Birch path painting: no reference required
Birch path paintings did not have any reference. I’ve done many paintings without any references, just having some imagined concept and adding to it as I paint. Paintings with birches inspire many established artists and beginners, and birch path in early or late fall is such an inviting landscape since the viewer can walk into it. As you may know, I come originally from Latvia, and birch path and birch grove is a very characteristic view over there.
Simple composition
The composition is usually simple and leads to the focal point which might not always be very accentuated. However, some other of my paintings are just plainly depictions of colorful abstract leaves. My students always asked for birch path and birch tree paintings; therefore, I have many of them. I always paint along with students. After a while, when acrylic paint has reached its complete drying and settling moment, I’d evaluate the painting and add or remove some parts of it as required.
Stepwise approach
My process is usually simple, too. I start with application of texture by randomly creating leaf and grass patterns. After that, I prime and paint canvas. I don’t use any special acrylic primers any longer. I find that using acrylic paint which can be just leftover paint is much more beneficial to the final colors and impact. I use sometimes fairly dark grey, lighter grey, mix of burnt umber, burnt sienna and yellow ocher or cardboard color. These underpainting colors work the best with my art.
Defining the landscape
The next step is pretty much blocking in large areas on which I follow up with sponge and fan brush. When the background is set, I paint in main tree trunks. Using fan brush, I apply more layers. Any of my paintings has numerous layers, as well as switches from cool to warm colors. Camera cannot capture that, and it is painful seeing that photo can never show the fine-tuned colors I’ve used. Camera tends adding too much blue, too much yellow or green while sometimes omitting red completely. These particular paintings contain no blue color, but it might look as if they do on photos.
Birch path 1, it has the most detail, 16 x 20 in or 41 x 51 cm, acrylic on canvas
Just as always, all edges are painted and painting continues beyond the front part, Birch path 2, 16 x 20 in or 41 x 51 cm
Achieving balance with finishing touches
My painting is finished when the flow of colors and lines is balanced and I am satisfied with the most part of a painting. Balance in my art means quite a lot, and I’m aiming for it intentionally. The birch path originals are certainly very impressive and abstract parts compliment the detailed areas. It’s such a pleasure to look at these paintings when they’re next to each other. They are similar, but also have distinctive features.
Steps of autumn, 16 x 20 in or 41 x 51 cm, acrylic painting on canvas. This has the strongest colors, at least in pictures and on my screen
Plenty of inspiration on birch path
I found my inspiration on the birch path and colors came to life. One can paint realistically imaginative landscape, or abstract trees from reality – it doesn’t matter what approach we use – to me personally, painting becomes art when it tells us something. I mean, it tells something without lengthy description. I hope you can feel the leaves under your feet, as well as more trees in the distance. Enjoy! Prints are available from Fine Art America site.
