Illustration or sketch: one, two, three: ready!

Barn illustration, art classes

Illustration or sketch of building

Illustration or sketch can be simplified in order to get it done outdoors or to complete indoors because sometimes the weather can be quite bothersome and not cooperating with our intentions. I would love to share some observations because they might inspire somebody to just get a pencil, a brush and paper and go ahead.

Do we need rules in art?

It might sound strange, but most people believe there are many strict rules when we draw or paint. Maybe the instruction on some sites makes one feel that if you do not follow these rules you cannot paint or draw. That is not true.  While there are lots of tricks, shortcuts and favorite ways to get things done faster and better, one should not try to stick to something which we call strict rules. Not with creativity. Not in art.

Learn freedom from children

That would mean the small kid who does not have an idea of rules and instructions should not be able to draw. But the small kid is able to draw. Every kid is able to draw and paint. As people grow up they find out that life wants us to comply with requirements, regulations, rules and certain instructions. It’s no surprise they want to apply rules to everything what we do. I know artists who would call every step of drawing or painting a rule.

No rules, but observe principles

I would love to encourage these who want to try art, to just go with their intention. I hear quite frequently: I don’t know anything about painting or drawing. Well, you don’t have to. You just have to start trusting your eyes and trying to draw or paint whatever you intend to. We discover all main principles of art along the way. These principles are composition, color theory and mixing, values, contrast, direction of light, shadows and perspective.

What to use for watercolor sketching?

You can use for sketching everything you can afford or like. If you do not know whether you will continue or not, why would you buy watercolor brush at $75? We always use the largest watercolor brush that still allows achieving what we want. It’s pretty much common sense. You could live with just one number 10 synthetic, soft watercolor brush if it has a good fine tip. 20-brush sets from Dollarama won’t do anything, don’t go for these.

Decent watercolor paper

If you are applying wet paint on your sketch, traditional sketching paper won’t allow that. It is too thin. That’s pretty much common sense, as well. It could tolerate dry pencil or some pen, but not washes, especially repeated washes or paint lifting. I would advise to always use watercolor paper for drawing, sketch, illustration, practice, color or flow practice because it is thicker and can be made wet. If you are a beginner, you can use just beginner’s watercolor paint set.

You can do illustration or sketch any way you like

If you are afraid to draw right away with pen, do the initial drawing in pencil and go over with pen afterwards. Keep the best lines and erase everything else, and there you have a nice, clean, attractive drawing. Why to use pen? It is simply easier. Pen makes the outline clearly visible, the entire image looks finished and elaborated even when the drawing is far from perfect, but watercolor washes will bring your artistic attempt to life.

There is no wrong or right way to sketch, to draw or to paint

All artists develop their own style over time. Should you expect the first attempts to be perfect? No, don’t do that. Always tell yourself: let us see what happens. Treat all of your first year’s art as practice, as experiment. Some will be god, some will fly into the wastebasket, and that is absolutely fine.

Artistic mistakes can be interesting

People call everything which did not come out perfect: a mistake. That does not always apply to art either. Some artistic mistakes and flaws can become the foundation of your personal style. Some experiments can set the tone for anything you do in the future. Therefore: experiment, experiment and experiment!

Use any style

Illustration or sketch can be carried out in any style you prefer. Illustration can be done easily. I am advising to use pen just for simplicity and speed. It really helps. I also love the accomplished look of such sketches which can be definitely used as completely finished art on the wall or for any other purpose.

A few steps

Barn illustration, step 1, pen drawing

First we draw with pencil the main lines. We draw lightly without using pressure. After that we repeat the best lines in pen.

Step 2, adding background color

Choose whatever colors you love and would want in your sketch. Activate with water. Test on testing paper how transparent the watered down mix is. Apply small amount of water onto the main image area. You can use spray bottle if it creates mist. Check against light: if the shine is about to disappear, that’s the best time for first washes.

Illustration is ready after adding more washes with less diluted paint

Adjust and correct

If you allow first layers to dry and then make your paper wet again, nothing will happen to the first dry layers. It is safe to go over with water. Don’t rub or scratch with the brush; that will definitely take off some paint. Corrections are done with paper towel when the painting is wet: pressing paper towel onto watercolor paper will take off most of wet paint. When paper is completely dry, apply washes and use damp brush or paper towel to lift color or remove paint. Repeat until you like it.

Large 18 x 24 in or 46 x 61 cm sketch, done in a few minutes for demo

Pen and paper

The thicker the watercolor paper, the more things you can do with it. Cheap watercolor paper is for tests and practice only. It is simply too thin to do something more. You can choose any pen you can afford or like. Your pen can be different color, too. Black simply fits any other color and makes it stand out more.

All watercolor illustrations and sketches look great. If you want them to be better, practice more and don’t expect immediate perfection.

Where would we be without the beauty?

Watercolor painting, apple blossoms

Beauty is the most universal, self-expressing phenomenon that does not require words or language knowledge. It is present in all walks of life, but it becomes something extremely perceivable due to art.

As we rush our daily schedules and spend most of the time running, we might not notice the moment when a bud opens. The magic moment when the fragile petals unfold and when the sun and rain pour life into it. It becomes a mediator of beauty. Every smallest vein and line, every nuance of color is so unique. Beauty which breathes and is alive.

The biggest advantage of being able to create, draw and paint is the feeling of being a creator. We can do anything with the sheet of white paper in front of us. It’s our choice what goes on it. I choose the never-ending, personality enriching and mood uplifting divine features of the nature. It is a cheerful activity on its own. It is more than meditation, it is much more than immersion in oneself, it is the imperative life-continuing reveal of the underlying essence of life, and the essence of life is beauty.

Enjoy! Happy Mother’s Day! I know my mom will love these paintings.

Dreaming goes on because art is timeless

Flower paintings on gallery wall

Art is the most timeless thing I can imagine

Art is timeless, and for a reason. To remind us not to waste our time, but rather create. These, who do not create, can still support creativity by buying art and giving art as gift.

Many paintings to choose from

Looks beautiful and inviting

Taking break from teaching during holidays

It’s good to wrap up things and have the feeling of “I have done everything I could, and it is what it is”. It would be certainly even better to finish the year in more elevated mood, like “Was this ever fantastic!” It’s also good not to have any classes for a while because that allows getting back to my own preferences, not only classwork. Giving classes is a big responsibility and it takes a lot of energy, as well as time-consuming preparation work.

Finalizing steps, bits and pieces

I would like to move to my personal subjects and my personal visions in art, but unfinished paintings are standing in the way. You look at some, and it begs: hey, just add a few brushstrokes, just wash in more background. I end up spending a lot of time on finishing steps, It’s difficult to return to painting which was started many years ago. I have moved on, and it feels like catching up on some long time ago forgotten thought or idea.

Trying to be more disciplined

I will try to be more disciplined and not start that many new paintings, but then again, when I didn’t do demos on canvas, I suddenly painted a few great paintings … on messed up cardboard. The wavy texture shines through, and these paintings are not any good for display. It’s even impossible to take any picture of them. You never know with painting: something good can appear where we don’t expect it, and everything can go wrong when we have high expectations. There are so many forces and energies involved that it isn’t by far as simple as “just do it right or according to your plan”.

Prep work for art classes

Classes also put a lot of pressure on any teacher because teaching is also not that simple. I usually think and plan and sketch until I find the right image for a particular group. I also have to think about simplified ways how to put it on canvas or paper.

Red poppies, both were sold

Look at my gallery wall, most paintings are sold

Sunset over shore, sold

My solo shows at my own gallery

I had put up a beautiful show, those who came were really impressed, but I believe, my timing was a bit off. I will start to prepare the next show “Blooms and Leaves” fairly soon, and that might be ready by the end of April or by May. Anyway, there is not such a thing as lack of paintings for sale at my gallery. It’s always open and available to anybody over the internet. Just ask and you’ll make my day with a purchase.

Before you leave this site, please, spend a short moment with my other blog which  has my fairy-tale about Christmas: https://inesepogalifeschool.com/2016/12/22/christmas-fairy-tale-going-home/

Merry Christmas to these who celebrate it, and fantastic holidays to those who have other celebrations!

Stick to your plan and pay attention to reference

Acrylic painting, flowers

Having a plan, sticking to it

Sticking to a plan is a key also in painting. Whatever we are doing, we need some kind of a draft in our head or some plan which we keep in mind. However, it is easier said than done. That especially refers to beginners in art. I have noticed that most people want to draw or paint without any plan and without any thinking.

Elements of a painting

Perhaps, when starting out, it is hard to know what parts or matters we should pay most attention to. There are lots of simple things which make the subject look multi-dimensional. By far, those are not only darker and stronger values. Strongly emphasized edges or absence thereof, strong dark areas behind the lighter ones also contribute significantly to the spatial perception, not to mention color if it is used.

Things to do and not to do

I was told that the darkest dark should meet the lightest light when I started painting about 50 years ago. It can be tough to implement, especially without real reference, when we have only a photography or a sketch. I am personally not excited about patterns which repeat in a regular rhythm such as petals or trees along the path, blooms on a branch and similar things which we unintentionally place on our canvas when there is no firm plan or sketch.

Acrylic painting, spring magnolia
Pink spring magnolia blossoms is an acrylic painting on 20 x 16 in or 51 x 41 cm canvas, Spring mood, light colors and feeling.

Reference is a guide

Why am I saying: pay attention to reference? Because most people don’t do that. When we are just beginning the painting, they would have a look at the reference image or set-up. After a while, I notice nobody looks any more at the reference. You have to! The only exception is when it is a completely abstract work which has been drafted in one’s imagination or when we paint from memory.

Painting or drawing from memory

Painting from memory takes practice, and beginning artists cannot handle that too well. Reference or value drawing (if you have created such) has all the answers: where to use dark color, where to make strong edge, where to wash out edges to lose them, where to place highlights and what exactly the shape of something is.

Preferred brushes

Knowing what values go where is extremely important, much more important than what brush to use. However, talking about brushes: always use the ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We can use no brush at all, but sponge or palette knife, that is a matter of preference and choice.

Try no rules, but use principles

I know how some art instructors want to make rules about everything. There are no rules in the use of tools. It is very obvious that using a very wide brush for tiny spot is simply difficult and vice versa. I know a lot of artists who create the entire painting with just one brush. I do that sometimes, too.

Acrylic painting, pink rose
Pink rose, acrylic painting on canvas, 20 x 16 in or 51 x 41 cm, this painting is also a demonstration artwork for art class.

Real versus photo

So, the conclusion is: do not change things around dramatically or completely when the work is halfway through and always keep an eye on the reference. If something does not work at all, it is better to start over again. That’s why it is so rewarding to paint from real subjects, live is live and photo is just a photo. Live comes with smell, touch, very visible shape and very noticeable values.

Purple pansies, acrylic painting
Lovely purple pansy faces, acrylic painting on 20 x 16 in canvas. Bold color, large flowers

No pressure

Do not put pressure on yourself and painting: there are moments when we need to stop and make a decision about the next step. Paintings and drawings really hate when they are not treated with due respect. It is much better to allow everything to develop in a natural way. For illustration, I have attached the recent flower paintings. There are many more, but they just need finalizing touches. You know: painting is never done, right?

How to create better art with less effort

Watercolor sketch, line and watercolor landscape, one point perspective

Everything requires effort

Is it even possible to create great art with little effort? Yes, and no. The most important part is probably wasting less time and materials. We need a plan to achieve that. A good plan for creation of a painting means a sketching, drawing or a value sketch. In my personal experience, it is pencil, pen and watercolor sketch which is the best preparation stage for a painting.

Not only result matters

When somebody wants to apply for classes I am usually told this: “I’d really like to paint”. Something like that. Points to some landscape or floral, or still life. Basically, everybody is interested in the result and not that much in the path which led me to it. I spend a lot of time practicing and exploring the subject from different perspectives.

Exploring art supplies

If you are one of those artists-to-be who jumped straight to brushes and did not take your time to explore the elements of an artwork, I can understand you. People usually think watercolor and sketching is for watercolor artists, who mask out white spots or those who get ideal washes just by swinging around the brush with some paint on it. However, there is a missing link between the idea of our art and it’s draft.

Seeing subject artistically

The real life shows that any potential artist and anybody, who does art as hobby, would have gotten much better paintings sooner if they considered sketching as an important step. That refers to painting with any medium: watercolor, pastel, acrylic or oil. The truth is, they all originate in one place: in our brain, through our eyes and senses. Therefore, we should exercise our visual abilities and our visual perception. I’m talking more about importance to learn seeing in my previous posts:

Attraction of drawing and Overcoming painting issues

Lack of values, proportions and contrast

The problem with not well developing painting is not only the technique of applying paint. That usually works fairly well after a few attempts. The problem most often is in our eyes: we do not perceive values, shapes, proportions and potential composition; therefore, we cannot come up with a neat plan to make painting elements work.

This sketch became a large watercolor painting afterwards

Advantage of sketching

Sketch is done much faster than a painting. Sketching out objects or just values, putting them in a draft composition allows making a decision momentarily if that will or won’t work. Sketch isn’t the entire painting, but by doing it one learns much more about their subject. We find out that we need to look at it more carefully, more intensely, more accurately.

Thin and thick black pen and watercolor for creation of perspective sketch, 1-point perspective

Rough black pen and watercolor wash sketch to use as reference for larger acrylic painting

Skills are based on knowledge

I can compare creating art with writing. When people say “I don’t want to sketch and I don’t want to know anything about drawing”, it is like somebody who intends to write a novel would say “I don’t want to know anything about spelling and grammar. I just want to write a novel, so give me the idea and off we go”. The entertaining painting events also do a bad service: not only the entire idea does not allow anybody to really learn anything about creation of art, but the approach is just so wrong and materials are so bad that many people get a wrong idea.

Art is more than moving paint around canvas

When somebody is just moving paint around the canvas in hopes that it miraculously will take the right shape and become the right color, I must say, it won’t. Painting is a summary of things we put in it. It is also the energy we put in it. Therefore, the sooner one learns about values, relationship between light and dark areas, values, softness or roughness of edges, proportion and compositional layout, the faster their paintings take shape and have volume. The missing link between our idea and its incorporation into artwork is the value sketch. Creating value sketch and color sketch is not a waste of time and paint.