When I look at my art as if from a distance before moving it, I can see that I have reached a place in art where I want to be. Every painting is a story. Every piece of art offers something beyond the directly visible lines and brushstrokes. I am at the point now when I can agree that my art has become impressive and interesting, worth looking at, worth experiencing and loving.
I had huge intentions for this summer. Then I received the news that I have to move. That was a very sudden and unexpected notice.
The best part of summer flew by unnoticed. It was a lot of paperwork and endless packing and sorting things.
I was so much looking forward to posting watercolor art (which I have in abundance) during the world watercolor month. Unfortunately, it didn’t happen. One person can only do that much. Packing took me 3 weeks every single day so far. It is the last day of packing, and we move tomorrow.
It felt somewhat sad to take off paintings from all walls, and there were so many walls. I discovered that many paintings on a wall make the room look much bigger. Once I took off art, it felt the room shrank in size. Interesting. When we see regular residential houses, there are just 1 or 2 paintings on a wall. Why so few? There is no excuse for that. Art ads huge flavor to any room. Many paintings make any particular room look much larger and create big impact. I’d say the strongest impact. Fake leather sofas do not come close to that.
It does not feel sad leaving this neighborhood. I have spent more than 8 years here, and I do not feel I am going to miss this place. This location seemed to be perfect at first, but it turned out to be not that great. Most people in residential medium class areas are not much interested in arts, simply this part of town was somewhat unsuitable for an art gallery or art school. Most people who attended my art classes or bought my art found me on the internet, so, it is worth to continue pursuing this avenue.
Schedule for fall art classes is published and registration is open.
The new location is South Ajax. I believe the location is great. I will be next door to Southwood Park Public School. That might be a disaster or a plus.
I am turning 60 this weekend. It’s not a big deal, I would say. I haven’t changed my size since I was 21, I still look fine and younger tan the age number suggests, and there are no huge health concerns or problems. The only problem is getting my products out there, but I’m managing it to some extent.
What else can I say?
As soon as I publish this article and a short post on my lifeschool blog, I will turn off my computer, and I am not sure when we will have internet in the new place. After a few days, I am flying over to Latvia to meet my family and friends. I will be there for a while. Therefore, do not be angry if I cannot check all comments and return likes. I will deal with that maybe in Latvia if I get some time or after I return home in September.
I recorded a few small videos in rush just to remember how great everything looked at my gallery.
I also received numerous great comments in Facebook groups, and one man said he believes he had never seen better art. That was great.
See you when I am done with messes of moving and enjoying the new beginning!
The power of line is huge. Simple sketches in pencil or pen look impressive and artistically interesting. We are born with the ability to draw, but we just lose it as we grow up and get older. In order to simply look at something and draw it, one must practice. It will not happen right away, it will not happen on its own. One also needs to know what they have to look for and what they need to notice.
Perfection or discovery
Cravings for perfection can be irresistible, therefore, many people take credits for a drawing which they have created by tracing a photo or reproducing it on a larger scale using grid, display on a wall. Some artists edit the photo to obtain parts of printer paper size, so that it is possible to put them together in a line drawing. The question is: is that really a drawing or a copy of photography? To me, the latter is true. I do assume anything a drawing when we look at our subject and then manually draw it on paper.
Our eyes get it right
Is drawing difficult? In fact, it isn’t, but it takes time and practice, and anything which is somewhat time-consuming isn’t loved much these days. The general opinion is usually that camera gets our subject right and we might not get the right proportions when drawing. That is true to some extent only. If the distance between camera and subject is small, or the distance within the view is huge, camera will produce wrong proportions.
How camera distorts image
Camera draws closer the front part of the view or subject. It widens the middle portion and creates much more distant background part. This is very easy to notice in case of water reflections or shadows. When artist follows a photo closely, not the actual view in nature, the reflections will be stretched out for miles which would never be the case with reflection in nature.
Don’t take a picture
Many instructions start with: take a picture. I would like to say: don’t do that if you ever want to learn drawing. We have to trust our eyes and ability to recreate the same proportion, edge and line relationship and color transitions without additional tools. However, to get to the level when one can do the so-called “blind drawing” (you do not persistently look at paper or canvas but rather at your subject), you have to practice. That means making decisions and allowing the eye-brain signals to be transmitted to our hand with pencil or brush.
We can do it
That also means trusting ourselves more than a camera or grid. It also takes practicing daily or weekly and, at the end, this activity improves the brain functionality, memory and flexibility to an incredibly high level. When we sometimes look at a drawing, it seems it didn’t take time or efforts. It is due to the fact, that good art shouldn’t exhibit artistic struggles and technical difficulties, but mood and atmosphere of the painted subject. When we get past these struggles, the real creation takes place.
The principles and methods of drawing
There is an interesting thing: people, who cannot draw anything yet, believe they have to practice drawing a particular subject: portrait, landscape, still life or flower. That is definitely not true because once you can draw, you can draw absolutely anything. The principles and methods are actually the same regardless of what we draw. You cannot skip understanding values, shadows, highlights, proportions, relationships, contrast, perspective and negative parts. That is what makes drawing a drawing and eventually painting a painting.
Functions of drawing
Drawing has very different functions in the creative process. If it is an independent work of art, it will go through many stages until it contains all the above mentioned elements. If it is a sketch for use later, we will include only the most important lines. If it is a value sketch for painting, we will pay special attention to values, contrast and shadows. If it is an outline drawing for watercolor, we will have only slightly visible lines.
The rural house watercolor is a large and attractive painting in spring colors
Not what you draw, but how you do it
Therefore, it is not that important what you draw, but how you do it. Trust the power of line. It is rewarding. Sketches must help you in the painting process later, there is no need to overwork them and prepare for framing. Technique matters, but doesn’t mean it is the most important part of drawing.
Get rid of eraser
How to get rid of eraser? If your intention is to draw, do it. Erasing everything and starting over for numerous times isn’t helpful. You simply have to forget the eraser at home, so that you do not have it with you. When something does not come out correct, start from scratch, not from adjusted lines. Use focusing ability instead of eraser.
Early spring, rural hills watercolor, size of this painting is 24 x 18 in or 61 x 45 cm.
Go reasonably large
Draw reasonably large subjects. Tiny things cannot show any shadows, values or important details. Drawing large isn’t more difficult, it is just a strange assumption and belief that handling a bigger subject is more complex. If the drawing is for creation of painting, large is much better. Unless you want to use magnifying glass, avoid details which are hardly visible because they don’t get noticed anyway. Keep details under control.
Manual drawing for artistic freedom
Drawing is a wonderful thing. It allows one not to use any additional devices. You won’t even need a camera if you have learned capturing the most important features of the subject. It also gives one a complete artistic freedom: skip whatever part does not improve your scene or subject or add whatever it seems to be missing. There are no restrictions. It is visible right away whether one was drawing from reality or they are modestly describing their perfected copy of a photo as a sketch from nature.
Sketch in actual size
I create pencil sketches in the actual size of painting: this time it was 20 x 24 inches or 61 x 51 cm. This drawing serves as a reference. Colors are all in my head and everything else what I need is in the sketch. I transfer it onto watercolor paper and then apply washes which get defined with every layer.
I take numerous pictures: with iPhone and with camera using different settings. However, I do not ever get the colors which are in the actual painting. Therefore, I’m trying to also take some pictures with background by placing something around the painting.
To learn sketching and drawing, please apply for April classes: Art classes
Many people who feel attracted to art, sign up for art and painting classes in the fall. Certainly, days are getting shorter and the weather gradually changes from very pleasant to quite nasty, rainy and chilly. I will not list all advantages of joining an art class or painting group this time because I’ve been mentioning them multiple times, and there are so many: from building your confidence and self-esteem and finding a great thing to fill up the long nights to effects similar to meditation which allow one floating away from daily troubles and problems, to mental fitness and rejuvenation of brain cells. The created art becomes just another gain along the way.
Choosing an art class that suits your preferences
When choosing an art class, you should first check out what art instructor does. What are his or her favorite subjects, style, colors, approach? If you generally do not like such art as instructor is doing, you most likely will not enjoy it. For instance, if instructor is insisting on copying photos, you most likely will not be learning how to paint abstracts; or if she or he never do portrait painting, it is unlikely the class will provide with portrait painting skills.
Size matters
Make sure the size of group somewhat works with you. I hear people complaining that they signed up for an art class and never got any attention, therefore, never learned anything. Well, if a weekly art class is 2 hours long and there are 20 or even more students in the classroom, how would you get a lot of attention? You can count on about 5 minutes of individual instruction in the best case because no instructor can run around the class while they are demonstrating technique. It is obvious that you have to choose a small art class if you require much advice or want very individual approach.
Level class is designed for
Find out what level this art class is for. If class is intended for advanced painters, , but you are just starting out, you will not be able to catch up with others. Beginner is somebody, who hasn’t done at least 200 small size paintings or 150 larger paintings.
Realistic expectations
Next thing is: be realistic in expectations. That is probably the most overlooked aspect of any art class or studies of creative things. Learning how to use tools takes time. Although, everybody has seen a painting brush and quite frequently people have tried using it, it does not mean that you know what correct brushstroke is. Any brush (they come in very many sizes, shapes and are made from all kinds of materials) can be used for very specific things and also for very general approaches. That depends also on your personal preferences, medium and subject.
Art supplies
Materials are an extremely important thing for an art class, so, the best results will definitely be achieved using good quality materials straight from the beginning. I have heard this often: I’m just learning, so I will use the cheapest materials for now. Well, that might not work at all because using bad materials can easily become a torture and nuisance. Sometimes students struggle with bad watercolor paper and they think they are doing something wrong, but, in fact, it is the paper which prevents from getting acceptable results.
Your own art supplies
Equally important is also having your own materials. It might seem: what’s the difference? The answer is: there is a huge difference between paints, brushes, canvas, papers, pencils and even erasers, not to mention that is one of the most important aspects of learning. Tools matter, surface matters, paints and brands matter. There is no other way to become familiar with some materials in particular as using them.
Be motivated
The most important part is to sign up for something that you feel interested in. One should also be prepared to learn, practice and memorize things, be spontaneous, courageous, daring and fearless, as well as have enough personal time for not feeling rushed.
Fall nature and still life
I always work harder on pictures than actual paintings.
Colors in context images are much more like in reality.
I loved them, I hope it becomes a source of pleasure for you, too.
Art is even more than meditation. It transfers us to a different place, it happens in a different dimension and it results in a completely different experience. Just like most of us, I need to shut off the world here and there: to recharge, regain energy and clean my internal vision.
Painting takes away from any troubles and transfers us into the work we are creating, into another dimension. It is totally possible to forget to eat, to forget what the weather outdoors is; what day it is and whether there are some urgent chores to be done. The funny thing is that everybody can get into it. I certainly would advise to experience a moment when everything else disappears, but art is all that matters.
“Love veggies” painting is available from studio and this website
Many subjects are available outdoors.
Ash berries or rowan berries, watercolor
Sunflower sketch
I also got better pictures of sunflower sketch and ash berries. I am in the middle of a creative uplifting swing. I hope it takes me somewhere to higher grounds. Thanks for reading!
Perspective in art is much easier to implement than perspective in life. In fact, there is nothing much to it as far as we are aware of how it works and what it does for a painting or drawing. Linear perspective creates depth and dimension in any drawing and painting which deals with suitable subject. Traditional linear perspective uses size, overlap of objects and their placement in composition, as well as convergence of lines.
Black pen drawing of simplified 2-point perspective building
Where to use it
If you love landscape, street scenes, rural scenes with farms and barns, simple roads, streams or rivers and so forth, you will need to implement linear and atmospheric perspective because they both contribute to dimension and volume of your painting. You will also use color values accordingly to perspective principles. If you are drawing and painting outdoors, you are most likely applying some perspective already.
Old countryside house in pen and watercolor, 18 x 12 in or 46 x 30.5 cm
Vanishing points and front view
Some people are confused: how many vanishing points to use: 1, 2 or even more? The answer is that will depend on the placement of your shapes and forms on different planes. 1-point perspective uses 1 vanishing point on the horizon or reference line. Horizon line can be called eye-level, but I like to call it reference line. You have to remember that vertical lines are parallel to the sides of your paper (if it’s straight) to make look building stand up correctly. Horizontal line creates 90 degree angle with the vertical line in front view. Horizontal lines of front view are parallel to the bottom and top of your paper. Therefore, in 1-point perspective, the straight lines at the bottom of your building and corresponding lines higher up will always create a 90 degree angle with the vertical line.
1-point perspective in landscape
Most often, we use 1-point perspective with roads, streams, tree and fence lines and buildings on both or one side of a road, that is, with views where something disappears in the distance. That creates an easy perceivable and visually attractive composition which is a breeze to create. In 1-point perspective, all lines which lead into distance, meet in the vanishing point. The front angles of the building on the respective plane are 90 degree angles. It sounds more complicated than it is when you draw it. Start with closest end of the building, drawing a rectangle. Connect the points on one vertical line (in my case the left side where I mark height of any element) to the vanishing point.
Pen and watercolor wash of barn, 16 x 12 in or 41 x 30.5 cm
Plein-air drawing, 2-point perspective. Photo does not show all lines correctly since camera draws the front edge closer. To draw it correctly, vanishing points on reference line are placed outside the drawing. That we do always when the subject is large. I usually draw intuitively since I know where approximately these lines meet and where the vanishing points are. Starting out? Mark up vanishing points on each side and connect with respective points on vertical lines. I teach this all in my private classes because it is simply not easy to describe.
Pen and watercolor 2-point perspective sketch, it was mostly done outdoors, since this building is next to my studio entrance.
Many buildings in a landscape or street scene
When drawing close-ups of buildings or placing many scattered buildings in composition, we use rather 2-point (angular) perspective. We use drawing separate buildings most often 2 vanishing points. We adjust the eye level or reference line placement as needed. It can be higher or lower depending on your view. We can move it up or down, and we should use this feature in our favor. That will allow achieving plenty of depth and dimension.
3 vanishing points in one-point or two-point perspective
When some buildings are close, some distant or scattered all around, you could use 3 vanishing points. It does not mean that your drawing becomes extremely complex. It means that you will have freedom to place things in your composition wherever you want them.
Where to place rooftop?
Often, demo drawings that involve 2-point perspective do not explain that the rooftop line runs through one vanishing point. That was also the most confusing part for students since they had a problem placing the roofline where it belongs. Please enjoy the recent paintings and sketches which involve perspective. I will prepare online materials for understanding better how to create linear perspective in drawing or painting.
Perpendicular and parallel lines
The most important aspect is to understand what lines are perpendicular, what parallel, what is obtuse angle, right angle and acute angle. Remembering basics of geometry is really helpful because perspective in drawing is simply achieved once you know how to create it. I am posting some of my recent works that involve creating perspective to illustrate the concept.
Uphill, watercolor painting of rural house, size of this painting is 21.5 x 16.5 in or 54.5 x 42 cm
Outdoor painting
Many drawings, sketches and watercolor paintings are done outdoors or plein-air. Perspective is an important part of any painting, sketch or drawing which displays buildings, street views, roads, fences, bridges and similar subjects. Learning how to create perspective is not difficult or overwhelming. You really need to master perspective if you ever do a realistic painting or drawing with buildings and man-made structures.
