good either. Limitless creativity takes us much further. You will learn effortless and, thus, stress-free techniques to avoid leaving work unfinished in my art class.
Live versus online art class
I also wanted to make an art class which is impossible to replicate online. The content of this art class rests on the presence and the interaction between me, group and everybody as an individual. The live art class allows me seeing and noticing why something does not work and why students cannot achieve the result they are looking for.
Artistic experience
I will gear everything towards a great, interesting, amazing and positive experience. That means learning about oneself and art, and learning to be creative without the annoying pressure which some teaching venues want to impose on somebody who is looking for a new skill and ability.
Painted images diary
We will use blocks of paper, so that at the end of this positive painting session everybody will have an image diary and will be able to continue adding creations. Inspiration and immersion in calm, creative environment is what one can find engaging in art.
Emotional satisfaction
I believe, this type of art class where experience and activity flow together creating emotional satisfaction, thus, being stress-free and providing with a new perspective on the bothersome issues in one’s life, will be appreciated. It’s interesting that I was away and did not do any advertising so far, but people were applying already, in fact, a lot of people. That included the new daytime watercolor painting class.
Wash paintings without drawing
I am adding as illustration brushstroke and wash only painting. We use only watercolor paint and water, and we watch what happens and how our thoughts and ideas look on paper. Watercolor paintings without drawing: it is fun, relaxing brushing and interesting flow of pigment:
Choose your own subject
Participants will have a lot of choice: they can draw, they can use pen or they can also do very abstract or semi-abstract art for their image diary. That’s why it’s called: stress relief with color and line. Art classes are for everybody because we will be using only our personal preferences with colors, subjects and the way they look.
When you look at art for sale, it can seem sometimes artists are out of touch with reality and ask an unreasonably high price for their art. It seems so. I once asked a lady who had stopped by at my studio: do you know anybody who would work for about a month, every day, 6-8 hours a day and then get for all this work 200 bucks minus cost of materials? It wasn’t that I tried to make her pay more, it is how long it takes me in average to paint something. She was a nice lady, and she honestly said she didn’t know anybody who would work on such terms. I could add to this that I don’t know either, except fellow artists who for different reasons undersell their art.
Who benefits from art and artists A brief list of these who benefit not only from full-time artists, but anybody who creates art and tries to sell their art, are companies which: make pencils, papers, tracing papers, graphite papers, drawing sketching, watercolor and all kinds of art papers, make canvas, canvas panels, canvas boards, stretcher bars and canvas fabric, make paints, pigments, mediums for paints, solvents, varnishes, and all kinds of chemicals that are necessary for putting paint on canvas or paper at different stages or for preserving art, make easels, supports, frame and framing supply manufacturers, including mats, matting paper, glass, Plexiglas and similar materials.
Let’s add website and blog Every artists needs a website or blog, as well as social media presentation, so there are numerous platforms and hosting businesses which sell everything from security certificates to software for managing website, hosting, themes, plugins and many tools in order the website stayed functional. We should add companies which manufacture computers, tablets, laptops, cameras, video cameras and phones since we need to get the art image captured and transferred to online space.
Virtual and real space-related cost Space-related cost involves quite many aspects: any landlord who leases studio or showroom space; any utility provider who sells power, gas and water to the studio; any show, gallery, exhibition, fair, including juried shows, online competitions and online shows which charge a fee for putting the artwork out there; any online art sales or art print sales provider which charges membership fee and commission; money collecting and payment processing companies, banks, etc. also benefit from artists and their work.
More expenses That is not the entire list, mind you, and to some extent it is similar to expenses that are inevitable for any freelance or self-employed person. The creation of art is definitely at the higher end of expenses in regard to costs of materials and time consumption. Artists obviously pay for paints, paper, canvasses, frames and framing, fees for shows and gallery representation and any utilities, as well as monthly payments for studio regardless of whether there is going to be some profit or not. Even when art ends up in the wastebasket, it still involves cost.
Product and demand I know, anybody, who creates a product, must create it first and there is never a guarantee of selling it. However, most products which are 100% unique, handmade and original sell for much more than the materials and labor that goes into them. So, we have arrived at the most important question: who enables the artist to earn living? Who makes it possible for the artist to profit from their talent, work and efforts? That is, you, dear friend who loves art. These are people who collect art.
How does an artist earn income? The artist can only profit from his or her clients, who purchase the work whether as a product with art image on or in it, or as an original painting and drawing. Therefore, all artists are looking out for people, who love and appreciate art. People, who have enough money and are willing to spend it not on food, not on outfit, not on make-up or furniture, but art. Art is not a medication and it won’t cover you as a blanket, but it can feel that way, too. I know people, who can stand for half an hour at some of my paintings, and they feel exactly that: warmth and energy, and healing power.
Think about it I hope when you go to an art show next time and when you look at some painting, you will be aware that along with artist’s efforts, talent, time and soul, a lot of other expenses are included. That constitutes the invisible part of a painting which is quite frequently not covered at all.
Freelancing Being a freelance writer and artist is not easy by any means. There is huge insecurity. I never know when a new work request arrives, I cannot guess with certainty when a painting will sell. I obviously cannot work when I’m not well, and that causes other problems. The domino effect. Why to do this? At the present moment, this is the only option I have, and I just love creating art more than anything else.
A few watercolor paintings in fresh colors
I am presenting for reference a few large watercolor paintings which come as a result of many hours of work.
Peaceful, summer lake watercolor, 20 x 16 in or 51 x 41 cmMirror of spring, spring reflection watercolor painting, 24 x 18 in or 61 x 46 cmEarly spring along the creek, watercolor is 24 x 20 in or 61 x 51 cm
I am not sure if I will post something else before I fly to Latvia next Monday. I unintentionally have chosen the full solar eclipse day, but who cares. I am happy to go on this trip and see my family.
