Art instruction in abundance
Art instruction can be found in abundance everywhere: there are numerous online classes, numerous websites that will give an idea of creating art and also countless real life events. 100% of students who attend my art classes have been watching YouTube art instruction videos, demos and suggestions. One would think they have learned a lot. In fact, it isn’t the case.
What is the gain?
Most people after spending a lot of time with online art instruction videos haven’t learned anything. That sounds strange, but it is a fact. Most people who have been watching YouTube tutorials and demos do not know how to use the brush with acrylic, how to blend paint and how to mix the correct color they want. Most people who were learning drawing and watercolor painting using online video tutorials are afraid of water; they do not know how to apply watercolor paint, how much water to use, how to time the painting process and how to avoid muddy colors. Most people, who were learning how to draw online, cannot draw anything on their own or using real set-up compositions. They can only trace a photo or use an outline printout for their drawing.
Reasons and causes
Why would that be? Why haven’t they become skilled after spending numerous hours at the screen? The main reason might be the one-sidedness. If one has a lot of artistic experience and knowledge of painting techniques and understanding of paint properties, they will benefit from such online art instruction videos. These, who have zero experience, most likely will not. I believe these art instruction videos are good for inspiration and issue solving. If you do not have experience, you will rather get confused and disappointed.
Two-way communication
In real and live class, I can see how somebody understood the demo or painting tip. You’d be surprised seeing what levels of moisture are applied when I am saying: make your paper wet. That ranges from flooded paper with puddles of water to slightly seeing shine on it. Graded wash is understood in very different ways: from thick layer of paint to no paint at all. Not to mention a wet paint application on wet paper and a dry paint application on wet or dry paper.
Timing
Timing is a very important part of painting with either watercolor, or acrylic. By not observing timing and making good use of it, the potential artist will definitely get frustrated. There are things which are easy to do when the timing is right and impossible to do at all if the timing is wrong.
On your own and on one side of screen
When you are sitting on one side of screen, nobody can check or see how exactly you are applying advice or tip. In a live class, I can see right away whether the paint is too wet, too dry, if there is too little of it or way too much of it. I can see right away who understood the technique and who is struggling with it. I am able to notice the weaknesses and the strengths right away, as well, and do that for each particular student.
Brushing techniques
Brushing techniques are probably the most important part of acrylic painting. Most people have absolutely no idea about these techniques. It is understood that it does not matter how you put the acrylic paint on canvas. Well, that makes the painting experience either pleasant or results in frustration when one cannot achieve what they want to.
Using watercolor paint
Most people do not know how wet or how dry watercolor paint should be, and I have seen how some would try applying it without any water at all. Sounds crazy? Yes, it is weird because we call it watercolor because it is used with water. Pigment in watercolor paint is activated using water, otherwise it won’t work. Without doing this properly, there is no watercolor painting, but we create a streaky smear.
Quality of art supplies
There is a principle which is always true when it comes to art supplies: the better quality art supplies are, the easier it is to apply them; and vice versa: the worse quality art supplies are, the more skills one will need to use them properly and to achieve good results.
How to or how not to
While many art instruction demos and videos are called “How to paint ….” they should be called, in fact, “How I paint ….” because there are lots of ways to interpret one and the same subject and one and the same theme. Many of demos also instead of “How to paint …” fall in the category “How not to paint …”. That’s just how wrong the demo or art instruction advice can be. With the widespread accessibility of internet and opportunity to share and post anything, we cannot be always sure if the advice we are given is correct or if it will ever work for us in particular. We have to approach everything selectively. That refers not only to art instruction, but also to any advice for any situation in life.
Teaching without skills? That happens
We have seen by now how art instruction is given by people who do not have the slightest teaching or art experience, as well. Art instruction has become an area where everybody is an expert. Would anybody teach and give music lessons? Piano or guitar lessons, for instance? No, they would not. Would anybody without any knowledge and skill teach foreign language, math or chemistry? No, they would not because that means misleading the student and pretending that one has what they do not. When it comes to drawing and painting, it is assumed that having no experience is not an issue. Just teach it and everything will be fine. Isn’t that a bit absurd?
Learn faster
I would say if you want to see fast results and create decent and interesting art, you definitely have to start with real and live art instruction. Let the art instructor see how and what you are doing because that is the only way to find out why some things do not work and what you should be doing to make this experience rewarding and uplifting. Realistically, the things one needs to learn are the main principles of drawing and painting, not the style and techniques of artist X, Y or Z.
Finding out what you can do
Once you have learned the basics and have established the foundation, you will be able to create anything, draw and paint anything in your personal style and develop a personal approach to any subject. That won’t limit you to being able to only paint one particular scene and subject. It will feel like: I can draw and paint any scene, any still life and floral composition. I can draw and paint anything. That’s why starting with techniques, values, color theory and composition is important. Practically, that means finding out what your brush, paint and pencil can do once you know how to use them.
From simple to complex
Therefore, I would suggest, we start with basics and go from simple subjects to very complex ones. Along with becoming skilled in art, drawing and painting are the absolutely best things to devote our free time and leisure hours to. This means also exploring ourselves, becoming smarter, better with decision-making and invisibly growing new brain cells, as well, extending the lifetime of the existing brain cells. That means a better memory and an improved cognitive function.
Suggestions on how to choose art classes: https://inesepogagallery.com/2017/10/09/choose-art-classes/
Registration for art classes: Art classes
And some of our previous experiences: https://inesepogagallery.com/2013/09/20/art-classes-a-worthwhile-activity/
