Tag: art classes

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Dreaming goes on because art is timeless

Christmas gifts art sale, floral and nature paintings

Art is the most timeless thing I can imagine

Art is timeless, and for a reason. To remind us not to waste our time, but rather create. These, who do not create, can still support creativity by buying art and giving art as gift.

Dreaming goes on
Many paintings to choose from
Art is timeless, Inese's studio
Camera changed perspective, but art is visible
Art gallery of artist Inese Poga
Looks beautiful and inviting

Taking break from teaching during holidays

It’s good to wrap up things and have the feeling of “I have done everything I could, and it is what it is”. It would be certainly even better to finish the year in more elevated mood, like “Was this ever fantastic!” It’s also good not to have any classes for a while because that allows getting back to my own preferences, not only classwork. Giving classes is a big responsibility and it takes a lot of energy, as well as time-consuming preparation work.

Finalizing steps, bits and pieces

I would like to move to my personal subjects and my personal visions in art, but unfinished paintings are standing in the way. You look at some, and it begs: hey, just add a few brushstrokes, just wash in more background. I end up spending a lot of time on finishing steps, It’s difficult to return to painting which was started many years ago. I have moved on, and it feels like catching up on some long time ago forgotten thought or idea.

Trying to be more disciplined

I will try to be more disciplined and not start that many new paintings, but then again, when I didn’t do demos on canvas, I suddenly painted a few great paintings … on messed up cardboard. The wavy texture shines through, and these paintings are not any good for display. It’s even impossible to take any picture of them. You never know with painting: something good can appear where we don’t expect it, and everything can go wrong when we have high expectations. There are so many forces and energies involved that it isn’t by far as simple as “just do it right or according to your plan”.

Prep work for art classes

Classes also put a lot of pressure on any teacher because teaching is also not that simple. I usually think and plan and sketch until I find the right image for a particular group. I also have to think about simplified ways how to put it on canvas or paper.

 

Red poppies by Inese Poga, sold
Red poppies, both are sold

Unfortunately, I don’t have any better picture of these red poppies, they were sold right away

Inese Poga's art gallery
Look at my gallery wall, most paintings are sold
Barn reflection
Beautiful barn reflection
Sunset on lake, sold
Sunset over shore, sold

My solo shows at my own gallery

I had put up a beautiful show, those who came were really impressed, but I believe, my timing was a bit off. I will start to prepare the next show “Blooms and Leaves” fairly soon, and that might be ready by the end of April or by May. Anyway, there is not such a thing as lack of paintings for sale at my gallery. It’s always open and available to anybody over the internet. Just ask and you’ll make my day with a purchase.

Before you leave this site, please, spend a short moment with my other blog which  has my fairy-tale about Christmas: https://inesepogalifeschool.com/2016/12/22/christmas-fairy-tale-going-home/

Merry Christmas to these who celebrate it, and fantastic holidays to those who have other celebrations!

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Stick to your plan and pay attention to reference

Acrylic painting, flowers

Having a plan, sticking to it

Sticking to a plan is a key also in painting. Whatever we are doing, we need some kind of a draft in our head or some plan which we keep in mind. However, it is easier said than done. That especially refers to beginners in art. I have noticed that most people want to draw or paint without any plan and without any thinking.

Elements of a painting

Perhaps, when starting out, it is hard to know what parts or matters we should pay most attention to. There are lots of simple things which make the subject look multi-dimensional. By far, those are not only darker and stronger values. Strongly emphasized edges or absence thereof, strong dark areas behind the lighter ones also contribute significantly to the spatial perception, not to mention color if it is used.

Things to do and not to do

I was told that the darkest dark should meet the lightest light when I started painting about 50 years ago. It can be tough to implement, especially without real reference, when we have only a photography or a sketch. I am personally not excited about patterns which repeat in a regular rhythm such as petals or trees along the path, blooms on a branch and similar things which we unintentionally place on our canvas when there is no firm plan or sketch.

Acrylic painting, spring magnolia
Pink spring magnolia blossoms is an acrylic painting on 20 x 16 in or 51 x 41 cm canvas, Spring mood, light colors and feeling.

Reference is a guide

Why am I saying: pay attention to reference? Because most people don’t do that. When we are just beginning the painting, they would have a look at the reference image or set-up. After a while, I notice nobody looks any more at the reference. You have to! The only exception is when it is a completely abstract work which has been drafted in one’s imagination or when we paint from memory.

Painting or drawing from memory

Painting from memory takes practice, and beginning artists cannot handle that too well. Reference or value drawing (if you have created such) has all the answers: where to use dark color, where to make strong edge, where to wash out edges to lose them, where to place highlights and what exactly the shape of something is.

Preferred brushes

Knowing what values go where is extremely important, much more important than what brush to use. However, talking about brushes: always use the ones which you feel comfortable with and which suit the size of the area you are working on. Very simple. We can use no brush at all, but sponge or palette knife, that is a matter of preference and choice.

Try no rules, but use principles

I know how some art instructors want to make rules about everything. There are no rules in the use of tools. It is very obvious that using a very wide brush for tiny spot is simply difficult and vice versa. I know a lot of artists who create the entire painting with just one brush. I do that sometimes, too.

Acrylic painting, pink rose
Pink rose, acrylic painting on canvas, 20 x 16 in or 51 x 41 cm, this painting is also a demonstration artwork for art class.

Real versus photo

So, the conclusion is: do not change things around dramatically or completely when the work is halfway through and always keep an eye on the reference. If something does not work at all, it is better to start over again. That’s why it is so rewarding to paint from real subjects, live is live and photo is just a photo. Live comes with smell, touch, very visible shape and very noticeable values.

Purple pansies, acrylic painting
Lovely purple pansy faces, acrylic painting on 20 x 16 in canvas. Bold color, large flowers

No pressure

Do not put pressure on yourself and painting: there are moments when we need to stop and make a decision about the next step. Paintings and drawings really hate when they are not treated with due respect. It is much better to allow everything to develop in a natural way. For illustration, I have attached the recent flower paintings. There are many more, but they just need finalizing touches. You know: painting is never done, right?

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How to create better art with less effort

Watercolor sketch

Everything requires effort

Is it even possible to create great art with little effort? Yes, and no. The most important part is probably wasting less time and materials. We need a plan to achieve that. A good plan for creation of a painting means a sketching, drawing or a value sketch. In my personal experience, it is pencil, pen and watercolor sketch which is the best preparation stage for a painting.

Not only result matters

When somebody wants to apply for classes I am usually told this: “I’d really like to paint”. Something like that. Points to some landscape or floral, or still life. Basically, everybody is interested in the result and not that much in the path which led me to it. I spend a lot of time practicing and exploring the subject from different perspectives.

Exploring art supplies

If you are one of those artists-to-be who jumped straight to brushes and did not take your time to explore the elements of an artwork, I can understand you. People usually think watercolor and sketching is for watercolor artists, who mask out white spots or those who get ideal washes just by swinging around the brush with some paint on it. However, there is a missing link between the idea of our art and it’s draft.

Seeing subject artistically

The real life shows that any potential artist and anybody, who does art as hobby, would have gotten much better paintings sooner if they considered sketching as an important step. That refers to painting with any medium: watercolor, pastel, acrylic or oil. The truth is, they all originate in one place: in our brain, through our eyes and senses. Therefore, we should exercise our visual abilities and our visual perception. I’m talking more about importance to learn seeing in my previous posts:

Attraction of drawing and Overcoming painting issues

Lack of values, proportions and contrast

The problem with not well developing painting is not only the technique of applying paint. That usually works fairly well after a few attempts. The problem most often is in our eyes: we do not perceive values, shapes, proportions and potential composition; therefore, we cannot come up with a neat plan to make painting elements work.

Watercolor sketch
This sketch became a large watercolor painting afterwards

Advantage of sketching

Sketch is done much faster than a painting. Sketching out objects or just values, putting them in a draft composition allows making a decision momentarily if that will or won’t work. Sketch isn’t the entire painting, but by doing it one learns much more about their subject. We find out that we need to look at it more carefully, more intensely, more accurately.

Watercolor sketch
Thin and thick black pen and watercolor for creation of perspective sketch, 1-point perspective
Watercolor sketch
Rough black pen and watercolor wash sketch to use as reference for larger acrylic painting

Skills are based on knowledge

I can compare creating art with writing. When people say “I don’t want to sketch and I don’t want to know anything about drawing”, it is like somebody who intends to write a novel would say “I don’t want to know anything about spelling and grammar. I just want to write a novel, so give me the idea and off we go”. The entertaining painting events also do a bad service: not only the entire idea does not allow anybody to really learn anything about creation of art, but the approach is just so wrong and materials are so bad that many people get a wrong idea.

Sketch results in painting
White birches, recent class demo, 20 x 24 inches, painting is sold

Art is more than moving paint around canvas

When somebody is just moving paint around the canvas in hopes that it miraculously will take the right shape and become the right color, I must say, it won’t. Painting is a summary of things we put in it. It is also the energy we put in it. Therefore, the sooner one learns about values, relationship between light and dark areas, values, softness or roughness of edges, proportion and compositional layout, the faster their paintings take shape and have volume. The missing link between our idea and its incorporation into artwork is the value sketch. Creating value sketch and color sketch is not a waste of time and paint.

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Giving up is not a solution, acrylic painting tips

Tips for acrylic painting

I’d love to share some acrylic painting tips. I hope these painting tips allow to achieve more and paint better.

Giving up before seeing potential

I feel sad when some students discontinue classes just after one month. I can see the potential in attempts, but people with little experience in drawing and art usually don’t.  All it takes is usually adding a few dark and light spots, adjustment of edges and straightening out a few shapes. In fact, any acrylic painting can be whatever the artist expects it to be if we keep working on it and don’t stop prematurely.

If you know how to, you can improve anything

I’ve said that before: nobody becomes master within a few hours. Nobody. I also do not want students comparing their first attempts in art: this makes absolutely no sense. There was a reason artists used to cover up their art with a cloth and show it to nobody until the artwork was considered ready and finished. There are easy adjustments which can change the painted image to a great extent. We add tiny bit of sparkling light, sharp edge of very deep dark area, and everything improves.

Patience and ability to take risks

Patience and ability to take risks are two very necessary features for anybody who’d like to enjoy creating visual art. I have told this before: time-lapse demos make people believe that this is exactly the way one paints: one, two, three and here we go. In reality, we sometimes need to go over and over one spot for many times. With acrylic paint, there are no limitations of adding layers. We need to apply many layers to achieve volume and visually attractive effect.

Painting tips for acrylic painting
Once you know what principles are applied to creating a painting, just follow the steps and use layers and painting comes to life.

Applying color versus building it up

Smearing on paint in one color is not the same as building it up. I have quite often seen transparent trees and flat buildings, not to mention flowers without any volume. That means, there was no dark color blocked in underneath and the light color was used only in 2 tones. That cannot make a structure or subject look like it is having dimensions.

Think layers

Many people have difficulties thinking in layers: the most distant, underneath it all layer, the middle value layer, the defining layer and the highlighting and detailing layer. It is in the human nature to try getting it right away. I’ve observed how students sometimes start with details which should be implemented at the end. This approach is fairly essential in acrylic painting because we have to work from dark to light and from distant to close: that’s how the image evolves.

Painting tips, Garden, demo painting
Demo painting for garden landscape, basic layers

Keep the color on 

The other problematic issue is holding color on the spot we need it to be. We are practicing painting on a spot techniques. Quite often artist gets carried away and keeps blending and moving paint around until it results in everything being the same color. It is very important to learn using brush for painting on a spot which is like running on a spot: brush it on, but don’t move all around the canvas.

Brush must be clean

Finally, as I’m washing brushes after classes, I can immediately tell which brushes were used by me and which by students. My brushes are almost clean or have the last color in it. Students’ brushes are usually full of many colors, quite often dark colors which we applied at the beginning of the class. That means, the brush wasn’t cleaned during painting. That results in muddy and dirty colors which don’t shine and lack brilliance. We must clean our brushes frequently!

Tips for acrylic painting
We go layer by layer until the painting takes shape

Painting is easy and extremely rewarding

We must have patience and allow for some time to get where we want to be. It depends also on what our goal is. Any painting is nice and great if we do not expect it to become a top art just after a few classes or painting attempts. We can notice fear and indecisiveness in brush strokes which lack confidence. Therefore, taking risks and experimenting is very important, especially,  in visual art. We have to be persistent and even stubborn. I hope my painting tips help you!

Inspiration:

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Drawing for everybody: brain fitness at our fingertips

Drawing for brain fitness

Drawing ability is in our DNA

Everybody can draw. And everybody should draw; if not at artistic level, so, for pure pleasure and healthy brain. I hope you are not one of those parents who make remarks like this: stop playing around with pencils, do your math assignment! While we all need literacy skills and math, there is something unique about drawing. We can draw before we can even speak or write, or count.

Path to artistic freedom

We can actually do it successfully without any regard to any rules which people have imposed on creative expressions and art. We can very well express ourselves until somebody says: that doesn’t look like a cat! That’s when the kid who loved to draw starts to wonder: really? Am I doing something wrong? That’s where the artistic freedom ends and rules start. Art is categorized as not that important compared to coding, IT, math, chemistry, physics, history and essay writing.

Drawing and painting for brain fitness 

We have so much evidence nowadays that drawing and painting actually has the power to activate our brain to a huge extent and keep it flexible. Focus, memory, attention to detail, decision-making, imagination: these features are so important for anything we do in our life, and they are developed and perfected while we are just drawing and painting. In addition, this activity means a lot of pleasure, it is also rewarding.

Requirements for brain flexibility boosting tasks

In order a task or activity would boost brain flexibility and our memory, it should be:

challenging task;

new task every time;

task that involves decision-making, observation, focus and attention;

task that prompts to come up with solution;

pleasurable task and activity;

rewarding task and activity;

activity or task which enables socializing and exchange of opinions.

If you can write, you can draw

People, who think they cannot draw, have been simply using a wrong approach or have convinced themselves that drawing is something they’d never manage. They might believe drawing is something they don’t like or would never need. They might be addicted to devices and screens and they might see no point in using their brain and hand. However, fine motor movements are extremely important.  Everybody, who is able to manually write, can also draw.

Manual drawing is not that common

I am obviously checking out what other instructors and classes offer, and I must say there’s not that much. First of all, if instruction starts with: take a picture, that is not going to be a lesson how to learn drawing. That instruction will tell you how to reproduce photography and sometimes advice to just trace the image and take credits for a great drawing. Why do we always need to focus on the final product? The process of creation is very exciting, and this process is well worth experiencing.

Seeing is the key to drawing

Drawing is not about copying or measuring. Drawing is about seeing, activating the brain-hand communication and creating an image of an object, person or view on a flat surface, at the same time trying to show the emotional impact we are experiencing. Before we can draw, we have to learn seeing. Most people are convinced they see everything, in fact, they see just a non-specific image, and they don’t pay attention to any details.

Practical advice for these who start drawing

When I’m watching people drawing, I have noticed the following: they rarely look at the object they are drawing or painting, hardly ever. Some follow my drawing, some look at the paper all the time and erase everything and start from new quite a few times and erase again.

Practical drawing

In fact, we have to focus on the subject we are drawing and just rarely take a look at how lines and shapes are forming on our paper. We have to draw the subject 2, 3, 4 times bigger than in reality. Also, memorize the subject for 3-5 seconds; explore the shape and values, look at paper for 1 second. That happens on its own after a while.

Forget eraser

I would like to take away the eraser, too. Eraser just disturbs during the initial drawing stages. Therefore, try not to erase everything. Focus on outlines and shapes, as well as size, scale and proportions with the first attempt. Start with light approximate lines, define them as you go.

Drawing for brain fitness
Drawing has many purposes: this is outline drawing on watercolor paper. It is extra light, hardly visible.
Rough sketch for painting
Only reality shows the correct proportions

The starting point and reference area

We have to visually perceive the subject or scene, find the reference area or spot and start out with very light general lines. With every next line, we are building up the subject or anything within the drawing. We should also stick to what there is and what we can see not converting it into an animated, simplified shape of what we know this object might be like. We should not omit and take away all specific features our subject has in reality.

Drawing for brain fitness
The purpose of these outline drawings is to serve as a base for watercolor painting because some plants, vegetables or flowers don’t last long enough
Drawing for brain fitness
Leaving only good lines and going over with black pen

Good subject for starting out

All apples are not the same; all cups are not the same, not to mention trees and flowers or faces. Still life is a very good starting point, and I’d usually pile up more simple things in order we could observe their relationships. Therefore, learn seeing, develop visual perception and visual memory.

Drawing for brain fitness
We add now watercolor to lines and get a nice painting!

The positive impacts of drawing occur especially when we are employing the entire brain which is as in observational drawing. It also makes us completely independent from computers, cameras, phones, printers and other devices because all we need to start out is paper and pencil or pen. Good luck!