Different approach to art class: focus on relaxing and stress-free creativity

Watercolor paints

Creativity for an art class

As the fall of 2017 is approaching, my new art class focus on stress-free environment and creative techniques. Students can learn, paint and relax letting all concerns and problems go. The key to creativity is being relaxed and not expecting miracles, but creating them: one small miracle at a time. I noticed that some students were taking art classes way too seriously, and being worried does not allow achieving great results.

Forget concerns and technical perfection

I want this to be a welcoming stress-free environment for creation so that purely technical goals become secondary. Traditional art instruction pays too much attention to the technical execution leaving the emotional and mental side neglected. That is why some artists go for big lengths: trace and copy photos, repaint everything which is in digitally adjusted photo. What about creativity? Going for photographic perfection frequently lacks the emotional aspect. I’d like to emphasize: the creative process is the most valuable part of the artistic journey.

Don’t limit yourself

Perfection in art is not the best goal because it simply prevents from unfolding our creative potential and limits the range of tools and techniques we apply. I hear this quite frequently: I’m not touching this painting anymore because I do not want to damage it. Well, leaving work unfinished isn’t good either. Limitless creativity takes us much further. You will learn effortless and, thus, stress-free techniques to avoid leaving work unfinished in my art class.

Live versus online art class

I also wanted to make an art class which is impossible to replicate online. The content of this art class rests on the presence and the interaction between me, group and everybody as an individual. The live art class allows me seeing and noticing why something does not work and why students cannot achieve the result they are looking for.

Artistic experience

I will gear everything towards a great, interesting, amazing and positive experience. That means learning about oneself and art, and learning to be creative without the annoying pressure which some teaching venues want to impose on somebody who is looking for a new skill and ability.

Painted images diary

We will use blocks of paper, so that at the end of this  positive painting session  everybody will have an image diary and will be able to continue adding creations. Inspiration and immersion in calm, creative environment is what one can find engaging in art.

Emotional satisfaction

I believe, this type of art class where experience and activity flow together creating emotional satisfaction, thus, being stress-free and providing with a new perspective on the bothersome issues in one’s life, will be appreciated. It’s interesting that I was away and did not do any advertising so far, but people were applying already, in fact, a lot of people. That included the new daytime watercolor painting class.

Wash paintings without drawing

I am adding as illustration brushstroke and wash only painting. We use only watercolor paint and water, and we watch what happens and how our thoughts and ideas look on paper. Watercolor paintings without drawing:  it is fun, relaxing brushing and interesting flow of pigment:

Choose your own subject

Participants will have a lot of choice: they can draw, they can use pen or they can also do very abstract or semi-abstract art for their image diary. That’s why it’s called: stress relief with color and line. Art classes are for everybody because we will be using only our personal preferences with colors, subjects and the way they look.

Sign up here: Art classes

Find out more: Inese’s blog

Illustration or sketch: one, two, three: ready!

Barn illustration, art classes

Illustration or sketch of building

Illustration or sketch can be simplified in order to get it done outdoors or to complete indoors because sometimes the weather can be quite bothersome and not cooperating with our intentions. I would love to share some observations because they might inspire somebody to just get a pencil, a brush and paper and go ahead.

Do we need rules in art?

It might sound strange, but most people believe there are many strict rules when we draw or paint. Maybe the instruction on some sites makes one feel that if you do not follow these rules you cannot paint or draw. That is not true.  While there are lots of tricks, shortcuts and favorite ways to get things done faster and better, one should not try to stick to something which we call strict rules. Not with creativity. Not in art.

Learn freedom from children

That would mean the small kid who does not have an idea of rules and instructions should not be able to draw. But the small kid is able to draw. Every kid is able to draw and paint. As people grow up they find out that life wants us to comply with requirements, regulations, rules and certain instructions. It’s no surprise they want to apply rules to everything what we do. I know artists who would call every step of drawing or painting a rule.

No rules, but observe principles

I would love to encourage these who want to try art, to just go with their intention. I hear quite frequently: I don’t know anything about painting or drawing. Well, you don’t have to. You just have to start trusting your eyes and trying to draw or paint whatever you intend to. We discover all main principles of art along the way. These principles are composition, color theory and mixing, values, contrast, direction of light, shadows and perspective.

What to use for watercolor sketching?

You can use for sketching everything you can afford or like. If you do not know whether you will continue or not, why would you buy watercolor brush at $75? We always use the largest watercolor brush that still allows achieving what we want. It’s pretty much common sense. You could live with just one number 10 synthetic, soft watercolor brush if it has a good fine tip. 20-brush sets from Dollarama won’t do anything, don’t go for these.

Decent watercolor paper

If you are applying wet paint on your sketch, traditional sketching paper won’t allow that. It is too thin. That’s pretty much common sense, as well. It could tolerate dry pencil or some pen, but not washes, especially repeated washes or paint lifting. I would advise to always use watercolor paper for drawing, sketch, illustration, practice, color or flow practice because it is thicker and can be made wet. If you are a beginner, you can use just beginner’s watercolor paint set.

You can do illustration or sketch any way you like

If you are afraid to draw right away with pen, do the initial drawing in pencil and go over with pen afterwards. Keep the best lines and erase everything else, and there you have a nice, clean, attractive drawing. Why to use pen? It is simply easier. Pen makes the outline clearly visible, the entire image looks finished and elaborated even when the drawing is far from perfect, but watercolor washes will bring your artistic attempt to life.

There is no wrong or right way to sketch, to draw or to paint

All artists develop their own style over time. Should you expect the first attempts to be perfect? No, don’t do that. Always tell yourself: let us see what happens. Treat all of your first year’s art as practice, as experiment. Some will be god, some will fly into the wastebasket, and that is absolutely fine.

Artistic mistakes can be interesting

People call everything which did not come out perfect: a mistake. That does not always apply to art either. Some artistic mistakes and flaws can become the foundation of your personal style. Some experiments can set the tone for anything you do in the future. Therefore: experiment, experiment and experiment!

Use any style

Illustration or sketch can be carried out in any style you prefer. Illustration can be done easily. I am advising to use pen just for simplicity and speed. It really helps. I also love the accomplished look of such sketches which can be definitely used as completely finished art on the wall or for any other purpose.

A few steps

Barn illustration, step 1, pen drawing

First we draw with pencil the main lines. We draw lightly without using pressure. After that we repeat the best lines in pen.

Step 2, adding background color

Choose whatever colors you love and would want in your sketch. Activate with water. Test on testing paper how transparent the watered down mix is. Apply small amount of water onto the main image area. You can use spray bottle if it creates mist. Check against light: if the shine is about to disappear, that’s the best time for first washes.

Illustration is ready after adding more washes with less diluted paint

Adjust and correct

If you allow first layers to dry and then make your paper wet again, nothing will happen to the first dry layers. It is safe to go over with water. Don’t rub or scratch with the brush; that will definitely take off some paint. Corrections are done with paper towel when the painting is wet: pressing paper towel onto watercolor paper will take off most of wet paint. When paper is completely dry, apply washes and use damp brush or paper towel to lift color or remove paint. Repeat until you like it.

Large 18 x 24 in or 46 x 61 cm sketch, done in a few minutes for demo

Pen and paper

The thicker the watercolor paper, the more things you can do with it. Cheap watercolor paper is for tests and practice only. It is simply too thin to do something more. You can choose any pen you can afford or like. Your pen can be different color, too. Black simply fits any other color and makes it stand out more.

All watercolor illustrations and sketches look great. If you want them to be better, practice more and don’t expect immediate perfection.

Where would we be without the beauty?

Watercolor painting, apple blossoms

Beauty is the most universal, self-expressing phenomenon that does not require words or language knowledge. It is present in all walks of life, but it becomes something extremely perceivable due to art.

As we rush our daily schedules and spend most of the time running, we might not notice the moment when a bud opens. The magic moment when the fragile petals unfold and when the sun and rain pour life into it. It becomes a mediator of beauty. Every smallest vein and line, every nuance of color is so unique. Beauty which breathes and is alive.

The biggest advantage of being able to create, draw and paint is the feeling of being a creator. We can do anything with the sheet of white paper in front of us. It’s our choice what goes on it. I choose the never-ending, personality enriching and mood uplifting divine features of the nature. It is a cheerful activity on its own. It is more than meditation, it is much more than immersion in oneself, it is the imperative life-continuing reveal of the underlying essence of life, and the essence of life is beauty.

Enjoy! Happy Mother’s Day! I know my mom will love these paintings.

Dreaming goes on because art is timeless

Flower paintings on gallery wall

Art is the most timeless thing I can imagine

Art is timeless, and for a reason. To remind us not to waste our time, but rather create. These, who do not create, can still support creativity by buying art and giving art as gift.

Many paintings to choose from

Looks beautiful and inviting

Taking break from teaching during holidays

It’s good to wrap up things and have the feeling of “I have done everything I could, and it is what it is”. It would be certainly even better to finish the year in more elevated mood, like “Was this ever fantastic!” It’s also good not to have any classes for a while because that allows getting back to my own preferences, not only classwork. Giving classes is a big responsibility and it takes a lot of energy, as well as time-consuming preparation work.

Finalizing steps, bits and pieces

I would like to move to my personal subjects and my personal visions in art, but unfinished paintings are standing in the way. You look at some, and it begs: hey, just add a few brushstrokes, just wash in more background. I end up spending a lot of time on finishing steps, It’s difficult to return to painting which was started many years ago. I have moved on, and it feels like catching up on some long time ago forgotten thought or idea.

Trying to be more disciplined

I will try to be more disciplined and not start that many new paintings, but then again, when I didn’t do demos on canvas, I suddenly painted a few great paintings … on messed up cardboard. The wavy texture shines through, and these paintings are not any good for display. It’s even impossible to take any picture of them. You never know with painting: something good can appear where we don’t expect it, and everything can go wrong when we have high expectations. There are so many forces and energies involved that it isn’t by far as simple as “just do it right or according to your plan”.

Prep work for art classes

Classes also put a lot of pressure on any teacher because teaching is also not that simple. I usually think and plan and sketch until I find the right image for a particular group. I also have to think about simplified ways how to put it on canvas or paper.

Red poppies, both were sold

Look at my gallery wall, most paintings are sold

Sunset over shore, sold

My solo shows at my own gallery

I had put up a beautiful show, those who came were really impressed, but I believe, my timing was a bit off. I will start to prepare the next show “Blooms and Leaves” fairly soon, and that might be ready by the end of April or by May. Anyway, there is not such a thing as lack of paintings for sale at my gallery. It’s always open and available to anybody over the internet. Just ask and you’ll make my day with a purchase.

Before you leave this site, please, spend a short moment with my other blog which  has my fairy-tale about Christmas: https://inesepogalifeschool.com/2016/12/22/christmas-fairy-tale-going-home/

Merry Christmas to these who celebrate it, and fantastic holidays to those who have other celebrations!

Stick to your plan and pay attention to reference

Acrylic painting, flowers

Having a plan, sticking to it

Sticking to a plan is a key also in painting. Whatever we are doing, we need some kind of a draft in our head or some plan which we keep in mind. However, it is easier said than done. That especially refers to beginners in art. I have noticed that most people want to draw or paint without any plan and without any thinking.

Elements of a painting

Perhaps, when starting out, it is hard to know what parts or matters we should pay most attention to. There are lots of simple things which make the subject look multi-dimensional. By far, those are not only darker and stronger values. Strongly emphasized edges or absence thereof, strong dark areas behind the lighter ones also contribute significantly to the spatial perception, not to mention color if it is used.

Things to do and not to do

I was told that the darkest dark should meet the lightest light when I started painting about 50 years ago. It can be tough to implement, especially without real reference, when we have only a photography or a sketch. I am personally not excited about patterns which repeat in a regular rhythm such as petals or trees along the path, blooms on a branch and similar things which we unintentionally place on our canvas when there is no firm plan or sketch.

Acrylic painting, spring magnolia
Pink spring magnolia blossoms is an acrylic painting on 20 x 16 in or 51 x 41 cm canvas, Spring mood, light colors and feeling.

Reference is a guide

Why am I saying: pay attention to reference? Because most people don’t do that. When we are just beginning the painting, they would have a look at the reference image or set-up. After a while, I notice nobody looks any more at the reference. You have to! The only exception is when it is a completely abstract work which has been drafted in one’s imagination or when we paint from memory.

Painting or drawing from memory

Painting from memory takes practice, and beginning artists cannot handle that too well. Reference or value drawing (if you have created such) has all the answers: where to use dark color, where to make strong edge, where to wash out edges to lose them, where to place highlights and what exactly the shape of something is.

Preferred brushes

Knowing what values go where is extremely important, much more important than what brush to use. However, talking about brushes: always use the ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We can use no brush at all, but sponge or palette knife, that is a matter of preference and choice.

Try no rules, but use principles

I know how some art instructors want to make rules about everything. There are no rules in the use of tools. It is very obvious that using a very wide brush for tiny spot is simply difficult and vice versa. I know a lot of artists who create the entire painting with just one brush. I do that sometimes, too.

Acrylic painting, pink rose
Pink rose, acrylic painting on canvas, 20 x 16 in or 51 x 41 cm, this painting is also a demonstration artwork for art class.

Real versus photo

So, the conclusion is: do not change things around dramatically or completely when the work is halfway through and always keep an eye on the reference. If something does not work at all, it is better to start over again. That’s why it is so rewarding to paint from real subjects, live is live and photo is just a photo. Live comes with smell, touch, very visible shape and very noticeable values.

Purple pansies, acrylic painting
Lovely purple pansy faces, acrylic painting on 20 x 16 in canvas. Bold color, large flowers

No pressure

Do not put pressure on yourself and painting: there are moments when we need to stop and make a decision about the next step. Paintings and drawings really hate when they are not treated with due respect. It is much better to allow everything to develop in a natural way. For illustration, I have attached the recent flower paintings. There are many more, but they just need finalizing touches. You know: painting is never done, right?